{"title":"Cargo WK 32 2026","description":null,"products":[{"product_id":"brian-jonestown-massacre-methodrone","title":"Brian Jonestown Massacre  - Methodrone","description":"\u003cp\u003eFormat: 2LP 180g\u003cbr\u003eCatalogue No.: AUK008LP\u003cbr\u003eBarcode: 5055300304377\u003cbr\u003eRelease Date: 14 Aug 2026\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eTracklisting – Side A - 1 Evergreen , 2 Wisdom , 3 Crushed , 4 That Girl Suicide , Side B 1 Wasted , 2 Everyone Says , 3 Short Wave , 4 She Made Me , Side C- 1 Hyperventilation , 2 Records , 3 I Love You , 4 End of the Day , Side D- 1 Outback , 2 She's Gone , 3 Methodrone\u003c\/p\u003e","brand":"a Recordings","offers":[{"title":"Default Title","offer_id":40232549580956,"sku":"AUK008LP","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BrianJonestownMassacre-Methodrone.jpg?v=1624297252"},{"product_id":"the-wipers-over-the-edge","title":"The Wipers - Over The Edge","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: JPR82803LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode: 0751937437215  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRelease Date: 11 Sep 2026 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre: Punk\/Hardcore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe bleak, hard-driven third LP by the Wipers (originally released in 1983) offers Greg Sage at his most chased and breathless, lashing out with sharp staccato notes as if melody were his only defense. The 3rd LP from the PDX punks finds them tightening up their sound to create what is arguably the Wipers' definitive album statement. Kurt Cobain listed it in his top 50 albums of all time. A distant cousin of the preceding Youth of America but undoubtedly no less excellent and no less venomous, Over the Edge is a return to the easily digestible song lengths of Is This Real?; however, it all but leaves that debut in its wake. On the strength of some brave\/smart radio stations that decided to play this album's \"Romeo\" (a propulsive horn-flecked slammer in the vein of \"Youth of America\"), Wipers solidified their status as a certifiable force in the American underground of the early '80s. Songs like \"Messenger\" and \"What Is\" show Greg Sage's increasing skill as a pop songwriter. Despite the fusion of punk and pop, the record hardly mirrors the bands that would later be called punk-pop. In fact, this collision of the two elements makes what followed decades later seem twee.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Track listing 1.\"Over the Edge\" - 3:49 2.\"Doom Town\" - 3:56 3.\"So Young\" - 4:17 4.\"Messenger\" - 1:54 5.\"Romeo\" - 4:05 6.\"Now Is the Time\" - 3:02 7.\"What Is\" - 2:19 8.\"No One Wants an Alien\" - 3:23 9.\"The Lonely One\" - 3:38 10.\"No Generation Gap\" - 3:09 11.\"This Time\" - 2:54\u003c\/span\u003e\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Default Title","offer_id":42872217108636,"sku":"JPR82803LP","price":35.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_4acb633e-bdbf-4e62-96c9-3b8f3755684b.jpg?v=1701709850"},{"product_id":"gandalf-gandalf-clear-vinyl","title":"Gandalf - Gandalf\t[Clear Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JPR109LPC\u003cbr\u003eBarcode: 0843563156988\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eIf you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE LEFT BANKE, KALEIDOSCOPE, THE MILLENNIUM, and THE ZOMBIES, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Golden Earrings\u003cbr\u003e2. Hang On To A Dream\u003cbr\u003e3. Never Too Far\u003cbr\u003e4. Scarlet Ribbons\u003cbr\u003e5. You Upset The Grace Of Living\u003cbr\u003e6. Can You Travel In The Dark Alone\u003cbr\u003e7. Nature Boy\u003cbr\u003e8. Tiffany Rings\u003cbr\u003e9. Me About You\u003cbr\u003e10. I Watch The Moon\u003cbr\u003e\u003c\/p\u003e","brand":"JACKPOT RECORDS","offers":[{"title":"Default Title","offer_id":45139932217500,"sku":"JPR109LPC","price":43.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/gandalf-gandalf.jpg?v=1753378636"},{"product_id":"haruomi-hosono-yours-sincerely-cd","title":"Haruomi Hosono - Yours Sincerely [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: GI499CD\u003cbr\u003eBarcode: 0804297849928\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative \/ Japanese, Pop\u003c\/p\u003e\n\u003cp\u003eFirst solo album in almost a decade from founding member of the influential folk rock act Happy End and the pioneering electronic trio Yellow Magic Orchestra\u003cbr\u003eConsidered one of the most influential musicians in Japanese pop and cited as an influence by Mac DeMarco, Harry Styles, Tyler, the Creator, Vampire Weekend, Cameron Winter, Balming Tiger, Ginger Root, and more\u003cbr\u003eHosono’s five-decade career spans many styles that effortlessly fuse exotica, funk, country, electronic, ambient, and everything in between\u003cbr\u003eThe release follows acclaimed reissue projects with Stones Throw and Light in the Attic\u003cbr\u003eThis year, Hosono plays two iconic venues, Radio City Music Hall and the Greek Theatre, his first shows in the US since 2019\u003cbr\u003eShaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists – a remarkable circular exchange\u003c\/p\u003e\n\u003cp\u003eHaroumi Hosono, the pioneering Japanese musician, producer, composer, and founding member of Yellow Magic Orchestra and Happy End, has “found his voice in a late career renaissance,\" writes The Wire. His five-decade legacy continues to grow and attract new fans, and has been cited by an acclaimed list of artists, including Mac DeMarco, Cameron Winter, Ginger Root, Vampire Weekend, and Harry Styles. Shaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists—a remarkable circular exchange.\u003cbr\u003eYours Sincerely, his 23rd studio album and first collection of new music in over seven years, finds Hosono ever-pushing his exploratory songcraft: “I am now 78 years old, but from here on, I feel a growing curiosity toward the unknown\u003cbr\u003emusic that my new self will create, while also embracing the music of my former self—as if I now carry two musical worlds within me.” Across arrangements that span tender psych-folk and bubbling avant pop, Hosono contemplates the concept of a maternal force that envelops the Earth, “humanity’s understanding of the unconditional love possessed by those who give us life,” he says. Songs tap into a collective current, engaging the “deeply buried instincts—maternal compassion and mercy, things we rarely engage with in our daily lives.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Note of Mothership\u003cbr\u003e2. Sincerely\u003cbr\u003e3. Ayurveda\u003cbr\u003e4. M for Mandala\u003cbr\u003e5. Rojiura (Walking Vibration)\u003cbr\u003e6. Happy Holiday\u003cbr\u003e7. To A Wild Rose\u003cbr\u003e8. Humming \"Dream Of Love\"\u003cbr\u003e9. Figlio Perdute\u003cbr\u003e10. Anemo Wheel\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":46874786103452,"sku":"GI499CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/GI499cd.jpg?v=1779129913"},{"product_id":"haruomi-hosono-yours-sincerely-lp","title":"Haruomi Hosono - Yours Sincerely [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: GI499LP\u003cbr\u003eBarcode: 0804297849911\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative \/ Japanese, Pop\u003c\/p\u003e\n\u003cp\u003eFirst solo album in almost a decade from founding member of the influential folk rock act Happy End and the pioneering electronic trio Yellow Magic Orchestra\u003cbr\u003eConsidered one of the most influential musicians in Japanese pop and cited as an influence by Mac DeMarco, Harry Styles, Tyler, the Creator, Vampire Weekend, Cameron Winter, Balming Tiger, Ginger Root, and more\u003cbr\u003eHosono’s five-decade career spans many styles that effortlessly fuse exotica, funk, country, electronic, ambient, and everything in between\u003cbr\u003eThe release follows acclaimed reissue projects with Stones Throw and Light in the Attic\u003cbr\u003eThis year, Hosono plays two iconic venues, Radio City Music Hall and the Greek Theatre, his first shows in the US since 2019\u003cbr\u003eShaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists – a remarkable circular exchange\u003c\/p\u003e\n\u003cp\u003eHaroumi Hosono, the pioneering Japanese musician, producer, composer, and founding member of Yellow Magic Orchestra and Happy End, has “found his voice in a late career renaissance,\" writes The Wire. His five-decade legacy continues to grow and attract new fans, and has been cited by an acclaimed list of artists, including Mac DeMarco, Cameron Winter, Ginger Root, Vampire Weekend, and Harry Styles. Shaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists—a remarkable circular exchange.\u003cbr\u003eYours Sincerely, his 23rd studio album and first collection of new music in over seven years, finds Hosono ever-pushing his exploratory songcraft: “I am now 78 years old, but from here on, I feel a growing curiosity toward the unknown\u003cbr\u003emusic that my new self will create, while also embracing the music of my former self—as if I now carry two musical worlds within me.” Across arrangements that span tender psych-folk and bubbling avant pop, Hosono contemplates the concept of a maternal force that envelops the Earth, “humanity’s understanding of the unconditional love possessed by those who give us life,” he says. Songs tap into a collective current, engaging the “deeply buried instincts—maternal compassion and mercy, things we rarely engage with in our daily lives.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Note of Mothership\u003cbr\u003e2. Sincerely\u003cbr\u003e3. Ayurveda\u003cbr\u003e4. M for Mandala\u003cbr\u003e5. Rojiura (Walking Vibration)\u003cbr\u003e6. Happy Holiday\u003cbr\u003e7. To A Wild Rose\u003cbr\u003e8. Humming \"Dream Of Love\"\u003cbr\u003e9. Figlio Perdute\u003cbr\u003e10. Anemo Wheel\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":46874787053724,"sku":"GI499LP","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/GI499lp_Front_Back.jpg?v=1779129918"},{"product_id":"haruomi-hosono-yours-sincerely-mothership-cream-vinyl","title":"Haruomi Hosono - Yours Sincerely [\"Mothership\" Cream Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: GI499LP-C2\u003cbr\u003eBarcode: 0804297849942\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative \/ Japanese, Pop\u003c\/p\u003e\n\u003cp\u003eFirst solo album in almost a decade from founding member of the influential folk rock act Happy End and the pioneering electronic trio Yellow Magic Orchestra\u003cbr\u003eConsidered one of the most influential musicians in Japanese pop and cited as an influence by Mac DeMarco, Harry Styles, Tyler, the Creator, Vampire Weekend, Cameron Winter, Balming Tiger, Ginger Root, and more\u003cbr\u003eHosono’s five-decade career spans many styles that effortlessly fuse exotica, funk, country, electronic, ambient, and everything in between\u003cbr\u003eThe release follows acclaimed reissue projects with Stones Throw and Light in the Attic\u003cbr\u003eThis year, Hosono plays two iconic venues, Radio City Music Hall and the Greek Theatre, his first shows in the US since 2019\u003cbr\u003eShaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists – a remarkable circular exchange\u003c\/p\u003e\n\u003cp\u003eHaroumi Hosono, the pioneering Japanese musician, producer, composer, and founding member of Yellow Magic Orchestra and Happy End, has “found his voice in a late career renaissance,\" writes The Wire. His five-decade legacy continues to grow and attract new fans, and has been cited by an acclaimed list of artists, including Mac DeMarco, Cameron Winter, Ginger Root, Vampire Weekend, and Harry Styles. Shaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists—a remarkable circular exchange.\u003cbr\u003eYours Sincerely, his 23rd studio album and first collection of new music in over seven years, finds Hosono ever-pushing his exploratory songcraft: “I am now 78 years old, but from here on, I feel a growing curiosity toward the unknown\u003cbr\u003emusic that my new self will create, while also embracing the music of my former self—as if I now carry two musical worlds within me.” Across arrangements that span tender psych-folk and bubbling avant pop, Hosono contemplates the concept of a maternal force that envelops the Earth, “humanity’s understanding of the unconditional love possessed by those who give us life,” he says. Songs tap into a collective current, engaging the “deeply buried instincts—maternal compassion and mercy, things we rarely engage with in our daily lives.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Note of Mothership\u003cbr\u003e2. Sincerely\u003cbr\u003e3. Ayurveda\u003cbr\u003e4. M for Mandala\u003cbr\u003e5. Rojiura (Walking Vibration)\u003cbr\u003e6. Happy Holiday\u003cbr\u003e7. To A Wild Rose\u003cbr\u003e8. Humming \"Dream Of Love\"\u003cbr\u003e9. Figlio Perdute\u003cbr\u003e10. Anemo Wheel\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":46874787807388,"sku":"GI499LP-C2","price":27.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/GI499lp-c2_Front_Back.jpg?v=1779129921"},{"product_id":"ibibio-sound-machine-chopping-mountain-cd","title":"Ibibio Sound Machine - Chopping Mountain [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MRG886CD\u003cbr\u003eBarcode: 0673855088624\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eChopping Mountain, the new record by Ibibio Sound Machine is the clearest rendering yet of the London collective’s longstanding mission to promote love, unity, and resistance through music. It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024),\u003cbr\u003eChopping Mountain feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/p\u003e\n\u003cp\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/p\u003e\n\u003cp\u003eShe is, of course, hardly alone at the foot of Chopping Mountain. Ibibio Sound Machine — Grunhard (saxophone, keyboards), Alfred Bannerman (guitar), PK Ambrose (bass, keyboards),Joseph Amoako (drums), Afla Sackey (percussion), Scott Baylis (trumpet, keyboards), and Tony Hayden (trombone, synth) — are supernaturally tight, drawing on their roots and inspirations in highlife, disco, afrobeat, funk, post-punk, and electropop to build towering cathedrals of sound\u003cbr\u003earound her voice.\u003c\/p\u003e\n\u003cp\u003eContinuing on the path they first charted on Pull the Rope, many of Chopping Mountain’s songs started out in jam sessions, locking in on a groove or an instrument or a lyric. “Give Me Peace,” featuring Dele Sosimi of Fela Kuti’s Egypt 80, found its way to bliss once the chant-sung lyrics “Give me peace, give me freedom, give me love with a kiss” tumbled out of Williams’ consciousness. The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/p\u003e\n\u003cp\u003eThis is, at its core, the spirit of Chopping Mountain. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/p\u003e\n\u003cp\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of Chopping Mountain, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. They present the struggle for freedom as a communal one, in which even the smallest movement contributes to the end game. As Williams sings in the title track, “When pebble disturbs the water \/ Ripples over yonder \/ Force of a sling shot hits you \/ Chopping mountain rock asunder.” The work of liberation is long and difficult, but it is not without joy — here is an album bursting with it.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Burning in Lagos\u003cbr\u003e2. Chopping Mountain\u003cbr\u003e3. When You Want to Dance\u003cbr\u003e4. Concept of Love\u003cbr\u003eSIDE B\u003cbr\u003e5. Return to Sender\u003cbr\u003e6. Menso\u003cbr\u003e7. Love\u003cbr\u003e8. Kukuru\u003cbr\u003e9. River Don’t Rush\u003cbr\u003eNOTE: CD includes the additional track “Give Me Peace [feat. Dele Sosimi]”\u003c\/p\u003e","brand":"MERGE","offers":[{"title":"Default Title","offer_id":47017361342620,"sku":"MRG886CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IbibioSoundMachine-ChoppingMountain_16255139-202f-4fd3-956f-1b7798557c42.jpg?v=1780517794"},{"product_id":"ibibio-sound-machine-chopping-mountain-lp","title":"Ibibio Sound Machine - Chopping Mountain [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG886LP\u003cbr\u003eBarcode: 0673855088617\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eChopping Mountain, the new record by Ibibio Sound Machine is the clearest rendering yet of the London collective’s longstanding mission to promote love, unity, and resistance through music. It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024),\u003cbr\u003eChopping Mountain feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/p\u003e\n\u003cp\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/p\u003e\n\u003cp\u003eShe is, of course, hardly alone at the foot of Chopping Mountain. Ibibio Sound Machine — Grunhard (saxophone, keyboards), Alfred Bannerman (guitar), PK Ambrose (bass, keyboards),Joseph Amoako (drums), Afla Sackey (percussion), Scott Baylis (trumpet, keyboards), and Tony Hayden (trombone, synth) — are supernaturally tight, drawing on their roots and inspirations in highlife, disco, afrobeat, funk, post-punk, and electropop to build towering cathedrals of sound\u003cbr\u003earound her voice.\u003c\/p\u003e\n\u003cp\u003eContinuing on the path they first charted on Pull the Rope, many of Chopping Mountain’s songs started out in jam sessions, locking in on a groove or an instrument or a lyric. “Give Me Peace,” featuring Dele Sosimi of Fela Kuti’s Egypt 80, found its way to bliss once the chant-sung lyrics “Give me peace, give me freedom, give me love with a kiss” tumbled out of Williams’ consciousness. The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/p\u003e\n\u003cp\u003eThis is, at its core, the spirit of Chopping Mountain. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/p\u003e\n\u003cp\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of Chopping Mountain, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. They present the struggle for freedom as a communal one, in which even the smallest movement contributes to the end game. As Williams sings in the title track, “When pebble disturbs the water \/ Ripples over yonder \/ Force of a sling shot hits you \/ Chopping mountain rock asunder.” The work of liberation is long and difficult, but it is not without joy — here is an album bursting with it.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Burning in Lagos\u003cbr\u003e2. Chopping Mountain\u003cbr\u003e3. When You Want to Dance\u003cbr\u003e4. Concept of Love\u003cbr\u003eSIDE B\u003cbr\u003e5. Return to Sender\u003cbr\u003e6. Menso\u003cbr\u003e7. Love\u003cbr\u003e8. Kukuru\u003cbr\u003e9. River Don’t Rush\u003cbr\u003eNOTE: CD includes the additional track “Give Me Peace [feat. Dele Sosimi]”\u003c\/p\u003e","brand":"MERGE","offers":[{"title":"Default Title","offer_id":47017363374236,"sku":"MRG886LP","price":23.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IbibioSoundMachine-ChoppingMountain_5ad52360-e2c0-4604-a2cc-aecb6d604d9c.jpg?v=1780517790"},{"product_id":"ibibio-sound-machine-chopping-mountain-green-smoke-peak-vinyl","title":"Ibibio Sound Machine - Chopping Mountain [Green Smoke ‘Peak’ Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG886LP-C1\u003cbr\u003eBarcode: 0673855088600\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eChopping Mountain, the new record by Ibibio Sound Machine is the clearest rendering yet of the London collective’s longstanding mission to promote love, unity, and resistance through music. It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024),\u003cbr\u003eChopping Mountain feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/p\u003e\n\u003cp\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/p\u003e\n\u003cp\u003eShe is, of course, hardly alone at the foot of Chopping Mountain. Ibibio Sound Machine — Grunhard (saxophone, keyboards), Alfred Bannerman (guitar), PK Ambrose (bass, keyboards),Joseph Amoako (drums), Afla Sackey (percussion), Scott Baylis (trumpet, keyboards), and Tony Hayden (trombone, synth) — are supernaturally tight, drawing on their roots and inspirations in highlife, disco, afrobeat, funk, post-punk, and electropop to build towering cathedrals of sound\u003cbr\u003earound her voice.\u003c\/p\u003e\n\u003cp\u003eContinuing on the path they first charted on Pull the Rope, many of Chopping Mountain’s songs started out in jam sessions, locking in on a groove or an instrument or a lyric. “Give Me Peace,” featuring Dele Sosimi of Fela Kuti’s Egypt 80, found its way to bliss once the chant-sung lyrics “Give me peace, give me freedom, give me love with a kiss” tumbled out of Williams’ consciousness. The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/p\u003e\n\u003cp\u003eThis is, at its core, the spirit of Chopping Mountain. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/p\u003e\n\u003cp\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of Chopping Mountain, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. They present the struggle for freedom as a communal one, in which even the smallest movement contributes to the end game. As Williams sings in the title track, “When pebble disturbs the water \/ Ripples over yonder \/ Force of a sling shot hits you \/ Chopping mountain rock asunder.” The work of liberation is long and difficult, but it is not without joy — here is an album bursting with it.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Burning in Lagos\u003cbr\u003e2. Chopping Mountain\u003cbr\u003e3. When You Want to Dance\u003cbr\u003e4. Concept of Love\u003cbr\u003eSIDE B\u003cbr\u003e5. Return to Sender\u003cbr\u003e6. Menso\u003cbr\u003e7. Love\u003cbr\u003e8. Kukuru\u003cbr\u003e9. River Don’t Rush\u003cbr\u003eNOTE: CD includes the additional track “Give Me Peace [feat. Dele Sosimi]”\u003c\/p\u003e","brand":"MERGE","offers":[{"title":"Default Title","offer_id":47017364717724,"sku":"MRG886LP-C1","price":23.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/886_ibibiosoundmachine_LP-C1.jpg?v=1780517829"},{"product_id":"this-is-lorelei-the-singer-in-my-band-cd","title":"This Is Lorelei - The Singer In My Band [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003cbr\u003eCatalogue No.: OLE2217CD\u003cbr\u003eBarcode: 0191401221726\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style.\u003c\/p\u003e\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.”\u003c\/p\u003e\n\u003cp\u003e“Billy Came Back,” the album’s propulsive lead single, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out - I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone,” says Amos.\u003c\/p\u003e\n\u003cp\u003eThere’s Billy, Joey, Genevieve, Sarah, and the ever-present Buddy, an Altman-esque ensemble cast that populate the album’s stories, scattered through distinctly American scenes and landmarks. As narrators go, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry, mirroring Amos’ experience of these last several years. “It’s funny, I sent my dad the album after I finished it, and he said it was kind of an “on the road beatnik” album and that reframed it for me,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.”\u003c\/p\u003e\n\u003cp\u003e2024’s Box for Buddy, Box for Star was Amos’ first attempt at an intentionally written full-length solo album, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success, spawning a deluxe version with covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter and many more.\u003c\/p\u003e\n\u003cp\u003eThe Singer in My Band came together in the same apartment Amos has produced much of his music, with final touches made at his parents’ house in St. Johnsbury, Vermont. Amos engineered, produced, and performed everything on Singer, save for a blistering banjo lead on the title track courtesy of his father, bluegrass musician Bob Amos, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with, and the ways they could contribute were things that I had in mind as I was writing the songs,” he explains.\u003c\/p\u003e\n\u003cp\u003eThere’s an economy of style to Singer that’s distinct in the Lorelei catalog, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me,” he says, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass, where there are very particular rules and a very particular box - songs have to stand up by themselves in terms of melody, lyrics and chord progression.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. I Will Eat My Heart in the Morning Light\u003cbr\u003e2. Oh No Now My\u003cbr\u003e3. Billy Came Back\u003cbr\u003e4. Watching Heaven Fall\u003cbr\u003e5. Sailing (Your Baby’s Down)\u003cbr\u003e6. The Singer in My Band\u003cbr\u003e7. Nitro\u003cbr\u003e8. Hey Sarah Is It Gonna Rain Forever\u003cbr\u003e9. The Kid With The Crown\u003cbr\u003e10. And I Haven’t Seen My Love in Quite a While\u003cbr\u003e11. Don’t You Cry in Lonesomeness\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":47100393095324,"sku":"OLE2217CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ThisIsLorelei_TheSingerInMyBand_CD.jpg?v=1782225295"},{"product_id":"this-is-lorelei-the-singer-in-my-band-lp","title":"This Is Lorelei - The Singer In My Band [LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: OLE2217LP\u003cbr\u003eBarcode: 0191401221719\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style.\u003c\/p\u003e\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.”\u003c\/p\u003e\n\u003cp\u003e“Billy Came Back,” the album’s propulsive lead single, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out - I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone,” says Amos.\u003c\/p\u003e\n\u003cp\u003eThere’s Billy, Joey, Genevieve, Sarah, and the ever-present Buddy, an Altman-esque ensemble cast that populate the album’s stories, scattered through distinctly American scenes and landmarks. As narrators go, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry, mirroring Amos’ experience of these last several years. “It’s funny, I sent my dad the album after I finished it, and he said it was kind of an “on the road beatnik” album and that reframed it for me,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.”\u003c\/p\u003e\n\u003cp\u003e2024’s Box for Buddy, Box for Star was Amos’ first attempt at an intentionally written full-length solo album, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success, spawning a deluxe version with covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter and many more.\u003c\/p\u003e\n\u003cp\u003eThe Singer in My Band came together in the same apartment Amos has produced much of his music, with final touches made at his parents’ house in St. Johnsbury, Vermont. Amos engineered, produced, and performed everything on Singer, save for a blistering banjo lead on the title track courtesy of his father, bluegrass musician Bob Amos, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with, and the ways they could contribute were things that I had in mind as I was writing the songs,” he explains.\u003c\/p\u003e\n\u003cp\u003eThere’s an economy of style to Singer that’s distinct in the Lorelei catalog, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me,” he says, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass, where there are very particular rules and a very particular box - songs have to stand up by themselves in terms of melody, lyrics and chord progression.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. I Will Eat My Heart in the Morning Light\u003cbr\u003e2. Oh No Now My\u003cbr\u003e3. Billy Came Back\u003cbr\u003e4. Watching Heaven Fall\u003cbr\u003e5. Sailing (Your Baby’s Down)\u003cbr\u003e6. The Singer in My Band\u003cbr\u003e7. Nitro\u003cbr\u003e8. Hey Sarah Is It Gonna Rain Forever\u003cbr\u003e9. The Kid With The Crown\u003cbr\u003e10. And I Haven’t Seen My Love in Quite a While\u003cbr\u003e11. Don’t You Cry in Lonesomeness\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":47100393357468,"sku":"OLE2217LP","price":24.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ThisIsLorelei_TheSingerInMyBand_LP_Standard.jpg?v=1782225298"},{"product_id":"this-is-lorelei-the-singer-in-my-band-white-vinyl","title":"This Is Lorelei - The Singer In My Band [White Vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: OLE2217LPE\u003cbr\u003eBarcode: 0191401221702\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style.\u003c\/p\u003e\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.”\u003c\/p\u003e\n\u003cp\u003e“Billy Came Back,” the album’s propulsive lead single, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out - I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone,” says Amos.\u003c\/p\u003e\n\u003cp\u003eThere’s Billy, Joey, Genevieve, Sarah, and the ever-present Buddy, an Altman-esque ensemble cast that populate the album’s stories, scattered through distinctly American scenes and landmarks. As narrators go, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry, mirroring Amos’ experience of these last several years. “It’s funny, I sent my dad the album after I finished it, and he said it was kind of an “on the road beatnik” album and that reframed it for me,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.”\u003c\/p\u003e\n\u003cp\u003e2024’s Box for Buddy, Box for Star was Amos’ first attempt at an intentionally written full-length solo album, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success, spawning a deluxe version with covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter and many more.\u003c\/p\u003e\n\u003cp\u003eThe Singer in My Band came together in the same apartment Amos has produced much of his music, with final touches made at his parents’ house in St. Johnsbury, Vermont. Amos engineered, produced, and performed everything on Singer, save for a blistering banjo lead on the title track courtesy of his father, bluegrass musician Bob Amos, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with, and the ways they could contribute were things that I had in mind as I was writing the songs,” he explains.\u003c\/p\u003e\n\u003cp\u003eThere’s an economy of style to Singer that’s distinct in the Lorelei catalog, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me,” he says, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass, where there are very particular rules and a very particular box - songs have to stand up by themselves in terms of melody, lyrics and chord progression.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. I Will Eat My Heart in the Morning Light\u003cbr\u003e2. Oh No Now My\u003cbr\u003e3. Billy Came Back\u003cbr\u003e4. Watching Heaven Fall\u003cbr\u003e5. Sailing (Your Baby’s Down)\u003cbr\u003e6. The Singer in My Band\u003cbr\u003e7. Nitro\u003cbr\u003e8. Hey Sarah Is It Gonna Rain Forever\u003cbr\u003e9. The Kid With The Crown\u003cbr\u003e10. And I Haven’t Seen My Love in Quite a While\u003cbr\u003e11. Don’t You Cry in Lonesomeness\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":47100393652380,"sku":"OLE2217LPE","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ThisIsLorelei_TheSingerInMyBand_LP_White.jpg?v=1782225301"},{"product_id":"the-tubs-hard-life-lp","title":"The Tubs - Hard Life [LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG890LP\u003cbr\u003eBarcode: 0673855089010\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Tubs have never lacked for ambition — on Hard Life, theirs is to complicate the Tub-ullar experience. Having perfected their chemistry across two prior albums, hundreds of shows, and an ever-expanding universe of bands affiliated with London’s Gob Nation Collective (The TSG, Sniffany \u0026amp; The Nits, Spike, and Garden Centre), the London-based Celtic jangle boyband — Williams (vocals, guitar, keyboards, bass), Dan Lucas (guitar), Taylor Stewart (drums), and Max Warren (bass) — push themselves further into the shimmering heart of virtuosic indie rock. They’re joined by frequent collaborators Lan McArdle (vocals), George Nicholls (guitar), and Rachel Kenedy (keyboards), all of whom have orbited various Tubs-adjacent efforts dating back to Joanna Gruesome, but the secret to Hard Life’s lushness is the addition of fiddle player Chris Haigh, an instructor and session musician who left an indelible mark on British pop on Steps’ “5, 6, 7, 8.”\u003c\/p\u003e\n\u003cp\u003eMirroring Williams’ use of trilling on vocal melodies, Haigh’s fiddle shades the vocalist’s rueful croon like a bruise. On “Stoop to Me,” the folkiest, jangliest pop song on the album, Haigh’s licks complement Williams at his most self-deprecating, the lopsided smile of a guy trying not to let on how wounded he is in unrequited love. On album opener and title track “Hard Life,” it’s the sweetness of the ascending fiddle lines in the mix that weds the harshness of Williams’ lyrics to The Tubs’ fist-pumping anthemics.\u003cbr\u003eThe hard line Williams takes here and elsewhere on Hard Life further troubles one’s idea of a Tubs song. The persona familiar to listeners of Cotton Crown and Dead Meat — to quote Williams, “navel gazing about romantic abjection, London squalor, and the indignities of grief and OCD” — is still present, but so too is a second voice, steelier and more experienced. “The second persona doesn’t have much time for the first,” Williams explains, “often haranguing him for his self-indulgence and immaturity; sometimes fairly, sometimes unfairly.”\u003c\/p\u003e\n\u003cp\u003eOn Hard Life, these voices argue, pester one another, merge into each other, and break apart, sometimes over the course of a single song. They’re two sides of the same coin, people who’ve experienced grief, disappointment, regret, and shame, emerging from the wreckage as changed men. “I’m interested in the way sympathy and patience for someone suffering always runs out eventually,” Williams says. “How this can be a good and liberating thing as well as a sad and brutal thing. But mostly they’re just pop songs.” Exquisite, irresistible pop songs. Spin them until the healing starts, then spin them again.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Hard Life\u003cbr\u003e2. Who’s Gonna Love You Now?\u003cbr\u003e3. If You Don’t Love Me\u003cbr\u003e4. Stoop to Me\u003cbr\u003e5. Heaven Or London\u003cbr\u003e6. Didn’t I Say?\u003cbr\u003eSIDE B\u003cbr\u003e7. Do Yourself A Favor\u003cbr\u003e8. Now And Then\u003cbr\u003e9. The Way It Goes\u003cbr\u003e10. Hell\u003cbr\u003e11. In Your Place\u003cbr\u003e12. As Long As You Leave\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":47101105373340,"sku":"MRG890LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MRG890LP_thetubs_LP1.jpg?v=1782234161"},{"product_id":"the-tubs-hard-life-cd","title":"The Tubs - Hard Life [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003cbr\u003eCatalogue No.: MRG890CD\u003cbr\u003eBarcode: 0673855089027\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Tubs have never lacked for ambition — on Hard Life, theirs is to complicate the Tub-ullar experience. Having perfected their chemistry across two prior albums, hundreds of shows, and an ever-expanding universe of bands affiliated with London’s Gob Nation Collective (The TSG, Sniffany \u0026amp; The Nits, Spike, and Garden Centre), the London-based Celtic jangle boyband — Williams (vocals, guitar, keyboards, bass), Dan Lucas (guitar), Taylor Stewart (drums), and Max Warren (bass) — push themselves further into the shimmering heart of virtuosic indie rock. They’re joined by frequent collaborators Lan McArdle (vocals), George Nicholls (guitar), and Rachel Kenedy (keyboards), all of whom have orbited various Tubs-adjacent efforts dating back to Joanna Gruesome, but the secret to Hard Life’s lushness is the addition of fiddle player Chris Haigh, an instructor and session musician who left an indelible mark on British pop on Steps’ “5, 6, 7, 8.”\u003c\/p\u003e\n\u003cp\u003eMirroring Williams’ use of trilling on vocal melodies, Haigh’s fiddle shades the vocalist’s rueful croon like a bruise. On “Stoop to Me,” the folkiest, jangliest pop song on the album, Haigh’s licks complement Williams at his most self-deprecating, the lopsided smile of a guy trying not to let on how wounded he is in unrequited love. 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Having perfected their chemistry across two prior albums, hundreds of shows, and an ever-expanding universe of bands affiliated with London’s Gob Nation Collective (The TSG, Sniffany \u0026amp; The Nits, Spike, and Garden Centre), the London-based Celtic jangle boyband — Williams (vocals, guitar, keyboards, bass), Dan Lucas (guitar), Taylor Stewart (drums), and Max Warren (bass) — push themselves further into the shimmering heart of virtuosic indie rock. They’re joined by frequent collaborators Lan McArdle (vocals), George Nicholls (guitar), and Rachel Kenedy (keyboards), all of whom have orbited various Tubs-adjacent efforts dating back to Joanna Gruesome, but the secret to Hard Life’s lushness is the addition of fiddle player Chris Haigh, an instructor and session musician who left an indelible mark on British pop on Steps’ “5, 6, 7, 8.”\u003c\/p\u003e\n\u003cp\u003eMirroring Williams’ use of trilling on vocal melodies, Haigh’s fiddle shades the vocalist’s rueful croon like a bruise. On “Stoop to Me,” the folkiest, jangliest pop song on the album, Haigh’s licks complement Williams at his most self-deprecating, the lopsided smile of a guy trying not to let on how wounded he is in unrequited love. 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As Long As You Leave\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":47166952833180,"sku":"MRG890LP-C1","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MRG890LPC1_thetubs_PV1.jpg?v=1783428071"},{"product_id":"funkadelic-maggot-brain-45-rpm-edition-2lp","title":"Funkadelic - Maggot Brain [45 RPM Edition 2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: ORGM2329LP-V1\u003cbr\u003eBarcode: 0711574979714\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Funk \/ Rock\u003c\/p\u003e\n\u003cp\u003eReleased in 1971, Maggot Brain stands as the towering masterpiece in Funkadelic’s groundbreaking catalog. Initially misunderstood upon release, the album is now widely regarded as one of the most influential records of all time. Anchored by Eddie Hazel’s otherworldly guitar performance on the legendary title track and featuring enduring favorites like “Can You Get To That,” Maggot Brain redefined the possibilities of funk, rock, and psychedelic music.\u003c\/p\u003e\n\u003cp\u003eFor this definitive 2026 reissue, the album was mastered directly from analog tape, preserving the raw power, depth, and atmosphere of the original recordings with extraordinary detail. A longtime holy grail for collectors, Maggot Brain receives the fully analog treatment it has long deserved.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Maggot Brain\u003cbr\u003e2. Can You Get To That\u003cbr\u003e3. Hit It And Quit It\u003cbr\u003e4. You And Your Folks, Me And My Folks\u003cbr\u003e5. Super Stupid\u003cbr\u003e6. Back In Our Minds\u003cbr\u003e7. 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Anchored by Eddie Hazel’s otherworldly guitar performance on the legendary title track and featuring enduring favorites like “Can You Get To That,” Maggot Brain redefined the possibilities of funk, rock, and psychedelic music.\u003c\/p\u003e\n\u003cp\u003eFor this definitive 2026 reissue, the album was mastered directly from analog tape, preserving the raw power, depth, and atmosphere of the original recordings with extraordinary detail. A longtime holy grail for collectors, Maggot Brain receives the fully analog treatment it has long deserved.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Maggot Brain\u003cbr\u003e2. Can You Get To That\u003cbr\u003e3. Hit It And Quit It\u003cbr\u003e4. You And Your Folks, Me And My Folks\u003cbr\u003e5. Super Stupid\u003cbr\u003e6. Back In Our Minds\u003cbr\u003e7. 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Written across four years in the woods in Chapel Hill, the longest the band has ever spent writing a record, Ow ∞ (pronounced “Ow Infinity”) arrives with an intense immediacy. Most of the tracks here are Meath’s first vocal takes, and the clarity and humanness of her singular voice anchors the album in something real. It was born from a time of experimentation and collaboration, resulting in a sinewy, punchy, explosive work where the songs want to claw their way out. 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For an album that wrestles so much with the out-of-control nature of being alive, it meets the duo at a time where, finally, they actually have complete control over what Sylvan Esso can be.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e01 Entertainment \u0026amp; Coca-Cola\u003cbr\u003e02 Flood Season\u003cbr\u003e03 Hot Slob\u003cbr\u003e04 Concrete Glen\u003cbr\u003e05 Back Again\u003cbr\u003e06 Ribbon\u003cbr\u003eSide B\u003cbr\u003e07 Sledge\u003cbr\u003e08 Right to Left\u003cbr\u003e09 Good at Pain\u003cbr\u003e10 Jessica\u003cbr\u003e11 On \u0026amp; On\u003cbr\u003e12 Plastic Sword\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":47262727504028,"sku":"PSY069CD-DLX","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SylvanEsso-Ow_dec37bf8-5beb-4a8d-a356-1fe2251632bf.jpg?v=1784888042"},{"product_id":"funkadelic-maggot-brain-sacd-audiophile-edition","title":"Funkadelic - Maggot Brain [SACD Audiophile edition]","description":"\u003cp\u003eFormat: SACD Audiophile edition\u003cbr\u003eCatalogue No.: ORGM2329CD-V1\u003cbr\u003eBarcode: 0711574987412\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Funk \/ Rock\u003c\/p\u003e\n\u003cp\u003eReleased in 1971, Maggot Brain stands as the towering masterpiece in Funkadelic’s groundbreaking catalog. Initially misunderstood upon release, the album is now widely regarded as one of the most influential records of all time. Anchored by Eddie Hazel’s otherworldly guitar performance on the legendary title track and featuring enduring favorites like “Can You Get To That,” Maggot Brain redefined the possibilities of funk, rock, and psychedelic music.\u003c\/p\u003e\n\u003cp\u003eFor this definitive 2026 reissue, the album was mastered directly from analog tape, preserving the raw power, depth, and atmosphere of the original recordings with extraordinary detail. A longtime holy grail for collectors, Maggot Brain receives the fully analog treatment it has long deserved.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Maggot Brain\u003cbr\u003e2. Can You Get To That\u003cbr\u003e3. Hit It And Quit It\u003cbr\u003e4. You And Your Folks, Me And My Folks\u003cbr\u003e5. Super Stupid\u003cbr\u003e6. Back In Our Minds\u003cbr\u003e7. 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On Introducing… — his debut solo album produced by The Black Keys’ Dan Auerbach, co-released on Easy Eye Sound and Dead Oceans — Aaron melds mid-‘60s soul with Auerbach’s particular sensibilities (‘Over You’), songs with a message in the key of Gil Scott-Heron (‘Bad News’), and uplifting tales of love told through a blend of disco, gospel, and doo-wop (‘Have Mercy’).\u003cbr\u003eThe Brooklyn-based, Baltimore-raised songwriter first came into the international spotlight as multi-instrumentalist and co-lead singer of Durand Jones \u0026amp; The Indications, but he’s more than a revivalist act. “I didn’t want Introducing… to be an exact recreation of an era or a style,” Frazer says. “I’m excited to keep breaking some of the expectations around what exactly I’m supposed to be artistically and musically, or what this scene as a whole can be.” On Introducing…, Aaron expertly calibrates consciousness-raising and the desire to be enveloped by love. Where previous records were written in a partial state of turmoil, Aaron’s debut LP shows maturation and range. Introducing… is both loving and gracious, critical without losing hope, and a showcase of a young artist on a seriously soulful ascent.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A:\u003cbr\u003e1. You Don’t Wanna Be My Baby\u003cbr\u003e2. If I Got It (Your Love Brought It)\u003cbr\u003e3. Can’t Leave It Alone\u003cbr\u003e4. Bad News\u003cbr\u003e5. Have Mercy\u003cbr\u003e6. Done Lyin’\u003cbr\u003eSIDE B:\u003cbr\u003e7. Lover Girl\u003cbr\u003e8. Ride with Me\u003cbr\u003e9. Girl on the Phone\u003cbr\u003e10. Love Is\u003cbr\u003e11. Over You\u003cbr\u003e12. 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His sessions with Tony Allen (co-creator of the genre itself) and Highlife pioneer Ebo Taylor didn't just inform his musical vocabulary; they produced two celebrated modern classics. Afro-Disco Makossa is what happens when that same artist asks a different question entirely: what would a Ghanaian producer in '76 have made if he set out to create an American disco record for his hometown? The result is a sonic patchwork of Afrobeat, funk, and disco built for the DJ of any era.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01. FEEL THE HIGH LIFE\u003cbr\u003e02. SHAKE DOWN\u003cbr\u003e03. NUMBER ONE\u003cbr\u003e04. EVERY BODY\u003cbr\u003e05. FIRE IN THE DISCO\u003cbr\u003e06. 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His sessions with Tony Allen (co-creator of the genre itself) and Highlife pioneer Ebo Taylor didn't just inform his musical vocabulary; they produced two celebrated modern classics. Afro-Disco Makossa is what happens when that same artist asks a different question entirely: what would a Ghanaian producer in '76 have made if he set out to create an American disco record for his hometown? The result is a sonic patchwork of Afrobeat, funk, and disco built for the DJ of any era.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01. FEEL THE HIGH LIFE\u003cbr\u003e02. SHAKE DOWN\u003cbr\u003e03. NUMBER ONE\u003cbr\u003e04. EVERY BODY\u003cbr\u003e05. FIRE IN THE DISCO\u003cbr\u003e06. AFRO-DISCO MAKOSSA\u003c\/p\u003e","brand":"LINEAR LABS","offers":[{"title":"Default Title","offer_id":47322645725340,"sku":"LL020CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/AdrianYounge-Afro-DiscoMakossa_b10eb27a-161e-4290-8424-e3a725ebdb9f.jpg?v=1786017062"},{"product_id":"blu-exile-time-heals-everything","title":"Blu \u0026 Exile - Time Heals Everything","description":"\u003cp\u003eFormat: LP, Classic Black Vinyl\u003cbr\u003eCatalogue No.: L-DS5026\u003cbr\u003eBarcode: 0784085106429\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eTime Heals Everything is the fifth studio album from Blu and Exile, a duo that first connected in 2007 and has spent nearly two decades refining a chemistry that continues to evolve. The ten-track LP follows 2024’s Love (the) Ominous World and leans deeper into their core strengths: soul-forward production, incisive writing, and left-field choices that feel instinctive rather than experimental.\u003cbr\u003eThe album opens with “Soul Unusual,” a mission statement that builds on the lineage of “Soul Provider” and “Soul Amazing,” reframed through Blu’s present-day perspective. “The word special comes to mind,” Blu explains. “This is my perspective of those songs now.” Exile adds that the record went through multiple iterations before landing in its final form. “Once I changed the beat, it really came together for me, and his words hit differently,” he says, setting the tone for a project rooted in refinement and intention.\u003cbr\u003e“Crumbs” pairs Blu with Rome Streetz and ICECOLDBISHOP on a golden era-inspired backdrop, taking aim at the ‘crumbs’ people are expected to accept from corrupt systems of power. The track underscores one of the album’s central themes: clarity through experience, and the perspective that comes with time.\u003cbr\u003eTime Heals Everything finds Blu and Exile honoring their foundation while continuing to push forward, proving once again that soul and risk-taking can coexist without compromise. “We took a different approach with the direction while still staying true to the culture our music has built with our fan base,” Blu says. In 2026, that culture remains alive, evolving, and resonant as ever.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Soul Unusual\u003cbr\u003e2. Shoe Laces (feat. Ahmad Anwar)\u003cbr\u003e3. Crumbs (feat. Rome Streetz, ICECOLDBISHOP)\u003cbr\u003e4. The Bag\u003cbr\u003e5. Hard Times (feat. Fashawn)\u003cbr\u003e6. I Don't Rhyme\u003cbr\u003e7. Lazy Afternoon (feat. Ahmad Anwar)\u003cbr\u003e8. In My Window (feat. Tobi)\u003cbr\u003e9. T.S.O.D (feat. Black Thought, Mach-Hommy)\u003cbr\u003e10. Time Heals Everything (feat. 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Expanding on the low-end focus of 2024's Astral Gold and last year's The Bradford Boar on the Folklore Tapes label, Northern Earth integrates overdriven guitar, a wooden snare drum pedal and a powerful 18-inch subwoofer, pushing his sound further beyond the sparse fingerpicked solo guitar of his earlier releases. Drawing on influences from psychedelic rock, British folk, dub and underground electronic music, the album's three expansive compositions - including the side-long title track - were honed through live performance and recorded live with no overdubs at McPhee's home in Bradford. His solo setup - stacked valve amps, subwoofer, guitar, percussion pedals and expansive pedalboard - now functions as a single self-contained instrument, layering hypnotic basslines, ritualistic loops and fluid melodies with physical weight and a deep sense of space.\u003cbr\u003e“At this point in his career, each new Dean McPhee release feels like a legitimate event” – Brainwashed\u003cbr\u003e“There’s really no one else who can create (and sustain) the darkly seductive mood that’s embedded within his work.” - Aquarium Drunkard\u003cbr\u003e“Dean McPhee stands out as a true one-off in a crowded field.” - Loud \u0026amp; Quiet\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Indica Fields (5:21)\u003cbr\u003eA2. Appleby Fair (12:52)\u003cbr\u003eB1. Northern Earth (18:10)\u003c\/p\u003e","brand":"BASS RITUAL","offers":[{"title":"Default Title","offer_id":47322683998364,"sku":"BRV002V","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DeanMcPhee-NorthernEarthMOCKUP.jpg?v=1786018284"},{"product_id":"deliquent-habits-el-ritmo","title":"Deliquent Habits - El Ritmo","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: L-OKWOW0722\u003cbr\u003eBarcode: 4062851207362\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eWith the album 'El Ritmo' Delinquent Habits mark their 30th anniversary with 11 tracks blending West Coast vibes and Latin spirit. Featuring guests like Sick Jacken and Reverie, the album celebrates resilience, culture, and community, carrying the unmistakable spirit of East L.A. worldwide and underlining the band’s timeless impact on global hip-hop and the voice of the Latino community.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Me \u0026amp; The Boys\u003cbr\u003e2. Canta No Llores\u003cbr\u003e3. Burn Up\u003cbr\u003e4. This World (feat. Reverie)\u003cbr\u003e5. Enjoy The Rays\u003cbr\u003e6. Day One\u003cbr\u003e7. Ritmo (feat. Sick Jacken)\u003cbr\u003e8. Take Flight\u003cbr\u003e9. False Preacher\u003cbr\u003e10. Groove Slow\u003cbr\u003e11. LA Piazza (feat. 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Following Ibrahim’s recent passing, this long-awaited edition now stands as a timely tribute to his profound legacy. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians’ discographies, the performance skilfully blends jazz with rich South African rhythms and global influences. This definitive reissue features fully remastered audio, the original artwork, and a booklet with new bilingual liner notes by Jacques Denis.\u003cbr\u003eThe Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry’s nomadic imagination, Abdullah Ibrahim’s deeply rooted South African lyricism, and Carlos Ward’s muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language.\u003cbr\u003eCherry—who had helped revolutionise jazz alongside Ornette Coleman—was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament.\u003cbr\u003eHaving first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era’s growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces, including “Don’s Song” and “Bra Joe From Kilimanjaro.” The music unfolds as a continuous conversation: Ibrahim’s cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground.\u003cbr\u003eOriginally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. As Jacques Denis writes in the new liner notes, “More than half a century later, the music in this album, emancipated from all preordained order, still surprises, offering a delight of the present moment that lingers long after the needle leaves the groove.”\u003cbr\u003eFreed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide 1\u003cbr\u003e1. Don's Song [7.36]\u003cbr\u003e2. Cherry [12.12]\u003cbr\u003eSide 2\u003cbr\u003e1. Bra Joe From Kilimanjaro [7.47]\u003cbr\u003e2. Jabulani-Easter Joy [5.28]\u003cbr\u003e3. Waya-Wa-Egoli [3.20]\u003cbr\u003e4. Swazi [1.37]\u003cbr\u003e5. 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Following Ibrahim’s recent passing, this long-awaited edition now stands as a timely tribute to his profound legacy. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians’ discographies, the performance skilfully blends jazz with rich South African rhythms and global influences. This definitive reissue features fully remastered audio, the original artwork, and a booklet with new bilingual liner notes by Jacques Denis.\u003cbr\u003eThe Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry’s nomadic imagination, Abdullah Ibrahim’s deeply rooted South African lyricism, and Carlos Ward’s muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language.\u003cbr\u003eCherry—who had helped revolutionise jazz alongside Ornette Coleman—was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament.\u003cbr\u003eHaving first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era’s growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces, including “Don’s Song” and “Bra Joe From Kilimanjaro.” The music unfolds as a continuous conversation: Ibrahim’s cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground.\u003cbr\u003eOriginally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. As Jacques Denis writes in the new liner notes, “More than half a century later, the music in this album, emancipated from all preordained order, still surprises, offering a delight of the present moment that lingers long after the needle leaves the groove.”\u003cbr\u003eFreed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide 1\u003cbr\u003e1. Don's Song [7.36]\u003cbr\u003e2. Cherry [12.12]\u003cbr\u003eSide 2\u003cbr\u003e1. Bra Joe From Kilimanjaro [7.47]\u003cbr\u003e2. Jabulani-Easter Joy [5.28]\u003cbr\u003e3. Waya-Wa-Egoli [3.20]\u003cbr\u003e4. Swazi [1.37]\u003cbr\u003e5. 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FFF collects all three long-out- of-print releases here on vinyl for the first time, fastidiously packaged and punctu- ated with Farina’s written reflections on their making.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eLP 1 - Usonian Dream Sequence:\u003cbr\u003eSIDE A\u003cbr\u003e1. As You Are Right\u003cbr\u003e2. $48\u003cbr\u003e3. The Most Recent Imaginary\u003cbr\u003e4. Car\u003cbr\u003e5. The United States\u003cbr\u003e6. Not About A Birthday\u003cbr\u003e7. Usonian Dream Sequence\u003cbr\u003eSIDE B\u003cbr\u003e8. The Same Way\u003cbr\u003e9. Eventually\u003cbr\u003e10. Midlantic Schemes\u003cbr\u003e11. For Now\u003cbr\u003e12. Dries\u003cbr\u003e13. Window Seats\u003cbr\u003eLP 2 - Reverse Eclipse\u003cbr\u003eSIDE C\u003cbr\u003e1. Special Diamonds\u003cbr\u003e2. The Left-Handed\u003cbr\u003e3. Fire 4:51\u003cbr\u003e4. Henningsen Or Hemingway\u003cbr\u003e5. Gravity\u003cbr\u003e6. Pordenone Plaster\u003cbr\u003e7. 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Limited to 300 copies on black wax, one pressing only, zero repress.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA. Me Gustas Tú\u003cbr\u003eB. Redbone\u003c\/p\u003e","brand":"MIXTO RECORDS","offers":[{"title":"Default Title","offer_id":47322838106268,"sku":"F-MR1313","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/GioChamba-MeGustas784085106917.jpg?v=1786019235"},{"product_id":"josephine-foster-no-harm-done-1","title":"Josephine Foster - No Harm Done","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eFIRELP605 \u003c\/span\u003e\u003cbr\u003eBarcode: 0809236160515\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003e2020 album from Colorado’s freewheelin’ melodist Josephine Foster. Revolving between her adopted Spain and her native American West, Josephine was stationed this spring in Nashville with maverick guitarist and comrade-in-arms Matthew Schneider. The result: ‘No Harm Done’, a spacious and enveloping love letter of an album. Eight new slow-burning songs branch forth from idiosyncratic country folk blues, sung with sibylline wit and a hint of the absurd, awash in sensually anachronic lyricism. “The Wheel of Fortune”, nearly a title track by virtue of its refrain: 'No harm will come\/if there's no harm done', are words of a homebound wanderer finding refuge in healing stillness with her beloved, having 'time to kill' in the midst of 'hard times to feel at home'. All delivered with calm sagacity upon the pedestal of Mr. Schneider's pedal steel and underscored by a knowing trebled chorus in Foster's lower register. Going nowhere never felt like so righteous of a destination before. Devotion in all its permutations, spiritual to carnal, are seamlessly explored. In 'Conjugal Bliss', overtones of the 12-string and autoharp gently interplay, sounding like some unearthed Carter family wedding hymn (it bears the subversive subtitle '69' ) while 'How come, Honeycomb?' bounces low in the hips like a sultry old music hall number à la Harry Nilsson. The obliquely sapphic 'Leonine', it's unquiet harp scaling right out of ancient Lesbos, dreams of a kingless land; in 'Sure Am Devilish', a stargazer humbly confesses to a lowercase lord. 'Old Saw', the mesmeric album closer, is a medium's petition to cross the threshold and merge with the holy spirit. Josephine's enigmatic voice captured once more by frequent co-producer Andrija Tokic in his analog Bomb Shelter studio, where layers of her guitar, piano, organ entwine with Schneider's 12-string, pedal steel and electric bass to rouse a spectral yet full blooded band. 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Revolving between her adopted Spain and her native American West, Josephine was stationed this spring in Nashville with maverick guitarist and comrade-in-arms Matthew Schneider. The result: ‘No Harm Done’, a spacious and enveloping love letter of an album. Eight new slow-burning songs branch forth from idiosyncratic country folk blues, sung with sibylline wit and a hint of the absurd, awash in sensually anachronic lyricism. “The Wheel of Fortune”, nearly a title track by virtue of its refrain: 'No harm will come\/if there's no harm done', are words of a homebound wanderer finding refuge in healing stillness with her beloved, having 'time to kill' in the midst of 'hard times to feel at home'. All delivered with calm sagacity upon the pedestal of Mr. Schneider's pedal steel and underscored by a knowing trebled chorus in Foster's lower register. Going nowhere never felt like so righteous of a destination before. Devotion in all its permutations, spiritual to carnal, are seamlessly explored. In 'Conjugal Bliss', overtones of the 12-string and autoharp gently interplay, sounding like some unearthed Carter family wedding hymn (it bears the subversive subtitle '69' ) while 'How come, Honeycomb?' bounces low in the hips like a sultry old music hall number à la Harry Nilsson. The obliquely sapphic 'Leonine', it's unquiet harp scaling right out of ancient Lesbos, dreams of a kingless land; in 'Sure Am Devilish', a stargazer humbly confesses to a lowercase lord. 'Old Saw', the mesmeric album closer, is a medium's petition to cross the threshold and merge with the holy spirit. Josephine's enigmatic voice captured once more by frequent co-producer Andrija Tokic in his analog Bomb Shelter studio, where layers of her guitar, piano, organ entwine with Schneider's 12-string, pedal steel and electric bass to rouse a spectral yet full blooded band. 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Celestial humor and devastating innocence are delivered with contributions from Victor Herrero (lead guitars), Gyða Valtýsdóttir (cello), Chris Scruggs (pedal steel), Jon Estes (bass), as well as cameos by members of The Cherry Blossoms and others. 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Josephine raises a stained-glass lamp and shepherds us spelunking the depths of spirit in this four-part double album. Following the fame of her voice are choruses of winged entities (and a space shuttle) that ascend and descend a maze of spirituals: ritual prayers, blues laments, vestal hymns and jubilant benedictions. The edges of the natural world are revolving backdrops from which our narrator perches upon symbolic precipice or saunters desolate snow-blanched forest, exploring eternal themes of mortality and morality, beneath the moon and in occasional dialogue with a mysterious lord of love, an ambiguous mystical figure. Accompanying herself on guitar, piano, organ, harp \u0026amp; autoharp, this cycle of 18 new songs hearken back to various facets of Foster's anachronic oeuvre (the esoteric balladry of This Coming Gladness, native rhythms of Blood Rushing, somnambulist waltzes of I'm a Dreamer, the Shaker primitivism of Hazel Eyes, I Will Lead you). Celestial humor and devastating innocence are delivered with contributions from Victor Herrero (lead guitars), Gyða Valtýsdóttir (cello), Chris Scruggs (pedal steel), Jon Estes (bass), as well as cameos by members of The Cherry Blossoms and others. Recorded, engineered and mixed by Andrija Tokic at his Nashville Bomb Shelter Studio, mastered by John Baldwin, and produced by Josephine herself.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Soothsayer Song\u003cbr\u003e2 A Little Song\u003cbr\u003e3 The Virgin of the Snow\u003cbr\u003e4 Pearl in Oyster\u003cbr\u003e5 Benevolent Spring\u003cbr\u003e6 Force Divine\u003cbr\u003e7 All Pales Next to You\u003cbr\u003e8 Lord of Love\u003cbr\u003e9 Eternity\u003cbr\u003e10 Indian Burn\u003cbr\u003e11 Peak of Paradise\u003cbr\u003e12 Adieu Color Adieu\u003cbr\u003e13 Pining Away\u003cbr\u003e14 Challenger\u003cbr\u003e15 I Was Glad\u003cbr\u003e16 Shepherd Moon of Starry Height\u003cbr\u003e17 Little Lamb\u003cbr\u003e18 Faithful Fairy Harmony\u003c\/p\u003e","brand":"FIRE RECORDS","offers":[{"title":"Default Title","offer_id":47322884636828,"sku":"FIRELP533","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/JosephineFoster-FairyFaithfulHarmonyLPblackrender.jpg?v=1786021613"},{"product_id":"josephine-foster-fairy-faithful-harmony-cd","title":"Josephine Foster - Fairy Faithful Harmony [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eFIRECD533 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0809236153326 \u003c\/span\u003e\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eFaith and Fate, Destiny and Devotion, Dark Nights and Dazed Illuminations. Josephine raises a stained-glass lamp and shepherds us spelunking the depths of spirit in this four-part double album. Following the fame of her voice are choruses of winged entities (and a space shuttle) that ascend and descend a maze of spirituals: ritual prayers, blues laments, vestal hymns and jubilant benedictions. The edges of the natural world are revolving backdrops from which our narrator perches upon symbolic precipice or saunters desolate snow-blanched forest, exploring eternal themes of mortality and morality, beneath the moon and in occasional dialogue with a mysterious lord of love, an ambiguous mystical figure. Accompanying herself on guitar, piano, organ, harp \u0026amp; autoharp, this cycle of 18 new songs hearken back to various facets of Foster's anachronic oeuvre (the esoteric balladry of This Coming Gladness, native rhythms of Blood Rushing, somnambulist waltzes of I'm a Dreamer, the Shaker primitivism of Hazel Eyes, I Will Lead you). Celestial humor and devastating innocence are delivered with contributions from Victor Herrero (lead guitars), Gyða Valtýsdóttir (cello), Chris Scruggs (pedal steel), Jon Estes (bass), as well as cameos by members of The Cherry Blossoms and others. Recorded, engineered and mixed by Andrija Tokic at his Nashville Bomb Shelter Studio, mastered by John Baldwin, and produced by Josephine herself.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Soothsayer Song\u003cbr\u003e2 A Little Song\u003cbr\u003e3 The Virgin of the Snow\u003cbr\u003e4 Pearl in Oyster\u003cbr\u003e5 Benevolent Spring\u003cbr\u003e6 Force Divine\u003cbr\u003e7 All Pales Next to You\u003cbr\u003e8 Lord of Love\u003cbr\u003e9 Eternity\u003cbr\u003e10 Indian Burn\u003cbr\u003e11 Peak of Paradise\u003cbr\u003e12 Adieu Color Adieu\u003cbr\u003e13 Pining Away\u003cbr\u003e14 Challenger\u003cbr\u003e15 I Was Glad\u003cbr\u003e16 Shepherd Moon of Starry Height\u003cbr\u003e17 Little Lamb\u003cbr\u003e18 Faithful Fairy Harmony\u003c\/p\u003e","brand":"CASTLES IN SPACE","offers":[{"title":"Default Title","offer_id":47322886307996,"sku":"FIRECD533","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/JosephineFoster-FairyFaithfulHarmony_9b942b0d-fa14-42c7-83fd-b0d1430fa76d.jpg?v=1786019259"},{"product_id":"lone-bison-longshore-drifting-purple-sands-vinyl","title":"Lone Bison - Longshore Drifting [\"Purple Sands\" vinyl]","description":"\u003cp\u003eFormat: LP, \"Purple Sands\" vinyl\u003cbr\u003eCatalogue No.: CIS190LP\u003cbr\u003eBarcode: 5060889590776\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eLone Bison \/ Nick Bonell lives by the sea in Ramsgate. Mainly a guitar player and pedal freak, Nick bought a used Korg MS20 and fell in love with synths. As one half of Stuntmen, Nick released the sample-heavy single 'You're the Beat Find' on the groovy Tummy Touch label, which led to him scoring three Ford adverts in the U.S and a few pieces of well-used production music - which paid for more synths and pedals!\u003cbr\u003eAn album, 'Transistor Memory' and single 'Drugs' came out via Dom Martin's brilliant Polytechnic Youth records in 2021. \"Wave Construction\" was released by Castles in Space in Autumn 2023. An album for the CiS Subscription Library entitled \"Mechanical and Electrical\" was released in late 2024.\u003cbr\u003eNick Explains: \"After recording \"Transistor Memory\", \"Wave Construction\" and \"Mechanical and Electrical\" pretty much back-to-back, I wanted to change my sound palette a little. I started programming my Hydrasynth Explorer in obsessive detail and was also drawn to using my voice, in a sampling kind of way at first. Sampling my voice then shifted into recording more straightforward vocals and writing proper songs again. \"Rise Up\" started as a field recording in my local park and then some wonky piano loops with a cheap mic – somehow a song arrived. I’ve always really liked really concise records, so I got interested in packing lots of synth textures into a three-minute pop song. As the record progressed, I did less leaning on vocoders and harmonisers and developed the courage to just do more up-front vocal mixes. Things like Maths and Minimal \/ Maximal are more groove-based and came from recording 20 minute drum tracks then jamming bass guitar over it then editing it all down and adding loads of synths. Oh, and there’s a bit of James Williamson era Stooges at the end of Minimal \/ Maximal – I was a bit nervous about playing garage rock guitar on a Castles in Space record but Colin told me I would be ‘fucking mental’ if I didn’t end the record with it.\"\u003cbr\u003eLone Bison's music is influenced by Krautrock, electronica, post-punk, soundtracks, a splosh of modern classical\/minimalism and post-rock. He's a hot genius.\u003cbr\u003eThe album is preceded with \"The Power\" which will be available on streaming platforms as well as on our Bandcamp for those who want to listen or pre-order the album. There's a fantastic remix from MAPS included as well.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Down in Flames\u003cbr\u003e2. Rise Up\u003cbr\u003e3. Chemistry '88\u003cbr\u003e4. The Power\u003cbr\u003e5. Overcome With Love\u003cbr\u003e6. Famous Last Words\u003cbr\u003e7. Vocal Collage\u003cbr\u003e8. Hand Me Down\u003cbr\u003e9. Maths\u003cbr\u003e10. Be More Pacific\u003cbr\u003e11. Minimal\/Maximal\u003c\/p\u003e","brand":"CASTLES IN SPACE","offers":[{"title":"Default Title","offer_id":47322892828828,"sku":"CIS190LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8_dacacf4f-71fc-4c32-91c6-3721a50ddf62.png?v=1786021794"},{"product_id":"man-or-astro-man-experiment-zero-orange-vinyl","title":"Man Or Astro-Man? - Experiment Zero [Orange Vinyl]","description":"\u003cp\u003eFormat: LP, Orange Vinyl\u003cbr\u003eCatalogue No.: TG157LP-C1\u003cbr\u003eBarcode: \u003cspan\u003e0036172085736 \u003c\/span\u003e\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThere's some undeniable connection between the South and occurrences of extra-terrestrial origin. From eclectic jazz guru Sun Ra to German Rocket Scientist Wernher von Braun, Alabama has always had more than an ample share of connection to outer space and matters with extra-terrestrial origin. Such is the case with Man or Astro-Man? arriving\/crash landing in a small college town in Alabama some years ago.\u003cbr\u003eRediscovering record collections long stashed away in forgotten attics or hidden behind racks of magazine back issues at numerous dilapidated thrift stores in Alabama, the entities of Man or Astro-Man? became enamored with the scratched up sounds of Link Wray, The Ventures, Dick Dale, The Shadows and Duane Eddy - namely instrumental guitar and surf music of the late fifties and early sixties. At the same time, bizarre stage designs and performances by Kraftwerk, Sun Ra, Devo, Frank Zappa, The Sputniks and of course the Residents had great impact on the rapidly developing troupe. None-the less, it was a forced existence in a hopelessly conservative small town environment that led Man or Astro-Man? to leave behind the overt and become much more affected by what they hated, than by what actually appealed to them. In essence, you could say that Man or Astro-Man? was far more influenced by college football and muscle-bound fraternity loons than science fiction. The band impelled itself, especially in the live setting, to be as ridiculous as possible, mocking serious \"alternative\" acts and, along with them, the music industry itself.\u003cbr\u003eExperiment Zero (1996) was their debut Touch and Go album. Recorded in three days at Man or Astro-man?'s own studio Zero Return in Alabama with Steve Albini, it stands as one of the great modern surf-influenced guitar instrumental records. Wanting Experiment Zero to stand as their masterpiece of the long evolution of surf music, Man or Astro-Man? began to evolve at a greater velocity than ever before. They further morphed their sound, extending the use of their samples, computer programming, keyboards, electronic gadgetry and experimental analog tape cutting and pasting. While widely critically acclaimed, long-time fans had a lot of adjusting to do. Where most bands would have grown tired or simply treadmilled the same album over and over Man or Astro-man? continuously reinvented themselves and their live performances.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Television Fission - 1:50\u003cbr\u003e2. Evil Plans of Planet Spectra - 1:59\u003cbr\u003e3. King Of The Monsters\u003cbr\u003e4. Evil Plans Of Planet Spectra\u003cbr\u003e5. Stereo Phase Test - 1:3\u003cbr\u003e6. Planet Collision - 2:18\u003cbr\u003e7. Big Trak Attack - 2:10\u003cbr\u003e8. Dni - 2:13\u003cbr\u003e9. Television Man - 2:45\u003cbr\u003e10. DNI\u003cbr\u003e11. Z-X3 - 2:13\u003cbr\u003e12. Principles Unknown - 3:6\u003cbr\u003e13. Maximum Radiation Level - 1:55\u003cbr\u003e14. Anoxia - 4:7\u003cbr\u003e15. The Space Alphabet\u003cbr\u003e16. D.N.I. - 02:13\u003cbr\u003e17. King of the Monsters - 2:21\u003cbr\u003e18. Cyborg Control - 2:18\u003cbr\u003e19. Test Driver - 2:44\u003cbr\u003e20. 9 Volt - 2:29\u003c\/p\u003e","brand":"Touch and Go Records","offers":[{"title":"Default Title","offer_id":47322900005020,"sku":"TG157LP-C1","price":27.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/manorastroman-experimentzero.jpg?v=1786019266"},{"product_id":"mono-heaven-vol-4-10-transparent-green-single","title":"MONO - Heaven Vol. 4 [10\" Transparent Green Single]","description":"\u003cp\u003eFormat: 10\" Single, Transparent Green Vinyl\u003cbr\u003eCatalogue No.: TRR455LP-C1\u003cbr\u003eBarcode: \u003cspan\u003e0656605445519 \u003c\/span\u003e\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eA new limited-edition 10” vinyl EP from MONO. The fourth in their ongoing annual Heaven EP series. Limited to a one-time pressing of 1,000 copies worldwide on Transparent Green Colored Vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Go love without the help of any Thing on Earth (6:11)\u003cbr\u003e2. Little creature, form’d of Joy \u0026amp; Mirth (4:56)\u003cbr\u003e3. The Angel that presided o’er my birth (7:39)\u003c\/p\u003e","brand":"Temporary Residence Ltd","offers":[{"title":"Default Title","offer_id":47323007615132,"sku":"TRR455LP-C1","price":23.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MONO-Heavenvol4.jpg?v=1786019288"},{"product_id":"moon-attendant-dum-evol-cosmic-pink-vinyl","title":"Moon Attendant - Dum Evol [Cosmic Pink Vinyl]","description":"\u003cp\u003eFormat: LP, Cosmic Pink Vinyl\u003cbr\u003eCatalogue No.: BPR052P\u003cbr\u003eBarcode: 5056688803414\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eBrighton’s Moon Attendant team up with Go! Team's leader and drummer Ian Parton for new LP ‘Dum Evol’. Following their debut ‘One Last Summer’ with this incendiary, heart-pounding, drum-led masterwork full of untutored surf-guitar, Scarlet Rivera style fiddle, psychedelic orchestration and sharp-playful lyrics, all within just over 30 thrilling minutes.Since their debut, Paul Blewett and Nick Holton had been knee-deep in experimental music and needed something or someone to smash the shit out of the new songs. Instead of making heavier music, the result left lofty but wobbly structures teetering on fractured Giacometti-like frames, exposed, more arresting. Paring back the Musical palette from previous wash of synths and reverb to surf guitars, Moog, and violin, leaving Blewett's vocal (often compared to Colin Bunstone) leaning into an unvarnished, direct sound like Jimmy Campbell. Thematically, Dum Evol turns inward. Where their debut asked questions, this record sits with the answers, exploring love, conflict, and growth as experiences that must be lived first hand - “It’s such dumb evolution, you still have to learn the hard way”. Their lyrics get under the skin and under The Establishment in a wistful worm like way. Nudging at the truths. Smiling but always ready to bare some fangs.The fantastic instinctive violinist, Roger Proctor, joined as fourth member, bringing raw fragile beauty to ‘Look The Other Way’ \u0026amp; ‘Difficult Ifficult’, blending swooping string lines with the monster-surfing-Sonic Youth racket elsewhere. They explain - “We kept to a first take policy generally as it keeps everything just fresh and daisy like.” Dum Evol’s restraint allows the band’s more experimental instincts to land with greater weight. Musically, the record occupies a space somewhere between the slacker-rock nonchalance of Pavement and the gypsy swagger of Dylan - 'Desire' through a lens that is consciously, almost defiantly, English. It’s a sound that channels the 60's pastoral folk tradition alongside the sharp-edge of The Auteurs, an honest version of England, one to be proud of, existing in stark contrast to the hollow jingoistic nationalism of flag-shaggers climbing lamp posts. Jagged, lived-in, and entirely vital, Dum Evol is a record that feels fully realised, yet remains dangerously built to unravel in a hair's breadth.“Psychelelic grungy synth-pop - Moon Attendant marry analogue electronics to a lovely burbling pop sound, like Felt exploring the recesses of krautrock. Trippy, ramshackle and a cult in waiting.” Shindig!\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA\u003cbr\u003e1 The Sounders\u003cbr\u003e2 Victor Noir\u003cbr\u003e3 Look The Other Way\u003cbr\u003e4 Dum Evol\u003cbr\u003e5 My Favourite Fear\u003cbr\u003eB\u003cbr\u003e6 Difficult Ifficult\u003cbr\u003e7 STFD\u003cbr\u003e8 Those Velvet Eyes\u003cbr\u003e9 Tonight We Fight\u003cbr\u003e10 Voyage Into Darkness\u003c\/p\u003e","brand":"BIG POTATO","offers":[{"title":"Default Title","offer_id":47323019083932,"sku":"BPR052P","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/moonattendantcosmicpinkmockup.jpg?v=1786025171"},{"product_id":"moon-attendant-dum-evol","title":"Moon Attendant - Dum Evol","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eBPR052 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e5056688803407 \u003c\/span\u003e\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eBrighton’s Moon Attendant team up with Go! Team's leader and drummer Ian Parton for new LP ‘Dum Evol’. Following their debut ‘One Last Summer’ with this incendiary, heart-pounding, drum-led masterwork full of untutored surf-guitar, Scarlet Rivera style fiddle, psychedelic orchestration and sharp-playful lyrics, all within just over 30 thrilling minutes.Since their debut, Paul Blewett and Nick Holton had been knee-deep in experimental music and needed something or someone to smash the shit out of the new songs. Instead of making heavier music, the result left lofty but wobbly structures teetering on fractured Giacometti-like frames, exposed, more arresting. Paring back the Musical palette from previous wash of synths and reverb to surf guitars, Moog, and violin, leaving Blewett's vocal (often compared to Colin Bunstone) leaning into an unvarnished, direct sound like Jimmy Campbell. Thematically, Dum Evol turns inward. Where their debut asked questions, this record sits with the answers, exploring love, conflict, and growth as experiences that must be lived first hand - “It’s such dumb evolution, you still have to learn the hard way”. Their lyrics get under the skin and under The Establishment in a wistful worm like way. Nudging at the truths. Smiling but always ready to bare some fangs.The fantastic instinctive violinist, Roger Proctor, joined as fourth member, bringing raw fragile beauty to ‘Look The Other Way’ \u0026amp; ‘Difficult Ifficult’, blending swooping string lines with the monster-surfing-Sonic Youth racket elsewhere. They explain - “We kept to a first take policy generally as it keeps everything just fresh and daisy like.” Dum Evol’s restraint allows the band’s more experimental instincts to land with greater weight. Musically, the record occupies a space somewhere between the slacker-rock nonchalance of Pavement and the gypsy swagger of Dylan - 'Desire' through a lens that is consciously, almost defiantly, English. It’s a sound that channels the 60's pastoral folk tradition alongside the sharp-edge of The Auteurs, an honest version of England, one to be proud of, existing in stark contrast to the hollow jingoistic nationalism of flag-shaggers climbing lamp posts. Jagged, lived-in, and entirely vital, Dum Evol is a record that feels fully realised, yet remains dangerously built to unravel in a hair's breadth.“Psychelelic grungy synth-pop - Moon Attendant marry analogue electronics to a lovely burbling pop sound, like Felt exploring the recesses of krautrock. Trippy, ramshackle and a cult in waiting.” Shindig!\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA\u003cbr\u003e1 The Sounders\u003cbr\u003e2 Victor Noir\u003cbr\u003e3 Look The Other Way\u003cbr\u003e4 Dum Evol\u003cbr\u003e5 My Favourite Fear\u003cbr\u003eB\u003cbr\u003e6 Difficult Ifficult\u003cbr\u003e7 STFD\u003cbr\u003e8 Those Velvet Eyes\u003cbr\u003e9 Tonight We Fight\u003cbr\u003e10 Voyage Into Darkness\u003c\/p\u003e","brand":"BIG POTATO","offers":[{"title":"Default Title","offer_id":47323019378844,"sku":"BPR052","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/moonattendantspaceblackmockup.jpg?v=1786025167"},{"product_id":"mz-412-the-nar-mattaru-curses-cd","title":"MZ.412 - The Nar Mattaru Curses [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CSR368CD\u003cbr\u003eBarcode: \u003cspan\u003e0641871746903 \u003c\/span\u003e\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eFor almost four decades, MZ.412 have forged some of the most uncompromising ritual industrial and dark ambient soundscapes the world has ever known. \"The Nar Mattaru Curses\" gathers obscure recordings from their whole career including previously unreleased or buried tracks, recorded between 1989 and 2017 in the legendary Nar Mattaru studio in Sweden. Raw hymns of apocalyptic industrialism, occult malevolence, and crushing sonic sorcery that never made the original albums. An essential transmission for devotees of black industrial and dark ambient music.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Overthrowing European Christianity\u003cbr\u003e2. Stars Of Chaos Descending (1990 Demo)\u003cbr\u003e3. Legion Ultra (Completed Version)\u003cbr\u003e4. Nil Volentibus Arduum\u003cbr\u003e5. Factories In Fire (Featuring DUHU 1989)\u003cbr\u003e6. Necrottus (1990 Demo)\u003cbr\u003e7. In Hoc Signo Vinces\u003cbr\u003e8. Multiple Deity Worship\u003cbr\u003e9. Fire\u003cbr\u003e10. Sekarth Una Nejadd\u003cbr\u003e11. Surge 2\u003cbr\u003e12. Uhk Khatark\u003cbr\u003e13. In Ritual\u003cbr\u003e14. Non Omnis Moriar\u003c\/p\u003e","brand":"Cold Spring","offers":[{"title":"Default Title","offer_id":47323026981020,"sku":"CSR368CD","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/mz412csr368cd_1500.jpg?v=1786019324"},{"product_id":"voodooland-give-me-air-cd","title":"Voodooland - Give Me Air [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eDEKO51212 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0665776108529 \u003c\/span\u003e\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eSince beginning his career as a professional musician at the age of fourteen,\u003cbr\u003eKarl Cochran has played, worked, toured and collaborated with such accomplished musicians as Ace Frehley, Joe Lynn Turner, Eric Singer, Bob Daisley, Corky Lang, John Corabi, Carmine Apppice, Tony Franklin, Kristen Chenoweth, among many others. Karl has toured with and been an important contributor to several Joe Lynn Turner (former vocalist for Rainbow, Deep Purple, and Yngwie Malmsteen) solo records, including Joe's April 2007 solo release Second Hand Life. Karl also co-wrote the song \"Into the Void\" with Ace\u003cbr\u003eFrehley for the KISS Psycho Circus album, which went platinum worldwide in 1999. In 2004 Karl released Voodooland’s Give Me Air which featured Joe Lynn Turner (Deep Purple, Rainbow), John Corabi (Motley Crue), Bob Daisley (Ozzy\u003cbr\u003eOsbourne), Brent Fitz (Union) and many others. Deko Entertainment is now making this original release available worldwide ahead of the forthcoming expanded Voodooland collection coming this fall.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Give Me Air\u003cbr\u003e2. Make Up Your Mind\u003cbr\u003e3. Inside Looking Out\u003cbr\u003e4. Don't Say That You Love Me\u003cbr\u003e5. Caroline\u003cbr\u003e6. I'll Lay You Down\u003cbr\u003e7. Freedom\u003cbr\u003e8. Phoenix Rising\u003cbr\u003e9. You and I (Electric)\u003cbr\u003e10. Breaking Away\u003cbr\u003e11. Take Me Back\u003cbr\u003e12. Open Fire\u003cbr\u003e13. River Of Dreams\u003cbr\u003e14. You and I (Acoustic)\u003c\/p\u003e","brand":"DEKO ENTERTAINMENT, LLC","offers":[{"title":"Default Title","offer_id":47353256214684,"sku":"DEKO51212","price":15.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Voodooland-GiveMeAir.jpg?v=1786199386"},{"product_id":"tyshawn-sorey-pat-thomas-red-sulphur-cd","title":"Tyshawn Sorey \u0026 Pat Thomas - Red Sulphur [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ROKU039CD\u003cbr\u003eBarcode: 5056688867256\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eIt doesn’t take long for the intensity to rise. A run of the right hand on the keys gives a warning, like the first few drops of rain before a thunderstorm. As Thomas’ left hand joins to plumb the bass notes, Sorey calls his metallics into play, whipping up the air around them before the humidity in the room breaks and the duo drop into momentary silence. Thomas reaches into the body of the piano - sounding some of the familiar language of Elephant Clock of Al Jazari before dropping some of those immense key clusters we’ve grown to know so well through his work in [Ahmed] and stacking them up into dense, rotating rhythms. Sorey mixes light brush work with aeolian tones, at some points striking just the air to meet Thomas’ palm muted rhythms. Midway through the set the two players are joined in percussive pursuits, Thomas’ string slides totally enmeshed with Sorey’s clinical snare work. When Thomas lifts off into more celestial territory as the set builds, Sorey marshals his shuddering field drum towards one extraordinarily clean clasp of the hi-hat - a sort of musical gasp which the crowd can’t help responding to.\u003cbr\u003eThe pair are wildly dynamic, beautifully precise and in possession of innumerable talents. As Sorey’s mallet rush crescendos and fades, Thomas adds two single bass notes, as if to wryly say, ‘Ta-da!” You have to laugh - it’s ridiculously good stuff from two of the best at the peak of their powers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Red Sulphur\u003c\/p\u003e","brand":"OTOROKU","offers":[{"title":"Default Title","offer_id":47353256247452,"sku":"ROKU039CD","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ROKU038_web_square_with_sticker_3.jpg?v=1786199368"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/cargo-wk-32-2026.oembed?page=3","provider":"Horizons Music","version":"1.0","type":"link"}