{"title":"Cargo WK 31 2026","description":null,"products":[{"product_id":"rachels-handwriting","title":"Rachels – Handwriting","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: QS030LP\u003cbr\u003eBarcode: 0036172003013\u003cbr\u003eRelease Date: 28 Aug 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003eThe Rachel's band began when Jason Noble joined forces with Christian Frederickson. Within months of their meeting on a crowded trolley, they had formed a small ensemble to perform original compositions. In the next three years, madness ensued. Christian finished his degree at the Peabody Conservatory of Music, traveled to Switzerland to study, returned home, then wound up in NYC to attend the Julliard School. Jason didn't finish his degree, moved back to Louisville, began employment as an artist by day, dishwasher by night, and began working with friends in a band that would become Rodan. This insane, all-over-the-world lifestyle led to a barrage of telephone, demo tape, notepaper, sheet music \u0026amp; mail communication. This, combined with sporadic two-week or two-day person-to-person collaborations in whatever city was central enough, became the bizarre process of the music.\u003cbr\u003eDuring this long gestation, Rachel Grimes became involved, first assisting Jason in his brute comprehension of written music, then joining as a pianist \u0026amp; confidant. Soon she was fully entrenched, providing the strange coincidence of possessing the name \"Rachel,\" and an incredible backbone to the project. Several recordings had been finished, some in the studio, hundreds of 8-track cassettes, a few jambox cuts, but the time for a concentrated attempt at an LP seemed far away. Finally, Rachel, Christian, \u0026amp; Jason began assembling musicians who they respected: John, Mark and Barry from the Chicago supergroup The Coctails, Kevin Coultas from Rodan, Bob Weston, and several other string players from various walks of life. The result was a group of semi-vagrants, some reading from sheet music, some rambunctious noisemakers, working from an equally improvisational and tight-assed way. The real character comes from the musicians involved, participating in what can only be called a \"labor of love.\" “Handwriting”, the band’s debut album, was originally released by Quarterstick Records in 1995 in a custom screen-printed sleeve by Jeff Mueller.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A.\u003cbr\u003e1. Southbound To Marion\u003cbr\u003e2. M. Daguerre\u003cbr\u003e3. Saccharin.\u003cbr\u003eSide B.\u003cbr\u003e1. Frida Kahlo\u003cbr\u003e2. Seratonin\u003cbr\u003e3. Full On Night\u003cbr\u003e4. Handwriting\u003c\/p\u003e","brand":"Quarterstick Records","offers":[{"title":"Default Title","offer_id":40040474116252,"sku":"QS030LP","price":35.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Rachels_Handwriting.jpg?v=1622484004"},{"product_id":"josephine-foster-graphic-as-a-star-record-store-day-2021","title":"Josephine Foster - Graphic as a Star (Record Store Day 2021)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FIRELP136\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0809236113610\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Sep 2026\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003e1000 copies pressed on Black vinyl \u0026amp; DL card. First time on vinyl for 10 years .The poems of iconic 19th century American writer Emily Dickinson crafted into the esoteric sounds of Josephine Foster. Originally released in 2009, this highly collectable record is now back on vinyl for the first time in over a decade.\u003c\/p\u003e\n\u003cp\u003eTrack listing: Side A. A1 Trust In The Unexpected A2 How Happy Is The Little Stone A3 She Sweeps With Many-Colored Brooms A4 Ah, Teneriffe! A5 Who Is The East? A6 They Called Me To The Window A7 This - Is The Land - The Sunset Washes A8 Like Mighty Foot Lights - Burned The Red A9 Exultation Is The Going A10 In Falling Timbers Buried A11 With Thee In The Desert A12 I See Thee Better - In The Dark A13 Your Thoughts Don't Have Words Every Day A14 My Life Had Stood - A Loaded Gun. Side B. B1 Eden Is That Old-Fashioned House B2 Beauty Crowds Me Till I Die B3 I Could Bring You Jewels - Had I A Mind To B4 Wild Nights - Wild Nights! B5 Only A Shrine, But Mine B6 Tho' My Destiny Be Fustian B7 What Shall I Do - It Whimpers So B8 Heart! We Will Forget Him! B9 Strong Draughts Of Their Refreshing Minds B10 Tell As A Marksman - Were Forgotten B11 The Spider Holds A Silver Ball B12 Whoever Disenchants B13 Touch Lightly Nature's Sweet Guitar\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":40260413325468,"sku":"FIRELP136","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JosephineFoster-GraphicasaStar.jpg?v=1624615386"},{"product_id":"the-wipers-youth-of-america","title":"The Wipers - Youth Of America","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: JPR82802LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0723721209810\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Dec 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative \/ Punk\u003c\/p\u003e\n\u003cp\u003eBack in: 04 Sep 2026\u003c\/p\u003e\n\u003cp\u003eRepress coming in for the first time in ages. Simply obliterating any conception of the Wipers as a mere punk band, Greg Sage released this follow-up to \"Is This Real?\" in 1981 - a sophisticated, overwhelming response to the evil times marked by the turn of the decade. Broken up into six long songs, \"Youth of America\" is a much colder, harrowing experience than the teen angst of their debut. Vocally, Sage comes off as sleep-deprived and forsaken, snarling not only at his own predicament but at the predicament of the entire world. The centerpiece of the album is the title track, a dire ten minutes of paranoia and angst that gave Sage the space to showcase his wildest, darkest playing yet. As bassist Brad Davidson and drummer Brad Naish hold the same hypnotic rhythm for the entire song, the guitar careens and swoops with such a frantic energy it seems as though it's the only thing keeping Sage alive in the maelstrom of sound. It's a fitting commentary that the exacting, post-punk legends Mission of Burma and squalling, noisy thugs The Melvins both saw fit to cover the track. Jackpot Records have kept to the high standards set by our previous reissues (The Wipers' \"Is This Real?\" and the self-titled Beauregarde LP), and \"Youth of America\" is pressed on high-quality vinyl at RTI and packaged in a sturdy, old-fashioned tip-on sleeve. The tracks have been mastered from original tapes by Greg Sage himself, and the cover is identical to the original sleeve as issued in 1981. Deluxe reissue of their second LP, from 1981, Mastered from original tapes by Greg Sage himself, Considered by Kurt Cobain one of the top 50 records ever. Sturdy, old-style heavy duty jacket and high quality vinyl. One of the most passionate and influential punk records ever.\u003c\/p\u003e\n\u003cp\u003eTrack listing A1 Taking Too Long 3:05 A2 Can This Be 2:55 A3 Pushing The Extreme 3:15 A4 When It's Over 6:30 B1 No Fair 4:25 B2 Youth Of America 10:30\u003c\/p\u003e","brand":"Jackpot","offers":[{"title":"Default Title","offer_id":41192448688284,"sku":"JPR82802LP","price":35.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_eac34fed-09ea-44af-8a82-55f36d85bce5.jpg?v=1636439692"},{"product_id":"josephine-foster-godmother-lp","title":"Josephine Foster - Godmother [LP]","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FIRELP647\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 809236164711\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Sep 2026\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003eLP Black Vinyl, std sleeve, DL card.\u003c\/p\u003e\n\u003cp\u003eA beautifully observed baroque masterpiece, part dream pop, part futuristic psych-folk with ambient synths and Josephine Foster’s plaintive guitar. Godmother is a slowly unfolding song cycle that marries a myriad of previous musical escapades with electronic experiments.\u003cbr\u003e\u003cbr\u003eExploring new horizons on this record, it sees Foster at her most expressive and hypnotic. Now back home in the mountains of Colorado, Josephine’s 20-year journey to this new nirvana becomes enthralled further with a symphony of synths that sound like they are played in some neighbouring netherworld, through cotton gauze. It’s music that’s devotional, spiritual, a fitting soundtrack for any journey within or without, a means to experience places and vibrations beyond the boundary of time and space.\u003cbr\u003e\u003cbr\u003eDiscussing the record, Josephine explains “You may notice me travelling a bit further sonically from our precious earth, aspiring to rise into broader astral perspective, to contemplate the light and origins of it all, as I do believe there is a grand source that is the sum of it all, us all. Performing all the parts on this recording, you may sense me focussing gestures of my singing into the instrumentation, which is a very great relief indeed, as the voice has such grand dreams to be set free.”\u003cbr\u003e\u003cbr\u003e“With her haunted, theatrical delivery, Foster cuts an arresting figure.” Pitchfork\u003cbr\u003e\u003cbr\u003e“Out of time yet timeless” The Wire\u003cbr\u003e\u003cbr\u003eTrack List:\u003cbr\u003e1 Hum Menina\u003cbr\u003e2 Sparks Fly\u003cbr\u003e3 Guardian Angel\u003cbr\u003e4 Old Teardrop\u003cbr\u003e5 Flask of Wine\u003cbr\u003e6 Gold Entwine\u003cbr\u003e7 Dali Rama\u003cbr\u003e8 Nun of the Above\u003cbr\u003e9 The Sum of Us All\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":41198222246044,"sku":"FIRELP647","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f87dfb25-c72b-434a-be7b-f877caba4b91.jpg?v=1636545153"},{"product_id":"josephine-foster-godmother-cd","title":"Josephine Foster - Godmother [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FIRECD647\u003cbr\u003eBarcode: 809236164728\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Folk\/Americana\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA beautifully observed baroque masterpiece, part dream pop, part futuristic psych-folk with ambient synths and Josephine Foster’s plaintive guitar. Godmother is a slowly unfolding song cycle that marries a myriad of previous musical escapades with electronic experiments.\u003cbr\u003e\u003cbr\u003eExploring new horizons on this record, it sees Foster at her most expressive and hypnotic. Now back home in the mountains of Colorado, Josephine’s 20-year journey to this new nirvana becomes enthralled further with a symphony of synths that sound like they are played in some neighbouring netherworld, through cotton gauze. It’s music that’s devotional, spiritual, a fitting soundtrack for any journey within or without, a means to experience places and vibrations beyond the boundary of time and space.\u003cbr\u003e\u003cbr\u003eDiscussing the record, Josephine explains “You may notice me travelling a bit further sonically from our precious earth, aspiring to rise into broader astral perspective, to contemplate the light and origins of it all, as I do believe there is a grand source that is the sum of it all, us all. Performing all the parts on this recording, you may sense me focussing gestures of my singing into the instrumentation, which is a very great relief indeed, as the voice has such grand dreams to be set free.”\u003cbr\u003e\u003cbr\u003e“With her haunted, theatrical delivery, Foster cuts an arresting figure.” Pitchfork\u003cbr\u003e\u003cbr\u003e“Out of time yet timeless” The Wire\u003cbr\u003e\u003cbr\u003eTrack List:\u003cbr\u003e1 Hum Menina\u003cbr\u003e2 Sparks Fly\u003cbr\u003e3 Guardian Angel\u003cbr\u003e4 Old Teardrop\u003cbr\u003e5 Flask of Wine\u003cbr\u003e6 Gold Entwine\u003cbr\u003e7 Dali Rama\u003cbr\u003e8 Nun of the Above\u003cbr\u003e9 The Sum of Us All\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":41198222704796,"sku":"FIRECD647","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_b3b11b47-9960-469d-a496-93eaadee43cd.jpg?v=1636545170"},{"product_id":"chat-pile-who-loves-the-sun-cassette","title":"Chat Pile - Who Loves The Sun [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: FR200MC\u003cbr\u003eBarcode: \u003cspan\u003e0769152437743\u003c\/span\u003e\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eVery limited UK exclusive LP on Half Magenta and Lemon Yellow coloured vinyl\u003cbr\u003eStandard Coloured LP is for Indies only.\u003cbr\u003eOne of the most anticipated heavy releases of the year from one of underground music’s fastest-rising bands.\u003cbr\u003eExtensive press history with support from Pitchfork, The Guardian, Stereogum, Paste, The Needle Drop, BrooklynVegan, Revolver, Decibel, and many more.\u003cbr\u003eFollow up to the critically acclaimed albums God’s Country and Cool World.\u003cbr\u003eFull North American headlining tour planned around the album release, with EU\/UK dates to follow.\u003c\/p\u003e\n\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic.\u003c\/p\u003e\n\u003cp\u003eWhereas their debut album God’s Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.\u003c\/p\u003e\n\u003cp\u003eAs with much of Chat Pile’s work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record’s cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground.\u003c\/p\u003e\n\u003cp\u003eThe album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of “Christabel ’26” to the eerie trip-hop pulse of “Same Rules,” Who Loves The Sun is deeply human despite its allusions to a dying, divided .\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Creature\u003cbr\u003e2. Deep Blue\u003cbr\u003e3. Same Rules\u003cbr\u003e4. PEN I S MALL\u003cbr\u003e5. Shrine\u003cbr\u003e6. Intruder\u003cbr\u003e7. Christabel ’26\u003cbr\u003e8. Influence\u003cbr\u003e9. Family Funeral\u003cbr\u003e10. October All the Time\u003c\/p\u003e","brand":"Flenser","offers":[{"title":"Default Title","offer_id":47040928907420,"sku":"FR200MC","price":18.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPile-WhoLovesTheSun_79da8267-2278-417f-a865-e56c7206bce0.jpg?v=1781033765"},{"product_id":"chat-pile-who-loves-the-sun-cd","title":"Chat Pile - Who Loves The Sun [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FR200CD\u003cbr\u003eBarcode: 0769152437729\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eVery limited UK exclusive LP on Half Magenta and Lemon Yellow coloured vinyl\u003cbr\u003eStandard Coloured LP is for Indies only.\u003cbr\u003eOne of the most anticipated heavy releases of the year from one of underground music’s fastest-rising bands.\u003cbr\u003eExtensive press history with support from Pitchfork, The Guardian, Stereogum, Paste, The Needle Drop, BrooklynVegan, Revolver, Decibel, and many more.\u003cbr\u003eFollow up to the critically acclaimed albums God’s Country and Cool World.\u003cbr\u003eFull North American headlining tour planned around the album release, with EU\/UK dates to follow.\u003c\/p\u003e\n\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic.\u003c\/p\u003e\n\u003cp\u003eWhereas their debut album God’s Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.\u003c\/p\u003e\n\u003cp\u003eAs with much of Chat Pile’s work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record’s cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground.\u003c\/p\u003e\n\u003cp\u003eThe album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of “Christabel ’26” to the eerie trip-hop pulse of “Same Rules,” Who Loves The Sun is deeply human despite its allusions to a dying, divided .\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Creature\u003cbr\u003e2. Deep Blue\u003cbr\u003e3. Same Rules\u003cbr\u003e4. PEN I S MALL\u003cbr\u003e5. Shrine\u003cbr\u003e6. Intruder\u003cbr\u003e7. Christabel ’26\u003cbr\u003e8. Influence\u003cbr\u003e9. Family Funeral\u003cbr\u003e10. October All the Time\u003c\/p\u003e","brand":"Flenser","offers":[{"title":"Default Title","offer_id":47040929136796,"sku":"FR200CD","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPile-WhoLovesTheSun_69ea9421-f6b1-44cf-a241-ec5f47efd41b.jpg?v=1781033759"},{"product_id":"chat-pile-who-loves-the-sun-lp","title":"Chat Pile - Who Loves The Sun [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FR200LP\u003cbr\u003eBarcode: 0769152437712\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eVery limited UK exclusive LP on Half Magenta and Lemon Yellow coloured vinyl\u003cbr\u003eStandard Coloured LP is for Indies only.\u003cbr\u003eOne of the most anticipated heavy releases of the year from one of underground music’s fastest-rising bands.\u003cbr\u003eExtensive press history with support from Pitchfork, The Guardian, Stereogum, Paste, The Needle Drop, BrooklynVegan, Revolver, Decibel, and many more.\u003cbr\u003eFollow up to the critically acclaimed albums God’s Country and Cool World.\u003cbr\u003eFull North American headlining tour planned around the album release, with EU\/UK dates to follow.\u003c\/p\u003e\n\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. 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Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.\u003c\/p\u003e\n\u003cp\u003eAs with much of Chat Pile’s work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record’s cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground.\u003c\/p\u003e\n\u003cp\u003eThe album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. 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October All the Time\u003c\/p\u003e","brand":"Flenser","offers":[{"title":"Default Title","offer_id":47040929398940,"sku":"FR200LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPile-WhoLovesTheSun_980eedf8-0ac7-40a5-9a4d-7186259184f5.jpg?v=1781033755"},{"product_id":"chat-pile-who-loves-the-sun-col-vinyl","title":"Chat Pile - Who Loves The Sun [Col Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FR200LPX\u003cbr\u003eBarcode: 0769152437736\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eVery limited UK exclusive LP on Half Magenta and Lemon Yellow coloured vinyl\u003cbr\u003eStandard Coloured LP is for Indies only.\u003cbr\u003eOne of the most anticipated heavy releases of the year from one of underground music’s fastest-rising bands.\u003cbr\u003eExtensive press history with support from Pitchfork, The Guardian, Stereogum, Paste, The Needle Drop, BrooklynVegan, Revolver, Decibel, and many more.\u003cbr\u003eFollow up to the critically acclaimed albums God’s Country and Cool World.\u003cbr\u003eFull North American headlining tour planned around the album release, with EU\/UK dates to follow.\u003c\/p\u003e\n\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic.\u003c\/p\u003e\n\u003cp\u003eWhereas their debut album God’s Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.\u003c\/p\u003e\n\u003cp\u003eAs with much of Chat Pile’s work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record’s cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground.\u003c\/p\u003e\n\u003cp\u003eThe album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of “Christabel ’26” to the eerie trip-hop pulse of “Same Rules,” Who Loves The Sun is deeply human despite its allusions to a dying, divided .\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Creature\u003cbr\u003e2. Deep Blue\u003cbr\u003e3. Same Rules\u003cbr\u003e4. PEN I S MALL\u003cbr\u003e5. Shrine\u003cbr\u003e6. Intruder\u003cbr\u003e7. Christabel ’26\u003cbr\u003e8. Influence\u003cbr\u003e9. Family Funeral\u003cbr\u003e10. October All the Time\u003c\/p\u003e","brand":"Flenser","offers":[{"title":"Default Title","offer_id":47040930021532,"sku":"FR200LPX","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPile-WhoLovesTheSun.jpg?v=1781033731"},{"product_id":"chat-pile-who-loves-the-sun-half-magenta-and-lemon-yellow","title":"Chat Pile - Who Loves The Sun [Half Magenta and Lemon Yellow]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FR200LPUK\u003cbr\u003eBarcode: 0769152438450\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eVery limited UK exclusive LP on Half Magenta and Lemon Yellow coloured vinyl\u003cbr\u003eStandard Coloured LP is for Indies only.\u003cbr\u003eOne of the most anticipated heavy releases of the year from one of underground music’s fastest-rising bands.\u003cbr\u003eExtensive press history with support from Pitchfork, The Guardian, Stereogum, Paste, The Needle Drop, BrooklynVegan, Revolver, Decibel, and many more.\u003cbr\u003eFollow up to the critically acclaimed albums God’s Country and Cool World.\u003cbr\u003eFull North American headlining tour planned around the album release, with EU\/UK dates to follow.\u003c\/p\u003e\n\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic.\u003c\/p\u003e\n\u003cp\u003eWhereas their debut album God’s Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.\u003c\/p\u003e\n\u003cp\u003eAs with much of Chat Pile’s work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record’s cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground.\u003c\/p\u003e\n\u003cp\u003eThe album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. 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Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored the 1969 moon-landing and plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s By the Time I Get to Phoenix.\u003c\/p\u003e\n\u003cp\u003eIn the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasn’t The Exorcist, Goodbye Yellow Brick Road, or even bellbottoms, but instead a book called The Secret Life of Plants. The work of occultist\/ former OSS agent Peter Tompkins and former CIA agent\/dowsing enthusiast Christopher Bird, the book shot up the bestseller charts and spread like kudzu across the landscape, becoming a phenomenon.\u003c\/p\u003e\n\u003cp\u003eSeemingly overnight, the indoor plant business was in full bloom and photosynthetic eukaryotes of every genus were hanging off walls, lording over bookshelves, and basking on sunny window ledges. The science behind Secret Life was specious: plants can hear our prayers, they’re lie detectors, they’re telepathic, able to predict natural disasters and receive signals from distant galaxies. But that didn’t stop millions from buying and nurturing their new plants.\u003c\/p\u003e\n\u003cp\u003ePerhaps the craziest claim of the book was that plants also dug music. And whether you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for them. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog.\u003c\/p\u003e\n\u003cp\u003eThe album gained an enormous cult following decades after its release. Sacred Bones’ 2019 reissue helped introduce Plantasia to a wider global audience, sparking a remarkable second life for Garson’s unlikely masterpiece.\u003cbr\u003eWhat was once a strange artifact of 1970s plant-mania has become a beloved evergreen, rediscovered and re-embraced by a new generation of listeners and flourishing far beyond its original moment, evolving from obscure novelty into a beloved cult classic and streaming-era touchstone.\u003c\/p\u003e\n\u003cp\u003eNow, 50 years after its original release, Mother Earth’s Plantasia marks a major anniversary moment. Half a century on, it continues to resonate - an enduring reminder of Mort Garson’s ability to make the synthetic feel strangely alive and the whimsical feel oddly profound.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e01. Plantasia (3:23)\u003cbr\u003e\u003c\/span\u003e02. Symphony for a Spider Plant (2:41)\u003cbr\u003e03. Baby’s Tears Blues (3:03)\u003cbr\u003e04. Ode to an African Violet (4:04)\u003cbr\u003e05. Concerto For Philodendron And Pothos (3:09)\u003cbr\u003e06. Rhapsody In Green (3:28)\u003cbr\u003e07. Swingin’ Spathiphyllums (2:59)\u003cbr\u003e08. You Don’t Have To Walk A Begonia (2:31)\u003cbr\u003e09. A Mellow Mood For Maidenhair (2:17)\u003cbr\u003e10. Music To Soothe The Savage Snake Plant (3:23)\u003c\/p\u003e","brand":"Sacred Bones Records","offers":[{"title":"Default Title","offer_id":47208784461980,"sku":"SBR3030LP-C18","price":27.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/sbr3030-plantasia-C18.jpg?v=1784039156"},{"product_id":"sunn-o-sunn-o","title":"Sunn O))) - Sunn O)))","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SP1685BL\u003cbr\u003eBarcode: 098787168518\u003cbr\u003eRelease Date: 28 Aug 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eA Black vinyl repressing of sunn o)))’s critically acclaimed album - released in April of this year.\u003cbr\u003eThe debut Sub Pop full-length by drone-metal pioneers SUNN O))) is a massive, atmospheric journey into a world of crumbling time and space, crackling low-end guitar rumble, and unexpectedly delicate naturalistic textures. NOW ON BLACK VINYL!\u003cbr\u003eCover art by Mark Rothko, titan of 20th century art. Liner notes by acclaimed author Robert Macfarlane (Underland: A Deep Time Journey, Is A River Alive?)\u003cbr\u003eProduced by SUNN O))) and Brad Wood (Liz Phair, Sunny Day Real Estate).\u003cbr\u003eFor fans of Black Sabbath, Earth 2, Slint, early Melvins, Coil, Venom, Glenn Branca, doom metal, ambient, devotional, experimental.\u003c\/p\u003e\n\u003cp\u003eFor nearly 30 years, SUNN O))) – Stephen O’Malley and Greg Anderson – have pushed the boundaries of heavy music, straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own. Now, SUNN O))) return with their first album of new material since 2019’s acclaimed Pyroclasts. Their tenth album – their debut for Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.\u003c\/p\u003e\n\u003cp\u003eThe eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. “The vast tracking room had big windows looking out on trees,” says O’Malley. “We could go hiking and be out in the woods, spend time outdoors. That became a big part of it.”\u003c\/p\u003e\n\u003cp\u003eSUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Guðnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm’s Tim Midyett and legendary singer-songwriter Scott Walker. But on this album O’Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. “What’s been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting,” says Anderson.\u003c\/p\u003e\n\u003cp\u003eThe compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.\u003c\/p\u003e\n\u003cp\u003eFraming the album visually are two paintings by the late American artist Mark Rothko. Liner notes are by award-winning British writer Robert Macfarlane, famed for his works concerning landscape and the relationship between humanity and nature. Through the work of the band, Macfarlane, and Rothko, sound, word and visual combine into a fully immersive experience that is undeniably, completely SUNN O))).\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1.XXANN\u003cbr\u003e2.Does Anyone Hear Like Venom?\u003cbr\u003e3.Butch's Guns\u003cbr\u003e4.Mindrolling\u003cbr\u003e5.Everett Moses\u003cbr\u003e6.Glory Black\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":47251175309468,"sku":"SP1685BL","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SunnO_SunnO_Cover_EU_1500x1500_cf106e7a-4528-4863-aeb8-7b1f6626e173.jpg?v=1784727077"},{"product_id":"various-lex-xx-3lp-180grm-1-side-etched-large-format-board-book","title":"Various - Lex XX [3LP 180grm, 1 Side Etched, + large format board book]","description":"\u003cp\u003eFormat: LP BOXSET\u003cbr\u003eCatalogue No.: LEX200LP\u003cbr\u003eBarcode: 5060121302945\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eRiYL: MF DOOM, Eyedress, Danger Mouse, Madlib, Pink Siifu, Prefuse 73, Boards of Canada, King Krule, Thom Yorke, Stereolab, Kevin Shields, Fly Anakin\u003c\/p\u003e\n\u003cp\u003eLEX Records Presents: LEX XX\u003c\/p\u003e\n\u003cp\u003eA Project dealing with the relative length of time at a record label and the effect of adding another zero. To explore this passage of time and all those memories, we’ve commissioned remixes of key tracks from the LEX catalog by artists we love and admire. The album features contributions from Danger Mouse \u0026amp; Jemini, Fly Anakin \u0026amp; Pink Siifu, Eyedress, Golden Rules featuring Yasiin Bey and Freddie Gibbs, Neon Neon feat. Cate Le Bon, alongside Kaleida, Belief, Nevermen, Prince Po and MF DOOM. With remixes that reinterpret the tracks by Boards of Canada, Kevin Shields of My Bloody Valentine, DJ Premier, Prefuse 73, Madlib, Stereolab, Warpaint, King Krule, Chad Hugo and Thom Yorke. The limited edition physical release is presented in a rigid slipcase, with the vinyl housed in a triple sleeve gatefold, and accompanied by a large format board book, with both featuring artwork by Commission Studios. The records are pressed on 180g heavyweight vinyl, with the D-Side finished with a bespoke etched design.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1.Danger Mouse \u0026amp; Jemini - Born-A-MC (Danger Mouse Remix)\u003cbr\u003e2.Nevermen - Treat’Em Right (Boards of Canada Remix)\u003cbr\u003e3.Eyedress - House of Cards (Rainbow Belts Remix)\u003cbr\u003e4.Prince Po Feat. MF DOOM - Social Distortion (DJ Premier Remix)\u003cbr\u003e5.Golden Rules Feat. Yasiin Bey \u0026amp; Freddie Gibbs - Never Die (Prefuse 73 Remix)\u003cbr\u003e6.Fly Anakin - No Dough (Madlib Remix)\u003cbr\u003e7.Shape of Broad Minds Feat. MF DOOM - Let’s Go (Black Noi$e Remix)\u003cbr\u003e8.TES - Shoot Shoot (Stereolab Remix)\u003cbr\u003e9.Fly Anakin \u0026amp; Pink Siifu Feat. Foushee - L’s (Eyedress Remix)\u003cbr\u003e10.Neon Neon Feat. 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If it happens - a big if - it does so naturally, and perhaps nobody knows that better than Band of Horses, whose landmark debut Everything All The Time still, after twenty years, feels as vital and, dare we say, transcendent as when it came out in 2006.\u003cbr\u003eGuitarist\/vocalist Ben Bridwell formed Band of Horses in Seattle in 2004, after the end of his nearly ten-year run in northwest melancholic darlings Carissa’s Wierd. Carissa’s Wierd trafficked in beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. Band of Horses rose from the ashes of that well-loved band, buoyed by Bridwell’s warm, reverb-heavy vocals, and woodsy, dreamy songs oozing with tension, longing and hope. Armed with a fresh Sub Pop deal and a smashing batch of songs, the band recorded their debut full-length, Everything All the Time, with producer Phil Ek at Seattle’s Avast studios.\u003cbr\u003eEverything All The Time is an album painted gorgeously in fragile highs and lows. That’s part of the genius in Band of Horses: they craft intelligent, classic movements within their songs, perfectly balancing desperation and hope, calmness and mania, love and fear. And of course there’s the massive hit “The Funeral,” which became a defining song of the era, and continues to inspire new generations of fans and artists. The song got tons of film and TV placements, was sampled by Kid Cudi, and transformed into a 2025 dance edit by acclaimed producer\/multi-instrumentalist Gryffin.\u003cbr\u003eNow, on the occasion of the 20th birthday of the album, Sub Pop and Band of Horses present the definitive snapshot of the band circa Everything All The Time. For this release, the album has been fully remastered, with the artwork refreshed and with liner notes by Phil Ek. And the album is accompanied by an additional disc of bonus tracks, including the 2005 tour EP, a trove of previously unreleased studio and live tracks, and rarities like “The End’s Not Near” (as featured on The O.C.) and a demo version of “The Funeral.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eDisc 1\u003cbr\u003eThe First Song\u003cbr\u003eWicked Gil\u003cbr\u003eOur Swords\u003cbr\u003eThe Funeral\u003cbr\u003ePart One\u003cbr\u003eThe Great Salt Lake\u003cbr\u003eWeed Party\u003cbr\u003eI Go to the Barn Because I Like The\u003cbr\u003eMonsters\u003cbr\u003eSt. Augustine\u003c\/p\u003e\n\u003cp\u003eDisc 2\u003cbr\u003e(Biding Time Is a) Boat to Row\u003cbr\u003ePart Two\u003cbr\u003eCoal Mine\u003cbr\u003eWorry Song\u003cbr\u003eThe End's Not Near\u003cbr\u003eThe First Song (Demo Version)\u003cbr\u003eWicked Gil (Demo Version)\u003cbr\u003eOur Swords (Demo Version)\u003cbr\u003eThe Funeral (Demo Version)\u003cbr\u003ePart One (Demo Version)\u003cbr\u003eOur Swords (Live at The Crocodile)\u003cbr\u003eI Go to the Barn Because I Like The \/ Monsters (Live at The Crocodile)\u003cbr\u003eShowdown (Live at The Crocodile)\u003cbr\u003ePart One (Live at The Crocodile)\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":47273214050460,"sku":"SPCD1730","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BandOfHorses_EverythingAllTheTime20th_8d77cdb2-6176-40e9-b03f-dbd282a042c8.jpg?v=1785181597"},{"product_id":"black-bananas-bad-bunch-banana-splatter","title":"Black Bananas - Bad Bunch [Banana Splatter]","description":"\u003cp\u003eFormat: LP, Banana Splatter\u003cbr\u003eCatalogue No.: \u003cspan\u003eFIRELP837X \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0809236006059 \u003c\/span\u003e\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eJennifer Herrema’s Black Bananas return with Bad Bunch, the group’s first album since 2014’s Electric Brick Wall and Herrema’s first release since Royal Trux’s White Stuff (2019). Arriving via Fire Records, the album marks the long-awaited return of Herrema’s iconic vocals alongside longtime collaborators Brian McKinley and Kurt Midness.\u003cbr\u003eFrom Royal Trux to RTX to Black Bananas, Jennifer Herrema’s work has never divided into separate phases so much as continued in motion. As Pitchfork observed, Black Bananas are an “alternate-universe RTX”, absorbing influences from synth-pop, hip-hop, French-touch house and dancehall into their own singular sound.\u003cbr\u003eOriginally formed over 20 years ago under the name RTX, Herrema, McKinley and Midness have evolved into a kinetically connected, freaky collective. Bad Bunch finds the trio delivering a spaced-out, jazzy-rock groove, shaped by improvisation and new recording methods developed over the last decade.\u003cbr\u003eBeginning more than ten years ago, the album took shape across periods of disconnected time, interrupted by the Royal Trux reunion and the upheaval of the pandemic. The result is a record that pushes Black Bananas’ innovative tendencies even further while remaining unmistakably their own.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1 Nutrageous \u0026amp; Jam\u003cbr\u003eA2 All The Way\u003cbr\u003eA3 Dust Of Ages\u003cbr\u003eA4 Eddie’s Album\u003cbr\u003eA5 Cold Bussin\u003cbr\u003eB1 Terror Vision\u003cbr\u003eB2 Outta My Head\u003cbr\u003eB3 Sherman Dealer\u003cbr\u003eB4 Turkey Burgers\u003cbr\u003eB5 Tiny Chewbacca\u003cbr\u003eB6 Good Pass\u003c\/p\u003e","brand":"FIRE RECORDS","offers":[{"title":"Default Title","offer_id":47273226797212,"sku":"FIRELP837X","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BlackBananas-BadBunchLPindiesyellowblacksplatterrender.jpg?v=1785182455"},{"product_id":"black-bananas-bad-bunch-red-vinyl","title":"Black Bananas - Bad Bunch [Red Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eFIRELP837 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0809236005779 \u003c\/span\u003e\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eJennifer Herrema’s Black Bananas return with Bad Bunch, the group’s first album since 2014’s Electric Brick Wall and Herrema’s first release since Royal Trux’s White Stuff (2019). Arriving via Fire Records, the album marks the long-awaited return of Herrema’s iconic vocals alongside longtime collaborators Brian McKinley and Kurt Midness.\u003cbr\u003eFrom Royal Trux to RTX to Black Bananas, Jennifer Herrema’s work has never divided into separate phases so much as continued in motion. As Pitchfork observed, Black Bananas are an “alternate-universe RTX”, absorbing influences from synth-pop, hip-hop, French-touch house and dancehall into their own singular sound.\u003cbr\u003eOriginally formed over 20 years ago under the name RTX, Herrema, McKinley and Midness have evolved into a kinetically connected, freaky collective. Bad Bunch finds the trio delivering a spaced-out, jazzy-rock groove, shaped by improvisation and new recording methods developed over the last decade.\u003cbr\u003eBeginning more than ten years ago, the album took shape across periods of disconnected time, interrupted by the Royal Trux reunion and the upheaval of the pandemic. The result is a record that pushes Black Bananas’ innovative tendencies even further while remaining unmistakably their own.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1 Nutrageous \u0026amp; Jam\u003cbr\u003eA2 All The Way\u003cbr\u003eA3 Dust Of Ages\u003cbr\u003eA4 Eddie’s Album\u003cbr\u003eA5 Cold Bussin\u003cbr\u003eB1 Terror Vision\u003cbr\u003eB2 Outta My Head\u003cbr\u003eB3 Sherman Dealer\u003cbr\u003eB4 Turkey Burgers\u003cbr\u003eB5 Tiny Chewbacca\u003cbr\u003eB6 Good Pass\u003c\/p\u003e","brand":"FIRE RECORDS","offers":[{"title":"Default Title","offer_id":47273226862748,"sku":"FIRELP837","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BlackBananas-BadBunchLPredrender.jpg?v=1785182459"},{"product_id":"black-bananas-bad-bunch-cd","title":"Black Bananas - Bad Bunch [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eFIRECD837 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0809236005786 \u003c\/span\u003e\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eJennifer Herrema’s Black Bananas return with Bad Bunch, the group’s first album since 2014’s Electric Brick Wall and Herrema’s first release since Royal Trux’s White Stuff (2019). Arriving via Fire Records, the album marks the long-awaited return of Herrema’s iconic vocals alongside longtime collaborators Brian McKinley and Kurt Midness.\u003cbr\u003eFrom Royal Trux to RTX to Black Bananas, Jennifer Herrema’s work has never divided into separate phases so much as continued in motion. As Pitchfork observed, Black Bananas are an “alternate-universe RTX”, absorbing influences from synth-pop, hip-hop, French-touch house and dancehall into their own singular sound.\u003cbr\u003eOriginally formed over 20 years ago under the name RTX, Herrema, McKinley and Midness have evolved into a kinetically connected, freaky collective. Bad Bunch finds the trio delivering a spaced-out, jazzy-rock groove, shaped by improvisation and new recording methods developed over the last decade.\u003cbr\u003eBeginning more than ten years ago, the album took shape across periods of disconnected time, interrupted by the Royal Trux reunion and the upheaval of the pandemic. The result is a record that pushes Black Bananas’ innovative tendencies even further while remaining unmistakably their own.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1 Nutrageous \u0026amp; Jam\u003cbr\u003eA2 All The Way\u003cbr\u003eA3 Dust Of Ages\u003cbr\u003eA4 Eddie’s Album\u003cbr\u003eA5 Cold Bussin\u003cbr\u003eB1 Terror Vision\u003cbr\u003eB2 Outta My Head\u003cbr\u003eB3 Sherman Dealer\u003cbr\u003eB4 Turkey Burgers\u003cbr\u003eB5 Tiny Chewbacca\u003cbr\u003eB6 Good Pass\u003c\/p\u003e","brand":"FIRE RECORDS","offers":[{"title":"Default Title","offer_id":47273227681948,"sku":"FIRECD837","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BlackBananas-BadBunch_755793e9-5df2-4e0d-a5ae-63e54c166659.jpg?v=1785181616"},{"product_id":"black-mountain-black-mountain-revinyl-edition-eco-mix-random-col-inc-black","title":"Black Mountain - Black Mountain (ReVINYL Edition) [Eco Mix\/Random Col inc. Black]","description":"\u003cp\u003eFormat: LP, Eco Mix\/Random Col inc. Black\u003cbr\u003eCatalogue No.: JAG070LP-C2\u003cbr\u003eBarcode: 0656605207056\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eBlack Mountain, the front-line soldiers for the Black Mountain Army—an arts collective from Vancouver, British Columbia—write, perform, and record music that speaks (and sings) to this realization: that solutions are rarely simple, that the world is as complex as it is ambiguous, and that music sprinkled with an inoculating dose of madness may well be the Pied Piper that takes us all back into the primordial mountain, where our hearts can be made steady and our minds can be set free.Their debut self-titled record, like a space probe built of erector set parts and transmitting secret and arcane messages to Earth by string, charts territories unknown yet remains grounded by the roots of classic rock and roll. It’s easy to discern these roots: Black Sabbath, Animals-era Pink Floyd, Blue Cheer, Led Zeppelin, and Can. Principal songwriter Stephen McBean’s vocals are a smoother, bluesier amalgam of the voices of Neil Young, Mick Jagger, and perhaps James Brown loaded on cough syrup. And when Amber Webber’s voice joins Stephen’s, the combination brings to mind the potency and chemistry of Richard and Linda Thompson singing together on Shoot Out the Lights, or of Meat Loaf and Ellen Foley howling together on Bat Out of Hell.Musical comparisons aside, the Black Mountain full-length is one part protest song, one part pop-cultural commentary, and one part sick-groove-rock casserole peppered with mesmerizing ballads and intoxicating ditties. “Modern Music” is the lead-off hitter and counts its way to the imposing and riff-rife “Don’t Run Our Hearts Around.” Immediately thereafter, the sludge-rock masterpiece “Druganaut” establishes the fecund heart and tone of the record.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1: MODERN MUSIC\u003cbr\u003e2: DON'T RUN OUR HEARTS AROUND\u003cbr\u003e3: DRUGANAUT\u003cbr\u003e4: NO SATISFACTION\u003cbr\u003e5: SET US FREE\u003cbr\u003e6: NO HITS\u003cbr\u003e7: HEART OF SNOW\u003cbr\u003e8: FAULTY TIMES\u003c\/p\u003e","brand":"DEAD OCEANS","offers":[{"title":"Default Title","offer_id":47273229451420,"sku":"JAG070LP-C2","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/blackmountainjag70.jpg?v=1785181629"},{"product_id":"blue-yonder-blue-yonder-cd","title":"Blue Yonder - Blue Yonder [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BAD260901\u003cbr\u003eBarcode: 3341348054834 \u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eRediscover a hidden gem of 1980s melodic rock! Originally released by Atlantic Records in 1987, Blue Yonder is the only album from the acclaimed duo of vocalist\/songwriter\/keyboardist Sandy Stewart and multi-instrumentalist David Munday. Blending melodic pop, soft rock and AOR, the album delivers sophisticated songwriting, memorable melodies and elegant arrangements. Produced by John Brand with additional production contributions from legendary producer Arif Mardin, Blue Yonder features standout tracks including “Windsong” and “House Of Love,” alongside contributions from musicians such as Kip Winger (Winger), Chuck Sabo (Tina Turner, Elton John), Philippe Saisse and Steve Hogarth (Marillion). Following Sandy Stewart’s celebrated collaborations with Stevie Nicks on The Wild Heart, Blue Yonder showcases her distinctive vocals and songwriting talents in a beautifully crafted collection that has become a sought-after favorite among AOR and melodic rock collectors. Nearly four decades later, this overlooked classic remains a timeless example of sophisticated late-1980s melodic rock.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Windsong.\u003cbr\u003e2. House Of Love.\u003cbr\u003e3. When Grace Is Falling.\u003cbr\u003e4. In The Rain.\u003cbr\u003e5. Still I Love.\u003cbr\u003e6. The Long Haul.\u003cbr\u003e7. Something For The Pain.\u003cbr\u003e8. Indigo.\u003cbr\u003e9. Secret Miracle.\u003c\/p\u003e","brand":"Bad Reputation","offers":[{"title":"Default Title","offer_id":47273230074012,"sku":"BAD260901","price":15.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BlueYonder-BadRep.jpg?v=1785181639"},{"product_id":"bright-eyes-im-wide-awake-its-morning-revinyl-edition-eco-mix-random-col-inc-black","title":"Bright Eyes - I'm Wide Awake, It's Morning (ReVINYL Edition) [Eco Mix\/Random Col inc. Black]","description":"\u003cp\u003eFormat: LP, Eco Mix\/Random Col inc. Black\u003cbr\u003eCatalogue No.: DOC290LP-C3\u003cbr\u003eBarcode: \u003cspan\u003e0656605159058 \u003c\/span\u003e\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003e“The first three are innocent in a way, because we didn’t have an audience when we were making them,” Oberst says. “But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.” Those two albums came out simultaneously. And their lead singles – “Take It Easy (Love Nothing),” from the austere, remote Digital Ash, and “Lua,” from the warm, folky Wide Awake – debuted in the top two slots on the Billboard Hot 100. “First Day of My Life,” also from Wide Awake, would later be voted the Number One love song of all time by NPR Music’s reader’s poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraught and tense, both because of the band’s careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, “When The President Talks To God.” These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era’s releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of “harmonica and mandolins – folky vibes,” Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. At the Bottom of Everything\u003cbr\u003e2. We Are Nowhere and It's Now\u003cbr\u003e3. 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With a nod to New Orleans’ history as the northernmost port of the Caribbean, the Tropicales perform music from Trinidad and Venezuela, Martinique and Guadeloupe, Jamaica, Cuba, and?other destinations along the archipelago. Scorching tropicalia, and classic New Orleans jams. Biguines and boleros, calypsos and cumbias, rocksteady and rumba - songs that get stuck in your head. It’s music that’s guaranteed to melt the ice in your drink.??All of that to say, the Tropicales’ new LP New Orleans ‘26 makes a defiant statement: New Orleans music is Caribbean music.??And who better to say it? This is a band that’s kept an incredibly busy schedule in New Orleans since 2024, establishing themselves as one of the city’s most exciting young bands - performing regularly at Snug Harbor, Tipitina's, the Broadside, Saturn Bar, Vaughans, and BJs Lounge, not to mention the Jazz and Heritage Center, Jazz Fest, parties at the Four Seasons and hotels all over town. Their last tour included marquee stops in Key West, New York City, New Haven, Cape Cod, Asbury Park, the Exit Zero Jazz Festival and of course… New Orleans.??New Orleans ‘26 expands the band, too, bringing in guests like Latin Grammy winner Mireya Ramos, Grammy winner Jon Cleary, Tiny Desk sensation Sally Baby Geloso and celebrated dub engineer Roger Rivas for a little treat to close out the record. It delivers the same musicality and vibe that’s packed clubs since 2018. ??If you feel like taking a trip, join some of the most celebrated musicians in the Crescent City and daiquiri, turn up your soundsystem, hit the dance floor, and join this subtropical party. New Orleans ‘26 redefines the music of this essential global city by taking back to where it came from: the Caribbean.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Tain't It the Truth\u003cbr\u003e2. Cumbia Tio T\u003cbr\u003e3. Ruler of My Heart\u003cbr\u003e4. Gabe's Archipelago\u003cbr\u003e5. 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Not could happen but was going to.’’\u003cbr\u003eStephen Brotherstone\u003cbr\u003e\"What would you do in the event of a Nuclear war?\"\u003cbr\u003eI remember having discussions about what we would do when we heard the four minute warning siren. We would raid the sweet shop. I was 8 or 9 years old. The absurdity of this vivid memory encapsulates the concept of the record. It would take at least four minutes to get to the shop!\u003cbr\u003eThe record starts with an early memory of circling a church on a Raleigh Budgie (the smaller lesser known iconic Chopper bicycle) in 1981 and ends with staring up at a clear sky on Oldham Lows in 1990.\u003cbr\u003eThe record identifies and plays with the effects of an underlying fear of oblivion on a generation of children, but also society as a whole: The pieces take in media and government propaganda. Machinery (nuclear submarines) and buildings (nuclear bunkers) but also everyday activities of the civilian population, activities such as shopping, clubbing and staring at the sky. Thematically, the record is made up of personal memories mixed with historical events.\u003cbr\u003eInstruments are mainly from 1980s. DX7 and 808 feature predominantly. The pieces feature numerous melodic motifs that develop and intertwine underlying ideas of espionage and layers of secret messaging. It also mirrors the ways in which governments and civilians interact. Decisions being made in the name of defence whilst people go about their daily lives. I am exploring the everyday experiences of the masses whilst major political decisions are taking place. For example, shopping on a Saturday afternoon versus heated Cold War tensions in 1983.\u003cbr\u003eAlthough taking place conceptually in the years 1979-1991, this record mirrors current events. History repeating. It also mirrors the helplessness or maybe some oblivious everyday normality state that we adopt as a community whilst major political decisions are being made.\u003cbr\u003eThe idea that life goes on oblivious to larger scale politics, or on the other hand, the idea that we are all very aware but in a state of unreal normality. Adam Curtis goes into great detail about such things in his film 'Hyper Normalisation'.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Circling The Church\u003cbr\u003e2. The American Dream (As Seen On T.V)\u003cbr\u003e3. Butterflies Discotèque\u003cbr\u003e4. The Wall Has Fallen\u003cbr\u003e5. In The Black Forrest\u003cbr\u003e6. Shopping On A Saturday Afternoon In Manchester\u003cbr\u003e7. Secret Bunkers Under Civic Centres\u003cbr\u003e8. Polaris (U.K Nuclear Programme)\u003cbr\u003e9. 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Rooted in the classic West Coast sound of Roger Troutman and Zapp but with Ortiz's own sharp, contemporary edge, Handclaps moves from the slick groove of \"Programmed 4 Lovin'\" to the raw bounce of \"Killer \u0026amp; A Sweet Thing\" without ever letting up. The vinyl pressing — limited to 500 numbered copies on white label 12\" — includes instrumentals on the flip, making it as essential for DJs as it is for collectors.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A:\u003cbr\u003e1. Programmed 4 Lovin'\u003cbr\u003e2. The Hots\u003cbr\u003e3. What U N2\u003cbr\u003e4. Killer \u0026amp; A Sweet Thing\u003cbr\u003eSide B:\u003cbr\u003e5. Programmed 4 Lovin' (Instrumental)\u003cbr\u003e6. The Hots (Instrumental)\u003cbr\u003e7. What U N2 (Instrumental)\u003cbr\u003e8. 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It’s something you cry to, it’s overly sacred, it’s solemnly considered by critic-historians. But Folk Bitch Trio, former high school friends Heide Peverelle(they\/them), Jeanie Pilkington (she\/her) and Gracie Sinclair (she\/her), have a shared sense of humour that is embedded deep in their music, and that sets it alight, safe from the self-serious traps of the genre.\u003cbr\u003eNow Would Be A Good Time, their debut album, tells vivid, visceral stories, and is funny and darkly ironic in the manner of writers like Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar, but the songs are modern, youthful, singing acutely through dissociative daydreams and galling breakups, sexual fantasies and media overload, all the petty resentments and minor humiliations of being in your early twenties in the 2020s.\u003cbr\u003eFolk Bitch Trio have already toured across Australia, Europe and the US, supporting bands as disparate as King Gizzard, Alex G and Julia Jacklin. They’ve signed with Jagjaguwar, a home for singular icons and iconoclasts (Bon Iver, Angel Olsen, Sharon Van Etten, UMO and others), and they’ve found their first diehard fans with dazzling harmonies and acerbic lyricism that transcend genre expectations and audience lines.\u003cbr\u003eThese are the stakes: Learning how to live a life free of lovesickness and loser exes, when to sink into contemporary nihilism and when to have a laugh with your friends, and why being alive can feel so ephemeral and unreal. 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Love \u0026 Donavon Frankenreiter - Live in Boston [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: L-GLR003\u003cbr\u003eBarcode: 0760851477665\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003e\"Live in Boston\" is a collaborative live album by G. Love \u0026amp; Special Sauce and Donavon Frankenreiter. The 14-track albums recorded live at the Paradise Rock Club in Boston, MA in 2023 captures their acoustic and bluesy beach-rock performances on tour.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Soulbque\u003cbr\u003e2. Whatcha Know\u003cbr\u003e3. Heading Home\u003cbr\u003e4. She's the Rock\u003cbr\u003e5. Free\u003cbr\u003e6. Guitar Man feat. Nat Myers\u003cbr\u003e7. Cold Beverage\u003cbr\u003e8. It Don't Matter\u003cbr\u003e9. Byron Jam\u003cbr\u003e10. Them Blues\u003cbr\u003e11. Baby's Got Sauce\u003cbr\u003e12. Peace Love and Happiness\u003cbr\u003e13. Rainbow\u003cbr\u003e14. 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Just as this couple have taken a bold step into the unknown by leaving Russia and moving to Slovenia, so their music has thrown off all shackles to flourish in a defiant show of vibrant and revivifying colour. “The life of an immigrant is a strange thing.” says the bands Sasha Piankov “But luckily, that glow music brings us has never faded, even though the emotional landscape has definitely shifted.” Yet whilst the music that Sasha and his creative and life partner Masha Piankova came up with is testimony to a liberating triumph against oppression and adversity, it also goes beyond. What has emerged is a kaleidoscopic collision of styles which sends the ‘skygazing’ realm of their previous work spinning into electronic orbit. Whilst the opener ‘Foreign Agent’ explicitly tackles the pressures of the Russian state, it also throws a Stereolab-style motorik meditation through an in-the-red psychedelic prism. Elsewhere we can behold Bulgakov and Chris and Cosey as bedfellows amidst the mesmeric, 303-fried EBM of ‘Satan’s Ball’.\u2028“Rave as therapy. Pop as resistance. Love as endurance. ADHD as a production technique.” These are the primary ingredients of Losey, by the reckoning of the band themselves. This is an album that exists purely on its own distinct frequency, driven by defiance and positivity. Losey is a soundtrack to set fire to the old order, the better to dance in the glow.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01. Foreign Agent\u003cbr\u003e02. May Night\u003cbr\u003e03. Losey\u003cbr\u003e04. Repeat Repent\u003cbr\u003e05. Shakshuka And Pie\u003cbr\u003e06. Satan’s Ball\u003cbr\u003e07. 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The result is an album that captures the ethereal beauty of collective improvisation, the weight of saudade, and the unbreakable bond between two of Brazil's most revered musicians.\u003cbr\u003eThe album is a delicate balance of premeditation and improvisation. Joyce's compositions-\"Mandala;' \"Uaná Eté:' \"Is This Love?:' \"Fingers:' and \"Janeiro\"-sit alongside instrumental pieces by Younge, where Joyce's voice becomes a horn, a flute, a river of melody without words. The album closes with \"Cfrculo Vicioso:' a recitation of the iconic poem by Machado de Assis, Brazil's greatest writer. Joyce's spoken word, delivered in her native Portuguese, transforms the track into a meditation on life, death, and the cyclical nature of art.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1.MANDALA\u003cbr\u003e2.UANÁ ETÉ\u003cbr\u003e3. IS THIS LOVE?\u003cbr\u003e4.FINGERS\u003cbr\u003eSIDE B\u003cbr\u003e5.JANEIRO\u003cbr\u003e6. SORRIA DE NOVO\u003cbr\u003e7. FLORES VERMELHAS\u003cbr\u003e8. CiRCULO VICIOSO\u003c\/p\u003e","brand":"Jazz Is Dead","offers":[{"title":"Default Title","offer_id":47275423498396,"sku":"JID027CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/YoungeJoyceMoreno-JoyceemorenoJID027_bb7107a2-f81c-4daa-9e8b-d7f7fcca1f69.jpg?v=1785232503"},{"product_id":"kankick-roc-c-kanroc","title":"Kankick \u0026 Roc C - KANROC","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: L-KRE001\u003cbr\u003eBarcode: 0874562310479\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Hip-Hop \u0026amp; Rap\u003c\/p\u003e\n\u003cp\u003eKANROC is the long‑awaited collision of two Oxnard powerhouses: legendary beat architect Kankick and gritty street‑poet Roc C. Together, they carve out a sound that feels both timeless and forward‑leaning; dusty, soulful, abstract textures from Kankick wrapped around Roc C’s concrete‑tough delivery. This is a full‑album collaboration in the truest sense: one producer, one MC, one unified vision. The result is a rare, cohesive body of work that stands shoulder‑to‑shoulder with the great Oxnard lineage that shaped underground hip‑hop culture.\u003cbr\u003eAdding to the project’s weight are features from some of the most respected names in the game. Oh No the Disrupt, a fellow Oxnard titan and Grammy‑nominated producer\/MC, brings his signature explosive energy. BLU, one of L.A.’s most celebrated lyricists, and Fashawn, a former XXL Freshman with a Def Jam pedigree, elevate the project with razor‑sharp verses. Underground standout Pok Dog adds raw edge, while Chali2na, the unmistakable baritone from Jurassic 5 and Ozomatli, delivers the kind of commanding presence only he can. Turntable legend DJ Romes (Lootpack) laces the album with authentic West Coast scratch work, giving the LP that true collector‑grade feel.\u003cbr\u003eFrom the deep, meditative beats to the gritty street narratives, KANROC is built for listeners who crave substance and collectors who chase rarity. This vinyl release isn’t just another drop, it’s a piece of Oxnard history, crafted by artists with real pedigrees, real accomplishments, and real cultural impact. Whether you’re streaming it, downloading it, or adding the LP to your shelf, this is one of those releases you’ll want in your rotation and in your collection.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Intro\u003cbr\u003e2. Bonjour (feat. Blu \u0026amp; Fashawn)\u003cbr\u003e3. Slipknot\u003cbr\u003e4. Street Melody\u003cbr\u003e5. Over\u003cbr\u003e6. Concourse\u003cbr\u003e7. Skit\u003cbr\u003e8. Contra (feat. Pok Dog)\u003cbr\u003e9. Skit\u003cbr\u003e10. Elevate (feat. Oh No)\u003cbr\u003e11. Street Views (feat. DJ Romes)\u003cbr\u003e12. Thoughts Out Loud\u003cbr\u003e13. Real Spill (feat. Chali 2na) [Bonus Track]\u003c\/p\u003e","brand":"KASHROC Entertainment","offers":[{"title":"Default Title","offer_id":47275431854236,"sku":"L-KRE001","price":36.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Kankick_RocC-KANROCL-KRE001_MOCKUP.jpg?v=1785232674"},{"product_id":"ken-kesey-with-the-grateful-dead-the-acid-test-1","title":"Ken Kesey With The Grateful Dead - The Acid Test","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JPR042LPB\u003cbr\u003eBarcode: 0843563149492 \u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eKen Kesey’s Ultra Rare 1966 studio recording of the Acid Test with The Grateful Dead . Legendary documentation of the 1965-66 Bay Area Acid Test scene from 14 hours of the actual trip (recorded in a studio). Lots of amazing mind games and word play with Ken Kesey and Ken Babbs in good form, ad libbed poetry, fractured harmonica solos, tape loops and the Grateful Dead lurking in the background. Originally released in March 1966.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Ken Kesey\u003cbr\u003e2. Ken Babbs And Harmonica\u003cbr\u003e3. Take Two\u003cbr\u003e4. Bull\u003cbr\u003e5. Peggy The Pistol\u003cbr\u003e6. One Way Ticket\u003cbr\u003e7. Bells \u0026amp; Fairies\u003cbr\u003e8. Levitation\u003cbr\u003e9. Trip X\u003cbr\u003e10. The End\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Default Title","offer_id":47275437752476,"sku":"JPR042LPB","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KenKesey-TheAcidTestLP.jpg?v=1785232737"},{"product_id":"kiwi-jr-blowin-up-cd","title":"Kiwi jr. - Blowin' Up [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: KLP321CD\u003cbr\u003eBarcode: 0789856132126\u003cbr\u003eRelease Date: 28 Aug 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eTired of Throwin' Up \u0026amp; Growin' Up, Kiwi Jr. are finally Blowin' Up.\u003cbr\u003eConfronting the desperate neon of a guitar group approaching statesmen status on their fourth album, Kiwi screech sideways to make the last exit to Michigan, laying down 10 drivetime highlights daydreaming of a sweet spot between swift pain \u0026amp; lucrative settlement, trudging daylight through clerical quicksand \u0026amp; watching the tides rise up to meet our wheels. Wintering at Detroit's HIGH BIAS Studios, our veteran \"Juniors\" take stock \u0026amp; make rock, punching the clock with\u003cbr\u003eGraham Walsh (Holy Fuck) behind the board \u0026amp; Nicolas Vernhes (Deerhunter, Silver Jews) fine-tuning the mix. Assembling a local posse for urgent tactical support, Kiwi recruit Detroit's real Big Three - Protomartyr, Stef Chura, Fred Thomas - and beam in additional moonlighters Margaux Bouchaudon of En Attendant Ana, \u0026amp; Kerri Maclellan of Alvvays. Blowin' Up dissects topical turmoil and asks “who made this big mess?”, predicting on the title track “when detectives get here Monday morning, it’s our fingerprints on the scene.” Bricolaged together from greige 9-5s \u0026amp; bleary-eyed stagetimes, Kiwi file a report from the front, the nonstopDISABLEDDISABLED Christmas-morning-coal mouthfeel of daily life in ‘25 smashburgered into a diamond-rich slurry:\u003cbr\u003e“Language arts on the way out…if you’ve anything clever to say you better say it now” (Landscape with Limousine). A veritable Kiwipedia regurgitating the band’s diet of esoteric information, no part of modern life is left unvitamixed in the Blowin’ Up smoothie: the mother-daughter crimesolving duo of Photos of the Reenactment; relocation to the previously uncharted Hard Drive, Ontario (“it’s hard to leave home with your heart on a hard-drive”); \u0026amp; adolescent trips across the border to source Labatt 50 at the Canadian drinking age in textbook Kiwi detour Pure Michigan: “I’m losing perspective on the Ambassador Bridge; I’m 19 in Windsor and that’s Pure Michigan.”\u003cbr\u003e‘68 Comebacking from two years of writing \u0026amp; touring in pre-season shape, toned \u0026amp; sleeveless, jumpsuits creaseless, Kiwi uncrunch their detuned aloofness into a newer, brighter consideration. The New-Wavey World Like Polly, written for Lemonhead’s muse Polly Noonan, draws a dividing line in the oft put-on slacker attitude: “I wanna live in a world like Polly and pretend it’s cool to pretend not to care.”\u003cbr\u003eRock City in the rearview, back in Toronto post-thaw, steam billowing from\u003cbr\u003efactories pressing this airtight LP4, Kiwi swing from the CN Tower picking choppers apart like pistachios: a Can-Con King Kong, four albums deep \u0026amp; playing just to play. Blowin’ Up is Kiwi Jr. at their most optimistic, earnest beyond their Nielsen rating age demographic: \"I am on your side!” they repeat in Painting after Painting, and we believe them; old friends with new songs, Kiwi Jr. is on our side, and they're about to blow up.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Photos of the Reenactment\u003cbr\u003e2. Blowin' Up\u003cbr\u003e3. Hard Drive, Ontario\u003cbr\u003e4. Pure Michigan\u003cbr\u003e5. New Jade Rabbit\u003cbr\u003e6. Stage Names\u003cbr\u003e7. Caught in the Wild\u003cbr\u003e8. Painting After Painting\u003cbr\u003e9. World Like Polly\u003cbr\u003e10. 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On her latest album, she brings a newfound expertise in orchestral arranging from her other work as a cinema composer, and puts vocals to the front. Much like her finger-blurring piano playing, these vocals seem to be passing us by at the speed of light. We know they're there, but they dance around us rather than beat straight into our bodies. Our souls feel these songs, not just our hips.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. If We Save Just One Child It Will All Be Worth It\u003cbr\u003e2. Adraft\u003cbr\u003e3. A Big Box Store Mouthed To The Shape Of How Fun It Is Before It Disappears\u003cbr\u003e4. Clean Strategic Narratives With Relatable Messaging Murder Them Violently Make Their Children Watch\u003cbr\u003e5. Another World Is Possible - Presented By US Bank\u003cbr\u003e6. August Reaching\u003cbr\u003e7. Administrative Violence\u003cbr\u003e8. Birds Falling Out Of The Sky\u003cbr\u003e9. Futurelessness\u003cbr\u003e10. Foster Care Kid Running Away Again\u003cbr\u003e11. Crawling Into A Fireplace Cackling\u003cbr\u003e12. A Joke Poorly Told\u003cbr\u003e13. 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Seabird’s third record in as many years for Lame-O Records deals in mortality and reverence for the innately human, piecing her troubadour-ish folk to a grungy rock sentimentality. Though born from a period of reckoning and renewal, Seabird orients Lightspheres on Their Way around a holistic realism that buoys the spirit, with loose, earthy arrangements that meet intensity and depth with both twangy spaciousness and searing drive.\u003cbr\u003eAcross the record’s nine tracks, the Vermont-based singer and songwriter orbits around the concept of “lightspheres,” a catalysing presence or force that visits time and time again and shifts stories, feelings and trajectories. “A lightsphere can be so many things” says Seabird, “ an actual light like a star, the sun, a UFO; headlights, a flashlight in the night; but also life, living things, people, relationships.”\u003cbr\u003eThough Lightspheres marks a moment of ascension for Seabird’s songwriting, she asserts that “the most emotional parts of the record are instrumental.” The Crazy Horse stomp of “Portal to the Past” and others stretch into spacious, jammy interludes and outros where Seabird and Rick Soszynski revel in fuzzy, gritty guitars. They act as moments of emotional decompression, like rolling down the windows and surrendering to the expanse of the open road. Lightspheres is a testament to the depths one can reach in their art when you stop trying to tell the story of what happened to you, and instead start talking about who you are.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. The Pulley\u003cbr\u003e2. Bindlestiff\u003cbr\u003e3. Election Day\u003cbr\u003e4. Pennsy\u003cbr\u003e5. Portal to the Past\u003cbr\u003eSIDE B\u003cbr\u003e1. Blackstar\u003cbr\u003e2. Slipswitch\u003cbr\u003e3. The Afterglow\u003cbr\u003e4. Lightspheres on Their Way\u003c\/p\u003e","brand":"LAME-O RECORDS (RUN FOR COVER)","offers":[{"title":"Default Title","offer_id":47275537563804,"sku":"LMO138LP-C1","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/5_73379c8c-3ecb-4059-8394-fbe2ecf303f3.png?v=1785234983"},{"product_id":"lily-seabird-lightspheres-on-their-way-cd","title":"Lily Seabird - Lightspheres on Their Way [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: LMO138CD\u003cbr\u003eBarcode: 0199438003414\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003e“Sometimes life gets so dark, it starts to feel like a bad trip,” Lily Seabird reflects on the seasons that led to the making of her new record, Lightspheres on Their Way. Seabird’s third record in as many years for Lame-O Records deals in mortality and reverence for the innately human, piecing her troubadour-ish folk to a grungy rock sentimentality. Though born from a period of reckoning and renewal, Seabird orients Lightspheres on Their Way around a holistic realism that buoys the spirit, with loose, earthy arrangements that meet intensity and depth with both twangy spaciousness and searing drive.\u003cbr\u003eAcross the record’s nine tracks, the Vermont-based singer and songwriter orbits around the concept of “lightspheres,” a catalysing presence or force that visits time and time again and shifts stories, feelings and trajectories. “A lightsphere can be so many things” says Seabird, “ an actual light like a star, the sun, a UFO; headlights, a flashlight in the night; but also life, living things, people, relationships.”\u003cbr\u003eThough Lightspheres marks a moment of ascension for Seabird’s songwriting, she asserts that “the most emotional parts of the record are instrumental.” The Crazy Horse stomp of “Portal to the Past” and others stretch into spacious, jammy interludes and outros where Seabird and Rick Soszynski revel in fuzzy, gritty guitars. 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Lightspheres on Their Way\u003c\/p\u003e","brand":"LAME-O RECORDS (RUN FOR COVER)","offers":[{"title":"Default Title","offer_id":47275537825948,"sku":"LMO138CD","price":8.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Lily_Seabird_-_Lightspheres_on_Their_Way_e980320e-a187-4353-808b-40248aaaf4c9.jpg?v=1785234674"},{"product_id":"martha-reeves-searching-purple-vinyl-limited-edition-signed-by-martha-reeves","title":"Martha Reeves - Searching [Purple vinyl \/ Limited Edition \/ Signed by Martha Reeves.]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DEKO51161\u003cbr\u003eBarcode: 0659696575516\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: R\u0026amp;B and Soul\u003c\/p\u003e\n\u003cp\u003eMartha Reeves has made her imprint in the history books and in pop culture for her string of hit Motown songs in the 1960’s and early 1970’s including such classics as “Dancing in the Street”, “My Baby Loves Me”, “Come and Get These Memories”, “Nowhere to Run”, “Quick Sand”, “(Love is Like a) Heatwave”, “Jimmy Mack” and “Bless You”. Martha was front and center as the lead singer of the\u003cbr\u003elegendary Motown girl group, Martha Reeves and the Vandellas. During the 1970’s and 1980’s Martha recorded as a solo artist releasing a handful of critically acclaimed albums on the MCA, Fantasy, Phonarama and ARISTA labels. Her first solo album in 1973, the self-titled classic was produced by legendary record producer, Richard Perry. Martha and the Vandellas were Grammy nominated in 1964 for Best R\u0026amp;B Performance for their hit, Heat Wave. In 1999, Dancing in the Street was inducted into the Grammy Hall of Fame. Martha Reeves and the Vandellas were inducted into the Rock and Roll Hall of Fame\u003cbr\u003ein 1995 and is also the recipient of the Dinah Washington Award, a Rhythm n’ Blues Foundation Pioneer Award, a Black Woman in Publishing Legends Award, and has been inducted in the Alabama Soul, Rock and Roll and Vocal Group Hall of Fame. Martha Reeves and the Vandellas are listed among Rolling Stone magazine’s 100 Immortal Artists of all time. In 2026, Martha will release her first new album in twenty-two years. The album titled, Searching is produced by New Orleans jazz royalty, Delfeayo Marsalis and Reeves manager, Chris Roe.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Intro\u003cbr\u003e2. To Know You Is to Love You\u003cbr\u003e3. Searching\u003cbr\u003e4. Watch Your Back\u003cbr\u003e5. Mood Indigo\u003cbr\u003e6. I Got It Bad\u003cbr\u003e7. God Bless the Child\u003cbr\u003e8. Summertime\u003cbr\u003e9. The Golden Hour\u003cbr\u003e10. Thank You, Jesus!\u003cbr\u003e11. 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Martha was front and center as the lead singer of the\u003cbr\u003elegendary Motown girl group, Martha Reeves and the Vandellas. During the 1970’s and 1980’s Martha recorded as a solo artist releasing a handful of critically acclaimed albums on the MCA, Fantasy, Phonarama and ARISTA labels. Her first solo album in 1973, the self-titled classic was produced by legendary record producer, Richard Perry. Martha and the Vandellas were Grammy nominated in 1964 for Best R\u0026amp;B Performance for their hit, Heat Wave. In 1999, Dancing in the Street was inducted into the Grammy Hall of Fame. Martha Reeves and the Vandellas were inducted into the Rock and Roll Hall of Fame\u003cbr\u003ein 1995 and is also the recipient of the Dinah Washington Award, a Rhythm n’ Blues Foundation Pioneer Award, a Black Woman in Publishing Legends Award, and has been inducted in the Alabama Soul, Rock and Roll and Vocal Group Hall of Fame. Martha Reeves and the Vandellas are listed among Rolling Stone magazine’s 100 Immortal Artists of all time. In 2026, Martha will release her first new album in twenty-two years. The album titled, Searching is produced by New Orleans jazz royalty, Delfeayo Marsalis and Reeves manager, Chris Roe.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Intro\u003cbr\u003e2. To Know You Is to Love You\u003cbr\u003e3. Searching\u003cbr\u003e4. Watch Your Back\u003cbr\u003e5. Mood Indigo\u003cbr\u003e6. I Got It Bad\u003cbr\u003e7. God Bless the Child\u003cbr\u003e8. Summertime\u003cbr\u003e9. The Golden Hour\u003cbr\u003e10. Thank You, Jesus!\u003cbr\u003e11. 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There is one album though that listeners have returned to over and over again: ‘From Rotting Fantasylands'. Released under her earlier pseudonym Nero's Day At Disneyland, this is the work that first exposed Bousfield's unique approach in electronics to many of her dedicated fans. Elaborate compositions for keys are carried by the full gale force of a punk rock love for breakcore. Instinctual and intellectual. Unhinged and meticulously arranged. Like all great works of art, it is an album that defies contradiction to simply become its own wonderful thing. Now, for the first time ever, this important work will be released on vinyl. A limited edition run of 500 copies, all on purple\/white blend vinyl with full color jackets, inserts, and inner sleeves ~ for a total of 6 panels of eye searing artwork by Andreas Barsleth.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. In Aisles\u003cbr\u003e2. Civilizing People\u003cbr\u003e3. No Money Down, Low Monthly Payments\u003cbr\u003e4. 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Led by Dean Ortega’s expressive vocals and a strong live presence, Neverland delivers music that is both authentic and commercially appealing, drawing inspiration from iconic alternative rock acts such as Stone Temple Pilots or Pearl Jam, Classic Rock acts such as The Rolling Stones, Led Zeppelin… and Hard-Rock (Little Caesar, Riverdogs…)\u003cbr\u003eTheir self-titled album Neverland showcases the band’s ability to balance explosive rock tracks with emotionally charged melodies, appealing to audiences seeking both intensity and musical depth. With a clear artistic identity and compelling stage performances, Neverland stands out as a promising and enduring force in modern alternative rock. With its blend of melody, blues, and powerful hard rock, Neverland remains one of the hidden gems of the early 1990s American rock scene. 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The result is a spacious, deeply personal album that calls listeners back to presence.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA:\u003cbr\u003e01 Awake My Lyre\u003cbr\u003e02 Limitless Creator\u003cbr\u003e03 Wings Like a Dove\u003cbr\u003e04 True Shepherd\u003cbr\u003e05 Soul Among Lions\u003cbr\u003e06 Sweet Lamb\u003cbr\u003eB:\u003cbr\u003e07 Children of the Light\u003cbr\u003e08 Sing Aloud on Your Bed\u003cbr\u003e09 No Longer a Stranger\u003cbr\u003e10 Mourning into Joy\u003cbr\u003e11 More Precious\u003c\/p\u003e","brand":"SOUNDS FAMILYRE","offers":[{"title":"Default Title","offer_id":47275542642844,"sku":"SF57LP-C1","price":27.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/rachelanne-AwakeSweetLamb.jpg?v=1785234731"},{"product_id":"seun-kuti-egypt-80-na-dem-problems-45-rpm-7-single","title":"Seun Kuti \u0026 Egypt 80 - Na Dem \/ Problems (45 RPM) [7\" Single]","description":"\u003cp\u003eFormat: 7\" Single\u003cbr\u003eCatalogue No.: DJM013\u003cbr\u003eBarcode: \u003cspan\u003e0803173153890 \u003c\/span\u003e\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: World\u003c\/p\u003e\n\u003cp\u003eThis special 45 RPM release marks the start of an electrifying new chapter for Seun Kuti \u0026amp; Egypt 80. 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