{"title":"Cargo WK 19 2026","description":"","products":[{"product_id":"ol-dirty-bastard-return-to-the-36-chambers","title":"Ol Dirty Bastard - Return To The 36 Chambers","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: GET52716LP\u003cbr\u003eBarcode: 0664425271614\u003cbr\u003eRelease Date: 26 May 2023\u003cbr\u003eGenre: Hip Hop\u003c\/p\u003e\n\u003cp\u003eRepress: 05 Jun 2026\u003c\/p\u003e\n\u003cp\u003eIt's safe to say that hip-hop has never seen an album like Ol’ Dirty Bastard's 1995 solo debut Return to the 36 Chambers. The brief glimpses of ODB's unhinged genius provided by Wu-Tang Clan's landmark Enter the Wu-Tang album two years earlier were begging to be expanded on to a larger canvas, and, with RZA guiding production, the album promised to give Dirty the creative license to make one of the most bizarre, entertaining and original LPs in hip-hop history. With his raspy, drunken flow and dark sense of humor, Dirty fearlessly attacks from all angles, throwing himself fearlessly into punchy rhyme attacks (“Damage,” with GZA), drugged-out party jams (the monster singles “Brooklyn Zoo” and “Shimmy Shimmy Ya”) and bizarre, grimly hilarious fantasies of sex and violence (“Don't U Know” and the R\u0026amp;B-tinged “Sweet Sugar Pie”). Backed by RZA's appropriately gritty, dissonant beats and appearances from the Clan, Return became an instant hit, selling over 1 million copies and earning a Grammy Award nomination for Best Rap Album in 1996. The album stands as a high water mark in the Wu-Tang Clan's collective creative output and was selected as one of the Best 100 Rap Albums by The Source magazine in 1998. In honoring the legacy of one of hip-hop's most innovative releases, Get On Down is proud to present this incredible and unique special edition of Ol’ Dirty Bastard's Return to the 36 Chambers as a double LP which contains the complete original album, remastered for optimal sound quality.\u003c\/p\u003e\n\u003cp\u003eTracks : SIDE A Intro, Shimmy Shimmy Ya, Baby C’mon, Brooklyn Zoo. SIDE B Hippa To Da Hoppa, Raw Hide, Damage, Don’t U Know. SIDE C The Stomp, Goin’ Down, Drunk Game (Sweet Sugar Pie), Snakes. SIDE D Brooklyn Zoo II (Tiger Cane), Proteck Ya Neck II The Zoo, Cuttin’ Headz\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"730\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/HqylXv4Usn8\" title=\"ODB - Return To The 36 Chambers ŦUĹĹ AĹBUМ\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"730\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/HqylXv4Usn8\" title=\"ODB - Return To The 36 Chambers ŦUĹĹ AĹBUМ\" style=\"font-size: 1.4em;\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Default Title","offer_id":39535470346396,"sku":"GET52716LP","price":38.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/OlDirtyBastard-ReturnToThe36Chambers2LP.jpg?v=1617197675"},{"product_id":"fiddlehead-between-the-richness-violet-lp","title":"Fiddlehead - Between the Richness [Violet LP]","description":"\u003cp\u003eFormat:  LP\u003cbr\u003eCatalogue No: RFC211LP-C11\u003cbr\u003eBarcode: 0810097914438\u003cbr\u003eRelease Date: 12 Jun 1026\u003cbr\u003eGenre: Alternative\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFiddlehead wasn’t supposed to make a second record. But, if we’re being totally honest, they weren’t supposed to make their first record either. Formed in what singer Pat Flynn describes as “a deeply, deeply, laughably depressing part of my life,” Fiddlehead was born with modest intentions. Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex Henery entered the fold. Drummer Shawn Costa and bassist Adam Gonsalves—who has since been replaced by Casey Nealon—linked up with them and, all together, they wrote what would become the Out Of The Bloom EP. Those five songs established what Fiddlehead would be, a band that merged elements of post-hardcore, post-punk, and classic ‘80s emo into something that felt distinctly theirs.\u003c\/p\u003e\n\u003cp\u003eAfter the release of their debut album Springtime \u0026amp; Blind, the band did some weekend-long tours, and saw that their music was hitting people harder than they ever expected. “Kids were singing along in a very desperate way and we realized it wasn’t just resonating with us, it was resonating with these people in a really meaningful way,” says Flynn. Springtime \u0026amp; Blind was a hit for many reasons, but chief among them was Flynn’s open-hearted exploration of his father’s passing, which saw him use his lyrics as a means of relating to and understanding his mother’s grief. So when it came time for Fiddlehead to work on a second record, people weren’t just curious what the songs would sound like, they were curious what they’d even be about.\u003c\/p\u003e\n\u003cp\u003eOpening with “Grief Motif,” Between The Richness effectively picks up where Springtime \u0026amp; Blind left off, as Flynn dives headfirst into that same subject matter. But astute listeners will notice a major difference this time: Flynn is singing about himself. “These massive things happened in my life between the first record and this record. It just so happened that I ended up getting married, I had a child, and it was around the 10-year anniversary of my father’s passing. So what if I want to write another record about how I feel about the loss of my father? Will people be like, ‘Pick another topic, dude.’ So, the opening track is called ‘Grief Motif’ because it’s the idea that this is an eternal struggle that will never go away. Take it or leave it, but it will be part of this dude as long as he’s got a pen in the hand.”\u003c\/p\u003e\n\u003cp\u003eBetween The Richness explodes with an energy that usurps that of Springtime \u0026amp; Blind. The guitar riffs of Dow and Henery are their most anthemic and combustive yet, making songs like “The Years,” “Get My Mind Right,” and “Down University” not just serve as the backbone for Flynn’s personal ruminations, but empathetic, emotional musical stabs that hit the listener just as hard. Meanwhile, Costa and Nealon give the songs a propulsive heft, allowing a track like “Million Times” to dart into unexpected territories without ever feeling alien.\u003c\/p\u003e\n\u003cp\u003eBut at the center if it all is Flynn. He’s a different person than he was on Springtime \u0026amp; Blind, because he’s now a father himself. And that experience colors the journey he goes on throughout the album. “We started writing this record two weeks after my son was born, and I think it’s a really great way for him when he’s older—and when I’m gone—to say, ‘My father wrote this in the first year of my life. What does that mean?’ Lyrically, I tried to show that there were a lot of profound moments in my life, and in the last song, I tried to write what was explicitly a letter to him.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThat last song, “Heart To Heart,” is emotionally wrenching, as Flynn explains to his son what it means to experience profound joy and life-altering loss all at once. “The name of the record is called Between The Richness because it’s important to me to explore the weird feeling of happiness and sadness, because that’s just where I am right now,” says Flynn. “My son’s name is Richard and my father’s name is Richard, so it’s literally between the two of them, but it’s the richness of life and the richness of death. It was important for me to capture that perfectly paradoxical feeling; That was the problem I was trying to solve on this record. And I don’t think I solved it, but I definitely feel less stressed out and befuddled by that weird clashing of happiness and sadness.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eA1 Grief Motif\u003cbr\u003eA2 The Years\u003cbr\u003eA3 Million Times\u003cbr\u003eA4 Eternal You\u003cbr\u003eA5 Loverman\u003cbr\u003eB1 Down University\u003cbr\u003eB2 Get My Mind Right\u003cbr\u003eB4 Joyboy\u003cbr\u003eB5 Heart to Heart\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":46744074780828,"sku":"RFC211LP-C11","price":26.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Fiddlehead-violetvinyl.jpg?v=1777018221"},{"product_id":"fiddlehead-springtime-and-blind-clear-pink-vinyl","title":"Fiddlehead - Springtime and Blind [Clear Pink Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No: RFC174LP-C6\u003cbr\u003eBarcode: 0810097912151\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eFiddlehead’s debut LP Springtime and Blind is an exploration of grief both introspective and through the insight of others. Following the release of their Out of the Bloom EP on Lockin Out Records, the Boston-based band have created a debut LP that shares an anguishing, relatable story of love and loss through the catharsis of spirited, loud indie rock. Consisting of guitarist Alex Henery (also of Basement), vocalist Patrick Flynn and drummer Shawn Costa (both of Have Heart), Fiddlehead explore musical styles different from their other projects while bringing a familiar energetic and emotional core to the collaboration.\u003c\/p\u003e\n\u003cp\u003eSpringtime and Blind stemmed from Pat’s loss of his father. Flynn looks at how his mother coped with the situation- losing her spouse, her center of gravity -writing the lyrics as an emotional catharsis for both of them. Like the pain both he and his mother experienced, “a wild grief so well hidden,” the songs on this album hide the pain of loss beneath a layer of punchy, energetic instrumentals.\u003c\/p\u003e\n\u003cp\u003e“USMA,” one of the singles released off of the record, exemplifies this with its upbeat drumming and melodic guitar riff. As the title explains, the song is about the United States Military Academy where Flynn’s father was buried. It is a refreshingly energetic song from the album, that explores love not only for a person, but for a beautiful place and how that place grows up with you.\u003c\/p\u003e\n\u003cp\u003eThe first single to be released from Springtime and Blind, “Lay Low,” opens with a slow guitar riff that seemingly explodes with the first beat of the drum. “Lay Low” pushes Flynn’s vocals to their breaking point as he cries out. Flynn has self-described the song as the concept that “life continues on,” even when it seems to be too difficult to handle. It’s an overwhelming sense of change that brings with it the feeling of dread, a feeling that as the song says is “too much for me.”\u003c\/p\u003e\n\u003cp\u003eAt the center of the album is “Poem You,” a boldly personal song. Embedded between the vulnerable “I’ll see you again” of the chorus is a rather-loaded sound clip of Flynn’s father speaking on voicemail; “I’ll get back to you as soon as I can” the electronic voice seems to reply. The final track of the album, “Widow in the Sunlight” finishes the album on a lighter note. The line “sunlight, moonlight, this life, next life” evolves into a mantra throughout the song - a cyclical look at things constantly fluctuating but perhaps eventually improving. There’s a taste of hope for what the next life brings, a feeling of reunion.\u003c\/p\u003e\n\u003cp\u003eWhile the process of writing and recording helped Flynn cope with his personal loss there’s no doubt it carries a universal message that can help ease others’ loneliness. A contrast to itself, Springtime and Blind is a multidimensional and relatable journey through its cathartic message and spirited instrumentals.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1. Spousal Loss\u003cbr\u003e2. Poem You\u003cbr\u003e3. USMA\u003cbr\u003e4. Tidal Waves\u003cbr\u003e5. Head Hands\u003cbr\u003e6. Rejoice\u003cbr\u003e7. Lay Low\u003cbr\u003e8. My World\u003cbr\u003e9. 4\/17\/70\u003cbr\u003e10. Widow in The Sunlight\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":46744100110492,"sku":"RFC174LP-C6","price":22.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Fiddlehead-ClearPinkLP.jpg?v=1777018558"},{"product_id":"bon-iver-for-emma-forever-ago-revinyl-edition-eco-mix-vinyl","title":"Bon Iver - For Emma, Forever Ago (ReVINYL Edition) (Eco-Mix Vinyl)","description":"\u003cp\u003eFormat: LP, Eco-Mix Vinyl\u003cbr\u003eCatalogue No.: JAG115LP-C3\u003cbr\u003eBarcode: 0617308040104\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eSecretly Group has joined in partnership with Music Declares Emergency and the Music Climate Pact to mark World Environment Day 2026 by releasing a number of special edition releases on 100% reclaimed vinyl material. Read more about how The Music Climate Pact is working to make vinyl records more sustainable here.\u003cbr\u003eEach record looks unique while still sounding fantastic.\u003cbr\u003eSimilar price point to standard black vinyl, but no new virgin, fossil fuel derived plastic has been used for these releases.\u003cbr\u003e\u003cbr\u003eBon Iver’s debut full-length For Emma, Forever Ago made major waves in critics’ circles based on the strength of an early artist-pressed advance CD and a couple awe-inspiring sets at CMJ back in October 2007. The New York Times called it “irresistible” and Pitchfork stamped its early review of the album with a Recommended tag. For those of you hiding away in a cabin of your own, it’s time that you hear the story, and more importantly, the music. Bon Iver (pronounced: bohn eevair; French for “good winter” and spelled wrong on purpose) is a greeting, a celebration and a sentiment. It is a new statement of an artist moving on and establishing the groundwork for a lasting career. For Emma, Forever Ago is the debut of this lineage of songs. As a whole, the record is entirely cohesive throughout and remains centered around a particular aesthetic, prompted by the time and place for which it was recorded. Justin Vernon, the primary force behind Bon Iver, seems to have tested his boundaries to the maximum, and in doing so has managed to break free from any pre-cursing or finished forms. It wasn’t planned. The goal was to hibernate. Vernon moved to a remote cabin in the woods of Northwestern Wisconsin at the onset of winter. He lived there alone for three months, filling his days with wood splitting and other chores around the land. This solitary time slowly began feeding a bold, uninhibited new musical focus. The days slowly evolved into nights filled with twelve-hour recording blocks, breaking only for trips on the tractor into the pines to saw and haul firewood, or for frozen sunrises high up a deer stand. All of his personal trouble, lack of perspective, heartache, longing, love, loss and guilt that had been stock piled over the course of the past six years, was suddenly purged into the form of song.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Flume\u003cbr\u003e2. Lump Sum\u003cbr\u003e3. Skinny Love\u003cbr\u003e4. The Wolves (Act I and II)\u003cbr\u003eSIDE B\u003cbr\u003e1. Blindsided\u003cbr\u003e2. Creature Fear\u003cbr\u003e3. Team\u003cbr\u003e4. For Emma\u003cbr\u003e5. Re: Stacks\u003c\/p\u003e","brand":"JAGJAGUWAR","offers":[{"title":"Default Title","offer_id":46764836618396,"sku":"JAG115LP-C3","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/boniver_foremmajag115.mock.jpg?v=1777385970"},{"product_id":"dinosaur-jr-youre-living-all-over-me-revinyl-edition-eco-mix-vinyl","title":"Dinosaur Jr. - You're Living All Over Me (ReVINYL Edition) (Eco-Mix Vinyl)","description":"\u003cp\u003eFormat: LP, Eco-Mix Vinyl\u003cbr\u003eCatalogue No.: JAG197LP-C3\u003cbr\u003eBarcode: 0656605219752\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eIncludes original artwork and classic track-list from the Homestead and SST releases.\u003cbr\u003eSecretly Group has joined in partnership with Music Declares Emergency and the Music Climate Pact to mark World Environment Day 2026 by releasing a number of special edition releases on 100% reclaimed vinyl material. Read more about how The Music Climate Pact is working to make vinyl records more sustainable here.\u003cbr\u003eEach record looks unique while still sounding fantastic.\u003cbr\u003eSimilar price point to standard black vinyl, but no new virgin, fossil fuel derived plastic has been used for these releases.\u003cbr\u003eDescription:\u003cbr\u003eBy now, you know the story: J Mascis, Lou Barlow, \u0026amp; Patrick “Murph” Murphy, meet in Amherst, MA. J, Lou \u0026amp; Murph start a band. Said band goes on to rip through the musical landscape and prove to be the genesis of the “alternative rock” archetype. Over the last 25+ years, Dinosaur Jr have influenced a countless number of bands, both peers and protégés, by wailing their classic union of melodic bass, seething drums, virtuosic guitar shredding and listless vocal delivery through the iconic Marshall stacks.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Little Fury Things\u003cbr\u003e2. Kracked\u003cbr\u003e3. Sludgefeast\u003cbr\u003e4. The Lung\u003cbr\u003eSIDE B\u003cbr\u003e1. Raisans\u003cbr\u003e2. Tarpit\u003cbr\u003e3. In a Jar\u003cbr\u003e4. Lose\u003cbr\u003e5. Poledo\u003c\/p\u003e","brand":"JAGJAGUWAR","offers":[{"title":"Default Title","offer_id":46764837961884,"sku":"JAG197LP-C3","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/dinojr.living.all.over.me.eco.mix.c3.JAG197mock.jpg?v=1777386173"},{"product_id":"alev-lenz-4-in-a-cycle-of-thirds-deluxe-edition","title":"Alev Lenz - 4 in a Cycle of Thirds [Deluxe Edition]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: AL004D\u003cbr\u003eBarcode: 5056688854881\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative  \/ Indie Electronic\u003c\/p\u003e\n\u003cp\u003eGerman-Turkish singer and composer Alev Lenz follows her self-released album 4 in a Cycle of Thirds (Jan 2026) with a complete, album length ambient rework by Simian Mobile Disco co-founder Jas Shaw. “The two records are very much intertwined,\" writes London-based German-Turkish singer and composer Alev Lenz. \"I made 4 in a Cycle of Thirds with Jas in mind, inspired by a mix he created for my last album.” Lenz and Shaw have previously worked together on 2024 collaboration EP Bring Your Friends, as well as album mixes for Lenz' previous two solo records. Lenz' original album was created from a series of single-note drones, one for each note of the chromatic scale. \"When I had this idea, I wanted Jas’ touch involved somehow. I asked him for drones on each note. He sent me 12 and I wrote most of the album listening to these drones. They eventually left the picture and were replaced by new drones I made, new sounds or vocals. But the memory of them lingers in the songs, like an imprint on the retina, an afterimage. So naturally when the record was finished I sent the totality of it to Jas and said: here you go, make your versions!\" 4 in a Cycle of Thirds in its original form touches on traditional folk musics, chamber music, contemporary composition, film score, and even interweaves subtle metal inflections, but now presented on double vinyl alongside Jas Shaw's versions as twin records, it has a newly foregrounded quietude, spectral and delicately nuanced. Through reduction, meticulous replacement, and sensitively applied edits, Shaw gently rebalances the light and shadow of the original pieces, coaxing new subtleties and harmonic resonance. \"It occupies a space that is in-between the lines,\" describes Lenz. Shaw employs a \"feedback system\" he created for his piano, applied here to devastating effect. \"Take the key bed off it and set up a resonators, mics and a mixer. Lots of gaffa tape, lots of precarious propping stuff open. You grub around on the floor and slowly the room fills with harmonics, it’s wonderful.\" And, on the relationship between the original record and these new versions, he explains \"we could really let the songs drift into a different shape without worrying that we were missing elements that were great.\" Alev Lenz is a singer, songwriter, composer, and producer born to a Turkish actor, activist, and artist mother and an Oscar-winning German engineer father. Alev’s creative foundation is as diverse as her musical output. Her solo discography includes three albums - Storytelling Piano Playing Fräulein (2009), Two-Headed Girl (2017), and 3 (2019). She has contributed vocals to scores by Oscar-winning composer Volker Bertelmann, including the US drama Conclave. She has collaborated with artists such as Anoushka Shankar, Jas Shaw (Simian Mobile Disco), Roomful of Teeth, and plenty more. Songwriter, composer, and producer Jas Shaw is best known for his work with Simian Mobile Disco, whom he co-founded in 2003. He mixed Alev Lenz' 2016 and 2019 albums Two-Headed Girl and 3, and also performs with Selling alongside Gold Panda, and Shaw \u0026amp; Grossfeldt with visual artist Bas Grossfeldt. Shaw and Lenz released the collaboration EP Bring Your Friends in 2024.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Mother Tongue (on B)\u003cbr\u003e2. Mountain (on Ab)\u003cbr\u003e3. Domestisizer (on F)\u003cbr\u003e4. Ivory Tower (on D)\u003cbr\u003e5. Happy Song (on E)\u003cbr\u003e6. Dawn (on Db)\u003cbr\u003e7. Home (on Bb)\u003cbr\u003e8. Ocean of Life (on G)\u003cbr\u003e9. Adulthood (on A)\u003cbr\u003e10. Brittle (on Gb)\u003cbr\u003e11. Borrowed Time (on Eb)\u003cbr\u003e12. Ein Kleines Schläflein (on C)\u003cbr\u003eVersions (DIGITAL DOWNLOAD ONLY):\u003cbr\u003e1. Mother Tongue (drone version)\u003cbr\u003e2. Mountain (drone version)\u003cbr\u003e3. Domestisizer (drone version)\u003cbr\u003e4. Ivory Tower (drone version)\u003cbr\u003e5. Happy Song (drone version)\u003cbr\u003e6. Dawn (drone version)\u003cbr\u003e7. Home (drone version)\u003cbr\u003e8. Ocean of Life (drone version)\u003cbr\u003e9. Adulthood (drone version)\u003cbr\u003e10. Brittle (drone version)\u003cbr\u003e11. Borrowed Time (drone version)\u003cbr\u003e12. Ein Kleines Schläflein (drone version)\u003c\/p\u003e","brand":"ALEV LENZ RECORDS","offers":[{"title":"Default Title","offer_id":46830535508124,"sku":"AL004D","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_f85ed12d-49b9-4301-896c-c46011076290.png?v=1778343725"},{"product_id":"alex-sanders-a-witch-is-born-cd","title":"Alex Sanders - A Witch Is Born [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MI-AS01\u003cbr\u003eBarcode: \u003cspan\u003e5056688803377 \u003c\/span\u003e\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Spoken Word\u003c\/p\u003e\n\u003cp\u003eAlex Sanders (1926-1988) - \"the King of the Witches\" - was the most powerful witch in Britain. \"Here, for the first time, he presents a full recording of the solemn initiation of a new member into the ancient Craft. Assisting him is his wife and High Priestess, Maxine, and a coven of their young witches. Alex himself is a hereditary witch; he was initiated by his grandmother when he was seven years old. For centuries the Craft was driven underground by persecution and intolerance. Today, though their innermost secrets may still be only told to witches, they can open a few pages of their Book of Shadows - and for those who seek to know more of this faith that is older than history, they can set up signposts to the way of Wicca, or wisdom. This record is such a signpost.\" Digitally remastered from the original release LP from 1970.\u003c\/p\u003e\n\u003cp\u003eInitiation\u003cbr\u003eThe Legend Of The Goddess\u003cbr\u003eThe Great Rite\u003c\/p\u003e","brand":"MOTHER ISLE","offers":[{"title":"Default Title","offer_id":46830648787100,"sku":"MI-AS01","price":9.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/alexsanders.jpg?v=1778344727"},{"product_id":"basic-basic-cd","title":"BASIC - BASIC [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: NOQ105CD\u003cbr\u003eBarcode: \u003cspan\u003e0840526506484 \u003c\/span\u003e\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eBASIC - the trio of Chris Forysth (guitar), Mikel Patrick Avery (percussion, drum machine, electronics), and Douglas McCombs (Fender Bass VI) - produced their new 7-track album over two days at Electrical Audio studios in Chicago, ¬nishing overdubs and mixing with Je  Zeigler in Philadelphia. The recordings are groove-driven, but light and loose with songs sounding much bigger than a trio.\u003cbr\u003eAmple detail is provided by the interlocking guitars and Avery’s unique combination of electronic beats and acoustic percussion that he treats and manipulates live with various self-built electronic processors.\u003cbr\u003eShortly after the release of their debut (This Is BASIC, 2024) bassist McCombs (Tortoise, Brokeback) joined the group, and along with Philly-based core members Forsyth (Solar Motel Band) and Avery (Natural Information Society), toured the record up and down the West Coast and throughout the Northeast and Midwest US making stops at taste making festivals like Sound \u0026amp; Gravity and Big Ears.\u003cbr\u003eThe chemistry between the three resulted in the development of new material almost immediately, and the “Dream City” EP was released in the spring of 2025.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Premonition\u003cbr\u003e2. Brutalist with Filigree\u003cbr\u003e3. Loose Canon\u003cbr\u003e4. Pulse\u003cbr\u003e5. Index of Memories\u003cbr\u003e6. It Ignites\u003cbr\u003e7. 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The recordings are groove-driven, but light and loose with songs sounding much bigger than a trio.\u003cbr\u003eAmple detail is provided by the interlocking guitars and Avery’s unique combination of electronic beats and acoustic percussion that he treats and manipulates live with various self-built electronic processors.\u003cbr\u003eShortly after the release of their debut (This Is BASIC, 2024) bassist McCombs (Tortoise, Brokeback) joined the group, and along with Philly-based core members Forsyth (Solar Motel Band) and Avery (Natural Information Society), toured the record up and down the West Coast and throughout the Northeast and Midwest US making stops at taste making festivals like Sound \u0026amp; Gravity and Big Ears.\u003cbr\u003eThe chemistry between the three resulted in the development of new material almost immediately, and the “Dream City” EP was released in the spring of 2025.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Premonition\u003cbr\u003e2. Brutalist with Filigree\u003cbr\u003e3. Loose Canon\u003cbr\u003e4. Pulse\u003cbr\u003e5. Index of Memories\u003cbr\u003e6. It Ignites\u003cbr\u003e7. 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The soundtrack also features contributions from stalwart electronic producer \u0026amp; DJ Slipmatt. Ben Salisbury and Geoff Barrow credits include soundtrack \u0026amp; scores for Annihilation, Ex-Machina, Civil War, Black Mirror and Devs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTRACKLISTING\u003cbr\u003eA\u003cbr\u003e01. Don’t Leave Too Soon – Little Simz\u003cbr\u003e02. * Oxycodone\u003cbr\u003e03. * You Weirdo\u003cbr\u003e04. * Backpack (Strings Version)\u003cbr\u003e05. * It’s Over Anyway (feat. 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The scene there has evolved, revolved, mutated, and grown over the decades. It's DIY venues and recording studios are now of legend.\u003cbr\u003eThe catalogue number of WSR084 is no coincidence. As with Crass and their 'counting down to 1984' aesthetic, this is anarcho hardcore railing hard against the times. If you're not currently furious you're asleep and Blind Eye are spitting anger.\u003cbr\u003eTaking inspiration from The Comes, Jerrys Kids, Aus-Rotten and Chaos UK, this album is a concise call to arms. Perfectly captured over a weekend towards the end of 2025 by Boulty at Stuck On A Name Studios, Mistrust Your Nation sees mid-tempo stompers mix with breakneck ragers, all pressed at 45rpm and sounding as hefty as the band playing in your front room.\u003cbr\u003eAnmarie Spaziano's vocal is at once melodic and raging, giving new definition to “pissed off”. Steve Charlesworth's drums are second to none, they've never been equalled in over 40 years of doing this. Andrew Morgan's guitar on this record is wild: shredding equal parts cosmic noise and brutally-tight riffing whilst Matt Grundy's bass anchors the chaos, pushing every second onwards.\u003cbr\u003eAs a label we never tire of bands who have THAT THING. We struggle to describe it and to pin it down, but we know it and we feel it and we only deal with people who have it. When we put gigs on and Blind Eye share a bill with solo banjo player Jacken Elswyth (for example) the sound is clearly different, but the ethics are the same. We can see it and we can hear it and we hope you can too. We are a genre-free label. We are a label that deals only with righteous, inspiring people. Play this record loud. Let it help you through these hideous times - Wrong Speed HQ\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Behave\u003cbr\u003e2. Whatcha Gonna Do\u003cbr\u003e3. Blitz Can\u003cbr\u003e4. Darts, Cards, Bingo\u003cbr\u003e5. Red State\u003cbr\u003e6. What Is Your Line\u003cbr\u003e7. Twisted Ways\u003cbr\u003e8. Tin Blankets\u003cbr\u003e9. Bitter\u003cbr\u003e10. 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A platinum-selling classic on Roc-A-Fella Records came a few years later, followed by the founding of the iconic collective Dipset and the release of three more seismic solo albums over the course of the 2000s. The last chapter in his historic run was 2009’s Crime Pays, which drew praise from critics while also lighting up the Billboard Charts, showcasing Cam’s sonic evolution while proving his pen game remained unmatched. More than 15 years after it’s release, this vital collection is now receiving an official vinyl pressing for the first time ever. A perpetually underrated lyricist with transcendent rhyme mechanics embedded in his leisurely flow, Cam’ron is in peak form on Crime Pays, effortlessly walking listeners through the details of his fascinating life and times. With suprisingly modern production supplied by AraabMuzik, I.N.F.O., Skitzo, and more, this memorable album is an important chapter in the story of a truly essential artist.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Crime Pays Intro\u003cbr\u003e2. Cookin’ Up\u003cbr\u003e3. Where I Know You From\u003cbr\u003e4. F*ck Cam #1\u003cbr\u003e5. Never Ever\u003cbr\u003e6. Curve\u003cbr\u003e7. Silky\u003cbr\u003e8. Get It In Ohio\u003cbr\u003e9. Who\u003cbr\u003e10. Grease Skit\u003cbr\u003e11. You Know What’s Up (feat. C.O. and Sky-Lyn)\u003cbr\u003e12. Spend The Night\u003cbr\u003e13. F*ck Cam #2\u003cbr\u003e14. Woo Hoo (feat. Byrd Lady \u0026amp; 40 Cal.)\u003cbr\u003e15. Calupa\u003cbr\u003e16. Cookies N Apple Juice (feat. Skitzo \u0026amp; Byrd Lady\u003cbr\u003e17. My Job\u003cbr\u003e18. Homicide\u003cbr\u003e19. F*ck Cam #3\u003cbr\u003e20. Got It For Cheap (feat. Skitzo)\u003cbr\u003e21. Get It Get It\u003cbr\u003e22. Bottom Of The Pussy\u003cbr\u003e23. F*ck Cam #4\u003cbr\u003e\u003c\/p\u003e","brand":"Nature Sounds","offers":[{"title":"Default Title","offer_id":46830674903196,"sku":"NSD253CLP","price":53.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CAMRON-CRIMEPAYS.jpg?v=1778346076"},{"product_id":"cissne-awake-children-under-the-moon-cd","title":"Cissne - Awake Children Under The Moon [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: LR213CD\u003cbr\u003eBarcode: 0755491371688\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eAwake Children Under the Moon unfolds as a single cinematic arc, drifting through screamo, post-black metal, ambient, and shoegaze with a sense of nocturnal unease. Dedicated to anyone who learned how to endure the night before learning how to sleep, the EP captures moments spent awake beneath a distant moon. Built around a hazy blackgaze core, “water lily” seals unspoken emotions and inner conflict inside a quiet science-fiction narrative. The song introduces another lifeform encountered by a lone protagonist living on Mercury – a meeting suspended between hope and isolation. Whether the story resolves in tenderness or tragedy is left to the listener's interpretation\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Home\u003cbr\u003e2. Straysheep\u003cbr\u003e3. Water Lily\u003cbr\u003e4. Will\u003cbr\u003e5. Doors\u003c\/p\u003e","brand":"LAUREN RECORDS","offers":[{"title":"Default Title","offer_id":46830675558556,"sku":"LR213CD","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CISSNEAwakeChildrenUnderTheMoonCD.jpg?v=1778344770"},{"product_id":"diles-que-no-me-maten-escrito-en-agua-red-sangre-luz-vinyl","title":"Diles que no me maten - Escrito en agua [Red Sangre Luz Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MOON003LP-C1\u003cbr\u003eBarcode: 0199438002738\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eDiles Que No Me Maten are a Mexico City five-piece whose krautrock-influenced art rock has evolved into something genuinely singular — wiry, poetic, and alive with improvisational instinct. Their fourth album Escrito en Agua (Writ in Water), due June 12 via Moonlight Activities, is their most focused and accessible work yet, recorded in a makeshift studio in Santa María La Ribera with producer Sebastián Rojas. Built around restrained drumming, deliberate silences, and the spiritual weight of Oaxacan funerary music, the record moves with an unhurried confidence that feels hard-won. Thematically, Escrito en Agua is a record about presence, wandering, and resilience — songs that sit with ambiguity rather than resolve it. Lead single “Hiriku” sets the tone, pairing frenetic krautrock with lines drawn from José Vicente Anaya's visionary poem Híkuri, while standout track “No me” transforms a mantra of self-assurance into something far more emotionally complex. Dedicated to both the indigenous morning star Tunuwame and Palestinian poet Mahmoud Darwish, the album closes as it opens: quietly transcendent, paying careful attention to the smallest details of what it means\u003cbr\u003eto be alive.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Las Noches Que Dormimos En Sillas – 2:27\u003cbr\u003e2. Hiriku – 3:44\u003cbr\u003e3. Derivar – 2:13\u003cbr\u003e4. La Rata Modesta – 1:07\u003cbr\u003e5. Perquisor – 4:01\u003cbr\u003e6. 4 Km Dentro De Un Túnel – 2:30\u003cbr\u003eSIDE B\u003cbr\u003e1. Viene El Viento – 3:55\u003cbr\u003e2. Jardín – 3:31\u003cbr\u003e3. No Me – 4:49\u003cbr\u003e4. 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EFFIGY came fully formed and instantly became popular in the local area, where they put on a weekly night at the Uptown Coffee Bar. The band hardly left Aylesbury though, and when they did it was to play in nearby High Wycombe and Bicester. They played bigger gigs with everyone from ALIEN SEX FIEND, BILLY BRAGG, UK DECAY, THE SCARS and SPIZZ. The band recorded one 5 track demo in October 1983 and it is simply unbelievable that it has never been re-released, but then again the bands legacy seems to have banished without a trace, with literally no mentions anywhere. Making their demo one of the hardest ones from 1983 to track down, or even hear, since it is not even uploaded on YouTube.\u003cbr\u003eEFFIGY’s sound is so instant. It’s driving, tight female fronted post punk with hooks, style, and had it been released at the time would have made them a household name. Think a straight ahead version of SIOUXSIE AND THE BANSHEES, early X-MAL DEUTSCHLAND, THE A-HEADS or the SKELETAL FAMILY but with a more pop edge. The songs lyrically were around the obsession with paganism and old black and white horror films, the name EFFIGY was taken from a book Roger was trying to write about witchcraft and the Pendle witch trials called Effigy of Isobel, which was never completed (due to his very low attention span) but a song on this recording did emerge.\u003cbr\u003eThe release comes with a lyric sheet, a new interview with the band and as much archive as we could dig out, which in this case wasn’t much.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. The Wall\u003cbr\u003e2. Ghosts\u003cbr\u003e3. Reaching for the Light\u003cbr\u003e4. Isobel\u003cbr\u003e5. 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Ken, a self-described “In Utero and Pinkerton kid,” skyrocketed to fame as the singer of the pop punk band The Starting Line, but he always loved the dirtier, noisier, weirder side of punk and this new project gave him the chance to embrace that. Everything came together pretty quickly and collaboratively. They took cues from gritty, aggressive-yet-melodic punk and post-hardcore bands like Drive Like Jehu, Mclusky, and Braid, and they made it a point to trust their instincts and not overthink anything. They tuned out any thoughts of what other people might think of the music and just reveled in the youthful, reckless abandon of punk rock at its purest and rawest. They named their band FILM, and when it came to recording their debut album Permanence, they went with their first instincts, not overthinking anything and not worrying about any outside pressure. It led to a raw, unfussy album, and part of its rawness also comes from the fact that, technically, it was supposed to be a demo. The original intention was to use these recordings as a reference when they returned to the studio to officially record the album, but before they were able to do so, TJ suddenly passed away in January of 2023 at the age of 38. After taking some time to regroup, Joe and Ken decided to release the recordings they’d already made in TJ’s honor, and TJ’s death impacted the direction of Ken’s lyrics, which were only about half-written before his passing.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Reassurance\u003cbr\u003e2. Dumber\u003cbr\u003e3. Roundabout\u003cbr\u003e4. Diminished Return\u003cbr\u003e5. Loyalty Program\u003cbr\u003e6. Blurry\u003cbr\u003e7. 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They needed a bassist and singer to round out their lineup, and they had the thought to reach out to Ken, who jumped at the chance. Ken, a self-described “In Utero and Pinkerton kid,” skyrocketed to fame as the singer of the pop punk band The Starting Line, but he always loved the dirtier, noisier, weirder side of punk and this new project gave him the chance to embrace that. Everything came together pretty quickly and collaboratively. They took cues from gritty, aggressive-yet-melodic punk and post-hardcore bands like Drive Like Jehu, Mclusky, and Braid, and they made it a point to trust their instincts and not overthink anything. They tuned out any thoughts of what other people might think of the music and just reveled in the youthful, reckless abandon of punk rock at its purest and rawest. They named their band FILM, and when it came to recording their debut album Permanence, they went with their first instincts, not overthinking anything and not worrying about any outside pressure. It led to a raw, unfussy album, and part of its rawness also comes from the fact that, technically, it was supposed to be a demo. The original intention was to use these recordings as a reference when they returned to the studio to officially record the album, but before they were able to do so, TJ suddenly passed away in January of 2023 at the age of 38. After taking some time to regroup, Joe and Ken decided to release the recordings they’d already made in TJ’s honor, and TJ’s death impacted the direction of Ken’s lyrics, which were only about half-written before his passing.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Reassurance\u003cbr\u003e2. Dumber\u003cbr\u003e3. Roundabout\u003cbr\u003e4. Diminished Return\u003cbr\u003e5. Loyalty Program\u003cbr\u003e6. Blurry\u003cbr\u003e7. Rings True\u003c\/p\u003e","brand":"LAUREN RECORDS","offers":[{"title":"Default Title","offer_id":46830676770972,"sku":"LR185LP","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FILMPermanenceLPCA.jpg?v=1778344791"},{"product_id":"fruit-bats-the-landfill-cd","title":"Fruit Bats - The Landfill [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eMRG887CD \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0673855088723 \u003c\/span\u003e\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flat expanse. Zipping through it on the highway, you’ll see cities and towns rise up in the distance, but blink and you’ll miss other man-made rejoinders to horizontal living dotting the landscape, hill after hill, built from the refuse of the past: landfills. Some of these hills make for great sledding spots, parks, and trails. Others turn organic waste into compost. The Landfill is something else entirely: a mountain dominating the landscape of Johnson’s heart. Over the course of his now 25-year career under the Fruit Bats moniker, most of Eric D. Johnson’s output has been the product of patience and fine-tuning. His songs, to borrow a phrase, are slow growers, given life on albums that encompass long stretches of time and memory. Baby Man changed that — he disallowed himself from referring to material he’d been working on before laying the album down, utilizing the morning pages technique of stream-of-consciousness, observational songwriting which flowed directly into his afternoon recording sessions. It was both a breathtaking document of Johnson’s skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.\u003cbr\u003eBaby Man’s closeness to Johnson’s heart and the close attention to his voice and instrument its minimalist-maximalist ethos required uncorked something in him as he wrote towards a new full band effort. “That session was over,” he explains, “but there was way more to explore. I liked the immediacy of it, and I wanted to see how that would translate into a full-band Fruit Bats record.” Within weeks, he was back in a studio, this time with his band — David Dawda (bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos (drums) — with whom Johnson has spent over a decade building Fruit Bats into one of the most in-demand live acts in indie rock. Listening to The Landfill, it’s not hard to understand why: simply put, this band smokes.\u003cbr\u003eProducing the initial recording sessions in Washington’s Bear Creek Studios, Johnson set out to capture “the sound of this band I constantly marvel at, the feeling of being in a room with musicians you love and trust enough to let them cook.” They laid most of it down on the floor — no click tracks, no comped vocals, and minimal overdubs, with frequent collaborator Thom Monahan returning to provide additional production and The Landfill’s final mix. “It’s how we do things with my other band, Bonny Light Horseman, and I was curious to see how it would work with Fruit Bats,” Johnson notes. “It’s both a very personal record, and my most collaborative to date.” It’s also the most live a Fruit Bats record has been since 2009’s The Ruminant Band, and in paring back the number of tracks that typically layer a full-band song, the psychedelic, technicolor dreaminess of their sound is more vivid than ever. Time and space melt into the sublime as the band gels around Johnson’s hazy croon on “That Goddamn Sun,” stretching out to accommodate him as he trips from California to North Carolina. In striking a balance between ecstatic romance and melancholia, “Think Aboutcha” occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakes that are larger than life, while “Perhaps We’re a Storm” charges headlong into the unknown.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. The Saddest Part of the Song\u003cbr\u003e2. All Wounds\u003cbr\u003e3. Think Aboutcha\u003cbr\u003e4. That Goddamn Sun\u003cbr\u003e5. Silverfish in the Sink\u003cbr\u003eSIDE B\u003cbr\u003e6. Wild Pony Tower Moment\u003cbr\u003e7. Fishin’ for a Vision\u003cbr\u003e8. Perhaps We’re a Storm\u003cbr\u003e9. Hummingbird Sage\u003cbr\u003e10. The Landfill\u003c\/p\u003e","brand":"MERGE","offers":[{"title":"Default Title","offer_id":46830678409372,"sku":"MRG887CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FruitBats-TheLandfill_24d1b775-b3e6-494a-b6aa-e4d4b2638b4a.jpg?v=1778344823"},{"product_id":"fruit-bats-the-landfill-pink-splatter-in-clear-vinyl","title":"Fruit Bats - The Landfill [Pink Splatter in Clear Vinyl]","description":"\u003cp\u003eFormat: LP, Pink Splatter in Clear Vinyl\u003cbr\u003eCatalogue No.: MRG887LP-C1\u003cbr\u003eBarcode: 0673855088709\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flat expanse. Zipping through it on the highway, you’ll see cities and towns rise up in the distance, but blink and you’ll miss other man-made rejoinders to horizontal living dotting the landscape, hill after hill, built from the refuse of the past: landfills. Some of these hills make for great sledding spots, parks, and trails. Others turn organic waste into compost. The Landfill is something else entirely: a mountain dominating the landscape of Johnson’s heart. Over the course of his now 25-year career under the Fruit Bats moniker, most of Eric D. Johnson’s output has been the product of patience and fine-tuning. His songs, to borrow a phrase, are slow growers, given life on albums that encompass long stretches of time and memory. Baby Man changed that — he disallowed himself from referring to material he’d been working on before laying the album down, utilizing the morning pages technique of stream-of-consciousness, observational songwriting which flowed directly into his afternoon recording sessions. It was both a breathtaking document of Johnson’s skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.\u003cbr\u003eBaby Man’s closeness to Johnson’s heart and the close attention to his voice and instrument its minimalist-maximalist ethos required uncorked something in him as he wrote towards a new full band effort. “That session was over,” he explains, “but there was way more to explore. I liked the immediacy of it, and I wanted to see how that would translate into a full-band Fruit Bats record.” Within weeks, he was back in a studio, this time with his band — David Dawda (bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos (drums) — with whom Johnson has spent over a decade building Fruit Bats into one of the most in-demand live acts in indie rock. Listening to The Landfill, it’s not hard to understand why: simply put, this band smokes.\u003cbr\u003eProducing the initial recording sessions in Washington’s Bear Creek Studios, Johnson set out to capture “the sound of this band I constantly marvel at, the feeling of being in a room with musicians you love and trust enough to let them cook.” They laid most of it down on the floor — no click tracks, no comped vocals, and minimal overdubs, with frequent collaborator Thom Monahan returning to provide additional production and The Landfill’s final mix. “It’s how we do things with my other band, Bonny Light Horseman, and I was curious to see how it would work with Fruit Bats,” Johnson notes. “It’s both a very personal record, and my most collaborative to date.” It’s also the most live a Fruit Bats record has been since 2009’s The Ruminant Band, and in paring back the number of tracks that typically layer a full-band song, the psychedelic, technicolor dreaminess of their sound is more vivid than ever. Time and space melt into the sublime as the band gels around Johnson’s hazy croon on “That Goddamn Sun,” stretching out to accommodate him as he trips from California to North Carolina. In striking a balance between ecstatic romance and melancholia, “Think Aboutcha” occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakes that are larger than life, while “Perhaps We’re a Storm” charges headlong into the unknown.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. The Saddest Part of the Song\u003cbr\u003e2. All Wounds\u003cbr\u003e3. Think Aboutcha\u003cbr\u003e4. That Goddamn Sun\u003cbr\u003e5. Silverfish in the Sink\u003cbr\u003eSIDE B\u003cbr\u003e6. Wild Pony Tower Moment\u003cbr\u003e7. Fishin’ for a Vision\u003cbr\u003e8. Perhaps We’re a Storm\u003cbr\u003e9. Hummingbird Sage\u003cbr\u003e10. The Landfill\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":46830678442140,"sku":"MRG887LP-C1","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/887_fruitbats_thelandfill_PV1.jpg?v=1778346550"},{"product_id":"fruit-bats-the-landfill-lp","title":"Fruit Bats - The Landfill [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG887LP\u003cbr\u003eBarcode: 0673855088716\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flat expanse. Zipping through it on the highway, you’ll see cities and towns rise up in the distance, but blink and you’ll miss other man-made rejoinders to horizontal living dotting the landscape, hill after hill, built from the refuse of the past: landfills. Some of these hills make for great sledding spots, parks, and trails. Others turn organic waste into compost. The Landfill is something else entirely: a mountain dominating the landscape of Johnson’s heart. Over the course of his now 25-year career under the Fruit Bats moniker, most of Eric D. Johnson’s output has been the product of patience and fine-tuning. His songs, to borrow a phrase, are slow growers, given life on albums that encompass long stretches of time and memory. Baby Man changed that — he disallowed himself from referring to material he’d been working on before laying the album down, utilizing the morning pages technique of stream-of-consciousness, observational songwriting which flowed directly into his afternoon recording sessions. It was both a breathtaking document of Johnson’s skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.\u003cbr\u003eBaby Man’s closeness to Johnson’s heart and the close attention to his voice and instrument its minimalist-maximalist ethos required uncorked something in him as he wrote towards a new full band effort. “That session was over,” he explains, “but there was way more to explore. I liked the immediacy of it, and I wanted to see how that would translate into a full-band Fruit Bats record.” Within weeks, he was back in a studio, this time with his band — David Dawda (bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos (drums) — with whom Johnson has spent over a decade building Fruit Bats into one of the most in-demand live acts in indie rock. Listening to The Landfill, it’s not hard to understand why: simply put, this band smokes.\u003cbr\u003eProducing the initial recording sessions in Washington’s Bear Creek Studios, Johnson set out to capture “the sound of this band I constantly marvel at, the feeling of being in a room with musicians you love and trust enough to let them cook.” They laid most of it down on the floor — no click tracks, no comped vocals, and minimal overdubs, with frequent collaborator Thom Monahan returning to provide additional production and The Landfill’s final mix. “It’s how we do things with my other band, Bonny Light Horseman, and I was curious to see how it would work with Fruit Bats,” Johnson notes. “It’s both a very personal record, and my most collaborative to date.” It’s also the most live a Fruit Bats record has been since 2009’s The Ruminant Band, and in paring back the number of tracks that typically layer a full-band song, the psychedelic, technicolor dreaminess of their sound is more vivid than ever. Time and space melt into the sublime as the band gels around Johnson’s hazy croon on “That Goddamn Sun,” stretching out to accommodate him as he trips from California to North Carolina. In striking a balance between ecstatic romance and melancholia, “Think Aboutcha” occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakes that are larger than life, while “Perhaps We’re a Storm” charges headlong into the unknown.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. The Saddest Part of the Song\u003cbr\u003e2. All Wounds\u003cbr\u003e3. Think Aboutcha\u003cbr\u003e4. That Goddamn Sun\u003cbr\u003e5. Silverfish in the Sink\u003cbr\u003eSIDE B\u003cbr\u003e6. Wild Pony Tower Moment\u003cbr\u003e7. Fishin’ for a Vision\u003cbr\u003e8. Perhaps We’re a Storm\u003cbr\u003e9. Hummingbird Sage\u003cbr\u003e10. The Landfill\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":46830678474908,"sku":"MRG887LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/887_fruitbats_thelandfill_LP1_2e561254-e384-4a6d-8d77-8932b87ca674.jpg?v=1778346571"},{"product_id":"guilty-simpson-rad-brown-higher-level","title":"Guilty Simpson \u0026 Rad Brown - Higher Level","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CD-URNT1517C\u003cbr\u003eBarcode: 0737633049297\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eThe Motor City meets a fresh sonic landscape as Detroit legend Guilty Simpson teams up with producer Rad Brown for their collaborative EP, Higher Level. Set to drop April 10, 2026, via the prolific indie imprint URBNET, the project finds Guilty at his most elevated, pairing his signature grit with Brown’s intricate, atmospheric production. The journey begins on March 6 with the release of the first single, \"War Outside,\" a hard-hitting anthem that sets the tone for the EP’s exploration of resilience and lyrical prowess. Fans can secure their copy of the full EP on that date to ensure they are the first to experience the Higher Level.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Heart\u003cbr\u003e2. War Outside\u003cbr\u003e3. The Last Laugh\u003cbr\u003e4. Higher Level\u003cbr\u003e5. Well Spent\u003c\/p\u003e","brand":"URBNET","offers":[{"title":"Default Title","offer_id":47036034711708,"sku":"CD-URNT1517C","price":14.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/GuiltySimpson_RadBrown.jpg?v=1780914591"},{"product_id":"henry-fraser-pneuma","title":"Henry Fraser - Pneuma","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KOU007LP\u003cbr\u003eBarcode: 0850077743160\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Classical\u003c\/p\u003e\n\u003cp\u003ePneuma is a cycle of eight compositions by double bassist and composer Henry Fraser, released by Kou Records, exploring breath, resonance, and the evolving relationship between form and improvisation. Approaching his solo practice as a collaboration with the instrument itself, Fraser works directly with the bass’s materiality and acoustic properties, allowing sound, space, and structure to emerge together through deep listening.\u003cbr\u003eRecorded, mixed, and co-produced by Randall Dunn (Sunn O))), Thurston Moore) and Ben Greenberg (Uniform, Marc Ribot), the album expands Fraser’s previous solo language through an extended melodic register, layered textures, and carefully sculpted studio interventions. Drawing from both pre-composed motifs and newly improvised material, Pneuma unfolds across a series of concise movements, each giving shape to a distinct rhythmic or harmonic idea while contributing to a larger continuous form. Captured with an emphasis on natural dynamics and spatial detail, the recording preserves the full physical presence\u003cbr\u003eof the instrument, foregrounding the bass’s resonance, overtones, and quiet micro-gestures.\u003cbr\u003eCertain pieces are built from multiple stacked performances, dramatically\u003cbr\u003ewidening the music’s scale and expressive range. The result is an intimate yet immersive listening experience — acoustic music that feels simultaneously tactile and expansive. Pneuma documents Fraser at a moment of artistic clarity, reaffirming his commitment to process-driven composition and attentive sonic practice.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003eBlood, is\u003cbr\u003eTurn\u003cbr\u003eConsecutives\u003cbr\u003eRevery I\u003cbr\u003eSide B\u003cbr\u003eRevery II\u003cbr\u003eThat This\u003cbr\u003eConversion Chants\u003cbr\u003eLuella\u003c\/p\u003e","brand":"KOU RECORDS (IDEOLOGIC ORGAN)","offers":[{"title":"Default Title","offer_id":47036270641308,"sku":"KOU007LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HenryFraser-Pneuma.jpg?v=1780917974"},{"product_id":"horse-lords-demand-to-be-taken-to-heaven-alive-white-vinyl","title":"Horse Lords - Demand to Be Taken to Heaven Alive! [White Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RVNGNL136LP-C2\u003cbr\u003eBarcode: 0747742388224\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The twelve pieces assembled are layered, interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. Artists aren’t necessarily scientists, logicians, or spiritual leaders, but through their personal understanding of order and experience, they provide experiential access to heightened states of both materiality and immateriality.\u003cbr\u003eHorse Lords were founded in Baltimore in 2010; they evolved from another group called Teeth Mountain and began as a trio with guitarist Owen Gardner, bassist Max Eilbacher, drummer Sam Haberman, soon adding alto saxophonist Andrew Bernstein to the core ensemble. Though the quartet grew out of a fertile noise and experimental rock scene, a storied environment for artists and weirdos that has nurtured many an influential outsider band (Lungfish, Matmos), their approach across six albums, various collaborations and as a celebrated live act has been more omnivorous than the stippled rhythms of instrumental electric rock would indicate. For this outing, they are augmented by bass clarinetist Madison Greenstone, trombonist Weston Olencki, and in a first for Horse Lords, vocals courtesy Nina Guo and Evelyn Saylor.\u003cbr\u003eThe process of constructing D2BT2HA! involved geographic hurdles, as the unit’s four members have lived in different cities since 2021. Given sixteen years as a working band, their shared language transcends locale. German transplants Gardner, Eilbacher, and Bernstein met in Berlin for tracking sessions while Haberman put together drum parts in Baltimore. One would not necessarily know this from listening, nor is it rare these days to collectively create remotely. The band notes that “trusting each other’s concepts and visions was more important than repeatedly playing a section to see if the music worked, although this trust was only made possible through working very closely together.”\u003cbr\u003eWhile D2BT2HA! isn’t a suite per se, the music influences and interacts with itself in complex linkages. Horse Lords observe that “we like the idea of art as a tool for changing your perspective, being able to rotate ideas and see\/hear\/feel them from a different vantage point.” Or to use a phrase attributed to Swami Satchidananda Saraswati, “understanding is standing under where you are already standing.” The opening piece, “Eureka 378-B,” is an arrangement of 19th century sacred harp music, lead by Guo and Saylor’s vocals; its melody flowers outward, setting a tonal launching pad for much of the music that follows. There are the brief “Rotations,” which isolate fragments from other pieces; and “a transformation algorithm was used to structure the title track, ‘Brain of the Firm,’ and part of ‘Second Galactic Utopia.’ This lends itself to a recursive approach where… the compositional scale becomes more ambiguous.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Eureka 378-B\u003cbr\u003eA2. Brain of the Firm\u003cbr\u003eA3. Rotation I\u003cbr\u003eA4. Playing and Reality\u003cbr\u003eA5. Rotation II\u003cbr\u003eA6. First Galactic Utopia\u003cbr\u003eA7. Rotation III\u003cbr\u003eA8. Before the Law\u003cbr\u003eA9. After the Last Sky\u003cbr\u003eB1. A City Yet to Come\u003cbr\u003eB2. Second Galactic Utopia\u003cbr\u003eB3. Demand to Be Taken to Heaven Alive!\u003c\/p\u003e","brand":"RVNG INTL.","offers":[{"title":"Default Title","offer_id":47036292235420,"sku":"RVNGNL136LP-C2","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HorseLords-DemandtoBeTakentoHeavenAlive.jpg?v=1780917982"},{"product_id":"horse-lords-demand-to-be-taken-to-heaven-alive-cd","title":"Horse Lords - Demand to Be Taken to Heaven Alive! [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: RVNGNL136CD\u003cbr\u003eBarcode: 0747742388217\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The twelve pieces assembled are layered, interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. Artists aren’t necessarily scientists, logicians, or spiritual leaders, but through their personal understanding of order and experience, they provide experiential access to heightened states of both materiality and immateriality.\u003cbr\u003eHorse Lords were founded in Baltimore in 2010; they evolved from another group called Teeth Mountain and began as a trio with guitarist Owen Gardner, bassist Max Eilbacher, drummer Sam Haberman, soon adding alto saxophonist Andrew Bernstein to the core ensemble. Though the quartet grew out of a fertile noise and experimental rock scene, a storied environment for artists and weirdos that has nurtured many an influential outsider band (Lungfish, Matmos), their approach across six albums, various collaborations and as a celebrated live act has been more omnivorous than the stippled rhythms of instrumental electric rock would indicate. For this outing, they are augmented by bass clarinetist Madison Greenstone, trombonist Weston Olencki, and in a first for Horse Lords, vocals courtesy Nina Guo and Evelyn Saylor.\u003cbr\u003eThe process of constructing D2BT2HA! involved geographic hurdles, as the unit’s four members have lived in different cities since 2021. Given sixteen years as a working band, their shared language transcends locale. German transplants Gardner, Eilbacher, and Bernstein met in Berlin for tracking sessions while Haberman put together drum parts in Baltimore. One would not necessarily know this from listening, nor is it rare these days to collectively create remotely. The band notes that “trusting each other’s concepts and visions was more important than repeatedly playing a section to see if the music worked, although this trust was only made possible through working very closely together.”\u003cbr\u003eWhile D2BT2HA! isn’t a suite per se, the music influences and interacts with itself in complex linkages. Horse Lords observe that “we like the idea of art as a tool for changing your perspective, being able to rotate ideas and see\/hear\/feel them from a different vantage point.” Or to use a phrase attributed to Swami Satchidananda Saraswati, “understanding is standing under where you are already standing.” The opening piece, “Eureka 378-B,” is an arrangement of 19th century sacred harp music, lead by Guo and Saylor’s vocals; its melody flowers outward, setting a tonal launching pad for much of the music that follows. There are the brief “Rotations,” which isolate fragments from other pieces; and “a transformation algorithm was used to structure the title track, ‘Brain of the Firm,’ and part of ‘Second Galactic Utopia.’ This lends itself to a recursive approach where… the compositional scale becomes more ambiguous.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Eureka 378-B\u003cbr\u003eA2. Brain of the Firm\u003cbr\u003eA3. Rotation I\u003cbr\u003eA4. Playing and Reality\u003cbr\u003eA5. Rotation II\u003cbr\u003eA6. First Galactic Utopia\u003cbr\u003eA7. Rotation III\u003cbr\u003eA8. Before the Law\u003cbr\u003eA9. After the Last Sky\u003cbr\u003eB1. A City Yet to Come\u003cbr\u003eB2. Second Galactic Utopia\u003cbr\u003eB3. Demand to Be Taken to Heaven Alive!\u003c\/p\u003e","brand":"RVNG INTL.","offers":[{"title":"Default Title","offer_id":47036294332572,"sku":"RVNGNL136CD","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HorseLords-DemandtoBeTakentoHeavenAlive_885f3c28-b12b-4576-b2eb-3cd22feefc00.jpg?v=1780917990"},{"product_id":"horse-lords-demand-to-be-taken-to-heaven-alive","title":"Horse Lords - Demand to Be Taken to Heaven Alive!","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RVNGNL136LP\u003cbr\u003eBarcode: 0747742388194\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The twelve pieces assembled are layered, interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. Artists aren’t necessarily scientists, logicians, or spiritual leaders, but through their personal understanding of order and experience, they provide experiential access to heightened states of both materiality and immateriality.\u003cbr\u003eHorse Lords were founded in Baltimore in 2010; they evolved from another group called Teeth Mountain and began as a trio with guitarist Owen Gardner, bassist Max Eilbacher, drummer Sam Haberman, soon adding alto saxophonist Andrew Bernstein to the core ensemble. Though the quartet grew out of a fertile noise and experimental rock scene, a storied environment for artists and weirdos that has nurtured many an influential outsider band (Lungfish, Matmos), their approach across six albums, various collaborations and as a celebrated live act has been more omnivorous than the stippled rhythms of instrumental electric rock would indicate. For this outing, they are augmented by bass clarinetist Madison Greenstone, trombonist Weston Olencki, and in a first for Horse Lords, vocals courtesy Nina Guo and Evelyn Saylor.\u003cbr\u003eThe process of constructing D2BT2HA! involved geographic hurdles, as the unit’s four members have lived in different cities since 2021. Given sixteen years as a working band, their shared language transcends locale. German transplants Gardner, Eilbacher, and Bernstein met in Berlin for tracking sessions while Haberman put together drum parts in Baltimore. One would not necessarily know this from listening, nor is it rare these days to collectively create remotely. The band notes that “trusting each other’s concepts and visions was more important than repeatedly playing a section to see if the music worked, although this trust was only made possible through working very closely together.”\u003cbr\u003eWhile D2BT2HA! isn’t a suite per se, the music influences and interacts with itself in complex linkages. Horse Lords observe that “we like the idea of art as a tool for changing your perspective, being able to rotate ideas and see\/hear\/feel them from a different vantage point.” Or to use a phrase attributed to Swami Satchidananda Saraswati, “understanding is standing under where you are already standing.” The opening piece, “Eureka 378-B,” is an arrangement of 19th century sacred harp music, lead by Guo and Saylor’s vocals; its melody flowers outward, setting a tonal launching pad for much of the music that follows. There are the brief “Rotations,” which isolate fragments from other pieces; and “a transformation algorithm was used to structure the title track, ‘Brain of the Firm,’ and part of ‘Second Galactic Utopia.’ This lends itself to a recursive approach where… the compositional scale becomes more ambiguous.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Eureka 378-B\u003cbr\u003eA2. Brain of the Firm\u003cbr\u003eA3. Rotation I\u003cbr\u003eA4. Playing and Reality\u003cbr\u003eA5. Rotation II\u003cbr\u003eA6. First Galactic Utopia\u003cbr\u003eA7. Rotation III\u003cbr\u003eA8. Before the Law\u003cbr\u003eA9. After the Last Sky\u003cbr\u003eB1. A City Yet to Come\u003cbr\u003eB2. Second Galactic Utopia\u003cbr\u003eB3. 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Exclusive photos provided by his widow, Jackie, along with the complete lyrics, enhance the booklet. In addition, two previously unreleased tracks from the Humanesque era are included as bonus tracks, along with another song never before released on CD. A guitarist for legendary bands such as T. Rex, The Pretty Things, and Rainbow, Jack Green left his mark on music history with his unique talent and unmistakable style. In 1980, his album Humanesque achieved great success in Canada, particularly in Alberta, driven by standout tracks such as So Much, Murder, and This Is Japan. His voice and captivating songwriting could have propelled him to the ranks of the biggest stars, but Green always preferred to stay true to himself, away from the spotlight. Born in Glasgow in 1951, he developed a passion for music at an early age. He collaborated with iconic figures of rock, including Paul McCartney, and joined T. Rex thanks to Marc Bolan. Despite a rich career spanning international tours and musical projects, he chose a simpler life, sharing his passion as a guitar teacher. An authentic artist with an inspiring journey, who managed to move audiences without ever giving in to the demands of the star system. Featuring: Snowy White, Ritchie Blackmore, Simon Kirke, Boz Burrell, Jim Capaldi, and many more.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. So Much\u003cbr\u003e2. I Call, No Answer\u003cbr\u003e3. Murder\u003cbr\u003e4. This Is Japan\u003cbr\u003e5. One By One\u003cbr\u003e6. When I Was Young\u003cbr\u003e7. Let It Rock\u003cbr\u003e8. Sign Of The Times\u003cbr\u003e9. Look At It Rain\u003cbr\u003e10. Young Blood\u003cbr\u003e11. Take It Up\u003cbr\u003e12. Sweet Lover\u003cbr\u003e13. Win Your Love\u003cbr\u003e14. I've Had Enough\u003cbr\u003e15. 100% Alive\u003cbr\u003e16. Heaven Can Wait\u003cbr\u003e17. Bad Dreams\u003cbr\u003e18. Hey Susan\u003cbr\u003e19. 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For this album, he has teamed up with Jay Whitefield (producer and guitarist for the Poets of Rhythm and the Whitefield Brothers, and founder of the now defunct Hotpie \u0026amp; Candy Records) and Thomas Myland and Zdenko Curlija, founders of The Malcouns. Alongside Bo Baral, other members of the Poets of Rhythm and crack Munich-based session musicians, Whitefield, Myland and Curlija crafted nearly twenty tracks that follow the musical roads that Hector has travelled. The underlying groove that ties these ideas together, of course, is as rooted in James Brown as it is Fela Kuti. As informed by Mulatu Astatke of Ethiopia as it is by Jean-Claude Vannier and Can. This is an album of the world. 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Produced largely by Diamond D, DJ Premier and Showbiz, the album stands today as a cornerstone of New York’s golden era, revered for its stripped-back grit and technical precision.\u003cbr\u003eIn the years that followed, Finesse's reputation only grew — his production fingerprints on records by The Notorious B.I.G. and Dr. Dre, and widely credited with bringing Big L into the spotlight; to know Lord Finesse is to understand a significant thread running through the fabric of 90s hip-hop. \"Keep It Flowing\" was a standout from Funky Technician, featuring a then-emerging A.G. in an early connection that predated Showbiz \u0026amp; A.G. as an official group, and when Finesse developed remix work around the album, he brought in Large Professor — who had already delivered something extraordinary on another track from the project — to reimagine it; this 45 is the dedicated home of that remix, backed by the instrumental.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A: Keep It Flowing ft. 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California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On offer: Burchette’s sevenpart, block-printed “Psychic Meditation Course,” designed to teach people how to listen to music. To go along with his lessons, Burchette sold a series of instrumental guitar and electronic records featuring ornate hand-drawn cover designs, complete with listening instructions from the Master himself. Since just his twelfth year, Burchette had been transfixed by the parapsychological, spending as much time reading books on Tibetan mysticism fundamentals as he did practicing guitar, the vibrations of which he used to create tonal pictures and patterns. 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QR-activated immersive AR experiences with album artwork. Brand new music video for \"Hoe Cakes\" planned for album street date. Originally released in 2004, MF DOOM's MM..FOOD is hailed as a classic hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebrated for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world of food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album’s subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. 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Pleasantly off-kilter with a dry wit, the songs make you want to sing along even as they push away from traditional pop structures. Her vocals carve out gentle confessionals across the tracklist, underpinned by plucky acoustic guitars then engulfed by raw electric swells. Throughout Shedding Velvet, Nymphlord presents a portrait of identity in process, velvet peeled back to show the bone. Angsty, ethereal, dissonant, and hopeful, she welcomes you into her overgrown garden.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Garden\u003cbr\u003e2. Candy\u003cbr\u003e3. Deep Cut\u003cbr\u003e4. Summer '03\u003cbr\u003e5. Star\u003cbr\u003e6. Emptiness\u003cbr\u003e7. Paper or Plastic?\u003cbr\u003e8. Filter\u003cbr\u003e9. Abyss\u003cbr\u003e10. 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Known for his work with Red Hot Chili Peppers and Pearl Jam, among others, Klinghoffer brings the same melodic sensibility and emotional directness that have defined his career to a more acoustic, songwriter-forward set, placing voice, lyrics, and intimate arrangements at the center. Favoring warmth and immediacy over dense production, A Drop In The Ocean highlights his strengths as a composer and arranger, delivering a focused and personal collection of tracks.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Feels Like I’ve Done Wrong\u003cbr\u003e2. Peer Into Your Dreams\u003cbr\u003e3. Too Much Time’s Gone By\u003cbr\u003e4. Simple Action\u003cbr\u003e5. I Hope You Knew\u003cbr\u003e6. I Don’t Want To Let You Go\u003cbr\u003e7. Ranting and Raving\u003cbr\u003e8. Give\u003cbr\u003e9. Who What You\u003cbr\u003e10. 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There’s a lot of boldness here, and a clear urge to move away from a French Oi! scene that’s becoming more and more uninteresting. This record pushes beyond that boredom and goes much further. It’s no less angry or brutal, both in the music and the lyrics. But alongside that violence, there are plenty of catchy, infectious, and overall anthemic moments. This is far from dull, simple minded Oi!. That sense of daring opens the door to huge, epic melodies that might bring to mind CRIMINAL DAMAGE, and if we’re talking Portland bands, you can also hear the wild melodic intensity of TRAGEDY and POISON IDEA all driven by a raw, bulldozing post-punk hardcore sound.\u003cbr\u003eYou can really feel that this album was created out of Jacky Cadiou’s need to release his anger against those who oppress us. 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He continues to combine genres, movements and shapes in sound.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide 1\u003cbr\u003e1 The Satirist\u003cbr\u003e2 Findo Gask\u003cbr\u003e3 Fear (featuring Radhika)\u003cbr\u003e4 Roses on the Esplanade\u003cbr\u003eSide 2\u003cbr\u003e5 Laid Out In Time\u003cbr\u003e6 Damaged\u003cbr\u003e7 Swanswell Gate\u003cbr\u003e8 It Still Sleeps\u003c\/p\u003e","brand":"GLASS MODERN","offers":[{"title":"Default Title","offer_id":47036322218140,"sku":"GLAMLP079","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/stoneanthemsolusrexGLAMLP079.jpg?v=1780918180"},{"product_id":"the-high-curbs-high-speed-cd","title":"The High Curbs - High Speed [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: LR212CD\u003cbr\u003eBarcode: 0755491370094\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe High Curbs have quietly built a dedicated following since their start in 2013, emerging from Southern California with a sound that’s equal parts raw energy and melodic grit. Led by frontman and main contributor Ed Moreno, the band blends garage rock’s intensity with the catchy hooks and punk attitude, crafting songs that feel both immediate and timeless. From early singles like \"Want\" to fan-favorite \"Always On My Mind,\" The High Curbs have created a catalog marked by honest, unpolished songwriting rooted in personal experience. Their music strikes a balance that appeals to punk fans and indie rockers alike, with evocative lyrics and gritty instrumentation that refuse to be easily categorized. With a lineup including Kenny Huerta and Taylor Hecocks, the band continues to evolve while keeping a DIY mindset at its core. The High Curbs move forward by trusting instinct over trend, shaping a sound that stays grounded while resisting easy labels. With each release, they continue to solidify their place in the Southern California scene and beyond, offering a refreshing and authentic voice in contemporary rock that resonates deeply with listeners who crave both edge and emotion.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Chain\u003cbr\u003e2. Til The End\u003cbr\u003e3. Get Bit 4. Promise (Ft. The Red Pears)\u003cbr\u003e5. Crash Out Season\u003cbr\u003e6. Feelings\u003cbr\u003e7. Interlude\u003cbr\u003e8. Racer #23\u003cbr\u003e9. Same Heart\u003cbr\u003e10. Guess\u003c\/p\u003e","brand":"LAUREN RECORDS","offers":[{"title":"Default Title","offer_id":47036324872348,"sku":"LR212CD","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HIGHCURBSHighSpeedCDLP_36afe8b7-ae90-4251-a744-e8b2419bce2f.jpg?v=1780918200"},{"product_id":"the-high-curbs-high-speed","title":"The High Curbs - High Speed","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: LR212LP\u003cbr\u003eBarcode: 0725792117186\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe High Curbs have quietly built a dedicated following since their start in 2013, emerging from Southern California with a sound that’s equal parts raw energy and melodic grit. Led by frontman and main contributor Ed Moreno, the band blends garage rock’s intensity with the catchy hooks and punk attitude, crafting songs that feel both immediate and timeless. From early singles like \"Want\" to fan-favorite \"Always On My Mind,\" The High Curbs have created a catalog marked by honest, unpolished songwriting rooted in personal experience. Their music strikes a balance that appeals to punk fans and indie rockers alike, with evocative lyrics and gritty instrumentation that refuse to be easily categorized. With a lineup including Kenny Huerta and Taylor Hecocks, the band continues to evolve while keeping a DIY mindset at its core. The High Curbs move forward by trusting instinct over trend, shaping a sound that stays grounded while resisting easy labels. With each release, they continue to solidify their place in the Southern California scene and beyond, offering a refreshing and authentic voice in contemporary rock that resonates deeply with listeners who crave both edge and emotion.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Chain\u003cbr\u003e2. Til The End\u003cbr\u003e3. Get Bit 4. Promise (Ft. The Red Pears)\u003cbr\u003e5. Crash Out Season\u003cbr\u003e6. Feelings\u003cbr\u003e7. Interlude\u003cbr\u003e8. Racer #23\u003cbr\u003e9. Same Heart\u003cbr\u003e10. Guess\u003c\/p\u003e","brand":"LAUREN RECORDS","offers":[{"title":"Default Title","offer_id":47036327657628,"sku":"LR212LP","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HIGHCURBSHighSpeedCDLP.jpg?v=1780918196"},{"product_id":"thee-headcoatees-girlsville-2026-bonus-reissue-edition","title":"Thee Headcoatees - Girlsville (2026 Bonus reissue edition)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAMGOOD646LP\u003cbr\u003eBarcode: 5020422064614\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eFirst UK pressing since the Hangman Records 1991 vinyl edition! Now updated to include two extra tracks, their first two singles – ‘Headcoat Girl’ and ‘Davey Crockett’! “There we were, sitting round a kitchen table coming up with ideas and tunes for Girlsville. ‘Wild Man’ - wow! ‘Round Every Corner’ (written for us by Billy), ‘First Plane Home’, a Kinks cover always played in the live set, as was ‘Meet Jacqueline’ (apparently penned by Albert Hammond, odd!) Every track was a winner, I think. Then we went to conquer the world with our albums Have Love Will Travel, Bozstik Haze (not purple!), and Punk Girls plus numerous 7-inch crackers. The fun we had until Here Comes Cessation. Well so we thought….” Miss Ludella Black – Jan 2026\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 – Wild Man\u003cbr\u003e2 – When The Night Comes\u003cbr\u003e3 – Stolen Love\u003cbr\u003e4 – Round Every Corner\u003cbr\u003e5 – Run For Your Life\u003cbr\u003e6 – Give It To Me\u003cbr\u003e7 – Headcoat Girl\u003cbr\u003e8 – Dirty Old Man\u003cbr\u003e9 – Melvin\u003cbr\u003e10 – The First Plane Home\u003cbr\u003e11 – Meet Jacqueline\u003cbr\u003e12 – Boysville\u003cbr\u003e13 – Money\u003cbr\u003e14 – Davey Crockett\u003c\/p\u003e","brand":"Damaged Goods","offers":[{"title":"Default Title","offer_id":47036336636060,"sku":"DAMGOOD646LP","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/theeheadcoateesgirlsvilleDAMGOOD646.jpg?v=1780918212"},{"product_id":"thee-headcoatees-a-curious-case-of-4cd","title":"Thee Headcoatees - A Curious Case Of… [4CD]","description":"\u003cp\u003eFormat: 4 x CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eDAMGOOD655BX \u003c\/span\u003e\u003cbr\u003eBarcode: 5020422065529\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA 4CD set of the first four THEE HEADCOATEES albums in one small box. This features the ‘Girlsville’ ‘Have Love Will Travel’ ‘Ballad Of The Insolent Pup’ \u0026amp; ‘Punk Girls’ albums. Brand new artwork by Bruce Brand and a booklet with a look back from Thee Headcoatees themselves.\u003cbr\u003eGIRLSVILLE - There we were, sitting round a kitchen table coming up with ideas and tunes for Girlsville. ‘Wild Man’ - wow! ‘Round Every Corner’ (written for us by Billy), ‘First Plane Home’, a Kinks cover always played in the live set, as was ‘Meet Jacqueline’ (apparently penned by Albert Hammond, odd!) Every track was a winner, I think. Then we went to conquer the world with our albums Have Love Will Travel, Bozstik Haze (not purple!), and Punk Girls plus numerous 7-inch crackers. The fun we had until Here Comes Cessation. Well so we thought….\u003cbr\u003eHAVE LOVE WILL TRAVEL - Standing on Rochester Bridge, very chilly holding onto our uniform deerstalkers. ‘Louis Riel’ of course, not ‘Louie Louie’ was a great idea. ‘My Boyfriend’s Learning Karate’ was an ode to Tetsuya in Japan. Then there is The Trogg’s beautiful song ‘Baby Come Closer’ and ‘Baby Please’ written by Billy which could well be a Troggs song! Beautiful harmonies. ‘You Can’t Resist’, always on the live set, is the “shag song” and the very psychedelic ‘Gotta Get Inside That Boy’s Mind’ – dreamy!\u003cbr\u003eBALLAD OF THE INSOLENT PUP - In this case Stanley the Terrier (left me a present as I remember). Photo location in beautiful Biddenden. There are some smashers on this one – ‘It’s Bad’ (Bongo) is terrifying! ‘When You Stop Loving Me’ (Kyra), again a staple in the live show, God she meant it! ‘Again and Again’, one of my fave Childish compositions, and a not bad rendition (if I say so myself) of the Pretty Things’ ‘You’ll Never Do It Baby’. A great record, so off you go… walkies!\u003cbr\u003ePUNK GIRLS - What are we wearing on the cover? That aside, wow! ‘Ca Plane Pour Moi’ - fantastic! (well Kyra is Belgian). The marvellous ‘Teenage Kicks’ - well done Bongo! ‘Cara-Lin’ is a little masterpiece too. ‘Don’t Wanna Hold Your Hand’ - well, why not?! I think you can say I’ve enjoyed revisiting these gems, hope you do. X\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eGIRLSVILLE\u003cbr\u003e1.Wild Man\u003cbr\u003e2.When the Night Comes\u003cbr\u003e3.Stolen Love\u003cbr\u003e4.Round Every Corner\u003cbr\u003e5.Run For Your Life\u003cbr\u003e6.Give it to Me\u003cbr\u003e7.Headcoat Girl\u003cbr\u003e8.Dirty Old Man\u003cbr\u003e9.Melvin\u003cbr\u003e10.The First Plane Home\u003cbr\u003e11.Meet Jacqueline\u003cbr\u003e12.Boysville\u003cbr\u003e13.Money\u003cbr\u003e14.Davey Crockett\u003cbr\u003eHAVE LOVE WILL TRAVEL\u003cbr\u003e1 Have Love Will Travel\u003cbr\u003e2 Baby Please\u003cbr\u003e3.Don't Try and Tell Me\u003cbr\u003e4.Gotta Get Inside That Boy's Mind\u003cbr\u003e5.Mess of Pottage\u003cbr\u003e6.You Know You Can't Resist\u003cbr\u003e7.Louis Riel\u003cbr\u003e8.Baby Come Closer\u003cbr\u003e9.Come Into My Life\u003cbr\u003e10.Tear it to Pieces\u003cbr\u003e11.Something Went Wrong\u003cbr\u003e12.Big Boss Man\u003cbr\u003e13.My Boyfriend's Learning Karate\u003cbr\u003e14.I'm Gonna Make You Mine\u003cbr\u003eBALLAD OF THE INSOLENT PUP\u003cbr\u003e1.What Once Was\u003cbr\u003e2.This Heart\u003cbr\u003e3.Pretend\u003cbr\u003e4.Ballad of the Insolent Pup\u003cbr\u003e5.You'll Be Sorry Now\u003cbr\u003e6.All My Feelings Denied\u003cbr\u003e7.It's Bad\u003cbr\u003e8.When You Stop Loving Me\u003cbr\u003e9.Two Hearts Beating\u003cbr\u003e10.No Respect\u003cbr\u003e11.Again and Again\u003cbr\u003e12.Now is Not the Best Time\u003cbr\u003e13.I Was Led to Believe\u003cbr\u003e14.You'll Never Do it Baby\u003cbr\u003ePUNK GIRLS\u003cbr\u003e1.Punk Girl\u003cbr\u003e2.Don't Wanna Hold Your Hand\u003cbr\u003e3.Billy B. Childish\u003cbr\u003e4.Teenage Kicks\u003cbr\u003e5.Your Right, I'm Wrong\u003cbr\u003e6.Pinhead\u003cbr\u003e7.Cara-Lin\u003cbr\u003e8.Punk Boy\u003cbr\u003e9.Zig-Zag\u003cbr\u003e10.Sticks \u0026amp; Stones\u003cbr\u003e11.Shadow\u003cbr\u003e12.Ça Plane Pour Moi\u003c\/p\u003e","brand":"Damaged Goods","offers":[{"title":"Default Title","offer_id":47036349022364,"sku":"DAMGOOD655BX","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/theeheadcoateesDAMGOOD655BX.jpg?v=1780922180"},{"product_id":"various-trespass-music-from-the-motion-picture-splatter-colored-vinyl","title":"Various - Trespass (Music From The Motion Picture) [Splatter Colored Vinyl]","description":"\u003cp\u003eFormat: LP, Splatter Colored Vinyl\u003cbr\u003eCatalogue No.: GET52785LP\u003cbr\u003eBarcode: 0664425278514\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Soundtrack\u003c\/p\u003e\n\u003cp\u003eThe 90s had some of the best Hip-Hop soundtracks to complement their respective movies, and were compilations that could stand on their own. From 1991 to 1994, we had New Jack City (‘91), Boyz N The Hood (‘91), Juice (‘92), Menace II Society (‘93), and Above The Rim (‘94). In between these movies, in 1992, the writers of Back to the Future, Bob Gale and Robert Zemeckis, brought us Trespass, starring Ice Cube and Ice-T in an inner-city treasure hunt set in an abandoned factory in St Louis. The movie didn’t break any box office records, but it was an entertaining film nonetheless. What was better than the movie was the 12-song soundtrack, released in tandem with the movie, featuring some underrated gems by Lord Finesse, Black Sheep, Gang Starr, WC \u0026amp; the MAAD Circle, DJ Quik affiliates Penthouse Playas Clique and AMG. And for the first time, Ice-T and Ice Cube linked up on a song together for the title track. They would reconnect on 2Pac’s second album for “Last Wordz.” Out of print on vinyl since its original release in 1992, Get On Down is proud to resurrect this soundtrack with a limited-edition pressing on splatter colored vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Ice-T \u0026amp; Ice Cube - Trespass\u003cbr\u003eA2. Public Enemy - Gotta Do What I Gotta Do\u003cbr\u003eA3. Ice-T (feat. Daddy Nitro) - Depths Of Hell\u003cbr\u003eA4. Sir Mix-A-Lot - I Check My Bank\u003cbr\u003eA5. Penthouse Players Clique - I'm A Playa (Bitch)\u003cbr\u003eA6.Black Sheep - On The Wall\u003cbr\u003eB1. AMG - Don't Be A 304\u003cbr\u003eB2. Gang Starr - Gotta Get Over (Taking Loot)\u003cbr\u003eB3. Lord Finesse - You Know What I'm About\u003cbr\u003eB4. Donald D - I'm Gonna Smoke Him\u003cbr\u003eB5. W.C. And The Maad Circle - Quick Way Out\u003cbr\u003eB6.Ry Cooder \u0026amp; Jim Keltner - King Of The Street\u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Default Title","offer_id":47036351545500,"sku":"GET52785LP","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Trespass_MusicFromTheMotionPicture_LP.jpg?v=1780918224"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/cargo-wk-19-2026.oembed?page=2","provider":"Horizons Music","version":"1.0","type":"link"}