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Their tenth album – their debut for Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.\u003c\/p\u003e\n\u003cp\u003eThe eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. “The vast tracking room had big windows looking out on trees,” says O’Malley. “We could go hiking and be out in the woods, spend time outdoors. That became a big part of it.”\u003c\/p\u003e\n\u003cp\u003eSUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Guðnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm’s Tim Midyett and legendary singer-songwriter Scott Walker. But on this album O’Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. “What’s been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting,” says Anderson.\u003c\/p\u003e\n\u003cp\u003eThe compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.\u003c\/p\u003e\n\u003cp\u003eFraming the album visually are two paintings by the late American artist Mark Rothko. Liner notes are by award-winning British writer Robert Macfarlane, famed for his works concerning landscape and the relationship between humanity and nature. 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Born from the same writing sessions that lead to ‘Life in Slow Motion’, ’Nightjar’ is a trove of classic David Gray, alongside more experimental pieces and unexpected twists.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eA\u003cbr\u003e1. When I Fall in Love\u003cbr\u003e2. Money\u003cbr\u003e3. The Easy Way Out\u003cbr\u003e4. Nightjar\u003cbr\u003eB\u003cbr\u003e1. Green Light\u003cbr\u003e2. Mr. Bennett\u003cbr\u003e3. Long Gone Now (Alt Version)\u003cbr\u003e4. Everybody's Leaving Town\u003cbr\u003e(Drum Delay Mix)\u003cbr\u003eC\u003cbr\u003e1. Alive\u003cbr\u003e2. Poor John\u003cbr\u003e3. Wave\u003cbr\u003e4. Sacred Ground (Alt Version)\u003cbr\u003e5. The Golden Ray\u003cbr\u003e6. Far From Here\u003cbr\u003eD\u003cbr\u003e1. A Model Life \/ My Angel Now\u003cbr\u003e2. Madder Rain\u003cbr\u003e3. Laughing Gas (2004 Version)\u003cbr\u003e4. Side Effects (May Also Include)\u003cbr\u003e5. 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Each sound contained within was created purely with the modular synthesizer. No overdubbing or editing techniques were utilized in the recordings on Traditional Synthesizer Music. Each song was approached from the ground up and dismantled upon the completion of its recording. The goal was to develop songs with interchangeable structures and substructures, yet musically pleasing motifs. Many techniques were incorporated to \"humanize\" or vary the rhythmic results within these sub structures. An exercise in constructing surprises, patches interrupting each other to create unforeseen progressions. Multiple takes were recorded for each song resulting in vastly different versions of each piece, a number of which are released for the first time on vinyl and digital for this updated version of the album. BIO Aaron Funk, mainly known artistically as Venetian Snares, is a Canadian electronic musician based in Winnipeg, Manitoba who’s been working since the mid nineties. 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This is a record that spans time as it collects fragments of Billy creating alone in his home studio over the last few years. Through listening, one gets the impression of art that sometimes has a vision in mind, and is sometimes just the product of someone enjoying the process of creating in the moment.\u003cbr\u003eDuring the break in Beak\u0026gt; activity in early 2025, Billy revisited his collected compositions and found that there was a common thread, a cohesive atmosphere. Every single track on this album was created by Billy alone, and his personality threads itself through the 16 tracks. He likens the process of compiling the tracks to making a cassette compilation for a friend when he was a kid.\u003cbr\u003eFragments is moody, immersive, and utterly unbound. Across the\u003cbr\u003ealbum, kosmiche-inflected, hauntological electronica plays freely with melody, finding emotional resonance for our unpredictable times. Neu-esque repetitions and motorik grooves pulse beneath skewed electro textures, and occasional spoken-word passages drift in and out like transmissions from an unknown broadcast.\u003cbr\u003eOccasional flashes of psychedelic prog guitar cut through hazy atmospheres, edging the sound further toward Fuller’s own kind of hypnagogic pop, that is strange yet deeply human.\u003cbr\u003eFragments isn’t an album about singles, or trends. It’s music for the love of making music, by a musician who hasn’t stopped making and releasing new music for over 25 years. It is a self-effacing triumph of musical freedom.\u003cbr\u003eBilly Fuller is best known as the founding member, song writer and bass player in the band Beak\u0026gt;. 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It also marks the first archival release from Chicago’s Sooper Records. All of the music here is being made widely available for the first time ever. This 90-minute collection is compiled from 30 years of Charles’ self-released music spanning concert piano, electroacoustic experimentation, electronic beats, free improvisation, and two instrumental realizations of his evolving sci-fi opera, War of the Martian Ghosts (a 2023 electronic realization, and a 2018 piano realization). This double Vinyl \/ Triple CD Collector’s Edition includes an extensive liner note booklet containing 9000 words about the artist’s life and work, as well as poetry, interviews, quotes, and 30 archival photographs. This is a piece of Chicago music history.\u003cbr\u003eDr. Charles Joseph Smith’s remarkable story begins with a mute child’s gift for music, and the purposeful way he nurtured this talent to become both life practice and raison d'être. Charles recounts this artistic journey in his autobiography, The 88 Keys that Opened Doors, a self-published book that chronicles a life in which music was (and still is) the primary key to overcoming immense challenges posed by Autism Spectrum Disorder (ASD).\u003cbr\u003eHis career as a musician starts in the church, reaches into the international concert piano circuit, and eventually settles to bear strange fruit in Chicago’s experimental underground. Along the way, Charles Joseph Smith’s compositional voice absorbed and metabolized popular music spanning pop to jazz, the gospel of the church, the canon of the classical conservatory, modern dance scores, and the rule-shattering experimentalism of his city’s DIY subculture, where he has been a mainstay for over 30 years. Since the mid-1990s, Charles has been performing, dancing, and selling his self-published musical and written works in person, often at the local shows he frequents. He is known around Chicago as a living symbol of the power of music, and of the beloved spirit of community at the heart of DIY. This is the definitive collection of his original recordings—though it would be impossible to ever encompass the galaxies of music, poetry, and prose penned by the prolific Dr. Charles Joseph Smith.\u003c\/p\u003e\n\u003cp\u003eTrack List: Collected Works\u003cbr\u003e1. Sounds of the Beach\u003cbr\u003e2. Le Leader Negatif\u003cbr\u003e3. Beats for Katie S. Rap Song\u003cbr\u003e4. Selection from first Techno Mix\u003cbr\u003e5. Love Theme\u003cbr\u003e6. Rubber Band Improvisation\u003cbr\u003e7. My Days Are Not Over For Me\u003cbr\u003e8. Experimental Jazz Piano B – Latin (Improvisation) 9. A Mixture of Musical Styles\u003cbr\u003e10. The Five Louises (Experimental Opera)\u003cbr\u003eTrack List: War of the Martian Ghosts\u003cbr\u003e(2023 Midi Realization)\u003cbr\u003e1. Dreams of Being Viola\u003cbr\u003e2. Acid Rain\u003cbr\u003e3. 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Its closing moments arrive quietly triumphant, not through escape or redemption, but through persistence itself.\u003cbr\u003eOriginally released on vinyl by Portrayal of Guilt Records, the first pressing of Camgirl sold out quickly. 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Latter)\u003c\/p\u003e","brand":"Flenser","offers":[{"title":"Default Title","offer_id":46420837367964,"sku":"FR192LPX","price":44.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CripplingAlcoholism-CamgirlLPPinkRender.jpg?v=1772018249"},{"product_id":"crippling-alcoholism-camgirl-cd","title":"Crippling Alcoholism - Camgirl [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FR192CD\u003cbr\u003eBarcode: 0769152434674\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003ePleasure, shame, and survival often arrive tangled together, indistinguishable in the moment. Camgirl, from Crippling Alcoholism, takes that entanglement as its starting point. Rather than separating desire from damage, the record allows them to coexist, tracing a path through obsession, performance, and persistence without offering clean resolution.\u003cbr\u003eCamgirl is the 2025 breakthrough album from Boston’s Crippling Alcoholism, a record that frames pop immediacy against obsession, endurance, and collapse. Built from ear-wormy hooks and abrasive noise rock textures, the album smuggles grotesque and confrontational subject matter into songs that remain deliberately melodic. Pleasure and revulsion blend throughout, with choruses that linger even as the lyrics refuse comfort.\u003cbr\u003eReleased on September 12, 2025, Camgirl follows a loose narrative centered on a sex worker moving through cycles of exploitation and survival, treating intimacy as spectacle and visibility as threat. Songs flicker between desire and despair, confession and performance, flooded with artificial light. Despite its subject matter, the record resists nihilism. Its closing moments arrive quietly triumphant, not through escape or redemption, but through persistence itself.\u003cbr\u003eOriginally released on vinyl by Portrayal of Guilt Records, the first pressing of Camgirl sold out quickly. The Flenser reissue makes the album widely available for the first time, reaffirming it as a defining statement from a band operating at the intersection of pop form, noise, and lived experience.\u003cbr\u003ePress Quotes\u003cbr\u003eCamgirl proves that Crippling Alcoholism can evolve without losing their edge, and this record is a dark, irresistible bop. - Lambgoat\u003cbr\u003eElements of goth rock and melancholic vocals call back to loud rock while blending with an overall instrumental field brimming with energy. - Outside noise\u003cbr\u003eBlurring the lines between outsider noise rock and dark glamorous synth-laden pop under a deceptively alluring glow… compulsively, squirmingly catchy. - The Progressive\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Mr. Sentimental\u003cbr\u003e2. Saran Wrapped Cash\u003cbr\u003e3.LADIES' NIGHT (feat. Luxury Skin)\u003cbr\u003e4. Pay Pigs\u003cbr\u003e5. bedrot\u003cbr\u003e6. MONET\u003cbr\u003e7. Pretty in Pink (feat. 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Latter)\u003c\/p\u003e","brand":"Flenser","offers":[{"title":"Default Title","offer_id":46420837400732,"sku":"FR192CD","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CripplingAlcoholism-Camgirl_ee221ee0-1afb-49ff-b50b-e33e7349bdb5.jpg?v=1772017571"},{"product_id":"cut-worms-transmitter-clear-red-vinyl","title":"Cut Worms - Transmitter [Clear Red Vinyl]","description":"\u003cp\u003eFormat: LP, Clear Red Vinyl\u003cbr\u003eCatalogue No.: JAG489LP-C1\u003cbr\u003eBarcode: 0656605248936\u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eTransmitter is Max Clarke’s fourth full-length record as Cut Worms. Produced by Jeff Tweedy at Wilco’s Loft studio, Transmitter marks a deepening of Clarke’s abilities and the convergence of two artists whose work searches for grace amid dislocation. These are places shaped by the myth of self-reliance, where people sold the idea of connection through technology have been reduced to quiet transmitters—data points bought and sold, manipulated and measured, their lives distorted through the very networks meant to unite them.\u003cbr\u003eThe first signs of Transmitter came when Cut Worms were on the road \u003cimg\u003esupporting Wilco in the summer of 2024. At the end of the tour, Tweedy invited the band to record at the storied Loft in Chicago, and plans were soon made to commence that fall. In the Loft’s warm clutter of guitars, amplifiers, and books, Clarke and Tweedy quickly found common musical ground and a shared instinct for songs that hold complexity. While Clarke’s voice and writing formed the framework, Tweedy’s guitar and bass lines sketched the rooms the songs inhabit. Tweedy’s presence as a producer revealed itself not in heavy-handed choices but in how he colored spaces and continually offered new textures. 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Closing track “Dream” brings us back to a familiar plane: Clarke alone at the piano, tender and unresolved, pondering the fate of dreams and the risk of falling short or getting lost en route.\u003cbr\u003eTransmitter finds Clarke in full stride, writing with the conviction of someone who’s made peace with uncertainty. These songs reckon with the cost of comfort and return to the idea that beauty, connection, and love are not luxuries but necessities for survival. Clarke is drawn to paradox—the friction between intimacy and escape, faith and doubt, shadow and light. His forgiveness, like the cut worm’s, comes through transference: the act of releasing something fragile into the noise and trusting it might still be felt.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1) Worlds Unknown\u003cbr\u003e2) Evil Twin\u003cbr\u003e3) Long Weekend\u003cbr\u003e4) Barfly\u003cbr\u003e5) Windows on the World\u003cbr\u003e6) Walk in an Absent Mind\u003cbr\u003e7) Don’t Look Down\u003cbr\u003e8) Shut In\u003cbr\u003e9) Out of Touch\u003cbr\u003e10) Dream\u003c\/p\u003e","brand":"JAGJAGUWAR","offers":[{"title":"Default Title","offer_id":46421054029980,"sku":"JAG489LP-C1","price":26.62,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cutworms.transmitter.LPJAG489.mock.RED.jpg?v=1772020829"},{"product_id":"cut-worms-transmitter","title":"Cut Worms - Transmitter","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JAG489LP \u003cbr\u003eBarcode: 0656605248912 \u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eTransmitter is Max Clarke’s fourth full-length record as Cut Worms. Produced by Jeff Tweedy at Wilco’s Loft studio, Transmitter marks a deepening of Clarke’s abilities and the convergence of two artists whose work searches for grace amid dislocation. These are places shaped by the myth of self-reliance, where people sold the idea of connection through technology have been reduced to quiet transmitters—data points bought and sold, manipulated and measured, their lives distorted through the very networks meant to unite them.\u003cbr\u003eThe first signs of Transmitter came when Cut Worms were on the road supporting Wilco in the summer of 2024. At the end of the tour, Tweedy invited the band to record at the storied Loft in Chicago, and plans were soon made to commence that fall. In the Loft’s warm clutter of guitars, amplifiers, and books, Clarke and Tweedy quickly found common musical ground and a shared instinct for songs that hold complexity. While Clarke’s voice and writing formed the framework, Tweedy’s guitar and bass lines sketched the rooms the songs inhabit. Tweedy’s presence as a producer revealed itself not in heavy-handed choices but in how he colored spaces and continually offered new textures. 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Closing track “Dream” brings us back to a familiar plane: Clarke alone at the piano, tender and unresolved, pondering the fate of dreams and the risk of falling short or getting lost en route.\u003cbr\u003eTransmitter finds Clarke in full stride, writing with the conviction of someone who’s made peace with uncertainty. These songs reckon with the cost of comfort and return to the idea that beauty, connection, and love are not luxuries but necessities for survival. Clarke is drawn to paradox—the friction between intimacy and escape, faith and doubt, shadow and light. His forgiveness, like the cut worm’s, comes through transference: the act of releasing something fragile into the noise and trusting it might still be felt.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1) Worlds Unknown\u003cbr\u003e2) Evil Twin\u003cbr\u003e3) Long Weekend\u003cbr\u003e4) Barfly\u003cbr\u003e5) Windows on the World\u003cbr\u003e6) Walk in an Absent Mind\u003cbr\u003e7) Don’t Look Down\u003cbr\u003e8) Shut In\u003cbr\u003e9) Out of Touch\u003cbr\u003e10) Dream\u003c\/p\u003e","brand":"JAGJAGUWAR","offers":[{"title":"Default Title","offer_id":46421054193820,"sku":"JAG489LP","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cutworms.transmitter.JAG489LP.mock.black.jpg?v=1772020822"},{"product_id":"cut-worms-transmitter-cd","title":"Cut Worms - Transmitter [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JAG489CD\u003cbr\u003eBarcode: 0656605248929\u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eTransmitter is Max Clarke’s fourth full-length record as Cut Worms. Produced by Jeff Tweedy at Wilco’s Loft studio, Transmitter marks a deepening of Clarke’s abilities and the convergence of two artists whose work searches for grace amid dislocation. These are places shaped by the myth of self-reliance, where people sold the idea of connection through technology have been reduced to quiet transmitters—data points bought and sold, manipulated and measured, their lives distorted through the very networks meant to unite them.\u003cbr\u003eThe first signs of Transmitter came when Cut Worms were on the road supporting Wilco in the summer of 2024. At the end of the tour, Tweedy invited the band to record at the storied Loft in Chicago, and plans were soon made to commence that fall. In the Loft’s warm clutter of guitars, amplifiers, and books, Clarke and Tweedy quickly found common musical ground and a shared instinct for songs that hold complexity. While Clarke’s voice and writing formed the framework, Tweedy’s guitar and bass lines sketched the rooms the songs inhabit. Tweedy’s presence as a producer revealed itself not in heavy-handed choices but in how he colored spaces and continually offered new textures. Between them, their like-minded sensibilities bridged a generational gap to create something more nuanced than either might have made alone.\u003cbr\u003eIf previous Cut Worms releases were steeped in Brill Building decadence and madcap Americana, the sound on Transmitter feels darker, richer, more saturated with the anxiety of contemporary living. “Long Weekend” accelerates time itself, carrying the melodic urgency of Big Star or Dwight Twilley. “Evil Twin” wrestles with bitter disappointment, its talky guitars recalling the jangling heartache of The Replacements and The Go-Betweens, and “Windows on the World” leans toward the sun of the future with a melancholy that drifts somewhere between Elliott Smith and Miracle Legion. Closing track “Dream” brings us back to a familiar plane: Clarke alone at the piano, tender and unresolved, pondering the fate of dreams and the risk of falling short or getting lost en route.\u003cbr\u003eTransmitter finds Clarke in full stride, writing with the conviction of someone who’s made peace with uncertainty. These songs reckon with the cost of comfort and return to the idea that beauty, connection, and love are not luxuries but necessities for survival. Clarke is drawn to paradox—the friction between intimacy and escape, faith and doubt, shadow and light. His forgiveness, like the cut worm’s, comes through transference: the act of releasing something fragile into the noise and trusting it might still be felt.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1) Worlds Unknown\u003cbr\u003e2) Evil Twin\u003cbr\u003e3) Long Weekend\u003cbr\u003e4) Barfly\u003cbr\u003e5) Windows on the World\u003cbr\u003e6) Walk in an Absent Mind\u003cbr\u003e7) Don’t Look Down\u003cbr\u003e8) Shut In\u003cbr\u003e9) Out of Touch\u003cbr\u003e10) Dream\u003c\/p\u003e","brand":"JAGJAGUWAR","offers":[{"title":"Default Title","offer_id":46421054455964,"sku":"JAG489CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cutworms.transmitter.JAG489CD.mock.jpg?v=1772020818"},{"product_id":"wendy-eisenberg-wendy-eisenberg-cd","title":"Wendy Eisenberg - Wendy Eisenberg [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JNR514CD\u003cbr\u003eBarcode: 0602309900786\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eWendy Eisenberg has spent the past decade as a fixture of independent music and an artist of inspired multiplicity. As a singer-songwriter, improviser,and virtuoso guitarist, the coordinates of their artistry are ever-shifting, from art-rock to jazz to blistering free improv and eloquent folk. On catalog highlights including 2020’s Auto and the 2024 free-jazz sprawler Viewfinder, they’ve made a signature of ambition. After spending the past five years experimenting in different bands, genres, and creative challenges, and following a period of self-confrontation that they liken to a personal exorcism, Eisenberg has arrived at a milestone. The poetic and formally dar\u003cimg\u003eing folk songs of Wendy Eisenberg comprise their most certain vision yet.\u003cbr\u003eThe songs began to take root in 2020 when Eisenberg moved from Western Massachusetts—where they’d lived for a few years after attending Boston’s New England Conservatory—and relocated to Brooklyn. Longing for the pastoral feel of their former home, Eisenberg gravitated towards the warm sounds of country and folk. “The songs are genuinely folk songs,” Eisenberg says of their record. “The production is less about seeing what the guitar might be capable of and more accepting the inherent strangeness of the languages it has spoken for the last century and a half.”\u003cbr\u003eOn Wendy Eisenberg, the artist creates their own paradigm with a tight-knit circle of long time friends and collaborators—including bassist  Trevor Dunn, drummer Ryan Sawyer, and co-producer Mari Rubio (more eaze), who handled pedal steel, synth, and string arrangements—recording often at Eisenberg’s home and bringing a gorgeous ensemble texture to each note. “I was finally around people who accepted me,” Eisenberg says. “Many of the songs on this record were written in that new feeling. I wanted it to be incredibly comforting as it describes some massive changes in self-under- standing and self-regard. It’s about relief.”\u003cbr\u003e“the singer-songwriter’s distinctive guitar sound drives a song cycle like no other” –The Guardian\u003cbr\u003e\"an astoundingly skilled guitarist who brings a curious touch to a variety of styles, from mathy punk to jazz-trained improvisation\"\u003cbr\u003e–NPR, All Songs Considered\u003cbr\u003e“a guitar virtuoso and singer-songwriter with a penchant for all-American landscapes” –The Wire Magazine\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Take A Number\u003cbr\u003e2. Meaning Business\u003cbr\u003e3. Old Myth Dying\u003cbr\u003e4. Another Lifetime Floats Away\u003cbr\u003e5. It’s Her\u003cbr\u003eSide B\u003cbr\u003e1. Vanity Paradox\u003cbr\u003e2. Curious Bird\u003cbr\u003e3. The Ultraworld\u003cbr\u003e4. Will You Dare\u003cbr\u003e5. 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On catalog highlights including 2020’s Auto and the 2024 free-jazz sprawler Viewfinder, they’ve made a signature of ambition. After spending the past five years experimenting in different bands, genres, and creative challenges, and following a period of self-confrontation that they liken to a personal exorcism, Eisenberg has arrived at a milestone. The poetic and formally daring folk songs of Wendy Eisenberg comprise their most certain vision yet.\u003cbr\u003eThe songs began to take root in 2020 when Eisenberg moved from Western Massachusetts—where they’d lived for a few years after attending Boston’s New England Conservatory—and relocated to Brooklyn. Longing for the pastoral feel of their former home, Eisenberg gravitated towards the warm sounds of country and folk. “The songs are genuinely folk songs,” Eisenberg says of their record. “The production is less about seeing what the guitar might be capable of and more accepting the inherent strangeness of the languages it has spoken for the last century and a half.”\u003cbr\u003eOn Wendy Eisenberg, the artist creates their own paradigm with a tight-knit circle of long time friends and collaborators—including bassist  Trevor Dunn, drummer Ryan Sawyer, and co-producer Mari Rubio (more eaze), who handled pedal steel, synth, and string arrangements—recording often at Eisenberg’s home and bringing a gorgeous ensemble texture to each note. “I was finally around people who accepted me,” Eisenberg says. “Many of the songs on this record were written in that new feeling. I wanted it to be incredibly comforting as it describes some massive changes in self-under- standing and self-regard. 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Labs with additional production by DJ Mustard, Ghost Loft, Choppa Boi, Jim Jonsin, Fanatik N Zac among others. Get On Down is proud to present a limited edition pressing of Blacc Hollywood pressed on Ghostly Blacc Ice colored vinyl, packaged in a high gloss gatefold jacket with a commemorative OBI.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1 Hope (feat. Ty Dolla $ign)\u003cbr\u003eA2 We Dem Boyz\u003cbr\u003eA3 Promises\u003cbr\u003eB1 KK (feat. Juicy J, Project Pat)\u003cbr\u003eB2 House In The Hills (feat. Curren$y)\u003cbr\u003eB3 Ass Drop\u003cbr\u003eB4 Raw\u003cbr\u003eC1 Stayin Out All Night\u003cbr\u003eC2 The Sleaze\u003cbr\u003eC3 So High (feat. Ghost Loft)\u003cbr\u003eC4 Still Down (feat. Chevy Woods \u0026amp; Ty Dolla $ign)\u003cbr\u003eD1 No Gain\u003cbr\u003eD2 True Colors (feat. Nicki Minaj)\u003cbr\u003eD3 We Dem Boyz (Remix) (feat. Nas, Rick Ross, Schoolboy Q)\u003cbr\u003eD4 You And Your Friends (feat. Snoop Dogg, Ty Dolla $ign)\u003c\/p\u003e","brand":"GET ON DOWN","offers":[{"title":"Default Title","offer_id":46421118058652,"sku":"GET52746GLP","price":47.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_b7c1e9f0-8fd2-46fa-a0ba-0ffdae37f79c.webp?v=1772023081"},{"product_id":"dan-lucas-age-is-just-a-number-cd","title":"Dan Lucas - Age Is Just A Number [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: PJM14597\u003cbr\u003eBarcode: 4260432914597\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThe new album by Dan Lucas – rocking, melodic, full of energy, with life-affirming but also critical lyrics – straight from real life! Age Is Just A Number contains 11 rock songs that are musically captivating and prove that Dan Lucas is still able to captivate his listeners with his expressive voice. All songs were written by Dan, with the help of composer and musician Markus Pfeffer (Barnabas Sky, Lazarus Dream) on four tracks. The album was recorded and mixed at Empire Studio in Bensheim by Rolf Munkes (Crematory). Singer, guitarist, songwriter, and musical performer DAN LUCAS became known to a wide television audience when he won the first season of the casting show “The Voice of Germany – Senior,” enchanting the jury with a fantastic version of the Journey classic “Don't Stop Believin'” and John Farnham's “You're The Voice.” But DAN LUCAS has been around for much longer. Every rock fan fondly remembers 1988, when the Berlin band KARO released their debut album “Heavy Birthday.” At the time, hardly anyone suspected that just three years earlier, the singer had escaped the strict grip of the GDR regime as a refugee.\u003cbr\u003eAfter moving to Munich, DAN LUCAS joined Marlboro Music as a soloist and released his solo album “Canada,” whose single “Heart of America” was used in McDonald's commercials on all channels. For his follow-up album “2000!”, which was recorded and produced in Burbank, California, he was able to enlist numerous guest musicians such as Robin Beck, Lisa Dalbello, Kane Roberts, Ron Dante, Michael Landau, and many others. He also co-wrote the song “Close Your Eyes And Say Goodbye” with Desmond Child. Following the release of the albums “News” (ARCADE 1996) and “The Long Road” (PRIDE \u0026amp; JOY MUSIC 2021), Dan has also been working as a musical performer since 2022. At the Theater Hof \/ Saale, he played the role of Sergeant Hanks in Frank Nimsgern's musical “Jack The Ripper.” He also played the role of Rick Stone several times in the musical “Ein bisschen Frieden – Summer Of Love,” which was performed at the Theater am Marientor Duisburg, the Festspielhaus Neuschwanstein in Füssen, and the Deutsches Theater Munich. In June 2025, he appeared as “Carl” in the rock opera HERILO at the Arena Kaufbeuren, which is expected to continue next year. Line-up: Dan Lucas (vocals, keyboards), Rolf Munkes (guitars), Markus Pfeffer (guitars, keyboards), Martin Motnik (bass), Liam Cross (drums)\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. An Angel\u003cbr\u003e2. Age Is Just A Number\u003cbr\u003e3. Losing Myself\u003cbr\u003e4. I Wanna Say Goodbye\u003cbr\u003e5. JP’s Bar\u003cbr\u003e6. The World Is Broken\u003cbr\u003e7. For A Smoke\u003cbr\u003e8. Lost In The Shadows\u003cbr\u003e9. What About Tomorrow\u003cbr\u003e10. True Love\u003cbr\u003e11. Life Is Kind Of Rock ‘n Roll\u003c\/p\u003e","brand":"PRIDE \u0026 JOY MUSIC","offers":[{"title":"Default Title","offer_id":46423917625500,"sku":"PJM14597","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DanLucas-AgeIsJustANumber.jpg?v=1772042380"},{"product_id":"dark-heart-evolution-cd","title":"Dark Heart - Evolution [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: PJM14665\u003cbr\u003eBarcode: 4260432914665\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eDARK HEART were formed during the early eighties, releasing the debut album ‘’Shadows of the Night’’ on the Roadrunner label in 1984. After a number of successful live shows, the fast approaching end of NWOBHM era meant the band decided to go their separate ways, never quite fulfilling their potential or producing a follow up second album. Over the years the band has developed a cult following, gaining many new fans to their music. Founding member of the Band Alan Clark went on to form Change Of Heart moving from guitar to Vocals and as the main song writer, the band have very much established themselves as one of the best British AOR\/Rock bands, with 4 albums released to date……\u003cbr\u003eFast forward to 2024 when DARK HEART returned after a number of years being asked to make a new album. The style, although still routed in classic metal\/Hard Rock has very much moved away from NWOBHM, to not only bring the sound up to date, but also reflect the maturity in their song writing craft. Alan as the only original member of the band, has been working with Nick Catterick (Guitar) for a number of years on various projects, the pair have developed an intuitive and special understanding when writing, and working together, so it was a natural and easy choice to bring Nick on board. Nick who started playing guitar in his early teens has always been inspired by fiery and inventive players, drawing influences from the great players such as Moore, Sykes, Campbell, Norum with a touch of Lynch\/Rhoads, and is set to be recognised for not only his playing ability, but also for one of the best guitar tones in the business. \"Evolution“ now marks the group’s first release on Pride \u0026amp; Joy Music. The album was produced by Pete Newdeck and mastered by Harry Hess (Harem Scarem).\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Light The Flame\u003cbr\u003e2. Cold Winter\u003cbr\u003e3. End Of Tomorrow\u003cbr\u003e4. Hands Of Fate\u003cbr\u003e5. Spread Your Wings\u003cbr\u003e6. Ride The Highway\u003cbr\u003e7. You And I\u003cbr\u003e8. Life To Crucify\u003cbr\u003e9. Eyes Of Light\u003cbr\u003e10. Mortality\u003cbr\u003e11. Burned\u003c\/p\u003e","brand":"PRIDE \u0026 JOY MUSIC","offers":[{"title":"Default Title","offer_id":46423918543004,"sku":"PJM14665","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DarkHeart-Evolution.jpg?v=1772042512"},{"product_id":"eluvium-virga-iii-crystal-clear-vinyl","title":"Eluvium - Virga III [Crystal Clear Vinyl]","description":"\u003cp\u003eFormat: LP, Crystal Clear Vinyl\u003cbr\u003eCatalogue No.: TRR452LP-C1\u003cbr\u003eBarcode: 0656605445212\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eVirga III is the third installment in Eluvium’s inspired experimental series – and the first in nearly five years. In unmistakable contrast to the dense, ominous sprawl of Virga II, the works that make up Virga III offer an almost divine reprieve. The nervous tension, loss of control, and patient recontextualization that inspires each volume of the Virga series manifests in unique ways. \u003c\/p\u003e\n\u003cp\u003eThe songs on Virga III are composed and performed by Cooper, as always, but in the Virga universe, he essentially feels a unique collaboration within himself. As Cooper explains, “The Virga series affords me an opportunity to return to an older version of myself, but with a new level of understanding. Practicing more patience interacting with these built musical systems and recordings, I hesitantly duet with my past self in a new performance or manipulative layer, only after digesting the first for as long as possible, to a point of it conjuring new and uncharted feelings, in hopes of curating a sense of therapeutic self-awareness and discovery. A mixture of the exploratory mindset against a painterly emotional resonance, gradually unfurling itself unto itself.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. A.M.\u003cbr\u003e2. The Fires At Night\u003cbr\u003e3. Remains\u003cbr\u003e4. Hallucination II\u003cbr\u003e5. Microfauna\u003cbr\u003e6. Communication\u003cbr\u003e7. Virga III\u003cbr\u003e8. Sore\u003c\/p\u003e","brand":"TEMPORARY RESIDENCE","offers":[{"title":"Default Title","offer_id":46423935484060,"sku":"TRR452LP-C1","price":29.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ELUVIUM-VIRGAIII.jpg?v=1772042618"},{"product_id":"flickers-from-the-fen-stoned-in-gielinor-iii","title":"Flickers From The Fen - Stoned in Gielinor III","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CRYPTMETAL041\u003cbr\u003eBarcode: 5056321698896\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eYou've just ordered Pizza Hut and a 2L Mountain Dew. You've loaded up RuneScape on your PC. No school tomorrow. Your parents don't care if you stay up all night long. A perfect Summer night.\u003cbr\u003eYou are 31 years old. The year is 2026.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. In Fine Fettle\u003cbr\u003e2. An Orb in the Sky (Sends the Orks Awry)\u003cbr\u003e3. Skylark Summit\u003cbr\u003e4. The Wolf at the Edge of the World\u003cbr\u003e5. Puffin Song\u003cbr\u003e6. Lift Thissen\u003cbr\u003e7. Great Grinding Staircase\u003cbr\u003e8. Beast Beyond Belief\u003cbr\u003e9. Swords for All\u003cbr\u003e10. The Meadow Bends (Pt. I)\u003cbr\u003e11. The Meadow Bends (Pt. II)\u003cbr\u003e12. Skies Over Isafdar\u003cbr\u003e13. Street of the Holy Field\u003c\/p\u003e","brand":"CRYPT OF THE WIZARD","offers":[{"title":"Default Title","offer_id":46423954915484,"sku":"CRYPTMETAL041","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FlickersFromTheFen-StonedInGleinorIII.jpg?v=1772043101"},{"product_id":"jnbo-jnbo-friends","title":"Jnbo - Jnbo \u0026 Friends","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: COK016LP\u003cbr\u003eBarcode: 0648564357941\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eJnbo is the moniker assumed by Melbourne \/ Naarm-based composer,\u003cbr\u003eproducer\/engineer and bass player Henry Jenkins.\u003cbr\u003eJenkins is known to most as the producer\/engineer behind Surprise Chef, Karate Boogaloo, and the Grammy-nominated Frollen Music Library. Serving as College Of Knowledge Records’ in-house recording and mix engineer, Jenkins has provided the sonic constitution for Melbourne \/ Naarm’s instrumental cinematic soul movement. \u0026amp; Friends sees Jenkins turn his abilities to his own brilliant compositions. The album comprises 12 introspective instrumentals - deep, cinematic odysseys steeped in romance and sincerity, with an unmistakable ‘freak funk bump’.\u003cbr\u003eJenkins explains the conceptualisation of \u0026amp; Friends:\u003cbr\u003e“I wanted to write a record I would look forward to recording with my friends. The music I was writing had a funk sensibility in the bass and drums, contrasted by a more cinematic approach in the harmonic and melodic content, with guitars slipping and sliding in between. I tried to make that contrast the character of the record. I felt that every song should have the same instrumentation and with the same personnel. This became an enjoyable creative constraint; how much variation could I pull out of the same 8 instruments over the course of the album? I Nwanted to find as much diversity as I could within these tight bounds.” Jenkins applied these principles to the recording of \u0026amp; Friends, bringing together longtime musical collaborators Hudson Whitlock, Darvid Thor and Callum Riley (Karate Boogaloo), Lachlan Stuckey and Jethro Curtin (Surprise Chef), Lewis Coleman and Lena Douglas (The Cactus Channel) to realise unconventional arrangements across three guitars, piano, string synthesizer, Hammond organ, drums and bass, with Jenkins himself assuming bass guitar and production duties.\u003cbr\u003eThe resulting album is a strikingly unique melange; moments of picturesque ambience move into head-nodding funk, with the three guitars and three keyboards precisely arranged across the stereo field throughout. The record displays the influences of film composer Bernard Herrmann, lounge pioneer Les Baxter and Motown’s Lamont Dozier, alongside JNBO’s own eccentric idiosyncrasies.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Around\u003cbr\u003e2.Missing\u003cbr\u003e3.Dogs\u003cbr\u003e4.Ten Cent Piece\u003cbr\u003e5.Letting Down\u003cbr\u003e6.Letting Go\u003cbr\u003e7.Name\u003cbr\u003e8.False Cut\u003cbr\u003e9.Blood Nose\u003cbr\u003e10.All\u003cbr\u003e11.Close\u003cbr\u003e12.Last\u003c\/p\u003e","brand":"COLLEGE OF KNOWLEDGE (COLEMINE)","offers":[{"title":"Default Title","offer_id":46424352096412,"sku":"COK016LP","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Jnbo-Jnbo_Friends.jpg?v=1772043821"},{"product_id":"knumears-directions-orange-black-marble-vinyl-first-run-club-exclusive","title":"Knumears - Directions [Orange \u0026 Black Marble Vinyl - First Run Club Exclusive]","description":"\u003cp\u003eFormat: LP, Orange \u0026amp; Black Marble Vinyl - First Run Club Exclusive\u003cbr\u003eCatalogue No.: RFC314LP-C5\u003cbr\u003eBarcode: 0199438001885\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eKnumears understand that no band exists in a vacuum. They are an embodiment of a sonic tradition, one that’s been molded and shaped for decades and can only be carried by those who truly love it. Call it screamo, skramz, post-hardcore or whatever else–it’s a sound that’s somehow endured through years of changing musical tides and is now impacting a whole new generation of underground musicians. Now Knumears’ debut album, Directions, is equal parts love letter and cartography project, one that explores the deep history of a convoluted scene while creating an exciting blueprint for a new one.\u003cbr\u003eKnumears are a group of not just passionate musicians, but friends whose bonds are as important as the music they make together. Since 2021, the Knumears (bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole) have been writing, touring and playing nonstop, moving from playing packed local shows with kids screaming, climbing, shouting and dancing to touring nationally and finding the same fervent reactions all across the country. But outside of the chaos of touring, the group found equal growth in their personal lives, strengthening old bonds with those back home, discovering new connections, and cultivating their own worlds. “All of us were kind of finding ourselves on our own and finding new relationships of all kinds,” Cole says, reflecting on the record’s development. “A lot of change was happening for each of us.” At first all of this personal upheaval was not completely conducive to writing a new album.\u003cbr\u003eThe band was scheduled to record with legendary producer\/engineer Jack Shirley (Deafheaven, Loma Prieta, Touche Amore) but the band’s process felt somewhat stagnant until suddenly it wasn’t: “We were all struggling very much creativity wise,” explains Cole “We’d all found outlets in other projects while trying to write this record. But a few weeks before our time with Jack, we sat down and basically wrote the whole record. We practiced three times a week for probably a month and a half, it was practically flowing out of us.“\u003cbr\u003eThe result is an exceptionally urgent sounding album– even for a visceral genre like screamo. Knumears’ traffic in a sound that’s hyper-immediate yet notoriously difficult to define: it evolved from the primordial ooze of late ‘80s hardcore, earning the “post” signifier in the most literal way, then shifted in the ‘90s into something even more emotionally wrought and musically chaotic with bands like Heroin, Pg. 99, and Orchid. The sound evolved further with another boom in the late 2000s\/early 2010s as Loma Prieta, Touche Amore, and more boiled the music into something more direct and even at times catchy in its own caustic way. Now Knumears and their contemporaries find themselves at the forefront of a modern screamo landscape.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Introduction\u003cbr\u003e2. One Light, Sunshine\u003cbr\u003e3. My Name\u003cbr\u003e4. Breaking Ground\u003cbr\u003e5. Directions\u003cbr\u003eSide B\u003cbr\u003e6. Untitled\u003cbr\u003e7. Bridged\u003cbr\u003e8. Fade Away\u003cbr\u003e9. Friendly Face\u003cbr\u003e10. The North\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":46424357994652,"sku":"RFC314LP-C5","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_3bcd331c-bbb4-4d84-abc2-6c46d1a27f07.png?v=1772043970"},{"product_id":"knumears-directions-black-ice-vinyl","title":"Knumears - Directions [Black Ice vinyl]","description":"\u003cp\u003eFormat: LP, Black Ice vinyl\u003cbr\u003eCatalogue No.: RFC314LP-C4\u003cbr\u003eBarcode: 0199438001892\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eKnumears understand that no band exists in a vacuum. They are an embodiment of a sonic tradition, one that’s been molded and shaped for decades and can only be carried by those who truly love it. Call it screamo, skramz, post-hardcore or whatever else–it’s a sound that’s somehow endured through years of changing musical tides and is now impacting a whole new generation of underground musicians. Now Knumears’ debut album, Directions, is equal parts love letter and cartography project, one that explores the deep history of a convoluted scene while creating an exciting blueprint for a new one.\u003cbr\u003eKnumears are a group of not just passionate musicians, but friends whose bonds are as important as the music they make together. Since 2021, the Knumears (bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole) have been writing, touring and playing nonstop, moving from playing packed local shows with kids screaming, climbing, shouting and dancing to touring nationally and finding the same fervent reactions all across the country. But outside of the chaos of touring, the group found equal growth in their personal lives, strengthening old bonds with those back home, discovering new connections, and cultivating their own worlds. “All of us were kind of finding ourselves on our own and finding new relationships of all kinds,” Cole says, reflecting on the record’s development. “A lot of change was happening for each of us.” At first all of this personal upheaval was not completely conducive to writing a new album.\u003cbr\u003eThe band was scheduled to record with legendary producer\/engineer Jack Shirley (Deafheaven, Loma Prieta, Touche Amore) but the band’s process felt somewhat stagnant until suddenly it wasn’t: “We were all struggling very much creativity wise,” explains Cole “We’d all found outlets in other projects while trying to write this record. But a few weeks before our time with Jack, we sat down and basically wrote the whole record. We practiced three times a week for probably a month and a half, it was practically flowing out of us.“\u003cbr\u003eThe result is an exceptionally urgent sounding album– even for a visceral genre like screamo. Knumears’ traffic in a sound that’s hyper-immediate yet notoriously difficult to define: it evolved from the primordial ooze of late ‘80s hardcore, earning the “post” signifier in the most literal way, then shifted in the ‘90s into something even more emotionally wrought and musically chaotic with bands like Heroin, Pg. 99, and Orchid. The sound evolved further with another boom in the late 2000s\/early 2010s as Loma Prieta, Touche Amore, and more boiled the music into something more direct and even at times catchy in its own caustic way. Now Knumears and their contemporaries find themselves at the forefront of a modern screamo landscape.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Introduction\u003cbr\u003e2. One Light, Sunshine\u003cbr\u003e3. My Name\u003cbr\u003e4. Breaking Ground\u003cbr\u003e5. Directions\u003cbr\u003eSide B\u003cbr\u003e6. Untitled\u003cbr\u003e7. Bridged\u003cbr\u003e8. Fade Away\u003cbr\u003e9. Friendly Face\u003cbr\u003e10. The North\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":46424358486172,"sku":"RFC314LP-C4","price":23.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/bl_718e0b8a-ce16-4174-9a0c-fc6bd8193c08.png?v=1772043972"},{"product_id":"knumears-directions-cd","title":"Knumears - Directions [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: RFC314CD\u003cbr\u003eBarcode: 0199438001908\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eKnumears understand that no band exists in a vacuum. They are an embodiment of a sonic tradition, one that’s been molded and shaped for decades and can only be carried by those who truly love it. Call it screamo, skramz, post-hardcore or whatever else–it’s a sound that’s somehow endured through years of changing musical tides and is now impacting a whole new generation of underground musicians. Now Knumears’ debut album, Directions, is equal parts love letter and cartography project, one that explores the deep history of a convoluted scene while creating an exciting blueprint for a new one.\u003cbr\u003eKnumears are a group of not just passionate musicians, but friends whose bonds are as important as the music they make together. Since 2021, the Knumears (bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole) have been writing, touring and playing nonstop, moving from playing packed local shows with kids screaming, climbing, shouting and dancing to touring nationally and finding the same fervent reactions all across the country. But outside of the chaos of touring, the group found equal growth in their personal lives, strengthening old bonds with those back home, discovering new connections, and cultivating their own worlds. “All of us were kind of finding ourselves on our own and finding new relationships of all kinds,” Cole says, reflecting on the record’s development. “A lot of change was happening for each of us.” At first all of this personal upheaval was not completely conducive to writing a new album.\u003cbr\u003eThe band was scheduled to record with legendary producer\/engineer Jack Shirley (Deafheaven, Loma Prieta, Touche Amore) but the band’s process felt somewhat stagnant until suddenly it wasn’t: “We were all struggling very much creativity wise,” explains Cole “We’d all found outlets in other projects while trying to write this record. But a few weeks before our time with Jack, we sat down and basically wrote the whole record. We practiced three times a week for probably a month and a half, it was practically flowing out of us.“\u003cbr\u003eThe result is an exceptionally urgent sounding album– even for a visceral genre like screamo. Knumears’ traffic in a sound that’s hyper-immediate yet notoriously difficult to define: it evolved from the primordial ooze of late ‘80s hardcore, earning the “post” signifier in the most literal way, then shifted in the ‘90s into something even more emotionally wrought and musically chaotic with bands like Heroin, Pg. 99, and Orchid. The sound evolved further with another boom in the late 2000s\/early 2010s as Loma Prieta, Touche Amore, and more boiled the music into something more direct and even at times catchy in its own caustic way. Now Knumears and their contemporaries find themselves at the forefront of a modern screamo landscape.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Introduction\u003cbr\u003e2. One Light, Sunshine\u003cbr\u003e3. My Name\u003cbr\u003e4. Breaking Ground\u003cbr\u003e5. Directions\u003cbr\u003eSide B\u003cbr\u003e6. Untitled\u003cbr\u003e7. Bridged\u003cbr\u003e8. Fade Away\u003cbr\u003e9. Friendly Face\u003cbr\u003e10. The North\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":46424360190108,"sku":"RFC314CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RFC314_b9968619-f401-4add-b521-41378f297c33.jpg?v=1772043902"},{"product_id":"market-east-french-street-paisley-peach-lp","title":"Market East - French Street [Paisley Peach LP]","description":"\u003cp\u003eFormat: Paisley Peach\u003cbr\u003eCatalogue No.: EHS114LP-C1 \u003cbr\u003eBarcode: 0648564357163\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eMarket East finally shares their most important statement to the world in the form of their debut LP, French Street. The group, composed of Kurt Cain on vocals, Vincent John on vocals, bass, guitar and keys, and Maxwell Perla on vocals, drums and percussion, deliver their signature celestial three part vocal harmonies over arrangements that have never sounded so rich and compelling. French Street is extremely soulful and the vocals are lush, like if the Zombies recorded at Muscle Shoals. The lyrics are poetic and nostalgic, as the group wrote songs about their bygone “golden” years. Back then, the boys didn’t have much besides each other and their shared love of music. Vocalist Kurt Cain lived in a small rowhome in North Philadelphia on a nearly deserted alley called French Street. It was here that Cain, John, and Perla came together every week to escape reality and get high off sharing music. They developed a deep appreciation for all things 60s and 70s, from Simon \u0026amp; Garfunkel to The Moments, and everything in between. All these years later, and Market East has created a classic record of their own. From the baroque pop of the title track and the roaring soul of “Roses,” to the Latin flavors of “Echoes of My Heart” and the orchestral flares of “Everyday, Springtime,” Market East shows their impressive range. Recorded to analog tape in Philadelphia, the record was produced by Market East and Eraserhood Sound. Grab your copy of this timeless classic today.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Angel From the Sky\u003cbr\u003e2. Meditations on Mother Earth\u003cbr\u003e3. Circles of Time\u003cbr\u003e4. Echoes of My Heart\u003cbr\u003e5. Everyday, Springtime\u003cbr\u003e6. In the Delta\u003cbr\u003e7. The Castles of Our Minds\u003cbr\u003e8. Roses\u003cbr\u003e9. Italian Market Wine\u003cbr\u003e10. French Street\u003cbr\u003e11. St. Rita\u003cbr\u003e12. So Hard to Say Goodbye\u003c\/p\u003e","brand":"ERASERHOOD SOUND (COLEMINE)","offers":[{"title":"Default Title","offer_id":46424361926812,"sku":"EHS114LP-C1","price":26.62,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MarketEast-FrenchStreet_760f6886-29a1-483a-afc5-96e7610cb383.jpg?v=1772044525"},{"product_id":"market-east-french-street","title":"Market East - French Street","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: EHS114LP\u003cbr\u003eBarcode: 0648564357156\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eMarket East finally shares their most important statement to the world in the form of their debut LP, French Street. The group, composed of Kurt Cain on vocals, Vincent John on vocals, bass, guitar and keys, and Maxwell Perla on vocals, drums and percussion, deliver their signature celestial three part vocal harmonies over arrangements that have never sounded so rich and compelling. French Street is extremely soulful and the vocals are lush, like if the Zombies recorded at Muscle Shoals. The lyrics are poetic and nostalgic, as the group wrote songs about their bygone “golden” years. Back then, the boys didn’t have much besides each other and their shared love of music. Vocalist Kurt Cain lived in a small rowhome in North Philadelphia on a nearly deserted alley called French Street. It was here that Cain, John, and Perla came together every week to escape reality and get high off sharing music. They developed a deep appreciation for all things 60s and 70s, from Simon \u0026amp; Garfunkel to The Moments, and everything in between. All these years later, and Market East has created a classic record of their own. From the baroque pop of the title track and the roaring soul of “Roses,” to the Latin flavors of “Echoes of My Heart” and the orchestral flares of “Everyday, Springtime,” Market East shows their impressive range. Recorded to analog tape in Philadelphia, the record was produced by Market East and Eraserhood Sound. Grab your copy of this timeless classic today.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Angel From the Sky\u003cbr\u003e2. Meditations on Mother Earth\u003cbr\u003e3. Circles of Time\u003cbr\u003e4. Echoes of My Heart\u003cbr\u003e5. Everyday, Springtime\u003cbr\u003e6. In the Delta\u003cbr\u003e7. The Castles of Our Minds\u003cbr\u003e8. Roses\u003cbr\u003e9. Italian Market Wine\u003cbr\u003e10. French Street\u003cbr\u003e11. St. Rita\u003cbr\u003e12. So Hard to Say Goodbye\u003c\/p\u003e","brand":"ERASERHOOD SOUND (COLEMINE)","offers":[{"title":"Default Title","offer_id":46424361959580,"sku":"EHS114LP","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MarketEast-FrenchStreet.jpg?v=1772044518"},{"product_id":"marquee-black-orphan-2lp-translucent-red-vinyl","title":"Marquee - Black Orphan [2LP Translucent red vinyl]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: L-DRW163\u003cbr\u003eBarcode: 0784085103091\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eMarquee (Markita Ferguson) is a rapper, singer, and songwriter who began her career in the early 1990s linking with the Diggin’ in the Crates (D.I.T.C.) crew. She later signed with Trackmasters under Sony, where she worked with notable figures like Pharrell Williams, MC Lyte, and Queen Latifah. After years of guest features, writing, and industry work, she released her debut solo album Femme Fatale in 2017.\u003cbr\u003eBlack Orphan is her new sophomore album, produced by some of Hip Hop's biggest producers such as Da Beatminerz, Rockwilder, Jake One, Buckwild and many others. The tracks also feature some of Hip Hop's greatest stars such as Mr. Cheeks, Keith Murray, Craig G, Monie Love and many others\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Intro\u003cbr\u003e2. Black Orphan\u003cbr\u003e3. We Do What We Want\u003cbr\u003e4. Nothing Good\u003cbr\u003e5. Bad Side\u003cbr\u003e6. One\u003cbr\u003e7. Encore\u003cbr\u003e8. Better Watch Yo Man\u003cbr\u003e9. Panties \u0026amp; Pistols\u003cbr\u003e10. Giants\u003cbr\u003e11. Cold Years\u003cbr\u003e12. Party Freak (Remix)\u003cbr\u003e13. Paper Chaser\u003cbr\u003e14. I Confess\u003cbr\u003e15. Tha Get Down (Skit)\u003cbr\u003e16. Lyrical Barbwire\u003cbr\u003e17. It's Your World\u003cbr\u003e18. Step By Step\u003c\/p\u003e","brand":"De Rap Winkle","offers":[{"title":"Default Title","offer_id":46424544542876,"sku":"L-DRW163","price":42.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Marquee-BlackOrphanDRW163_MOCKUP.jpg?v=1772045170"},{"product_id":"metropolis-ensemble-erik-hall-sandbox-percussion-canto-ostinato","title":"Metropolis Ensemble, Erik Hall, Sandbox Percussion - Canto Ostinato","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WV294LP\u003cbr\u003eBarcode: 0840526501694\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Classical\u003c\/p\u003e\n\u003cp\u003eSometime in 2020 I listened to Canto Ostinato for the first time, and my enthrall- ment with the piece had begun. I was transfixed by its particular amalgam of harmony, repetition, and pacing. By the spring of 2023 I had constructed and released my own solo interpretation, and I assumed at that point my working relationship with the composition had run its course. But I underestimated its magnetism. The following year I was back in its grips, having been invited by Metropolis Ensemble’s Andrew Cyr to expand on the foundation I had laid with the piece. Soon I was in Brooklyn, on a newly-formed team of six with Cyr and the members of Sandbox Percussion, thrilled to be helping architect a brand new large-ensemble arrangement of Canto Ostinato for a summer solstice perfor- mance at the Brooklyn Botanic Garden. We did so, our cohort growing to include the students of The New School’s Sandbox Percussion Summer Seminar, as well as composers David Leon, Ben Wallace, and Ledah Finck and the Bergamot Quartet. It was a day we will all remember—sweeping, dreamlike, and what felt like a quintessential culmination. But even then... the piece still beckoned, and it became imperatively clear that this new orchestration called for the embarkment on a studio album—a permanent document of our now-collective ardor. Refined over a year and recorded in New York, 2025, this performance recasts the piece anew in a towering framework of mallet percussion, woodwinds, strings, and piano. It is our truest attempt at conveying Canto’s beauty and magnitude in all its kaleidoscopic harmony, dynamism, tension, and release. I stand once again in awe of Simeon ten Holt’s monumental creation, and to be a thread among this particular sonic fabric is one of the great pleasures of my musical life. 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I was transfixed by its particular amalgam of harmony, repetition, and pacing. By the spring of 2023 I had constructed and released my own solo interpretation, and I assumed at that point my working relationship with the composition had run its course. But I underestimated its magnetism. The following year I was back in its grips, having been invited by Metropolis Ensemble’s Andrew Cyr to expand on the foundation I had laid with the piece. Soon I was in Brooklyn, on a newly-formed team of six with Cyr and the members of Sandbox Percussion, thrilled to be helping architect a brand new large-ensemble arrangement of Canto Ostinato for a summer solstice perfor- mance at the Brooklyn Botanic Garden. We did so, our cohort growing to include the students of The New School’s Sandbox Percussion Summer Seminar, as well as composers David Leon, Ben Wallace, and Ledah Finck and the Bergamot Quartet. It was a day we will all remember—sweeping, dreamlike, and what felt like a quintessential culmination. But even then... the piece still beckoned, and it became imperatively clear that this new orchestration called for the embarkment on a studio album—a permanent document of our now-collective ardor. Refined over a year and recorded in New York, 2025, this performance recasts the piece anew in a towering framework of mallet percussion, woodwinds, strings, and piano. It is our truest attempt at conveying Canto’s beauty and magnitude in all its kaleidoscopic harmony, dynamism, tension, and release. I stand once again in awe of Simeon ten Holt’s monumental creation, and to be a thread among this particular sonic fabric is one of the great pleasures of my musical life. I don’t assume we might be so fortunate again... but who knows..\u003cbr\u003e- Erik Hall\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01 Sections 1-16\u003cbr\u003e02 Sections 17-30\u003cbr\u003e03 Sections 31-40\u003cbr\u003e04 Sections 41-55\u003cbr\u003e05 Sections 56-73\u003cbr\u003e06 Sections 74-87\u003cbr\u003e07 Sections 88-90\u003cbr\u003e08 Sections 91-94\u003cbr\u003e09 Sections 95-106\u003c\/p\u003e","brand":"WESTERN VINYL","offers":[{"title":"Default Title","offer_id":46424586125468,"sku":"WV294CD","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MetropolisEnsemble-CantoOstinato_6e85bb33-f580-48f4-8d2f-af0dc2eb7974.jpg?v=1772044787"},{"product_id":"radwan-ghazi-moumneh-frederic-d-oberland-eternal-life-no-end-ليلة-ظلماء-ملعونة-كحياة-طالبيها","title":"Radwan Ghazi Moumneh \u0026 Frédéric D. Oberland - Eternal Life No End - ليلة ظلماء ملعونة، كحياة طالبيها","description":"\u003cp\u003eFormat: LP, 180Grm\u003cbr\u003eCatalogue No.: CST191LP\u003cbr\u003eBarcode: 0666561019112\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eMoumneh (Jerusalem In My Heart) and Oberland (Oiseaux-Tempête) consolidate a long history of cross-collaboration on this debut studio album as a duo: a compelling synthesis of their respective and shared sensibilities. Blending juddering electronics with acoustic instruments like buzuk, rababa, clarineau and saxophone, peppered with Moumneh’s Arabic singing, the album is forged in outrage and lamentation over our suprematist and genocidal political present.\u003cbr\u003eMorphing between the sensory and the suppressed, Radwan Ghazi Moumneh and Frédéric D. Oberland’s debut album summons a poetic musical proclamation of transfigured reality and social amnesia. These seven tracks evolved collaboratively over two years, beginning as a series of duets that Moumneh instigated at Montréal’s Hotel2Tango studio in summer 2023. The Arabic title of Eternal Life No End translates more literally as “A dark, cursed night, like the seekers themselves” and the album is an outcry amidst the oceans of injustice flooding the SWANA region, haunting the lives and visions of vast populations.\u003cbr\u003eLike Dante and Virgil in Dante’s Inferno, Oberland and Moumneh’s compositions chart an emotional vortex, as dream-time seeps into trancelike percussion and hypnotic melodies, channeling collective urgencies that ripple through the currents of Radwan’s voice and Arabic lyrics. Oberland’s passages of saxophone and clarineau evoke shamanic exhortations of evil, while Moumneh’s buzuk strums and swarms, often through electronic processing, with tempestuous mourning about unfolding tragedies. An array of instrumentation fleshes out the wider soundscapes: daf (a Middle Eastern frame drum) and bongos, a modified electric rababa, shuddering bass and other synthetic filigree from Oberland’s Buchla and Deckard's Dream synths.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Squeal of Swine\u003cbr\u003e2 Dagger Eyes\u003cbr\u003e3 A Silence With No Ceiling\u003cbr\u003e4 A Shadow With No Silhouette\u003cbr\u003e5 The Serpent\u003cbr\u003e6 A Dream That Never Arrived\u003cbr\u003e7 Walked and Walked\u003c\/p\u003e","brand":"CONSTELLATION","offers":[{"title":"Default Title","offer_id":46424598282396,"sku":"CST191LP","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CST191LP_Spread_4-3.jpg?v=1772045762"},{"product_id":"radwan-ghazi-moumneh-frederic-d-oberland-eternal-life-no-end-ليلة-ظلماء-ملعونة-كحياة-طالبيها-cd","title":"Radwan Ghazi Moumneh \u0026 Frédéric D. Oberland - Eternal Life No End - ليلة ظلماء ملعونة، كحياة طالبيها [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CST191CD\u003cbr\u003eBarcode: 0666561019129\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eMoumneh (Jerusalem In My Heart) and Oberland (Oiseaux-Tempête) consolidate a long history of cross-collaboration on this debut studio album as a duo: a compelling synthesis of their respective and shared sensibilities. Blending juddering electronics with acoustic instruments like buzuk, rababa, clarineau and saxophone, peppered with Moumneh’s Arabic singing, the album is forged in outrage and lamentation over our suprematist and genocidal political present.\u003cbr\u003eMorphing between the sensory and the suppressed, Radwan Ghazi Moumneh and Frédéric D. Oberland’s debut album summons a poetic musical proclamation of transfigured reality and social amnesia. These seven tracks evolved collaboratively over two years, beginning as a series of duets that Moumneh instigated at Montréal’s Hotel2Tango studio in summer 2023. The Arabic title of Eternal Life No End translates more literally as “A dark, cursed night, like the seekers themselves” and the album is an outcry amidst the oceans of injustice flooding the SWANA region, haunting the lives and visions of vast populations.\u003cbr\u003eLike Dante and Virgil in Dante’s Inferno, Oberland and Moumneh’s compositions chart an emotional vortex, as dream-time seeps into trancelike percussion and hypnotic melodies, channeling collective urgencies that ripple through the currents of Radwan’s voice and Arabic lyrics. Oberland’s passages of saxophone and clarineau evoke shamanic exhortations of evil, while Moumneh’s buzuk strums and swarms, often through electronic processing, with tempestuous mourning about unfolding tragedies. 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Eighteen raw transmissions: unreleased beats, remixes, loops \u0026amp; smoky spacecraft meditations arranged in true mixtape spirit exactly as RAS envisioned them. This isn’t a vault dump, it's RAS_G in full form - unfiltered, joyful, psychedelic \u0026amp; rooted in the low end theory.\u003cbr\u003e\"BLUNTS ROLLED\" continues the ASP mission: connecting hood to heaven, ancient to future, earthly to astral. These sounds crackle with cosmic dust \u0026amp; Cali sunshine - grounded in LA soil, projected into Saturn’s rings. Featuring transmissions from ASP family Kahil Sadiq, The Koreatown Oddity, Zeroh, and even G himself... voices and energies orbiting each other in intimate, galaxy-folding, head-nodding, fronto-scented universes.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Blunts Rolled By (ft. Ras_G)\u003cbr\u003e2. Toast Up The Broccoli (ft. Kahil Sadiq)\u003cbr\u003e3. 2High (ft. Koreatown Oddity)\u003cbr\u003e4. Sourdiesel (Interlude)\u003cbr\u003e5. Edeus OG (Spacebase Hybrid)\u003cbr\u003e6. Haze\u003cbr\u003e7. Ate2ManyEdibles\u003cbr\u003e8. Smoking? (ft. Zeroh)\u003cbr\u003e9. NickelSackkah (ft. Kahil Sadiq)\u003cbr\u003e10. Kush OG\u003cbr\u003e11. Blunt2ThaFace\u003cbr\u003e12. GrabbaSkills\u003cbr\u003e13. LordSunLib OG (Spacebase Hybrid)\u003cbr\u003e14. 47 + 2\u003cbr\u003e15. Last Nugg\u003cbr\u003e16. 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She Past Away maintains its signature atmospheric melancholic post-punk sound driven by a nimble bass motor. The somber music and wistful Turkish lyrics on Mizantrop bring forth the human condition’s darker corners. The contemplative opening track İçimdeki Düşman and the vigorous title track set the mood of introversion and reflection. Later titles Sessiz Orman, Kaygan Kayalıklar and Kuyu Mezar translate to “Silent Forest”, “Slippery Cliffs”, and “Rock Tomb”, all places evocative of isolation and loneliness, places one might visit for withdrawal and seclusion. İnziva is the self determined retreat. Like the previous She Past Away albums Belirdi Gece (2012) and Narin Yalnızlı (2015) Mizantrop closes with an instrumental İçe Kapanış III, the most hopeful closure in the series.\u003cbr\u003eMizantrop will be available through Fabrika Records on 31 of March\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. İçimdeki Düşman\u003cbr\u003eA2. Mizantrop\u003cbr\u003eA3. 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SSD is a kind of Japanoise supergroup, formed in 2003, with guitar and voice from Maso Yamazaki (Masonna), synth and voice from Hiroshi Hasegawa (Astro, C.C.C.C., YBO2) and drums from Nobuko Emi (Tsurubami). An extreme psychedelic noise trip over 4 lengthy tracks.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Captain Beefstake Plant (6:08)\u003cbr\u003e2. Decadence Cultivation (20:37)\u003cbr\u003e3. Banishment Snake (15:12)\u003cbr\u003e4. 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The band celebrate space, prog, new music, and other genres, and have included input from family members of Blue Öyster Cult, Clearlight, Gong, Hawkwind, Van Der Graaf Generator, and many other groups, as well as Porcupine Tree’s Steven Wilson and British science fiction and fantasy writer Michael Moorcock.\u003cbr\u003eSpirits Burning have released 20 albums, featuring almost 300 musicians. Don Falcone is a producer and multi-instrumentalist, and the guiding light behind the Spirits Burning space-rock collective. Falcone was a member of Thessalonians and the original Melting Euphoria, and had a solo project called Spaceship Eyes. In 2025, Don Falcone’s first book, One Of The Spirits Burning, A Musical Memoir, was published by Stairway Press. Bridget Wishart is an English vocalist, musician and performance artist. She was a member of English rock band Hawkwind from 1989 to 1991. 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A dark and menacing soundscape of funereal ambience and soaring, burning feedback.\u003cbr\u003e“My Horns Are A Flame To Draw Down The Truth” sees five new compositions from black ambient \/ doom overlord Christopher Walton, taken from the same sessions that gave forth “The Sacred Truth”. “My Horns Are A Flame To Draw Down The Truth” consists of three remixes \/ expansions \/ contractions of pieces from the debut album “The Sacred Truth” and two totally new compositions in a similar style to this dark masterpiece. Walton has stripped the songs to their bare bones and allowed them space to breathe again. This album is all-new but continues the atmosphere of the debut and can be considered a companion piece. Presented in a matt-laminate, spot-varnished digipak.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Ruins Son (12:52)\u003cbr\u003e2. Black Walls Rising \/ Black Stars Falling (8:16)\u003cbr\u003e3. My Horns Are A Flame To Draw Down The Truth (8:49)\u003cbr\u003e4. 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Emerging unexpectedly from the epicenter of trap music, the Atlanta emcee quickly distinguished himself with sharp wordplay and atmospheric production that couldn't be further from the monotonous sounds echoing Around Him. With Just A Few Projects To His Name, Tha God Fahim Was Still A Hungry Young Talent On The Rise when he unleashed Tha Dark Shogunn Saga in late 2016. Among his most memorable early releases, the album kicked off an unprecedented creative explosion, as Fahim cemented his status with more than 50 projects released over the next two years. Followed by an equally compelling sequel released just a few\u003cbr\u003emonths later, the overall saga became an important moment in Tha God Fahim's rise, evoking shadowy street corners and smoke-filled hallways. Nearly a decade later, Fahim is expanding this series into a full trilogy with Tha Dark Shogunn Saga, Vol. 3. Reviving the unmistakable vibe of the original projects, the new collection finds our hero back in warrior mode, sharpening his lyrical blade over rich production from Cookin Soul, Nicholas Craven, Fortes, and Fahim himself.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Pain And Punishment\u003cbr\u003e2. Protect Ya Well Bein\u003cbr\u003e3. Antennas\u003cbr\u003e4. Bowel Movement\u003cbr\u003e5. Fictitious Bravado\u003cbr\u003e6. Fire Off\u003cbr\u003e7. Grindin Axe\u003cbr\u003e8. Shogunn’s Warsong\u003cbr\u003e9. Tha Source Wall\u003cbr\u003e10. Buss Em Up\u003cbr\u003e11. 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Long established as one of the most distinctive voices in British underground rock, Saloman continues to refine the band’s signature blend of melodic psychedelia, wiry guitar epics and sharp, emotionally attuned songwriting. Horrorful Heights offers one of the most approachable entry points to the band’s world in years: a record that gathers their core strengths into a cohesive, vivid set.\u003cbr\u003eRecorded with long-time drummer Dave Pearce and guitarist Paul Simmons, alongside new bassist Louis Wiggett, the album moves fluidly between jangling psych-pop, heavy-lit guitar workouts and pastoral comedown reveries. Wiggett also brings a surprising new colour to the Frond palette, contributing pedal steel to “Best Laid Plans” and “Momma Bear,” recalling early-70s country-tinged British rock from Bronco or Cochise.\u003cbr\u003eThe album’s range is wide but sharply defined. “Draining The Bad Blood” channels the classic Bevis Frond mode of melodic guitar pop—cut from the same cloth as longtime fan favourites later covered by Teenage Fanclub and The Lemonheads. “Space Age Eyes,” a concise nine-minute odyssey, nods toward the transcendental explorations of ’70s electric Miles Davis, complete with a blistering solo from Simmons and rhythmic elasticity from Pearce.\u003cbr\u003eThe sitar-laden title track, written off-the-cuff while Saloman half-watched a football match, drifts through incense-hazed psychedelia with layered vocals and tumbling tablas—an affectionate echo of the head-shop mysticism he has toyed with throughout the band’s history. Elsewhere, “Mossback’s Dream” splices lysergic leads with the propulsive energy of ’80s American hardcore, forging a hybrid that feels both timeless and entirely its own.\u003cbr\u003eAdditional highlights include the Byrds-tinged “Buffaloed,” the swirling narrative freeze-frame of “Silver Insects,” and “That’s Your Lot,” a rapid-moving burst of melancholic euphoria and one of the record’s most immediate songs.\u003cbr\u003eThough unmistakably eclectic, Horrorful Heights presents a focused portrait of The Bevis Frond in 2025 - vital, tuneful and unburdened by nostalgia. Saloman describes the collection simply: the best songs he’d written in recent years, arriving unforced and instinctive. 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[Blue Vinyl]","description":"\u003cp\u003eFormat: LP, Blue Vinyl\u003cbr\u003eCatalogue No.: NA5062CLP\u003cbr\u003eBarcode: 0659457506254\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eThe stories of great high school funk bands are, thanks to an abundance of reissues, commonplace. The tales of great high school soul-bands are still rare. A ballad or two on therandom Douglass High School Stage Band album or Timeless Legend’s mesmerizing entry on Columbus’s 1972 1st Annual Inner City Talent Expo not withstanding, high school bands rarely struck into the realm of “grown folks” music. Enter The Equatics and their brooding masterpiece Doin’ It!!!! If this is categorized as a “funk,” it holds its own. But it was as a soul band, one as inspired by the melancholic musings of Bill Withers as the psychedelic-pop of the self-proclaimed “Black Moses,” Issac Hayes – that the Equatics shone. These young souls offered world-weary, beat-heavy ballads that stand on par with any of the great independent organizations of the early 1970s. That a group of teenagers could offer such an angst-ridden plea as that of Leo Davis’s “Merry Go Round” not only transcends the limitations that came from the band’s average age (seventeen, at the time of the album’s recording), but also the barriers the stood in front of this group of small-city hopefuls This official reissue was licensed by the Equatics’ bandleader, bass player Benjamin Crawford.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. What They Doin?\u003cbr\u003eA2. Walk On By\u003cbr\u003eA3. Merry Go Round\u003cbr\u003eA4. Santana Pt. I\u003cbr\u003eA5. The Touch Of You\u003cbr\u003eB1. Santana Pt. II\u003cbr\u003eB2. Ain’t No Sunshine\u003cbr\u003eB3. Cisco Fare\u003cbr\u003eB4. Where Is Love?\u003c\/p\u003e","brand":"NOW-AGAIN RECORDS","offers":[{"title":"Default Title","offer_id":46424685904028,"sku":"NA5062CLP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EQUATICSDoinIt_LP.jpg?v=1772047253"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/cargo-wk-09-2026.oembed?page=4","provider":"Horizons Music","version":"1.0","type":"link"}