{"title":"Cargo WK37 2025","description":"","products":[{"product_id":"the-mountain-goats-the-sunset-tree-20th-anniversary-remaster-cd","title":"The Mountain Goats - The Sunset Tree (20th Anniversary Remaster) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 4AD0842CD\u003cbr\u003eBarcode: 0191400084223\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative \/ Indie Folk\u003c\/p\u003e\n\u003cp\u003eOn April 26, 2005, John Darnielle’s third 4AD full-length album as The Mountain Goats, The Sunset Tree, presented a deeply confessional and emotionally vivid narrative drawn from the depths of the prolific songwriter’s turbulent personal history. Twenty years on, Darnielle revisits the career highlight record with a reissue — composed of 2025 Abbey Road Remasters and featuring original artwork and a new (vinyl only) OBI strip designed by Chris Bigg.\u003c\/p\u003e\n\u003cp\u003eUpon its arrival, The Sunset Tree — recorded with producer John Vanderslice in Northern California towards the end of 2004, and featuring performers Peter Hughes (bass, backing vocals, guitar), Franklin Bruno (piano, guitar), Erik Friedlander (cello), Alex DeCarville (drums), and Scott Solter (keyboards) — emerged as the most coherent and richly rewarding album in the Mountain Goats' wildly extensive discography, and it retains that legacy now.\u003c\/p\u003e\n\u003cp\u003eIt's a mark of Darnielle’s extraordinary fertility that, of the 800-plus songs he has recorded, only a handful directly concern his own life experience; The Sunset Tree’s 13 tracks, written after Darnielle’s stepfather passed away in December 2003, are the bulk of this small subsection. It’s a collection of songs about the house that Darnielle grew up in and the people who lived there — an ensemble cast which includes Darnielle himself, an ex-girlfriend, his mother, stepfather, and sister; old friends and old enemies. \"I've put off writing about this stuff for years,\" he said at the time of its release, \"because I’m a little squeamish about milking my own trauma for art, and getting good songs rather than cry-fests from these experiences is a really excruciating process. And also because my stepfather was still alive.\"\u003c\/p\u003e\n\u003cp\u003eExperienced as a whole rather than as a series of terrifying, frozen moments, The Sunset Tree is a redemptive rather than a remorseless record. As the liner notes say : \"you are going to make it out of there alive.\"\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1. You or Your Memory\u003cbr\u003e2. Broom People\u003cbr\u003e3. This Year\u003cbr\u003e4. Dilaudid\u003cbr\u003e5. Dance Music\u003cbr\u003e6. Dinu Lipatti’s Bones\u003cbr\u003e7. Up the Wolves\u003cbr\u003e8. Lion’s Teeth\u003cbr\u003e9. Hast Thou Considered the Tetrapod\u003cbr\u003e10. Magpie\u003cbr\u003e11. Song for Dennis Brown\u003cbr\u003e12. Love Love Love\u003cbr\u003e13. Pale Green Things\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":45193056256156,"sku":"4AD0842CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1x1CD_Colouredbg.jpg?v=1755095905"},{"product_id":"the-mountain-goats-the-sunset-tree-20th-anniversary-remaster-apricot-vinyl","title":"The Mountain Goats - The Sunset Tree (20th Anniversary Remaster) [Apricot Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 4AD0842LP\u003cbr\u003eBarcode: 0191400084216\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative \/ Indie Folk\u003c\/p\u003e\n\u003cp\u003eOn April 26, 2005, John Darnielle’s third 4AD full-length album as The Mountain Goats, The Sunset Tree, presented a deeply confessional and emotionally vivid narrative drawn from the depths of the prolific songwriter’s turbulent personal history. Twenty years on, Darnielle revisits the career highlight record with a reissue — composed of 2025 Abbey Road Remasters and featuring original artwork and a new (vinyl only) OBI strip designed by Chris Bigg.\u003c\/p\u003e\n\u003cp\u003eUpon its arrival, The Sunset Tree — recorded with producer John Vanderslice in Northern California towards the end of 2004, and featuring performers Peter Hughes (bass, backing vocals, guitar), Franklin Bruno (piano, guitar), Erik Friedlander (cello), Alex DeCarville (drums), and Scott Solter (keyboards) — emerged as the most coherent and richly rewarding album in the Mountain Goats' wildly extensive discography, and it retains that legacy now.\u003c\/p\u003e\n\u003cp\u003eIt's a mark of Darnielle’s extraordinary fertility that, of the 800-plus songs he has recorded, only a handful directly concern his own life experience; The Sunset Tree’s 13 tracks, written after Darnielle’s stepfather passed away in December 2003, are the bulk of this small subsection. It’s a collection of songs about the house that Darnielle grew up in and the people who lived there — an ensemble cast which includes Darnielle himself, an ex-girlfriend, his mother, stepfather, and sister; old friends and old enemies. \"I've put off writing about this stuff for years,\" he said at the time of its release, \"because I’m a little squeamish about milking my own trauma for art, and getting good songs rather than cry-fests from these experiences is a really excruciating process. And also because my stepfather was still alive.\"\u003c\/p\u003e\n\u003cp\u003eExperienced as a whole rather than as a series of terrifying, frozen moments, The Sunset Tree is a redemptive rather than a remorseless record. As the liner notes say : \"you are going to make it out of there alive.\"\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1. You or Your Memory\u003cbr\u003e2. Broom People\u003cbr\u003e3. This Year\u003cbr\u003e4. Dilaudid\u003cbr\u003e5. Dance Music\u003cbr\u003e6. Dinu Lipatti’s Bones\u003cbr\u003e7. Up the Wolves\u003cbr\u003e8. Lion’s Teeth\u003cbr\u003e9. Hast Thou Considered the Tetrapod\u003cbr\u003e10. Magpie\u003cbr\u003e11. Song for Dennis Brown\u003cbr\u003e12. Love Love Love\u003cbr\u003e13. Pale Green Things\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":45193056288924,"sku":"4AD0842LP","price":24.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1x1LP_front__Colouredbg.jpg?v=1755095867"},{"product_id":"bar-italia-some-like-it-hot-clear-turquoise-vinyl","title":"bar italia - Some Like It Hot [Clear Turquoise Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: OLE2177LPE\u003cbr\u003eBarcode: 0191401217705\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eSome Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen – a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia – out October 17th on Matador – and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.\u003c\/p\u003e\n\u003cp\u003eThe synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (the aforementioned ‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’).\u003c\/p\u003e\n\u003cp\u003eThe cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart – the poised Tracey Denim and the grand The Twits – they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.\u003c\/p\u003e\n\u003cp\u003eSome Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of ‘omni shambles’ and ‘Eyepatch’ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: “just show me the face that you've been trying to hide”, Fenton opines on the Balkan-tinged waltz of ‘bad reputation’. Other songs surrender to abandon wholesale: “I was lost to the world from the moment we kissed”, Fenton sings on ‘rooster’, while on the 12-string new wave majesty of ‘Lioness’, Fehmi states, “You have no idea what I can do for you when I’m in this mood”.\u003c\/p\u003e\n\u003cp\u003ebar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, and find elevation in tension, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: “Well, nobody’s perfect.” This, however, comes pretty close.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Fundraiser\u003cbr\u003e2. Marble Arch\u003cbr\u003e3. bad reputation\u003cbr\u003e4. Cowbella\u003cbr\u003e5. I Make My Own Dust\u003cbr\u003e6. Plastered\u003cbr\u003e7. rooster\u003cbr\u003e8. the lady vanishes\u003cbr\u003e9. Lioness\u003cbr\u003e10. omni shambles\u003cbr\u003e11. Eyepatch\u003cbr\u003e12. Some Like It Hot\u003c\/p\u003e","brand":"MATADOR","offers":[{"title":"Default Title","offer_id":45241350783132,"sku":"OLE2177LPE","price":24.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/t.png?v=1756436154"},{"product_id":"bar-italia-some-like-it-hot-lp","title":"bar italia - Some Like It Hot [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: OLE2177LP\u003cbr\u003eBarcode: 0191401217712\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eSome Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen – a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia – out October 17th on Matador – and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.\u003c\/p\u003e\n\u003cp\u003eThe synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (the aforementioned ‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’).\u003c\/p\u003e\n\u003cp\u003eThe cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart – the poised Tracey Denim and the grand The Twits – they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.\u003c\/p\u003e\n\u003cp\u003eSome Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of ‘omni shambles’ and ‘Eyepatch’ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: “just show me the face that you've been trying to hide”, Fenton opines on the Balkan-tinged waltz of ‘bad reputation’. Other songs surrender to abandon wholesale: “I was lost to the world from the moment we kissed”, Fenton sings on ‘rooster’, while on the 12-string new wave majesty of ‘Lioness’, Fehmi states, “You have no idea what I can do for you when I’m in this mood”.\u003c\/p\u003e\n\u003cp\u003ebar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, and find elevation in tension, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: “Well, nobody’s perfect.” This, however, comes pretty close.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Fundraiser\u003cbr\u003e2. Marble Arch\u003cbr\u003e3. bad reputation\u003cbr\u003e4. Cowbella\u003cbr\u003e5. I Make My Own Dust\u003cbr\u003e6. Plastered\u003cbr\u003e7. rooster\u003cbr\u003e8. the lady vanishes\u003cbr\u003e9. Lioness\u003cbr\u003e10. omni shambles\u003cbr\u003e11. Eyepatch\u003cbr\u003e12. Some Like It Hot\u003c\/p\u003e","brand":"MATADOR","offers":[{"title":"Default Title","offer_id":45241350848668,"sku":"OLE2177LP","price":22.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/b_2cef8aef-e8f6-4eba-8b2b-b9f0b9d1dea8.png?v=1756436158"},{"product_id":"bar-italia-some-like-it-hot-cd","title":"bar italia - Some Like It Hot [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: OLE2177CD\u003cbr\u003eBarcode: 0191401217729\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eSome Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen – a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia – out October 17th on Matador – and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.\u003c\/p\u003e\n\u003cp\u003eThe synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (the aforementioned ‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’).\u003c\/p\u003e\n\u003cp\u003eThe cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart – the poised Tracey Denim and the grand The Twits – they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.\u003c\/p\u003e\n\u003cp\u003eSome Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of ‘omni shambles’ and ‘Eyepatch’ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: “just show me the face that you've been trying to hide”, Fenton opines on the Balkan-tinged waltz of ‘bad reputation’. Other songs surrender to abandon wholesale: “I was lost to the world from the moment we kissed”, Fenton sings on ‘rooster’, while on the 12-string new wave majesty of ‘Lioness’, Fehmi states, “You have no idea what I can do for you when I’m in this mood”.\u003c\/p\u003e\n\u003cp\u003ebar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, and find elevation in tension, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: “Well, nobody’s perfect.” This, however, comes pretty close.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Fundraiser\u003cbr\u003e2. Marble Arch\u003cbr\u003e3. bad reputation\u003cbr\u003e4. Cowbella\u003cbr\u003e5. I Make My Own Dust\u003cbr\u003e6. Plastered\u003cbr\u003e7. rooster\u003cbr\u003e8. the lady vanishes\u003cbr\u003e9. Lioness\u003cbr\u003e10. omni shambles\u003cbr\u003e11. Eyepatch\u003cbr\u003e12. Some Like It Hot\u003c\/p\u003e","brand":"MATADOR","offers":[{"title":"Default Title","offer_id":45241350946972,"sku":"OLE2177CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_5d5c00b2-2518-4be2-8b3a-201f22b26c0a.png?v=1756436160"},{"product_id":"black-mountain-black-mountain-20th-anniversary-edition-clear-shadow-wave-vinyl","title":"Black Mountain - Black Mountain (20th Anniversary Edition) [Clear Shadow Wave Vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: JAG070LPC1\u003cbr\u003eBarcode: 0617308087710\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited 20th anniversary edition on clear shadow wave vinyl\u003cbr\u003eUses remastered audio from 2015’s expanded reissue\u003cbr\u003eA heavy rock album that has stood the test of time, including the sludge-rock masterpiece ‘Druganaut’\u003cbr\u003eBlack Mountain are equal parts influenced by legends like Black Sabbath and Led Zeppelin, and influential to the scores of psych, metal, and experimental rock bands who have come behind them in the past two decades\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Mountain, the front-line soldiers for the Black Mountain Army—an arts collective from Vancouver, British Columbia—write, perform, and record music that speaks (and sings) to this realization: that solutions are rarely simple, that the world is as complex as it is ambiguous, and that music sprinkled with an inoculating dose of madness may well be the Pied Piper that takes us all back into the primordial mountain, where our hearts can be made steady and our minds can be set free.\u003cbr\u003eTheir debut self-titled record, like a space probe built of erector set parts and transmitting secret and arcane messages to Earth by string, charts territories unknown yet remains grounded by the roots of classic rock and roll. It’s easy to discern these roots: Black Sabbath, Animals-era Pink Floyd, Blue Cheer, Led Zeppelin, and Can. Principal songwriter Stephen McBean’s vocals are a smoother, bluesier amalgam of the voices of Neil Young, Mick Jagger, and perhaps James Brown loaded on cough syrup. And when Amber Webber’s voice joins Stephen’s, the combination brings to mind the potency and chemistry of Richard and Linda Thompson singing together on Shoot Out the Lights, or of Meat Loaf and Ellen Foley howling together on Bat Out of Hell.\u003cbr\u003eMusical comparisons aside, the Black Mountain full-length is one part protest song, one part pop-cultural commentary, and one part sick-groove-rock casserole peppered with mesmerizing ballads and intoxicating ditties. “Modern Music” is the lead-off hitter and counts its way to the imposing and riff-rife “Don’t Run Our Hearts Around.” Immediately thereafter, the sludge-rock masterpiece “Druganaut” establishes the fecund heart and tone of the record.\u003cbr\u003eThis special 20th anniversary edition of Black Mountain adopts the remastered audio from 2015’s expanded release and is available in limited quantity on clear shadow wave vinyl.\u003cbr\u003e“A rollicking, wildly adventurous reconfiguring of 1960s and 70s nostalgia that's as duty-bound to the present as it is sympathetic to the past.” — Pitchfork, Best New Music [2005]\u003cbr\u003e“Black Mountain’s love for old school rock tropes and its jam band tendencies lend its debut a protective and timeless aura.” — FLOOD Magazine [2015]\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1 - Modern Music\u003cbr\u003e2 - Don't Run Our Hearts Around\u003cbr\u003e3 - Druganaut\u003cbr\u003e4 - No Satisfaction\u003cbr\u003e5 - Set Us Free\u003cbr\u003eSIDE B\u003cbr\u003e6 - No Hits\u003cbr\u003e7 - Heart of Snow\u003cbr\u003e8 - Faulty Times\u003c\/p\u003e","brand":"JAGJAGUWAR","offers":[{"title":"Default Title","offer_id":45241354748060,"sku":"JAG070LPC1","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_dc54953b-507b-4bca-93b2-4b85186c8d4c.jpg?v=1756436502"},{"product_id":"dinosaur-jr-sweep-it-into-space-opaque-light-purple-blast-vinyl","title":"Dinosaur Jr - Sweep It Into Space [Opaque Light Purple Blast Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JAG366LPC6\u003cbr\u003eBarcode: 0656605236698\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eAs part of National Album Day 2025’s celebration of rock, Jagjaguwar are making Dinosaur Jr.’s twelfth album available on limited edition Opaque Light Purple Blast Vinyl. Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr. during the 13th year of their rebirth. Originally scheduled for issue in mid-2020, this record’s temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in.\u003c\/p\u003e\n\u003cp\u003eSweep It Into Space is a masterpiece of zoned dialing. Recorded, as usual, at Amherst’s Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast\/ South East tour. The only extra musician used this time was Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album’s dozen tunes and Murph’s pure-Flinstonian drumming drives the record like a go-cart from Hell. Lou’s songs here are as elegant as always. But there are very few moments where you wouldn’t know you were hearing Dinosaur Jr. in blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eA1.I Ain't\u003cbr\u003eA2. I Met The Stones\u003cbr\u003eA3. To Be Waiting\u003cbr\u003eA4. I Ran Away\u003cbr\u003eA5. Garden\u003cbr\u003eA6. Hide Another Round\u003cbr\u003eB1. And Me\u003cbr\u003eB2. I Expect It Always\u003cbr\u003eB3. Take It Back\u003cbr\u003eB4. N Say\u003cbr\u003eB5. 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It could only be called alchemy, the transformative magic that happens during the Yeah Yeah Yeahs' most tuned-in moments in the studio, when their unique chemistry sparks opens a portal, and out comes a song like \"Maps\" or \"Zero\" or the latest addition to their canon, \"Spitting off the Edge of the World featuring Perfume Genius\" — an epic shot-to-the-heart of pure YYYs beauty and power.A thunderstorm of a return is what the legendary trio has in store for us on Cool It Down, their fifth studio album and their first since 2013’s Mosquito. 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Stubbornly and heroically independent, The Lovely Eggs have forged their own path and have achieved mainstream success without ever compromising their DIY ethics.\u003c\/p\u003e\n\u003cp\u003eReleased on their own label Egg Records, with eye watering artwork by Casey Raymond and hand packed in a black plastic bin bag on neon toxic slime green vinyl, this is yet another collectible release from a band who care as much about the art and ideas in their records as they do about the sound.\u003c\/p\u003e\n\u003cp\u003e“We had all these spare songs after we released our last album Eggsistentialism and we didn’t really know what to do with them,” explained Holly. “They just didn’t seem to fit in with the vibe of Eggsistentialism but we’d recorded them and wanted to get them out there.”\u003c\/p\u003e\n\u003cp\u003e“They’re kind of a sketchbook of songs,” added David. “They’re not polished or laboured over but we thought it would be interesting to release them. 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The band then head out on a UK tour later in the month.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1 Introducing Bullshit\u003cbr\u003e2 The Grind\u003cbr\u003e3 Crab Shell\u003cbr\u003e4 Eat Me\u003cbr\u003e5 Empire of Death\u003cbr\u003e6 (You've Been a) Shit to Me\u003cbr\u003e7 It Takes More Than Us\u003cbr\u003e8 Creepin'\u003cbr\u003e9 Slug Graveyard\u003cbr\u003e10 My Dad\u003cbr\u003e11 Friendship Is A Beautiful Thing\u003cbr\u003e12 The Voyage\u003cbr\u003e13 Furnace Mountain\u003cbr\u003e14 On the Line\u003cbr\u003e15 Melody For Meathead\u003cbr\u003eCD Bonus Tracks\u003cbr\u003e16 Jon Carling\u003cbr\u003e17 1 Like Birds (But I Like Other Animals Too)\u003cbr\u003e18 Devil In Me\u003cbr\u003e19 In Watermelon Sugar\u003cbr\u003e20 Last Train To Ballard\u003cbr\u003e21 I'm Having a Party and We're Killing Ourselves\u003cbr\u003e22 Frankie Oh My!\u003cbr\u003e23 Does It Hurt To Lose The Will To Live?\u003cbr\u003e24 I Spy A Lot of Really Good Sights A Lot Of Things That Are Nice In This Life\u003c\/p\u003e","brand":"EGG RECORDS","offers":[{"title":"Default Title","offer_id":45262435057820,"sku":"EGG022CD","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_15e18646-ccc4-4af6-9d31-c67a1d0f03f1.jpg?v=1757089576"},{"product_id":"the-lovely-eggs-bin-juice-neon-toxic-slime-green-vinyl","title":"The Lovely Eggs - Bin Juice [Neon Toxic Slime Green Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: EGG022LP\u003cbr\u003eBarcode: 5055869551922\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eTo mark their 20th anniversary The Lovely Eggs have announced a very special ltd release entitled “Bin Juice” : a collection of self recorded outtakes from their last album Eggsistentialism as well as rare B sides. 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Two years later, Run For Cover \u0026amp; Poison City Records released The Final Show – Live at Sydney Opera House to commemorate this special moment of the band performing live for the last time.\u003cbr\u003eThe vinyl version of this release features nine songs from the final performance, including tracks from each of the band’s adored albums. This includes songs like “Lost (Season One)” from their self-titled debut, along with tracks from 2018’s How to Socialise Make Friends and their 2022 swan song Running with the Hurricane. All of the pieces that make Camp Cope’s music so special are here—bass player Kelly-Dawn Hellmrich and Sarah Thompson’s drums once again fit perfectly together, with guitarist Jennifer Aslett providing even more moods behind vocalist Georgia Maq’s signature voice.\u003cbr\u003eThe band isn’t alone, either—Julia Jacklin joins in on “The Screaming Planet,” and a chorus of friends like Rin McArdle and Courtney Hartmann sing along on “Sing Your Heart Out.”\u003cbr\u003eCamp Cope fittingly closes this final performance with “The Opener”—a song inspired by the unfortunate experience of being a band trying to fit into a sexist, male-dominated music scene. Hellmrich’s unmistakable bass line opens this final, expanded version of the song, which the band plays for over ten minutes. 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His story, voice, and artistry continue to inspire, making him not only a cornerstone of Brazilian Black music but a timeless figure in global music history.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDEA\u003cbr\u003e1. AMOR ENFEITIÇADO\u003cbr\u003e2. BLOCO DA HARMONIA\u003cbr\u003e3. JAZZ ESTÁ MORTO\u003cbr\u003e4, VERDADEIRO SENTIMENTO\u003cbr\u003eSIDE B\u003cbr\u003e5. E UM POUCO DE PAZ\u003cbr\u003e6. 0 BAILE FUNK VAI ROLAR\u003cbr\u003e7. COMO ENTENDER O AMOR\u003cbr\u003e8. É REAL.. É VERDADE...\u003cbr\u003e9. 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His story, voice, and artistry continue to inspire, making him not only a cornerstone of Brazilian Black music but a timeless figure in global music history.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDEA\u003cbr\u003e1. AMOR ENFEITIÇADO\u003cbr\u003e2. BLOCO DA HARMONIA\u003cbr\u003e3. JAZZ ESTÁ MORTO\u003cbr\u003e4, VERDADEIRO SENTIMENTO\u003cbr\u003eSIDE B\u003cbr\u003e5. E UM POUCO DE PAZ\u003cbr\u003e6. 0 BAILE FUNK VAI ROLAR\u003cbr\u003e7. COMO ENTENDER O AMOR\u003cbr\u003e8. É REAL.. É VERDADE...\u003cbr\u003e9. 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His story, voice, and artistry continue to inspire, making him not only a cornerstone of Brazilian Black music but a timeless figure in global music history.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDEA\u003cbr\u003e1. AMOR ENFEITIÇADO\u003cbr\u003e2. BLOCO DA HARMONIA\u003cbr\u003e3. JAZZ ESTÁ MORTO\u003cbr\u003e4, VERDADEIRO SENTIMENTO\u003cbr\u003eSIDE B\u003cbr\u003e5. E UM POUCO DE PAZ\u003cbr\u003e6. 0 BAILE FUNK VAI ROLAR\u003cbr\u003e7. COMO ENTENDER O AMOR\u003cbr\u003e8. É REAL.. É VERDADE...\u003cbr\u003e9. 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A wealth of superb material showcasing the diversity of Coil: dark, violent, vivid and fractured, yet cohesive and beautiful. Combined with the latest studio technology and Coil's ever-evolving production skills, \"S\u0026amp;C Songs\" walks a fine line between tradition and innovation, continually creating semi-abstract soundscapes with a cinematic quality. CD in digipak.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Futhur\u003cbr\u003e2. Original Chaostrophy\u003cbr\u003e3. Who’ll Tell?\u003cbr\u003e4. Omlagus Garfungiloops\u003cbr\u003e5. Inkling 6. Love’s Secret Domain (Original Mix)\u003cbr\u003e7. Nasa-Arab\u003cbr\u003e8. Who’ll Fall?\u003cbr\u003e9. The Original Wild Garlic Memory\u003cbr\u003e10. Wrim Wram Wrom\u003cbr\u003e11. Corybantic Ennui\u003cbr\u003e12. Her Friends The Wolves…..\u003cbr\u003e13. 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Make no mistake, with 'Sorrows' Cwfen are already one of the names to watch in 2025. A mix of metallic doomgaze, epic gothic soundscapes and post punk attitude. Loud and crushing, yet sharp enough to stick in your head for days.\u003cbr\u003eThere are two kinds of heavy bands: the ones that make a lot of noise and the ones that drag you somewhere you didn't know you needed to go. Cwfen (pronounced 'Coven') are the latter, and Sorrows is a record that doesn't just crush – it haunts long after the final note.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide 1.\u003cbr\u003e1. Fragment I\u003cbr\u003e2. Bodies\u003cbr\u003e3. Wolfsbane (album version)\u003cbr\u003e4. Reliks.\u003cbr\u003eSide 2.\u003cbr\u003e1. Whispers\u003cbr\u003e2. Fragment II\u003cbr\u003e3. Penance (album version)\u003cbr\u003e4. Fragment III\u003cbr\u003e5. Embers\u003cbr\u003e6. 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Thoughtful and introspective yet unafraid of risk, I Stumble, I Walk is a record that honors the stumbles as much as the strides—an homage to movement itself, and to the restless search for what lies beyond the well-worn path.\u003cbr\u003eArtist Statement:\u003cbr\u003eIt's not easy to craft an anchored and enduring sound without losing sight of new horizons. Work that achieves more than momentary success - for artist and audience - still has to make space for the influx of new ideas, new influences, new attempts.\u003cbr\u003eHolding onto creation in\/as movement means exploring facets of our personal artistic sensibility without being caricatural, self-mimicking or trapped in a well-oiled, self-satisfied (and self-satisfying) routine.\u003cbr\u003eIt means keeping a distinct voice, a coherent and genuine sound.\u003cbr\u003eMusic shouldn't be a stiff, rigid container of certitudes, designed to auto-validate a series of trademarked gimmicks and techniques. It needs to be a playground for meandering through unmarked territories, for assembling hybrid 'mélanges'.\u003cbr\u003eStill, evolving can be scary.\u003cbr\u003eExperimentation's way is paved with bends and loops, obstacles and accidents; with missteps, falls and clambers. You have to confidently wander into the fragile space of stumbling. You have to pause, heal, stay straight or deviate. You have to navigate without too much aim.\u003cbr\u003eOf course, you find hidden gems along the way, and you bask in beautiful discoveries as much as you weather the ugliness of “failing”. There is a bittersweet taste to incomplete, uninteresting monsters that never make it.\u003cbr\u003e\"I Stumble, I Walk\" is my third album and it is a record about this fine line. An homage to accident and movement, to moving forward without not letting our legs get tired or our voice get scared. To never settling for what already is.\u003cbr\u003eKeep on stumbling.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Cringe Fest\u003cbr\u003e2.Stonemilker\u003cbr\u003e3.I Stumble, I Walk\u003cbr\u003e4.Vercors\u003cbr\u003e5.A Lock of Your Hair\u003cbr\u003e6.It Works If You're Working\u003cbr\u003e7.Your Picture Is Still on My Wall\u003cbr\u003e8.Oblique\u003cbr\u003e9.Raw Deal\u003cbr\u003e10.Universal Junkyard\u003c\/p\u003e","brand":"DROWNED BY LOCALS","offers":[{"title":"Default Title","offer_id":45413555830940,"sku":"DBL39CD","price":16.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/December-IStumble_IWalk.jpg?v=1760382884"},{"product_id":"dfmk-playa-nuclear","title":"DFMK - Playa Nuclear","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: VIRUS529LP\u003cbr\u003eBarcode: 0721616052916\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eAlternative Tentacles is proud to present “Playa Nuclear”, the brand-new album from Tijuana, B.C. Mexico’s own DFMK. Started in 2009, DFMK have released several EP’s and a Full-Length LP before meeting Jello Biafra at an underground “if you know a punk” show at a motorcycle shop in Oakland, CA that led to the release of the “Dame Peligro” 7” in 2022.\u003cbr\u003e“Playa Nuclear” comes out swinging with dirty and mean rock n’ roll with a punk rock soul. Driving tempos, melodic riffs, raw leads, and high-octane vocals will make the album an instant favorite for hardcore punk fans Playa Nuclear” is the second full-length by the band since the self-titled LP debut in 2021.\u003cbr\u003eRecorded in 2023 in Tijuana by DFMK’s long-time friend and collaborator Fernando Morales, who also worked on many of the EP releases from the band including “Dame Peligro”. Mastered by Jason Livermoreat The Blasting Room in Fort Collins, CO who the band has worked with many times as well. The album features artwork by Boom Boom Kid, aka Nekro, a punk rock icon from Buenos Aires, Argentina (of the bands Fun People, Boom Boom Kid who also contributes vocals on “Tengo Lo Que Necesito” on the album along with keyboards by Nicole Laurenne, from labelmates The Darts on the title track “Playa Nuclear” and “Sometidos y Aburridos”!\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Mi Rutina\u003cbr\u003e2. Desquiciados\u003cbr\u003e3. Playa Nuclear\u003cbr\u003e4. Lo que Necesito\u003cbr\u003e5. Perdurar = Sobrevivir\u003cbr\u003e6. Sumisos y Aburridos\u003cbr\u003e7. Tren de la Muerte\u003cbr\u003e8. Despersonalizacion\u003cbr\u003e9. Eterna Condena\u003cbr\u003e10. Soy la Enfermedad\u003cbr\u003e11. Lavado del Cerebro\u003cbr\u003e12. Pobres Criaturas\u003cbr\u003e13. Medicina\u003c\/p\u003e","brand":"ALTERNATIVE TENTACLES","offers":[{"title":"Default Title","offer_id":45413557960860,"sku":"VIRUS529LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DFMK-PlayaNuclear.jpg?v=1760382965"},{"product_id":"doug-firebaugh-performance-one","title":"Doug Firebaugh - Performance One","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NUM655LP\u003cbr\u003eBarcode: 0825764165518\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Country\u003c\/p\u003e\n\u003cp\u003eSwindly Cosmic Americana for the boxcar bound.\u003cbr\u003eOperating out of a suite in the Roanoke, Virginia Ramada Inn Tiffin Music Enterprises International was but one of hundreds of gray-market record companies offering dubious services to Nashville aspirants.\u003cbr\u003eCut in three days in 1975, 20-year-old Firebaugh wrote and played every bummed-out note, save a forgotten pedal steel man.\u003cbr\u003e50th anniversary edition remaster fits snugly in your private mind garden\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. 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The core duo, comprising Addison Rifkind on guitar and Michael Duffy on drums, is joined by Nestor Del Prado on upright bass, bringing a fresh twist to the works of these legendary artists, both within and beyond the realm of soul jazz.\u003cbr\u003eFrom the straightforward version of Boogaloo Joe Jones' \"No Way\" to the more energetic rendition of \"Gatur Bait,\" by the lesser-known New Orleans funk group The Gaturs, Fat Produce elevates their sound to the next level with a variety of skillfully crafted arrangements. With Rifkind's ability to capture the melodic elements onto guitar as on Isaac Hayes \"Hung Up On My Baby\" and adapting Toots' vocal on \"54-46 Was My Number,\" to Duffy's creative interpretations, yet staying true to the pocket, on the mash-up \"90% of Me Is You\/Bam Bam\" and soul jazz classic \"Texas Twister\" by Melvin Sparks, \"Soulful Days\" is expertly arranged for listeners to enjoy again and again. 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On this album Faten uses counterpoint as a narrative tool to create music that is mysterious, smudgy, and deeply melodic. From the repetitive structures of modern minimalism and early music\/baroque influences - to more languid textural ebbs and tides, there's a warmth in her use of synthesizers that gives her work a curiously timeless feel. Composing intuitively, her music creates its own world - one that isn't easily categorised.\u003cbr\u003eDiary of a Candle is punctuated with tender woodwinds and richly-layered strings, touched by the hazy atmospheres of 1970s\/1980s films. Its understated heart-on sleeve romanticism follows the rhythm of nature: it bends in the breeze, drifts through the air, and settles on the ground. The ambiance is not an escapism, but the re-focusing of a lens through which humans are no longer the protagonists. 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The album captures a moment of creative freedom, where both MCs were firing on all cylinders, trading verses with sharpness, humor, and effortless chemistry. Their interplay reflects a deep mutual respect and a shared drive to push boundaries while keeping things rooted in style and substance. Working with different producers for each volume allowed Murs and Slug to bring a unique energy to each release, and Ant’s masterful production was central to the chemistry of Felt 2. With roots in classic soul and West Coast bounce, his beats created a warm, funk-laced foundation that allowed both rappers\u003cbr\u003eto experiment with new cadences and ideas. Rather than lean on moodiness or melodrama, the soundscape of Felt 2 is expansive, colorful, and rooted in rich, infectious rhythm—an aesthetic that has aged gracefully and continues to draw new listeners into its orbit. While undeniably fun, Felt 2 is also structurally tight and full of moments that reward repeat listens. The chemistry between Murs and Slug is effortless, and their shared sense of humor, timing, and respect for the craft creates a lasting impression. It’s a standout entry in the canon of early-2000s indie hip-hop, and one that’s long overdue for a proper vinyl reissue.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Reintroduction\u003cbr\u003e2. Employees Of The Year\u003cbr\u003e3. Your Mans And Them\u003cbr\u003e4. Lisa (Never Easty On My Nextel)\u003cbr\u003e5. Morris Day\u003cbr\u003e6. Dirty Girl\u003cbr\u003e7. Early Mornin' Tony\u003cbr\u003e8. Breaker Down Like A Shotgun\u003cbr\u003e9. Marvin Gaye\u003cbr\u003e10. Life Vegas\u003cbr\u003e11. Bonet (Cement Angels)\u003cbr\u003e12. Woman Tonight\u003cbr\u003e13. Gangster Ass Anthony\u003cbr\u003e14. The Biggest Lie\u003cbr\u003e15. 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Made purely for the love of playing together again, the album is equal parts highly-concentrated effort, pressure-free creativity and the thirst to settle unfinished business after the band stopped making music together in 2012.\u003cbr\u003eIn 2023, low-key texts started popping up in the band's group chat, and plans were made to hang out at a borrowed practice space in Cleveland just to see if making music together still felt good. The secret reunion was surprisingly comfortable and everything clicked back into place. After two weekends of jamming, a few loose ideas evolved into songs and were recorded with fellow noodlepunk Joe Reinhart (Hop Along, Joyce Manor, Modern Baseball), as the garden continued to grow around them. Half a year passed, and after a few more weekend-long bursts of songwriting, the band returned to Reinhart to finish what will become their (classic) third record - Big Dreams, Mister. Good Luck is back, just like that.\u003cbr\u003e“We always felt like we might write music together again,” the band shares. “And once we did, these songs felt exactly like what we would write.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Into the Void\u003cbr\u003e2. Heed My Call\u003cbr\u003e3. No T-Shirts\u003cbr\u003e4. Hold on We’re on the Way\u003cbr\u003e5. Timelapse\u003cbr\u003e6. Innumerable Sea\u003cbr\u003e7. What Young Me Wanted\u003cbr\u003e8. Pin Me Down\u003cbr\u003e9. Bobbingldling\u003cbr\u003e10. 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Before Suicide had really made it to the West Coast, Grey Factor were working in a similar realm - early post-punk, a little before punk (as such) and proto-industrial music. Here's what the band has to say:\u003cbr\u003eThe future is tricky - and while we may have been left behind, this is our attempt to catch up with it. We offer a double CD capturing everything we’ve ever recorded. The Future Arrives Without You includes the previously released vinyl LPs - 1979–1980 A.D. Complete Studio Recordings and A Peak In The Signal: Live 1979–1980—plus a few surprises, including our first new studio tracks in 45 years. Both songs are covers, Wire's 12XU and Campag Velocet's Sauntry Sly Chic, and nine more lost studio tracks.\u003cbr\u003e12XU was a jolt of pure adrenaline—two minutes of perfection from one of the era's best bands, a huge influence on us. Sauntry Sly Chic, from a group few remember but we never forgot, had one of the most infectious grooves we had ever heard. 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Both sonically and thematically, Future Remains was a debut that found the band storm out of the gate with a crystal-clear mission statement. Somewhere in the space behind a well-worn eight-track recorder and the polish of present-day production, Hollow Ship have lift off. Since then word of mouth about one of the greatest hidden psychedelic bands around have spread around the world, culminating in \"Magic Mountain\" climbing Spotify's viral charts around the world, hitting no 2 in the US while topping the chart in their native Sweden. This third pressing of the album arrives on limited blue vinyl, complete with alternative artwork by D. Norsen, and won't be lasting long.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA:\u003cbr\u003e1. Take Off\u003cbr\u003e2. We Came Too Late\u003cbr\u003e3. Agent\u003cbr\u003e4. Chasing Shadows\u003cbr\u003eB:\u003cbr\u003e1. Magic Mountain\u003cbr\u003e2. In the End\u003cbr\u003e3. Built to Last\u003cbr\u003e4. Stay Sane\u003cbr\u003e5. 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It features ten new original songs all offering Holly’s unique look at life and reflecting its many ups and downs. “‘Black Tongue’ is a melodic hex” says Holly, “feel free to use it, it works!”\u003cbr\u003eAnother standout track is ‘It’s All’ which Holly describes as a memorial song. “This one is dedicated to several old friends. A contribution to funerals I could not attend” she says.\u003cbr\u003eAs always, the darker songs are offset with lighter offerings – “‘Rolling Along’ is an upbeat ditty of encouragement for everyone, since we are all doing it!”\u003cbr\u003eIt also wouldn’t be a Holly Golightly album if there wasn’t a sharp caustic track or two included. “‘Miss Fortune’ is a blunt advisory number for those without a lick of sense” says Holly.\u003cbr\u003eWe’ve been enjoying this album immensely in the DG office for the last few months. Now it’s time to share it with you. We hope you enjoy it!\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Black Tongue\u003cbr\u003e2.My Get Back\u003cbr\u003e3.It’s All\u003cbr\u003e4.Rolling Along\u003cbr\u003e5.Down To One\u003cbr\u003e6.Miss Fortune\u003cbr\u003e7.Secrets We Keep\u003cbr\u003e8.The Right Thing\u003cbr\u003e9.Time\u003cbr\u003e10.Sail On\u003c\/p\u003e","brand":"DAMAGED GOODS","offers":[{"title":"Default Title","offer_id":45413648236700,"sku":"DAMGOOD630CD","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/hollygolightly_lookliketroubleDAMGOOD630_d4842f33-4692-4acb-8cd6-1e67e03ef9e0.jpg?v=1760385331"},{"product_id":"holly-golightly-look-like-trouble-lp","title":"Holly Golightly - Look Like Trouble [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAMGOOD630LP\u003cbr\u003eBarcode: \u003cspan\u003e5020422063013 \u003c\/span\u003e\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eHolly Golightly is back with her first new album since Do The Get Along from seven years ago! Look like Trouble is set for release on October 17th 2025. It features ten new original songs all offering Holly’s unique look at life and reflecting its many ups and downs. “‘Black Tongue’ is a melodic hex” says Holly, “feel free to use it, it works!”\u003cbr\u003eAnother standout track is ‘It’s All’ which Holly describes as a memorial song. “This one is dedicated to several old friends. A contribution to funerals I could not attend” she says.\u003cbr\u003eAs always, the darker songs are offset with lighter offerings – “‘Rolling Along’ is an upbeat ditty of encouragement for everyone, since we are all doing it!”\u003cbr\u003eIt also wouldn’t be a Holly Golightly album if there wasn’t a sharp caustic track or two included. “‘Miss Fortune’ is a blunt advisory number for those without a lick of sense” says Holly.\u003cbr\u003eWe’ve been enjoying this album immensely in the DG office for the last few months. Now it’s time to share it with you. We hope you enjoy it!\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Black Tongue\u003cbr\u003e2.My Get Back\u003cbr\u003e3.It’s All\u003cbr\u003e4.Rolling Along\u003cbr\u003e5.Down To One\u003cbr\u003e6.Miss Fortune\u003cbr\u003e7.Secrets We Keep\u003cbr\u003e8.The Right Thing\u003cbr\u003e9.Time\u003cbr\u003e10.Sail On\u003c\/p\u003e","brand":"DAMAGED GOODS","offers":[{"title":"Default Title","offer_id":45413648269468,"sku":"DAMGOOD630LP","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/hollygolightly_lookliketroubleDAMGOOD630.jpg?v=1760385325"},{"product_id":"imploders-targeted-for-termination","title":"Imploders - Targeted For Termination","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SSR131\u003cbr\u003eBarcode: 5056321698339\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eToronto's IMPLODERS return with their second long player, Targeted For Termination. Faster, rawer sounding and meaner than their debut, this one trims all the fat and goes straight for the gut with 12 new tracks, the longest hitting just 96 seconds.\u003cbr\u003eThe sound still resides in classic hardcore from both sides of the border with the emphasis on punk (think Circle Jerks, Zero Boys and Angry Samoans). Lyrically they dive deeper into their world of annoyances, grievances and late nights of taking in the joys of both Heavy Metal (the movie) and Medieval Times (not for buffs). Housed in a sleeve with a vision of the future that could have come straight out of a cheap 50's sci-fi novel. Would you survive?\u003cbr\u003eTargeted For Termination lands with a full European tour with a UK rip to follow in the near future.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Brute Force\u003cbr\u003e2. Out Of Time\u003cbr\u003e3. Chained To A Wall\u003cbr\u003e4. Who Am I?\u003cbr\u003e5. Backwards\u003cbr\u003e6. Nuke This City\u003cbr\u003e7. 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Though recorded DIY across home studios using a modest setup, the album was professionally mixed to ensure a rich, immersive listening experience that captures every nuance — from the warmth of analogue instrumentation to the soft rustle of field recordings.\u003cbr\u003eTuplin’s fifth album sees a shift toward deeply personal songwriting, moving away from character-driven narratives and focusing on the ephemeral nature of life and the quiet wonder of our planet. Framed by his signature fascination with space and philosophy, *Planet Heaven* is both a love letter to Earth and a meditation on human fragility. Contributions from a circle of collaborators — including Kerry Devine (The Baby Seals), Dana Gavanski, and Adrian Crowley — add texture and depth to an already expansive soundscape.\u003cbr\u003eCombining poetic lyricism with ambient field recordings and psychedelic flourishes, this is Tuplin’s most emotionally resonant work to date — honest, unvarnished, and full of heart.\u003cbr\u003e“Just brilliant.” – Deb Grant, BBC 6 Music\u003cbr\u003e“Tuplin belongs in the lineage of arch dramatists like Tindersticks and The National.” – *Uncut Magazine*\u003cbr\u003e“A dreamy, ambling trip with a smattering of celestial embellishments.” – *The Independent*\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Old House \u0026amp; The Waves\u003cbr\u003e2. Passing Through The Western Lagoon\u003cbr\u003e3. Late To The Party\u003cbr\u003e4. Pigeon Song feat. Kerry Devine\u003cbr\u003e5. angelsad feat. heka\u003cbr\u003e6. Black Out {interlude}\u003cbr\u003e7. Transformer feat. 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This record explores a more subtle sound, with droning melodies and dissonant synths at times yet still evoking a classic SoCal punk style. You can get hints of influences from classic 80s punk like T.S.O.L. and REDD KROSS, with some old school hardcore stomp worming its way into a few songs even. This record captures a band clearly forging their own path thus making it hard to pinpoint the exact style, so have a listen.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Rhetoric of Trash\u003cbr\u003e2. The Bug\u003cbr\u003e3. In Vogue\u003cbr\u003e4. Fool's Gold\u003cbr\u003e5. Roadkill\u003cbr\u003e6. Needles\u003cbr\u003e7. The Wraith\u003cbr\u003e8. Manifest Destiny\u003cbr\u003e9. Generator\u003cbr\u003e10. Affirmative Denial\u003cbr\u003e11. Foreign Aid\u003cbr\u003e12. 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Though the ambient intermezzos between tracks could probably have been done effortlessly and more icily by any of Cold Spring's main usual suspects, they are nonetheless eerie, and the clanking, atavistic black metal component is equally haunting.\" (Terrorizer) King Ov Hell (Gorgoroth, Sahg, God Seed) and Kvitrafn (aka Einar Selvik of Wardruna, Skuggsjá, Gorgoroth) teamed up and formed Jotunspor (\"tracks\/traces of giants\").Musically, \"Gleipnirs Smeder\" binds grim and primitive black metal together with elements of noisy dark-ambient, while the concept of Jotunspor is strongly founded in the old Norse cults and beliefs. \"Glepnirs Smeder\", or The Forgers of Gleipnir, explores some of the incidents surrounding the creation of the world and Ragnarok - the ultimate doom \/ transformation. The chain Gleipnir, its forgers from the depths of Svartalvheim and Fenris - the chained jotun-wolf are some of the most important themes on the album, on which the lyrics are sung in Norwegian and Old Norse tongue. Produced and engineered in Norway by Kvitrafn.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Gleipnirs Smeder\u003cbr\u003e2. Svartalvheims Djup\u003cbr\u003e3. Solartjuven\u003cbr\u003e4. Freke Han Renn…\u003cbr\u003e5. Sol Mun Svartne\u003cbr\u003e6. Ginnungagalder\u003cbr\u003e7. 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Known for soft and soaring landscapes, Living Hour now draws harder boundaries within their sound through moments of fuzzy intensity.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A:\u003cbr\u003e1.Stainless Steel Dream\u003cbr\u003e2.Wheel\u003cbr\u003e3.Waiter\u003cbr\u003e4. Best I Did It\u003cbr\u003e5. Firetrap\u003cbr\u003e6. Big Shadow\u003cbr\u003eSIDE B:\u003cbr\u003e1. Texting\u003cbr\u003e2. Little Kid\u003cbr\u003e3. Half Can\u003cbr\u003e4. 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Produced by Jay Som, Internal Drone Infinity traces the movement of places and people across the boundaries of self, making us into different people, and offering the chance to remember and recover who we become through the process. Known for soft and soaring landscapes, Living Hour now draws harder boundaries within their sound through moments of fuzzy intensity.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A:\u003cbr\u003e1.Stainless Steel Dream\u003cbr\u003e2.Wheel\u003cbr\u003e3.Waiter\u003cbr\u003e4. Best I Did It\u003cbr\u003e5. Firetrap\u003cbr\u003e6. Big Shadow\u003cbr\u003eSIDE B:\u003cbr\u003e1. Texting\u003cbr\u003e2. Little Kid\u003cbr\u003e3. Half Can\u003cbr\u003e4. 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Once more the Church of Matt’s organ plays a significant role on these five pieces that navigate between composition and improvisation. However, the two prolific musicians aimed for an even more diverse sonic and stylistic palette. They brought new instruments into the fold to record an album that marries subtlety with complexity, the ephemeral with corporality. These five pieces are auditive microcosms that carry a calm but concentrated energy within them, that are repetitive and result from our bodies’ movements, as Schlotter and Berther put it. 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The largest exhibit of dada art and artefacts this century, over 250 artworks by 43 artists including Kurt Schwitters, Jean and Sophie Teuber Arp, Hannah Hoch, John Heartfelt, Tristan Tzara, Max Ernst, Francis Picabia, Raoul Hausmann, Marcel Duchamp, Man Ray. This electric performance captures the band at their most eclectic and playful. Here six tracks feature the classic line up of Steven Stapleton, Andrew Liles and Colin Potter including the toe tapping crowd pleaser ‘Flea Circus’ - a mutant hybrid of Kraftwerk and Aphex Twin and is amongst the best the band have ever recorded. ‘Broken America’ is timely reminder of the dire situation we are all facing with the arrival of Trump’s America. 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II [CD]","description":"\u003cp\u003eFormat: CD, Heavy-duty Super Audio jewel case\u003cbr\u003eCatalogue No.: CHEF001CD\u003cbr\u003eBarcode: \u003cspan\u003e0784085103411 \u003c\/span\u003e\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eThe long-awaited follow-up to the Wu-Tang Clan classic, Only Built 4 Cuban Linx... Pt. II arrived in 2009 as a triumphant return to the mafioso rap blueprint Raekwon helped pioneer. More than a sequel, the album cemented Rae’s legacy as one of hip-hop’s sharpest storytellers, pairing vivid narratives with cinematic production from legends including J Dilla, Dr. Dre, RZA, Pete Rock, and The Alchemist.\u003cbr\u003eA spiritual continuation of the Purple Tape legacy, OB4CL2 delivers gritty crime tales, street wisdom, and Wu-Tang brotherhood, with standout appearances from Ghostface Killah (who recently released his , Method Man, Inspectah Deck, GZA, and more. Hailed as one of the best hip-hop albums of the 2000s, the project balances nostalgia with evolution — connecting the past to the present.\u003cbr\u003eThe packaging has also been revisited to highlight Danny Hastings’ original photography with updated design elements, creating a fresh presentation that honors the aesthetic of the 2009 release. To further connect back to the lineage of the OG Purple Tape, it also features a new “Shallah Raekwon” signature, a subtle nod to the tag first seen on the original Only Built 4 Cuban Linx.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING \u003cbr\u003e1. Return Of The North Star (feat. Papu Wu)\u003cbr\u003e2. House Of Flying Daggers (feat. Inspectah Deck, Ghostface Killah, Method Man)\u003cbr\u003e3. Sonny's Missing\u003cbr\u003e4. Pyrex Vision\u003cbr\u003e5. Cold Outside (feat. Ghostface Killah)\u003cbr\u003e6. Black Mozart (feat. RZA, Inspectah Deck)\u003cbr\u003e7. Gihad\u003cbr\u003e8. New Wu (feat. Ghostface Killah, Method Man)\u003cbr\u003e9. Penitentiary (feat. Ghostface Killah)\u003cbr\u003e10. Baggin Crack\u003cbr\u003e11. Surgical Gloves\u003cbr\u003e12. Broken Safety (feat. Jadakiss, Styles P)\u003cbr\u003e13. Canal Street\u003cbr\u003e14. Ason Jones\u003cbr\u003e15. Have Mercy (feat. Beanie Sigel, Blue Raspberry)\u003cbr\u003e16. 10 Bricks (feat. Cappadonna, Ghostface Killah)\u003cbr\u003e17. Fat Lady Sings\u003cbr\u003e18. Catalina (feat. Lyfe Jennings)\u003cbr\u003e19. We Will Rob You (feat. Slick Rick, Masta Killa, GZA, About Me)\u003cbr\u003e20. Mean Streets (feat. Inspectah Deck, Ghostface Killah)\u003cbr\u003e21. Kiss The Ring (feat. Inspectah Deck, Masta Killa)\u003cbr\u003e22. Walk Wit Me\u003cbr\u003e23. Badlands (feat. Ghostface Killah)\u003cbr\u003e\u003c\/p\u003e","brand":"FAT BEATS \/ ICE H20","offers":[{"title":"Default Title","offer_id":45413676220572,"sku":"CHEF001CD","price":21.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CHEF001_CDMOCKUP.jpg?v=1760388524"},{"product_id":"raekwon-only-built-4-cuban-linx-pt-ii-half-and-half-purple-yellow-with-black-splatter-vinyl-2lp","title":"Raekwon - Only Built 4 Cuban Linx... Pt. II [Half-and-half purple \u0026 yellow with black splatter Vinyl 2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eCHEF001VAR \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0784085103558 \u003c\/span\u003e\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eHalf-and-half purple \u0026amp; yellow with black splatter Vinyl, featuring an OBI strip and printed insert.\u003c\/p\u003e\n\u003cp\u003eThe long-awaited follow-up to the Wu-Tang Clan classic, Only Built 4 Cuban Linx... Pt. II arrived in 2009 as a triumphant return to the mafioso rap blueprint Raekwon helped pioneer. More than a sequel, the album cemented Rae’s legacy as one of hip-hop’s sharpest storytellers, pairing vivid narratives with cinematic production from legends including J Dilla, Dr. Dre, RZA, Pete Rock, and The Alchemist.\u003cbr\u003eA spiritual continuation of the Purple Tape legacy, OB4CL2 delivers gritty crime tales, street wisdom, and Wu-Tang brotherhood, with standout appearances from Ghostface Killah (who recently released his , Method Man, Inspectah Deck, GZA, and more. Hailed as one of the best hip-hop albums of the 2000s, the project balances nostalgia with evolution — connecting the past to the present.\u003cbr\u003eThe packaging has also been revisited to highlight Danny Hastings’ original photography with updated design elements, creating a fresh presentation that honors the aesthetic of the 2009 release. To further connect back to the lineage of the OG Purple Tape, it also features a new “Shallah Raekwon” signature, a subtle nod to the tag first seen on the original Only Built 4 Cuban Linx.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING \u003cbr\u003e1. Return Of The North Star (feat. Papu Wu)\u003cbr\u003e2. House Of Flying Daggers (feat. Inspectah Deck, Ghostface Killah, Method Man)\u003cbr\u003e3. Sonny's Missing\u003cbr\u003e4. Pyrex Vision\u003cbr\u003e5. Cold Outside (feat. Ghostface Killah)\u003cbr\u003e6. Black Mozart (feat. RZA, Inspectah Deck)\u003cbr\u003e7. Gihad\u003cbr\u003e8. New Wu (feat. Ghostface Killah, Method Man)\u003cbr\u003e9. Penitentiary (feat. Ghostface Killah)\u003cbr\u003e10. Baggin Crack\u003cbr\u003e11. Surgical Gloves\u003cbr\u003e12. Broken Safety (feat. Jadakiss, Styles P)\u003cbr\u003e13. Canal Street\u003cbr\u003e14. Ason Jones\u003cbr\u003e15. Have Mercy (feat. Beanie Sigel, Blue Raspberry)\u003cbr\u003e16. 10 Bricks (feat. Cappadonna, Ghostface Killah)\u003cbr\u003e17. Fat Lady Sings\u003cbr\u003e18. Catalina (feat. Lyfe Jennings)\u003cbr\u003e19. We Will Rob You (feat. Slick Rick, Masta Killa, GZA, About Me)\u003cbr\u003e20. Mean Streets (feat. Inspectah Deck, Ghostface Killah)\u003cbr\u003e21. Kiss The Ring (feat. Inspectah Deck, Masta Killa)\u003cbr\u003e22. Walk Wit Me\u003cbr\u003e23. Badlands (feat. Ghostface Killah)\u003cbr\u003e\u003c\/p\u003e","brand":"FAT BEATS \/ ICE H20","offers":[{"title":"Default Title","offer_id":45413676384412,"sku":"CHEF001VAR","price":44.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CHEF001-VAR_INDIEEXCL.MOCKUP.jpg?v=1760388541"},{"product_id":"raekwon-only-built-4-cuban-linx-pt-ii-2lp","title":"Raekwon - Only Built 4 Cuban Linx... Pt. II [2LP]","description":"\u003cp\u003eFormat: 2 x LP, Black Vinyl\u003cbr\u003eCatalogue No.: CHEF001\u003cbr\u003eBarcode: \u003cspan\u003e0784085103367 \u003c\/span\u003e\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eThe long-awaited follow-up to the Wu-Tang Clan classic, Only Built 4 Cuban Linx... Pt. II arrived in 2009 as a triumphant return to the mafioso rap blueprint Raekwon helped pioneer. More than a sequel, the album cemented Rae’s legacy as one of hip-hop’s sharpest storytellers, pairing vivid narratives with cinematic production from legends including J Dilla, Dr. Dre, RZA, Pete Rock, and The Alchemist.\u003cbr\u003eA spiritual continuation of the Purple Tape legacy, OB4CL2 delivers gritty crime tales, street wisdom, and Wu-Tang brotherhood, with standout appearances from Ghostface Killah (who recently released his , Method Man, Inspectah Deck, GZA, and more. Hailed as one of the best hip-hop albums of the 2000s, the project balances nostalgia with evolution — connecting the past to the present.\u003cbr\u003eThe packaging has also been revisited to highlight Danny Hastings’ original photography with updated design elements, creating a fresh presentation that honors the aesthetic of the 2009 release. To further connect back to the lineage of the OG Purple Tape, it also features a new “Shallah Raekwon” signature, a subtle nod to the tag first seen on the original Only Built 4 Cuban Linx.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING \u003cbr\u003e1. Return Of The North Star (feat. Papu Wu)\u003cbr\u003e2. House Of Flying Daggers (feat. Inspectah Deck, Ghostface Killah, Method Man)\u003cbr\u003e3. Sonny's Missing\u003cbr\u003e4. Pyrex Vision\u003cbr\u003e5. Cold Outside (feat. Ghostface Killah)\u003cbr\u003e6. Black Mozart (feat. RZA, Inspectah Deck)\u003cbr\u003e7. Gihad\u003cbr\u003e8. New Wu (feat. Ghostface Killah, Method Man)\u003cbr\u003e9. Penitentiary (feat. Ghostface Killah)\u003cbr\u003e10. Baggin Crack\u003cbr\u003e11. Surgical Gloves\u003cbr\u003e12. Broken Safety (feat. Jadakiss, Styles P)\u003cbr\u003e13. Canal Street\u003cbr\u003e14. Ason Jones\u003cbr\u003e15. Have Mercy (feat. Beanie Sigel, Blue Raspberry)\u003cbr\u003e16. 10 Bricks (feat. Cappadonna, Ghostface Killah)\u003cbr\u003e17. Fat Lady Sings\u003cbr\u003e18. Catalina (feat. Lyfe Jennings)\u003cbr\u003e19. We Will Rob You (feat. Slick Rick, Masta Killa, GZA, About Me)\u003cbr\u003e20. Mean Streets (feat. Inspectah Deck, Ghostface Killah)\u003cbr\u003e21. Kiss The Ring (feat. Inspectah Deck, Masta Killa)\u003cbr\u003e22. Walk Wit Me\u003cbr\u003e23. Badlands (feat. Ghostface Killah)\u003cbr\u003e\u003c\/p\u003e","brand":"FAT BEATS \/ ICE H20","offers":[{"title":"Default Title","offer_id":45413676417180,"sku":"CHEF001","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CHEF001_STANDARDBLACK.jpg?v=1760388546"},{"product_id":"rumah-sakit-rumah-sakit-25","title":"Rumah Sakit - Rumah Sakit 25","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: TRR446LP\u003cbr\u003eBarcode: 0656605444611\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRumah Sakit 25 collects Rumah Sakit’s debut album and their long out-of-print Travels In Constants EP into one extraordinary package. Reuniting the band with Bob Weston to meticulously remaster from the original master tapes, Rumah Sakit 25 features new cover art from old friends and collaborators, Jeremiah Maddock and Marty Anderson. The expansive 180 gram audiophile-grade gatefold 2xLP includes full-color printed inner sleeves featuring hundreds of previously unpublished photos documenting the inspired early era in the band’s history, as well as a massive full-size 24-page art book of previously unpublished artwork by Maddock. It’s an exquisite opus that masterfully captures a band who ultimately inspired artists that followed them, and whose members’ later collaborations with the likes of Foals, Pinback, Sweep the Leg Johnny, Sleeping People and HEY!TONAL would underscore how uniquely diverse and prolific Rumah Sakit truly were. Rumah Sakit were a four-piece rock band based in San Francisco, CA. The group began to take shape in 1998 after guitarist John Baez, bassist Kenseth Thibideau and drummer, Jeff Shannon, all moved from Redlands to San Francisco. Fully formed once guitarist Mitch Cheney quickly joined, the band settled on the name Rumah Sakit – a literal Indonesian translation of “sick room” (aka hospital) – and a sound that fused the frenetic energy of Red-era King Crimson with a meditative melodicism that starkly contrasted the vast majority of “math-rock” bands of the era. Soon thereafter, Rumah Sakit entered the studio for the first time to record what would become their eponymous debut album.\u003cbr\u003eRumah Sakit was recorded in 1999 at the hallowed Music Annex studio across two somewhat clandestine overnight sessions with studio interns\/good friends\/fledgling engineers, Jay \u0026amp; Ian Pellicci. The album was made with a “no tricks” philosophy that would come to define the band’s approach to performing and documenting their music. Recorded entirely live with no overdubs in very few takes, the band embraced the art of using the natural presence of the room and strategic gear placement to capture the purest and most accurate representation of those songs in those moments. In an era that was quickly being transformed by the burgeoning popularity of ProTools and meticulously manicured, maximalist mixes, the world inside of Rumah Sakit was a refreshing respite.\u003cbr\u003eA year later, in the fall of 2000, Rumah Sakit flew renowned Chicago recording engineer and Shellac bassist, Bob Weston, out to San Francisco to spend two brief days recording a new EP at the scrappy Tiny Telephone Recording. This EP would be released as part of Temporary Residence’s subscription-based CD series, Travels In Constants (alongside Mogwai, Low, Explosions In The Sky, Eluvium, and MONO). Aside from the original pressing of 1,000 CDs reserved for\u003cbr\u003esubscribers, the studio recordings on Travels In Constants were never available again until now.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. I Can't See Anything When I Close My Eyes (Remastered)\u003cbr\u003e2. Scott \u0026amp; Jeremiah (Remastered)\u003cbr\u003e3. Careful With That Fax Machine (Remastered)\u003cbr\u003e4. Wind \u0026amp; Wing (Remastered)\u003cbr\u003e5. Bring On The Cobras (Remastered)\u003cbr\u003e6. Stomachache Due To Sincere Belief That The Rest Of My Band Is Trying To Kill Me (Remastered)\u003cbr\u003e7. Wine=Water+Jesus (Remastered)\u003cbr\u003e8. Sausage Full Of Secrets (Remastered)\u003cbr\u003e9. Go Horsey Go (Remastered)\u003c\/p\u003e","brand":"TEMPORARY RESIDENCE","offers":[{"title":"Default Title","offer_id":45413683560604,"sku":"TRR446LP","price":35.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RumahSakit-RumahSakit25.jpg?v=1760385414"},{"product_id":"seefeel-pure-impure-2lp","title":"Seefeel - Pure, Impure [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: \u003cspan\u003ePURE378LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0644918037811 \u003c\/span\u003e\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eSeefeel are a pioneering, experimental electronic band. Formed in London in the early 1990s, they emerged as one of the most innovative bands bridging shoegaze and electronic music, known for their textured soundscapes, minimalist rhythms and ambient sensibilities.\u003cbr\u003eThis new, expanded version of Pure, Impure brings together Seefeel’s three classic EPs; More Like Space, Plainsong, and Time to Find Me, and includes Aphex Twin mixes and a previously unreleased demo of “Moodswing”. Remastered by Geoff Pesche at Abbey Road Studios, this 11-track collection also features newly reimagined artwork.\u003cbr\u003eTheir 1993 EP Pure, Impure, released on Too Pure, marked a pivotal moment in their evolution, offering a more stripped-down, hypnotic approach than their debut Quique. The EP’s tracks explore loop-based structures, subtle melodic shifts and the fusion of organic guitar tones with machine-like precision. Pure, Impure reflects the band's growing interest in dub, ambient techno, and post-rock aesthetics. The EP served as a blueprint for their future work, signaling a deeper dive into electronic experimentation. With its understated beauty and genre-defying sound, the EP remains a key release in Seefeel’s catalogue.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. More Like Space - 2025 Remaster\u003cbr\u003eA2. Time to Find Me (Come Inside) - 2025 Remaster\u003cbr\u003eA3. Come Alive - 2025 Remaster\u003cbr\u003eA4. Blue Easy Sleep - 2025 Remaster\u003cbr\u003eB1. Plainsong - 2025 Remaster\u003cbr\u003eB2. Moodswing - 2025 Remaster\u003cbr\u003eB3. Minky Starshine - 2025 Remaster\u003cbr\u003eC1. Time to Find Me - AFX Fast Mix - 2025 Remaster\u003cbr\u003eC2. Time to Find Me - AFX Slow Mix\u003cbr\u003eD1. Plainsong - Sine Bubble Embossed Dub - 2025 Remaster\u003cbr\u003eD2. 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