{"title":"Cargo WK 08 2026","description":"","products":[{"product_id":"father-john-misty-pure-comedy-blue-white-corona-2lp","title":"Father John Misty - Pure Comedy [Blue \u0026 White Corona 2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: SP1200\u003cbr\u003eBarcode: 0098787120059\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eORIGINALLY RELEASED IN 2016 NOW AVAILABLE FOR THE FIRST TIME VIA SUB POP!\u003c\/p\u003e\n\u003cp\u003ePure Comedy, Father John Misty’s third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. While we could say a lot about Pure Comedy – including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen – we think it’s best to let its creator describe it himself. Take it away, Mr. Tillman: Pure Comedy is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence.Something like that. Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty’s longtime sound-person Trevor Spencer and orchestral arrangements by renowned composer\/double-bassist Gavin Bryars (known for extensive solo work, and work with Brian Eno, Tom Waits, Derek Bailey).\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1.Pure Comedy\u003cbr\u003e2.Total Entertainment Forever\u003cbr\u003e3.Things It Would Have Been Helpful to Know Before the Revolution\u003cbr\u003e4.Ballad of the Dying Man\u003cbr\u003e5.Birdie\u003cbr\u003e6.Leaving LA\u003cbr\u003e7.A Bigger Paper Bag\u003cbr\u003e8.When the God of Love Returns There'll Be Hell to Pay\u003cbr\u003e9.Smoochie\u003cbr\u003e10.Two Wildly Different Perspectives\u003cbr\u003e11.The Memo\u003cbr\u003e12.So I'm Growing Old on Magic Mountain\u003cbr\u003e13.In Twenty Years or So\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":46016662798492,"sku":"SP1200","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/fatherjohnmisty_purecomedymockup.jpg?v=1769453428"},{"product_id":"father-john-misty-pure-comedy-cd","title":"Father John Misty - Pure Comedy [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SPCD1200\u003cbr\u003eBarcode: 0098787120028\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eORIGINALLY RELEASED IN 2016 NOW AVAILABLE FOR THE FIRST TIME VIA SUB POP!\u003c\/p\u003e\n\u003cp\u003ePure Comedy, Father John Misty’s third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. While we could say a lot about Pure Comedy – including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen – we think it’s best to let its creator describe it himself. Take it away, Mr. Tillman: Pure Comedy is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence.Something like that. Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty’s longtime sound-person Trevor Spencer and orchestral arrangements by renowned composer\/double-bassist Gavin Bryars (known for extensive solo work, and work with Brian Eno, Tom Waits, Derek Bailey).\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1.Pure Comedy\u003cbr\u003e2.Total Entertainment Forever\u003cbr\u003e3.Things It Would Have Been Helpful to Know Before the Revolution\u003cbr\u003e4.Ballad of the Dying Man\u003cbr\u003e5.Birdie\u003cbr\u003e6.Leaving LA\u003cbr\u003e7.A Bigger Paper Bag\u003cbr\u003e8.When the God of Love Returns There'll Be Hell to Pay\u003cbr\u003e9.Smoochie\u003cbr\u003e10.Two Wildly Different Perspectives\u003cbr\u003e11.The Memo\u003cbr\u003e12.So I'm Growing Old on Magic Mountain\u003cbr\u003e13.In Twenty Years or So\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":46016662831260,"sku":"SPCD1200","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FatherJohnMistypurecomedyCDmock.jpg?v=1769453425"},{"product_id":"connie-converse-how-sad-how-lovely-cd","title":"Connie Converse - How Sad, How Lovely [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: TMR1079CD\u003cbr\u003eBarcode: 0810074425513\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Folk\u003c\/p\u003e\n\u003cp\u003eThird Man Records is proud to announce the reissue of Connie Converse’ How Sad, How Lovely, out March 27th 2026. Nearly 51 years after the singer- songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7\" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time.\u003cbr\u003eAvailable on vinyl, CD, and for the first time cassette.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e \u003cbr\u003eSide A\u003cbr\u003e1. Talkin' Like You (Two Tall Mountains)\u003cbr\u003e2. Johnny's Brother\u003cbr\u003e3. Roving Woman\u003cbr\u003e4. Down This Road\u003cbr\u003e5. The Clover Saloon\u003cbr\u003e6. John Brady\u003cbr\u003e7. We Lived Alone\u003cbr\u003e8. Playboy of the Western World\u003cbr\u003e9. Unknown (A Little Louder, Love)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. One by One\u003cbr\u003e2. Father Neptune\u003cbr\u003e3. Man in the Sky\u003cbr\u003e4. Empty Pocket Waltz Honeybee\u003cbr\u003e5. There Is a Vine\u003cbr\u003e6. How Sad, How Lovely Trouble\u003cbr\u003e7. 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Nearly 51 years after the singer- songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7\" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time.\u003cbr\u003eAvailable on vinyl, CD, and for the first time cassette.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e \u003cbr\u003eSide A\u003cbr\u003e1. Talkin' Like You (Two Tall Mountains)\u003cbr\u003e2. Johnny's Brother\u003cbr\u003e3. Roving Woman\u003cbr\u003e4. Down This Road\u003cbr\u003e5. The Clover Saloon\u003cbr\u003e6. John Brady\u003cbr\u003e7. We Lived Alone\u003cbr\u003e8. Playboy of the Western World\u003cbr\u003e9. Unknown (A Little Louder, Love)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. One by One\u003cbr\u003e2. Father Neptune\u003cbr\u003e3. Man in the Sky\u003cbr\u003e4. Empty Pocket Waltz Honeybee\u003cbr\u003e5. There Is a Vine\u003cbr\u003e6. How Sad, How Lovely Trouble\u003cbr\u003e7. 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Nearly 51 years after the singer- songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7\" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time.\u003cbr\u003eAvailable on vinyl, CD, and for the first time cassette.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e \u003cbr\u003eSide A\u003cbr\u003e1. Talkin' Like You (Two Tall Mountains)\u003cbr\u003e2. Johnny's Brother\u003cbr\u003e3. Roving Woman\u003cbr\u003e4. Down This Road\u003cbr\u003e5. The Clover Saloon\u003cbr\u003e6. John Brady\u003cbr\u003e7. We Lived Alone\u003cbr\u003e8. Playboy of the Western World\u003cbr\u003e9. Unknown (A Little Louder, Love)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. One by One\u003cbr\u003e2. Father Neptune\u003cbr\u003e3. Man in the Sky\u003cbr\u003e4. Empty Pocket Waltz Honeybee\u003cbr\u003e5. There Is a Vine\u003cbr\u003e6. How Sad, How Lovely Trouble\u003cbr\u003e7. I Have Considered the Lillies\u003cbr\u003eBONUS 7\"\u003cbr\u003eSide A\u003cbr\u003eHouse\u003cbr\u003eSide B\u003cbr\u003ePlayboy of the Western World (The Online Parades Mix)\u003c\/p\u003e","brand":"THIRD MAN RECORDS","offers":[{"title":"Default Title","offer_id":46431425953948,"sku":"TMR1079LP-C1","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ConnieConverse-HowSadHowLonely.jpg?v=1772131396"},{"product_id":"charlotte-cornfield-hurts-like-hell-cd","title":"Charlotte Cornfield - Hurts Like Hell [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MRG881CD\u003cbr\u003eBarcode: 0673855088129\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eHurts Like Hell is Charlotte Cornfield’s sixth album, the first she’s recorded since the birth of her daughter, an inflection point for her as a person and an artist. The album’s recurrent themes of personal growth and renewal, of love’s perseverance through difficulty and shame and awkwardness, are rooted there. “That experience has pulled me out of myself and given me a different outlook on things,” she says. “The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out.”\u003cbr\u003eHurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe’s Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound’s El Kempner, Lake Street Dive’s Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album.\u003cbr\u003eThe fruits of this process are immediately apparent on lead single “Hurts Like Hell,” a country-saturated yearner Cornfield calls “a shy people love story,” the band swelling to embrace Cornfield’s idiosyncratic flow as if to cradle her protagonist’s heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call.\u003cbr\u003eMuch of Hurts Like Hell’s magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it’s a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On “Kitchen,” Friedman mirrors Cornfield’s sense of astonishment at finding herself in love, rendering the emotion at its ethereal peak. On “Living With It,” she’s joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians.\u003cbr\u003eCornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected — a group chat, songwriters she was fans of but wasn’t acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every “yes,” every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield’s career. Call that moment what you will — an expansion, a rebirth, a breakthrough — Hurts Like Hell is big enough to meet it and has lost none of Cornfield’s charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Before\u003cbr\u003e2. Hurts Like Hell\u003cbr\u003e3. Lost Leader\u003cbr\u003e4. Lucky\u003cbr\u003e5. Living With It\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6. Number\u003cbr\u003e7. Squiddd\u003cbr\u003e8. Kitchen\u003cbr\u003e9. Long Game\u003cbr\u003e10. Bloody and Alive\u003c\/p\u003e","brand":"MERGE RECORDS","offers":[{"title":"Default Title","offer_id":46431441354908,"sku":"MRG881CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CharlotteCornfield-HurtsLikeHell_8bb433c3-b0f1-4a36-b9dd-3eb5214f2b9c.jpg?v=1772131390"},{"product_id":"charlotte-cornfield-hurts-like-hell-clear-and-yellow-swirl-lp","title":"Charlotte Cornfield - Hurts Like Hell [Clear and Yellow Swirl LP]","description":"\u003cp\u003eFormat: LP, Clear and Yellow Swirl\u003cbr\u003eCatalogue No.: MRG881LP-C1\u003cbr\u003eBarcode: 0673855088105\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eHurts Like Hell is Charlotte Cornfield’s sixth album, the first she’s recorded since the birth of her daughter, an inflection point for her as a person and an artist. The album’s recurrent themes of personal growth and renewal, of love’s perseverance through difficulty and shame and awkwardness, are rooted there. “That experience has pulled me out of myself and given me a different outlook on things,” she says. “The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out.”\u003cbr\u003eHurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe’s Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound’s El Kempner, Lake Street Dive’s Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album.\u003cbr\u003eThe fruits of this process are immediately apparent on lead single “Hurts Like Hell,” a country-saturated yearner Cornfield calls “a shy people love story,” the band swelling to embrace Cornfield’s idiosyncratic flow as if to cradle her protagonist’s heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call.\u003cbr\u003eMuch of Hurts Like Hell’s magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it’s a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On “Kitchen,” Friedman mirrors Cornfield’s sense of astonishment at finding herself in love, rendering the emotion at its ethereal peak. On “Living With It,” she’s joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians.\u003cbr\u003eCornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected — a group chat, songwriters she was fans of but wasn’t acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every “yes,” every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield’s career. Call that moment what you will — an expansion, a rebirth, a breakthrough — Hurts Like Hell is big enough to meet it and has lost none of Cornfield’s charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Before\u003cbr\u003e2. Hurts Like Hell\u003cbr\u003e3. Lost Leader\u003cbr\u003e4. Lucky\u003cbr\u003e5. Living With It\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6. Number\u003cbr\u003e7. Squiddd\u003cbr\u003e8. Kitchen\u003cbr\u003e9. Long Game\u003cbr\u003e10. Bloody and Alive\u003c\/p\u003e","brand":"MERGE RECORDS","offers":[{"title":"Default Title","offer_id":46431459967132,"sku":"MRG881LP-C1","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CharlotteCornfield-HurtsLikeHell.jpg?v=1772131375"},{"product_id":"charlotte-cornfield-hurts-like-hell","title":"Charlotte Cornfield - Hurts Like Hell","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG881LP\u003cbr\u003eBarcode: 0673855088112\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eHurts Like Hell is Charlotte Cornfield’s sixth album, the first she’s recorded since the birth of her daughter, an inflection point for her as a person and an artist. The album’s recurrent themes of personal growth and renewal, of love’s perseverance through difficulty and shame and awkwardness, are rooted there. “That experience has pulled me out of myself and given me a different outlook on things,” she says. “The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out.”\u003cbr\u003eHurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe’s Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound’s El Kempner, Lake Street Dive’s Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album.\u003cbr\u003eThe fruits of this process are immediately apparent on lead single “Hurts Like Hell,” a country-saturated yearner Cornfield calls “a shy people love story,” the band swelling to embrace Cornfield’s idiosyncratic flow as if to cradle her protagonist’s heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call.\u003cbr\u003eMuch of Hurts Like Hell’s magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it’s a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On “Kitchen,” Friedman mirrors Cornfield’s sense of astonishment at finding herself in love, rendering the emotion at its ethereal peak. On “Living With It,” she’s joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians.\u003cbr\u003eCornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected — a group chat, songwriters she was fans of but wasn’t acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every “yes,” every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield’s career. Call that moment what you will — an expansion, a rebirth, a breakthrough — Hurts Like Hell is big enough to meet it and has lost none of Cornfield’s charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Before\u003cbr\u003e2. Hurts Like Hell\u003cbr\u003e3. Lost Leader\u003cbr\u003e4. Lucky\u003cbr\u003e5. Living With It\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6. Number\u003cbr\u003e7. Squiddd\u003cbr\u003e8. Kitchen\u003cbr\u003e9. Long Game\u003cbr\u003e10. Bloody and Alive\u003c\/p\u003e","brand":"MERGE RECORDS","offers":[{"title":"Default Title","offer_id":46431460425884,"sku":"MRG881LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CharlotteCornfield-HurtsLikeHell_08a643c0-e22f-4d33-9b28-f27cc9d08b13.jpg?v=1772131386"},{"product_id":"33-tripolar","title":"33 - Tripolar","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SPCTR022\u003cbr\u003eBarcode: 5056321698872\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eAs collaborative projects often do, 33 has in time found a more fixed form, a kind of structure that turned it from a loose collection of collaborators gravitating around founders Bill John Bultheel and Alexander Iezzi into something resembling more of a traditional band. Not that there is anything conventional in their creative process tho, nor in the music itself… Nontheless Tripolar - their second album and first for Haunter - seems to take them closer to song territory than ever before.\u003cbr\u003eThe (progressive) graduation of multi-instrumentalist Cem Dukkha and vocalist\/clarinet player Ivan Cheng from collaborators to full-time members has brought 33 to a more refined awareness of their possibilities as a creative unit, although their compositional process has retained a high level of spontaneity and musical madness. Tripolar was in fact assembled by editing hours of improvisation that Bultheel, Iezzi and Dukkah recorded with no specific endgame in mind. The sessions saw them exchange a variety of acoustic, electronic and electric musical instruments: percussions, guitars, strings, piano, hurdy gurdy, synthesizers and even CDJs as a tool of live sampling manipulation.\u003cbr\u003eBy molding the pieces into what they are now, the band managed to concoct some beautiful vignettes of contradictory mental and emotional states, as sonically playful as a renaissance fair happening within a broken timestream. Cheng’s lyrical and vocal contributions helped them coalesce even further into proper songs, adding a melodic presence that’s at once seductive and uncanny. But vocal duties are often ceded to guests, namely Danish pop-neoclassicist Astrid Sonne, Kenyan metal guru Lord Spikeheart, Irish goth raconteur Olan Monk and Japanese body-poet Golin.The amount of different sounds arranged into each of the tracks produces a unique sense of awe and bewilderment, a testament to the incredible talent and craft the musicians have employed into putting together such a broad range of influences and approaches into a coherent and extremely effective musical journey.\u003cbr\u003eAn equally erratic thematic thread seems to run through all the tracks, one ultimately preoccupied with mental health and its ramifications. Without turning the project into a concept album, 33 and their collaborators have sprinkled it with references to personality disorders and mental conditions that are all too relevant to the contemporary age, reflecting on the lineage of human inner life. A wide display of lyrical and musical tools is employed to explore these themes, ranging from Sonne’s expressionist depiction of ADHD in the opener, to Cheng’s queer-themed reinvention of an Irish murder ballad in closing track ‘Babymusicc’. Tracing lateral trajectories for introspection, Tripolar is not only highly captivating, but it ultimately sounds esoteric in the best possible way: progressively revealing layer after layer of incredible aural magic, its true meaning living in the form and in its manic scope of energies.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. ADHD\u003cbr\u003e2. Worry Days\u003cbr\u003e3. Crying Song\u003cbr\u003e4. Fuck U\u003cbr\u003e5. Bastard State\u003cbr\u003e6. Mania\u003cbr\u003e7. 3sides Touching\u003cbr\u003e8. Canned Coffee\u003cbr\u003e9. Babymusicc\u003c\/p\u003e","brand":"HAUNTER RECORDS","offers":[{"title":"Default Title","offer_id":46436946575516,"sku":"SPCTR022","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/33_tripolar.jpg?v=1772131322"},{"product_id":"annahstasia-live-at-glasshaus-2lp","title":"Annahstasia - Live at Glasshaus [2LP]","description":"\u003cp\u003eFormat: 2 x LP, 140g black vinyl\u003cbr\u003eCatalogue No.: GHP0003\u003cbr\u003eBarcode: 0199874359588\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eA spellbinding and transportive reimagining of works from across Annahstasia's three releases to date: Tether, Surface Tension, and Revival. Her ensemble summoned orchestral grandeur from impressionistic arrangements, conducted by her exquisite voice, one of the most soulful and expressive of our generation. The body of music feels at once from another time and timeless. Her expansive vocal spans breathy whisper to heartbreaking wail, confronting the audience with a waterfall of emotions...mournful, yearning, considerate, scornful, demanding, empathic, full of love.\u003cbr\u003eAt times we are witness to a channel, at others led into her world, as through two goosebump-inducing chants. On Believer we repeated her refrain, ‘cause I get lonely, you get lonely too, ‘cause I get lonely, can I be lonely here with you?’, until it was impossible to feel alone. The concert was recorded at Glasshaus in Brooklyn, New York on September 20, 2025 for a studio audience of 100 guests.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Satisfy Me\u003cbr\u003e2. Take Care of Me\u003cbr\u003e3. Power\u003cbr\u003e4. Slow\u003cbr\u003e5. Garden\u003cbr\u003e6. Villain\u003cbr\u003e7. Unrest\u003cbr\u003e8. Evergreen\u003cbr\u003e9. Stress Test\u003cbr\u003e10. Sunday\u003cbr\u003e11. Untamed\u003cbr\u003e12. Be Kind\u003cbr\u003e13. Saturday\u003cbr\u003e14. Believer\u003c\/p\u003e","brand":"GLASSHAUS PRESENTS","offers":[{"title":"Default Title","offer_id":46436946706588,"sku":"GHP0003","price":59.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Annahstasia-LiveatGlasshausGHP0003_MOCKUP.jpg?v=1772195237"},{"product_id":"bleeding-heart-narrative-all-that-was-missing-we-never-had-in-the-world-cd","title":"Bleeding Heart Narrative - All That Was Missing We Never Had In The World [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CSR109CD\u003cbr\u003eBarcode: 0823566471325\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eReissue of the stunning debut Bleeding Heart Narrative album from spring 2008 (Ltd x 200, Tartaruga). Forming a melancholic landscape, BHN work with an evolving autumnal orchestra of layered cellos, ethereal piano melodies, hushed vocals, folk instrumentation and soaring textures of drones and noise. They have constructed an immersive, haunting and compelling album, creating a connection between the intangible, something beautifully everyday and the achingly fundamental. Bleeding Heart Narrative was the work of composer, artist and producer Oliver Barrett. After just a handful of monumentally brilliant albums, he went on to found his current act PETRELS (Denovali). Presented in a digipak with the new and exclusive bonus track ‘Blueskywards’.\u003cbr\u003eFile next to Petrels, Stars Of The Lid, Richard Skelton (A Broken Consort, Clouwbeck), Talvihorros.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. BHN\u003cbr\u003e2. As If Yearning Was All And More Than Enough\u003cbr\u003e3. Black Glass\u003cbr\u003e4. Braids And A Necklace\u003cbr\u003e5. Blueskywards\u003cbr\u003e6. A Nest\u003cbr\u003e7. This Is The World Before This Is\u003cbr\u003e8. Discovering Abandoned Houses\u003cbr\u003e9. Nothing Is Out In The Yard\u003cbr\u003e10. Though Your Feet Have Left Footprints\u003cbr\u003e11. Finding The Door\u003cbr\u003e12. Lillian Gish\u003c\/p\u003e","brand":"COLD SPRING","offers":[{"title":"Default Title","offer_id":46436950343836,"sku":"CSR109CD","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/bleedingheartnarrativecsr109cd.jpg?v=1772131335"},{"product_id":"bosse-de-nage-hidden-fires-burn-hottest-mc","title":"Bosse-De-Nage - Hidden Fires Burn Hottest [MC]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: FR178MC\u003cbr\u003eBarcode: 0657628453246\u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThere's a tendency in metal to mistake aggression for honesty, volume for depth. To confuse the performance of darkness with its actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It’s the group’s most fully realized work yet, precisely because it refuses to be pinned down.\u003cbr\u003eBosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build momentum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. The aggression is still there, but it's no longer the point. Hidden Fires Burn Hottest finds the band treating emotions like physical objects, feelings with spatial properties. “No Such Place\"\" describes a space that can't exist but does anyway, somewhere between thought and location. \"\"Immortality Project\"\" examines infinite possibility not as promise but as problem, endless options collapsing under their own weight. These songs don't use metaphor to describe emotion. They make emotion into something you could theoretically touch.\u003cbr\u003eTracked by Jack Shirley (Deafheaven, Oathbreaker) at Atomic Garden East and mixed and mastered by Richard Chowenhill of Agriculture, Hidden Fires Burn Hottest was years in development, with some tracks beginning in 2018. The long writing process offered time that most records don't get. Time to live with ideas, revise endlessly, to let structures settle. For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.\u003cbr\u003eComing off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes \"\"Mementos,\"\" which might be considered the first love song the band has ever written.\u003cbr\u003eNothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.\u003cbr\u003eHidden Fires Burn Hottest doesn't explain itself. It just insists: what you feel is as real as what you can see.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Where to Now?\u003cbr\u003e2 Mementos\u003cbr\u003e3 In the Name of the Moth\u003cbr\u003e4 With a Shrug\u003cbr\u003e5 No Such Place\u003cbr\u003e6 Triangular Dream\u003cbr\u003e7 Underwater\u003cbr\u003e8 Frenzy\u003cbr\u003e9 Immortality Project\u003cbr\u003e10 Leviathan\u003cbr\u003e\u003c\/p\u003e","brand":"FLENSER","offers":[{"title":"Default Title","offer_id":46437135024284,"sku":"FR178MC","price":18.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Bosse-De-Nage-HiddenFiresBurnHottest_8fc1f7b7-0b06-4b19-aadf-ee740a421906.jpg?v=1772131351"},{"product_id":"bosse-de-nage-hidden-fires-burn-hottest-neon-green-2lp","title":"Bosse-De-Nage - Hidden Fires Burn Hottest [Neon Green 2LP]","description":"\u003cp\u003eFormat: 2 x LP, Neon Green Vinyl\u003cbr\u003eCatalogue No.: FR178LPX\u003cbr\u003eBarcode: 0657628453239\u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThere's a tendency in metal to mistake aggression for honesty, volume for depth. To confuse the performance of darkness with its actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It’s the group’s most fully realized work yet, precisely because it refuses to be pinned down.\u003cbr\u003eBosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build moment\u003cimg\u003eum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. The aggression is still there, but it's no longer the point. Hidden Fires Burn Hottest finds the band treating emotions like physical objects, feelings with spatial properties. “No Such Place\"\" describes a space that can't exist but does anyway, somewhere between thought and location. \"\"Immortality Project\"\" examines infinite possibility not as promise but as problem, endless options collapsing under their own weight. These songs don't use metaphor to describe emotion. They make emotion into something you could theoretically touch.\u003cbr\u003eTracked by Jack Shirley (Deafheaven, Oathbreaker) at Atomic Garden East and mixed and mastered by Richard Chowenhill of Agriculture, Hidden Fires Burn Hottest was years in development, with some tracks beginning in 2018. The long writing process offered time that most records don't get. Time to live with ideas, revise endlessly, to let structures settle. For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.\u003cbr\u003eComing off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes \"\"Mementos,\"\" which might be considered the first love song the band has ever written.\u003cbr\u003eNothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.\u003cbr\u003eHidden Fires Burn Hottest doesn't explain itself. It just insists: what you feel is as real as what you can see.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Where to Now?\u003cbr\u003e2 Mementos\u003cbr\u003e3 In the Name of the Moth\u003cbr\u003e4 With a Shrug\u003cbr\u003e5 No Such Place\u003cbr\u003e6 Triangular Dream\u003cbr\u003e7 Underwater\u003cbr\u003e8 Frenzy\u003cbr\u003e9 Immortality Project\u003cbr\u003e10 Leviathan\u003c\/p\u003e","brand":"FLENSER","offers":[{"title":"Default Title","offer_id":46437135286428,"sku":"FR178LPX","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_fe0e74aa-0643-4f8b-a476-f34b2e1f2871.png?v=1772196828"},{"product_id":"bosse-de-nage-hidden-fires-burn-hottest-2lp","title":"Bosse-De-Nage - Hidden Fires Burn Hottest [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: FR178LP\u003cbr\u003eBarcode: 0657628453215\u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThere's a tendency in metal to mistake aggression for honesty, volume for depth. To confuse the performance of darkness with its actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It’s the group’s most fully realized work yet, precisely because it refuses to be pinned down.\u003cbr\u003eBosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build momentum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. The aggression is still there, but it's no longer the point. Hidden Fires Burn Hottest finds the band treating emotions like physical objects, feelings with spatial properties. “No Such Place\"\" describes a space that can't exist but does anyway, somewhere between thought and location. \"\"Immortality Project\"\" examines infinite possibility not as promise but as problem, endless options collapsing under their own weight. These songs don't use metaphor to describe emotion. They make emotion into something you could theoretically touch.\u003cbr\u003eTracked by Jack Shirley (Deafheaven, Oathbreaker) at Atomic Garden East and mixed and mastered by Richard Chowenhill of Agriculture, Hidden Fires Burn Hottest was years in development, with some tracks beginning in 2018. The long writing process offered time that most records don't get. Time to live with ideas, revise endlessly, to let structures settle. For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.\u003cbr\u003eComing off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes \"\"Mementos,\"\" which might be considered the first love song the band has ever written.\u003cbr\u003eNothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.\u003cbr\u003eHidden Fires Burn Hottest doesn't explain itself. It just insists: what you feel is as real as what you can see.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Where to Now?\u003cbr\u003e2 Mementos\u003cbr\u003e3 In the Name of the Moth\u003cbr\u003e4 With a Shrug\u003cbr\u003e5 No Such Place\u003cbr\u003e6 Triangular Dream\u003cbr\u003e7 Underwater\u003cbr\u003e8 Frenzy\u003cbr\u003e9 Immortality Project\u003cbr\u003e10 Leviathan\u003c\/p\u003e","brand":"FLENSER","offers":[{"title":"Default Title","offer_id":46437135351964,"sku":"FR178LP","price":39.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Bosse-De-Nage-HiddenFiresBurnHottest_d62c8ced-2842-4e5e-a05a-1973e8eb17cf.jpg?v=1772131344"},{"product_id":"bosse-de-nage-hidden-fires-burn-hottest-cd","title":"Bosse-De-Nage - Hidden Fires Burn Hottest [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FR178CD\u003cbr\u003eBarcode: 0657628453222\u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThere's a tendency in metal to mistake aggression for honesty, volume for depth. To confuse the performance of darkness with its actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It’s the group’s most fully realized work yet, precisely because it refuses to be pinned down.\u003cbr\u003eBosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build momentum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. The aggression is still there, but it's no longer the point. Hidden Fires Burn Hottest finds the band treating emotions like physical objects, feelings with spatial properties. “No Such Place\"\" describes a space that can't exist but does anyway, somewhere between thought and location. \"\"Immortality Project\"\" examines infinite possibility not as promise but as problem, endless options collapsing under their own weight. These songs don't use metaphor to describe emotion. They make emotion into something you could theoretically touch.\u003cbr\u003eTracked by Jack Shirley (Deafheaven, Oathbreaker) at Atomic Garden East and mixed and mastered by Richard Chowenhill of Agriculture, Hidden Fires Burn Hottest was years in development, with some tracks beginning in 2018. The long writing process offered time that most records don't get. Time to live with ideas, revise endlessly, to let structures settle. For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.\u003cbr\u003eComing off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes \"\"Mementos,\"\" which might be considered the first love song the band has ever written.\u003cbr\u003eNothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.\u003cbr\u003eHidden Fires Burn Hottest doesn't explain itself. It just insists: what you feel is as real as what you can see.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Where to Now?\u003cbr\u003e2 Mementos\u003cbr\u003e3 In the Name of the Moth\u003cbr\u003e4 With a Shrug\u003cbr\u003e5 No Such Place\u003cbr\u003e6 Triangular Dream\u003cbr\u003e7 Underwater\u003cbr\u003e8 Frenzy\u003cbr\u003e9 Immortality Project\u003cbr\u003e10 Leviathan\u003c\/p\u003e","brand":"FLENSER","offers":[{"title":"Default Title","offer_id":46437135417500,"sku":"FR178CD","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Bosse-De-Nage-HiddenFiresBurnHottest_cb14b2fe-998f-4661-99f4-fa79ed81582d.jpg?v=1772131347"},{"product_id":"bratakus-hagridden-ecomix-vinyl","title":"Bratakus - Hagridden [Ecomix Vinyl]","description":"\u003cp\u003eFormat: LP, Ecomix Vinyl\u003cbr\u003eCatalogue No.: VENNLP079\u003cbr\u003eBarcode: 5056321698704\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eHagridden' is the second full-length from Scottish sisters Bratakus. Fiercely political and unapologetic, the duo made up of siblings Brèagha Cuinn (guitar and vocals) and Onnagh Cuinn (bass and vocals) deliver ten songs that combine garage rock and feminist punk with the same deft poise as forerunners The Distillers, The Donnas, Bikini Kill and X-Ray Spex.\u003cbr\u003eIn 2019, a BBC news report called Bratakus \"the UK's most remote punk band\". Formed in 2015 outside a small whiskey village called Tomintoul in the Scottish Highlands, the sisters (then 14 and 8 years old) have maintained a DIY ethos in everything they've done. Recording at home, self-releasing music, booking their own tours and with no drummer available locally, the duo turned their limitation into a statement, performing live with a drum machine and cementing their reputation as an uncompromising force within the punk scene.\u003cbr\u003e'Hagridden' marks a new beginning for the two sisters, introducing real drums to the recording process (including a guest appearance from Chris Dangerous of Swedish rock band The Hives) plus a more focused approach to songwriting. The message and music are just as loud, but the execution is now deadlier than ever.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Final Girls\u003cbr\u003e2. Turnstile\u003cbr\u003e3. Real Men Don't Eat Meat\u003cbr\u003e4. Hypocritical\u003cbr\u003e5. Worth It\u003cbr\u003e6. Tokened\u003cbr\u003e7. Tonight\u003cbr\u003e8. Behave\u003cbr\u003e9. Drowning\u003cbr\u003e10. Cut Us\u003c\/p\u003e","brand":"VENN RECORDS","offers":[{"title":"Default Title","offer_id":46437260132508,"sku":"VENNLP079","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_f4e44061-c5cf-425f-bbee-6227fc9186ab.png?v=1772196893"},{"product_id":"burial-hex-in-psychic-defense-cd","title":"Burial Hex - In Psychic Defense [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CSR197CD\u003cbr\u003eBarcode: 5060174956836\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eBurial Hex is a composition cycle of Post-Industrial music, dubbed “Horror Electronics”, by Clay Ruby.With a progressive mix of influences as far-reaching as vintage Industrial and Power Electronics, Kosmische Music, Black Metal, Techno and Electro, Early Music and Contemporary Classical, these dynamic compositions are simply unclassifiable.This compilation continues the stunning trajectory of the previous Cold Spring reissue collection, “Book of Delusions”, falling even further into the spiraling abyss of ritual music made in preparation for the Final Mysteries in the twilight of this Kali Yuga. Collecting tracks from various out-of-print vinyl releases, including In Psychic Defense, The Tower, Fantasie und Fuge, Hunger, and the highly sought-after “A Kiss To Birth The Rotted Sun” from the WVNDRKMMER 5xCS compilation, this volume is a welcome addition to every Burial Hex collection, as well as an ideal introduction for the Horror Electronics neophyte.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. In Psychic Defense (21:03)\u003cbr\u003e2. Hunger (19:37)\u003cbr\u003e3. Fantasie (6:54)\u003cbr\u003e4. Und Fuge (6:37)\u003cbr\u003e5. To Birth The Rotted Sun (7:50)\u003cbr\u003e6. [Or: War] (7:19)\u003cbr\u003e7. 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Taking its name from a section of Erik Larson’s 2011 novel In the Garden of Beasts, the album paints a fiery portrait of life and resistance in fascist America.\u003cbr\u003eConceived, composed, and produced by Will Brooks (aka MC dälek) and Mike Mare, Brilliance of a Falling Moon is a sprawling, uncompromising record that speaks to the political timbre of the day. Recorded in the group’s Deadverse Studios over the course of 2024 and 2025, Brilliance of a Falling Moon’s beats are propelled by brutal, dust-caked drum breaks and cloaked in an ominous, otherworldly atmosphere. Taking aim at everything from the State’s suppression of information to colonialism and Trump’s demonization of immigrants, Brooks’ rhymes are practically burning with outrage at the current state of the world.\u003cbr\u003edälek has already been announced for Roadburn Festival (NL) and La Route du Rock (FR) and will have a European trek around that for Spring 2026, followed by a US tour.\u003cbr\u003edälek debuted in 1998 with Negro Necro Nekros, a sonic tour de force built upon thunderous drums, blissful ambient sections, and gritty, insightful lyrics. On watershed albums like From Filthy Tongue of Gods and Griots (2002), Absence (2005), Abandoned Language (2007), and Gutter Tactics (2009), dälek laid a template that added completely new textural and structural dimensions to rap music.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Better Than\u003cbr\u003e2. Knowledge | Understanding | Wisdom\u003cbr\u003e3. Normalized Tragedy\u003cbr\u003e4. 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Taking its name from a section of Erik Larson’s 2011 novel In the Garden of Beasts, the album paints a fiery portrait of life and resistance in fascist America.\u003cbr\u003eConceived, composed, and produced by Will Brooks (aka MC dälek) and Mike Mare, Brilliance of a Falling Moon is a sprawling, uncompromising record that speaks to the political timbre of the day. Recorded in the group’s Deadverse Studios over the course of 2024 and 2025, Brilliance of a Falling Moon’s beats are propelled by brutal, dust-caked drum breaks and cloaked in an ominous, otherworldly atmosphere. Taking aim at everything from the State’s suppression of information to colonialism and Trump’s demonization of immigrants, Brooks’ rhymes are practically burning with outrage at the current state of the world.\u003cbr\u003edälek has already been announced for Roadburn Festival (NL) and La Route du Rock (FR) and will have a European trek around that for Spring 2026, followed by a US tour.\u003cbr\u003edälek debuted in 1998 with Negro Necro Nekros, a sonic tour de force built upon thunderous drums, blissful ambient sections, and gritty, insightful lyrics. On watershed albums like From Filthy Tongue of Gods and Griots (2002), Absence (2005), Abandoned Language (2007), and Gutter Tactics (2009), dälek laid a template that added completely new textural and structural dimensions to rap music.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Better Than\u003cbr\u003e2. Knowledge | Understanding | Wisdom\u003cbr\u003e3. Normalized Tragedy\u003cbr\u003e4. Expressions Of Love\u003cbr\u003eSide B\u003cbr\u003e5. Substance\u003cbr\u003e6. I AM A MAN\u003cbr\u003e7. For the People\u003cbr\u003e8. By the Time We Arrive in El Salvador\u003c\/p\u003e","brand":"IPECAC RECORDINGS","offers":[{"title":"Default Title","offer_id":46437522276508,"sku":"IPC295CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/dalek-BrillianceofaFallingMoon_08e184e2-d699-4ac0-8dc4-b2030fa6225f.jpg?v=1772203451"},{"product_id":"declaime-flatulent","title":"Declaime - Flatulent","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: URNT1510V\u003cbr\u003eBarcode: 0634562374073\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eDudley Perkins, aka Declaime, is a visionary wordsmith and sonic architect who has been a pivotal figure in the underground hip-hop scene since the mid-90s. Renowned for his introspective lyricism, intricate rhyme patterns, and innovative production techniques, he has consistently pushed the boundaries of the genre. Declaime's music is a fusion of soulful samples, jazzy undertones, and raw, unfiltered emotion. His ability to seamlessly blend intricate beats with thought-provoking verses has earned him a dedicated following and critical acclaim. Throughout his career, Declaime has collaborated with a diverse range of artists, including Madlib, Oh No, Georgia Anne Muldrow, Flying Lotus, Knxwledge, Aloe Blacc, Kan Kick, Saul Williams, Latoya Williams, Hudson Mohawk, Casual and many other notable names. Dudley has unveiled his latest 9-track album titled \"Flatulent,\" set to be released on the esteemed URBNET label. The album, produced by German beat maker and producer Der Brxwnsxn, highlights Declaime's signature blend of intricate rhythms, haunting samples, and ethereal melodies.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Flatulent\u003cbr\u003e2. Two\u003cbr\u003e3. Timeaftatime\u003cbr\u003e4. Suckas\u003cbr\u003e5. The Rapper\u003cbr\u003e6. Papsmear\u003cbr\u003e7. FBI\u003cbr\u003e8. The Archer\u003cbr\u003e9. 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It was not a unanimous decision to record with Steve. We wrote the album entirely on guitar loops and Team Storm \u0026amp; Stress wanted to go further in the studio with Pro Tools, which felt related to both what we were doing and where we were going. Steve had just finished building the magnificent A room at Electrical and Damon insisted we would record there for the drums. He never budged on it. As soon as we got there we realized all the songs, which were written in stacks of overdubs on our pedals, would only allow for mono guitar recordings. We worked around this by performing the songs to a single loop and overdubbing all the guitars later allowing for a full stereo field to match the glorious bombast of Steve’s drum recordings. This approach dramatically changed how we played. While it allowed for magic moments of improv (Peter Criss intro), once the album was done, it sounded bloated and the performances sluggish. With increasing certainty I was sure the sound of the Akai Headrush, and the tempos it set for Damon was the heartbeat of these songs. Ian agreed.\u003cbr\u003eIn an audacious last ditch hail mary, I had the idea to call Greg Norman (who worked for Steve!) and asked if we could secretly come to his studio in S. Chicago *road hot* after our next shows and re-record the album LIVE. It was an enormous gesture that could’ve never worked, but miraculously everyone agreed to do it and we gave it a try. Greg captured us at our most fiery hot personally and professionally. The tempos are faster and no one is holding back with anything to lose. These true live tapes show the songs exactly as we played them on the road where they were developed between June of 1999 and July of 2000. Now, 25 years later, the Greg Norman tapes have been dusted off, baked, and transferred to digital. With the aid of modern restoration tools, and the expertise of Sir Bob Weston, we were able to re-mix and master these recordings for the first time.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eAmerican Don (Remastered) 2xLP\u003cbr\u003e1. Fire Back About Your New Baby's Sex The Peter\u003cbr\u003e2. Criss Jazz\u003cbr\u003e3. Haven't Lived Afro Pop\u003cbr\u003e4. You Drink a Lot of Coffee for a Teenager\u003cbr\u003e5. Ones All Over the Place\u003cbr\u003e6. I Never Liked You\u003cbr\u003e7. Details on How to Get ICEMAN on Your License Plate\u003cbr\u003e8. A Lot of People Tell Me I Have a Fake British Accent Lets Face It Pal, You Didn't Need That Eye Surgery\u003cbr\u003eAmerican Don True Live Tapes LP\u003cbr\u003e1. Fire Back About Your New Baby's Sex\u003cbr\u003e2. Haven't Lived Afro Pop\u003cbr\u003e3. The Peter Criss Jazz\u003cbr\u003e4. Ones All Over the Place\u003cbr\u003e5. I Never Liked You\u003cbr\u003e6. Details on How to Get ICEMAN on Your License Plate Let's Face It Pal, You Didn't Need That Eye Surgery\u003c\/p\u003e","brand":"TOUCH AND GO RECORDS","offers":[{"title":"Default Title","offer_id":46437683331228,"sku":"TG419LP-C1","price":62.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DonCaballero-AmericanDon_997a4497-8593-4f98-aa6b-53760a73fec5.jpg?v=1772206004"},{"product_id":"draumar-draumar","title":"Draümar\t- Draümar","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SSR134LP\u003cbr\u003eBarcode: 5056321698865\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003e\"Static Shock out here still pushing the finest in international punk and hardcore. This time with a smoking debut from Oslo’s Draümar. Their influences are from the same city block with groundwork laid by groups like So Much Hate and Svart Framtid. Unfortunately, the songs are blasting away at the same monumental enemies albeit with different faces. The never-ending nuclear question, societal unease, genocide, and a steadfast approach to not turn away from the constant horror of today’s world make up the tapestry of this 12”.\u003cbr\u003eThe intro and outro track nod and update John Carpenter’s Assault On Precinct 13 setting the stage for a flurry of cold, desperate Norwegian punk - instantly identifiable and as potent as ever. Indeed, they’ve scraped the blood, sweat and victory off the floors of Blitz and distilled it into a Molotov aimed directly at a world in constant crisis. These are chords and context against a rising fascist world where screaming is not limp response but also tactic, celebration and affirmation. Aside from the fury contained in the original tracks you get a bonus treat in the dual vocal attack on the Bannlyst song ‘Herrene’ which features original Bannlyst vocalist, Finn Erik Tangen - instantly identifiable and still just as pissed.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Ut å stjele\u003cbr\u003e2. Likbil\u003cbr\u003e3. Blodigler\u003cbr\u003e4. Norske våpen\u003cbr\u003e5. Ta meg med\u003cbr\u003e6. Molotovdraumar\u003cbr\u003e7. Atomvinter I\u003cbr\u003e8. Atomvinter II\u003cbr\u003e9. Demon i et speil\u003cbr\u003e10. Herrene\u003cbr\u003e11. Parasitt\u003cbr\u003e12. I hjernen min\u003c\/p\u003e","brand":"STATIC SHOCK RECORDS","offers":[{"title":"Default Title","offer_id":46437712429212,"sku":"SSR134LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Draumar_Draumar.jpg?v=1772206973"},{"product_id":"ebo-taylor-will-you-promise-maye-omama-7-salmon-pink-single","title":"Ebo Taylor - Will You Promise \/ Maye Omama [7\" Salmon Pink Single]","description":"\u003cp\u003eFormat: 7\" Single, Salmon Pink\u003cbr\u003eCatalogue No.: RMND113-C1\u003cbr\u003eBarcode: 0648564357736\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: World\u003c\/p\u003e\n\u003cp\u003eEbo Taylor, the Ghanaian guitarist, composer, bandleader, and producer is a seminal figure when it comes to highlife music. Remined is proud to present these two classics as a 45 for first time, in conjunction with Mr. Bongo. \"Will You Promise\" and \"Maye Omama\" are both taken from Taylor's 1976 release \"My Love And Music.\" Grab doubles and watch the dance floor fill up.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA. Will You Promise\u003cbr\u003eB. Maye Omama\u003c\/p\u003e","brand":"COLEMINE RECORDS","offers":[{"title":"Default Title","offer_id":46437828919452,"sku":"RMND113-C1","price":8.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/co.png?v=1772207272"},{"product_id":"ebo-taylor-will-you-promise-maye-omama-7-single","title":"Ebo Taylor - Will You Promise \/ Maye Omama [7\" Single]","description":"\u003cp\u003eFormat: 7\" Single\u003cbr\u003eCatalogue No.: RMND113\u003cbr\u003eBarcode: 0648564357729\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: World\u003c\/p\u003e\n\u003cp\u003eEbo Taylor, the Ghanaian guitarist, composer, bandleader, and producer is a seminal figure when it comes to highlife music. Remined is proud to present these two classics as a 45 for first time, in conjunction with Mr. Bongo. \"Will You Promise\" and \"Maye Omama\" are both taken from Taylor's 1976 release \"My Love And Music.\" Grab doubles and watch the dance floor fill up.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA. Will You Promise\u003cbr\u003eB. 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Run Like a Girl\u003c\/p\u003e","brand":"SUMMER SHADE (RUN FOR COVER)","offers":[{"title":"Default Title","offer_id":46438583435420,"sku":"SUM004LP-C2","price":20.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Febuary-RunLikeaGirl.jpg?v=1772207062"},{"product_id":"g-love-special-sauce-lemonade-20th-anniversary-edition-2lp-yellow","title":"G. Love \u0026 Special Sauce - Lemonade (20th Anniversary Edition) [2LP Yellow]","description":"\u003cp\u003eFormat: 2 x LP, Yellow vinyl, gatefold\u003cbr\u003eCatalogue No.: GLR002LP\u003cbr\u003eBarcode: 0784085105347\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThis double LP yellow vinyl 20th anniversary release of G. Love's \"Lemonade\" celebrates one of his most beloved and successful records. The release accentuates G. 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Fueled by hypnotic percussion and cosmic guitar lines , the record embodies the next wave of Latin futurism — rooted in tradition yet exploding into vibrant, genre-defying sound.\u003cbr\u003ePressed on limited-edition 1×LP “Mango Viper Swirl” colored vinyl, Tropidelicos captures the radiant heat and joy of Gio Chamba’s live energy—music made for movement, community, and spiritual release. From sweaty dance floors to desert sunsets, every groove invites you deeper into the tropidelic revolution.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. ¡CHICHA TU MADRE!\u003cbr\u003e2. Solecito\u003cbr\u003e3. Psychedelicacy\u003cbr\u003e4. La Danza de Los Mirlos\u003cbr\u003e5. Guayaba Sunset\u003cbr\u003e6. Turbo Cumbia\u003cbr\u003e7. Mezcal Mami\u003cbr\u003e7. 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Dave Baron’s snarling guitar riffs, Kevin Marin’s thunderous bass, and Phil Kittgaard’s primal yell cut sharp drumming cut through like a cracking whip on a stormy night.\u003cbr\u003eTheir sole LP, recorded in a single chaotic session, captures a moment of unfiltered energy. Tracks like “Scream (It’s Eating Me Alive)” and “Closer to Herfy’s” erupted from caffeine-fueled late nights, inside jokes, keen wit, and a new devotion to abrasiveness. With radio DJ\/manager Burl Barer steering the mayhem, the album gained regional buzz, a “dream date” promo contest, and even praise from Lester Bangs.\u003cbr\u003eLive performances were rare—spontaneous, earsplitting blitzes—but Grand Theft’s legend grew long after the band dissolved. What began as a fleeting joke became a proto-metal curiosity, a wild card in the deck of early ’70s rock. 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An integral member of the West Coast electronic music scene, Mara Barenbaum has been writing, performing, and plunging into oneiric depths as Group Rhoda since 2009. Barenbaum’s songcraft is at once stylistically diffuse and laser-focused, a synesthetic approach that allows her to effortlessly glide between genres and soundworlds while centering her singular poetics. On Phase 5, her fifth LP as Group Rhoda, we find Barenbaum waxing nondualistic. Lines between fairytale and fact, between nature and art, between subject and object all dissolve under contemplation. The songs on Phase 5 are perpetually in-between states, deftly shifting form at the blink of an eye. With sleight of hand, “Field Tone” transmutes from brooding John Carpenter-esque electro into vocoder-driven space disco. “Dragon Pine” darts from cosmic dub to cybernetic dancehall and back again. The uptempo darkwave-leaning number “Aeolian Crossing” dissolves into the void, like sand falling through one’s fingers, like a retreating wave. The cover artwork for Phase 5 is by Shawn Reed, and features purple lilies and light refracted through water. All songs on this album were mastered by Ruud Lekx. 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On the A-side, the exclusive cut “Do The Get Together” makes its debut – a slow-burning southern soul dancer that gently calls people closer, both on the dancefloor and beyond it. With warmth, patience, and a steady groove, Nichols invites connection without force, offering a quiet reminder that togetherness can still feel natural and unpretentious.\u003cbr\u003eDriven by Cold Diamond \u0026amp; Mink’s deep-pocket rhythm and understated analog textures, “Do The Get Together” unfolds with ease. The groove never rushes, allowing Jeb’s voice to guide the message with soft authority and lived-in wisdom. It’s a song that feels tailor-made for late-night spins, where movement and meaning find common ground.\u003cbr\u003eOn the flip, “First Night Away From Home” brings listeners back to the opening chapter of Nichols’ latest album This House is Empty Without You. Warm, melodic, and intimate, the track captures that mix of vulnerability and quiet resolve that defines Jeb’s songwriting. Together, these two sides form a perfect 7” pairing, pressed for those who value soul that speaks gently but stays with you.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A:\u003cbr\u003e1. Do The Get Together\u003cbr\u003eSide B:\u003cbr\u003e1. 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On the A-side, the exclusive cut “Do The Get Together” makes its debut – a slow-burning southern soul dancer that gently calls people closer, both on the dancefloor and beyond it. With warmth, patience, and a steady groove, Nichols invites connection without force, offering a quiet reminder that togetherness can still feel natural and unpretentious.\u003cbr\u003eDriven by Cold Diamond \u0026amp; Mink’s deep-pocket rhythm and understated analog textures, “Do The Get Together” unfolds with ease. The groove never rushes, allowing Jeb’s voice to guide the message with soft authority and lived-in wisdom. It’s a song that feels tailor-made for late-night spins, where movement and meaning find common ground.\u003cbr\u003eOn the flip, “First Night Away From Home” brings listeners back to the opening chapter of Nichols’ latest album This House is Empty Without You. Warm, melodic, and intimate, the track captures that mix of vulnerability and quiet resolve that defines Jeb’s songwriting. 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Alexi returns to Dark Entries with Warehouse Trax, an EP of previously unreleased acid and house mayhem. K’Alexi Shelby’s illustrious career has included releases on legendary labels such as Trax, DJ International, and Transmat, as well as collaborations with high-profile artists like Marshall Jefferson and Pet Shop Boys. But his musical journey began at the young age of 12, when he befriended Ron Hardy and Frankie Knuckles while frequenting the Music Box and Warehouse. In high school, he began writing songs and honing his poetic craft. “I recognized I had a gift to say what I was thinking. I would study Prince and Marvin Gaye, figure out what they meant and put my spin on it. The power of the word. I was writing love notes for all my boys in high school and making a killing. I would know what to say and what they should do.”\u003cbr\u003eDark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Warehouse Trax follows with six tracks recorded in Chicago between 1991 and 1994. The material here has all the hallmarks of classic K’Alexi. Salsa-inflected rhythms, emotive basslines, and hip-house vibes are displayed on tracks like the high-octane “Jungle Line” or the low-key tearjerker “Protect and Survive.” There are also some unexpected surprises in store. “Aaaah” comes out of the gate swinging with hard-hitting beats and apocalyptic ravey vocal pads evocative of the edgier material on Saber Records or Djax Up Beats, and the surprisingly contemporary-sounding “Klub Dred” delivers half-time dub with stuttering vocal samples. Warehouse Trax comes in a retro-styled sleeve designed by Eloise Shir-Juen Leigh. 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K’Alexi Shelby’s illustrious career has included releases on legendary labels such as Trax, DJ International, and Transmat, as well as collaborations with high-profile artists like Marshall Jefferson and Pet Shop Boys. But his musical journey began at the young age of 12, when he befriended Ron Hardy and Frankie Knuckles while frequenting the Music Box and Warehouse. In high school, he began to write songs and hone his poetic craft. “I recognized I had a gift to say what I was thinking. I would study Prince and Marvin Gaye, figure out what they meant and put my spin on it. The power of the word. I was writing love notes for all my boys in high school and making a killing. I would know what to say and what they should do.”\u003cbr\u003eDark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Strikes Again brings us six tracks recorded in Chicago between 1988 and 1990, which come courtesy of Mike Dunn’s personal archive. This record showcases the rawer, more immediate side of Shelby’s sound, with tracks full of overdriven 808’s, careening sirens, and dangerously funky breakbeats. “Imported Taste” brings Shelby’s signature deep pads to the front of wild congo-laced percussion. “Suckas Be Ready” is a slamming hip-house cut featuring vocals from MCD-TA, while disco-samples duel with crunchy 909s on the jacking “Muzic Box.” Strikes Back showcases the real underground sound of Chicago, where sonic abstraction meets full-body kinetics. The record comes housed in a retro-styled sleeve designed by Eloise Shir-Juen Leigh.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Imported Taste\u003cbr\u003e2 Warehouse Alarm\u003cbr\u003e3 Midnite Madness\u003cbr\u003e4 Right There\u003cbr\u003e5 Suckas Be Ready feat. 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MED, Blu, and Madlib—each legendary in their own solo careers—reunite to deliver a timeless body of work featuring Anderson .Paak, MF DOOM, Aloe Blacc, Phonte, and other heavyweights of the culture. Across 17 tracks, Madlib’s soulful production provides the perfect backdrop for Blu and MED’s razor-sharp rhymes, giving the album undeniable replay value. The 10-Year Anniversary vinyl edition features a brand-new mix and master, two bonus tracks, and includes all original songs and skits in their original format across a 2xLP. A must-have for any serious record collection.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Greetings\u003cbr\u003e2. Serving (feat. Hodgy Beats)\u003cbr\u003e3. Peroxide (feat. DJ Romes and Dâm-Funk)\u003cbr\u003e4. Get Money (feat. Frank Nitty)\u003cbr\u003e5. Streets (feat. DJ Romes and Oh No)\u003cbr\u003e6. The Stroll (feat. AMG)\u003cbr\u003e7. Knock Knock (feat. MF DOOM)\u003cbr\u003e8. Mad Neighbor\u003cbr\u003e9. The Strip (feat. 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The duo of Verity Susman and Matthew Simms (formerly of Electrelane and WIRE) locked themselves away in a studio in a barn secluded deep in the woods in southwestern France and re-emerged with a beautiful, unusual record that is both melodic and unconventional. For such an ambitious album it’s striking that it was written, performed, recorded and mixed solely by the two of them. Sounding like an unearthed classic, MEMORIALS twist their influences into their own unmistakable sound. Imagine Nico singing with Can produced by David Axelrod and you’re somewhere in the right ballpark. The record draws inspiration from a wide range of music including folk, dub, post punk, experimental tape music, 60s soul, garage rock, 70s spiritual jazz and Canterbury prog. 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Nearly twenty years into the project, PRAED have distilled their approach into four pieces that subtly shift the listener’s bearings, reordering grooves and fragments until familiar elements take on new identities.\u003cbr\u003eThe twenty-minute title track sets the tone. A tightly interlocking two-drum foundation from Pascal Semerdjian and Ayman Zebdawi shapes a structure that expands steadily: synth figures branch outward, clarinet and bass lines act as internal guideposts, and brief vocal calls from Yassin and guest singer Mayssa Jallad sit inside the texture rather than leading it. PRAED’s shaabi keyboard language is present, but the duo stretch it outward, building tension and movement through patient accumulation.\u003cbr\u003e“Al Hathayan,” at 4:46, tightens the focus. Conca’s clarinet moves between melodic arcs and clipped rhythmic gestures, threading through electronic loops that surface and disappear. 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Kiss The Ring (Produced by Scram Jones)\u003cbr\u003e23. Walk Wit Me (Produced by Scram Jones)\u003cbr\u003e24. Badlands (Produced by BT)\u003c\/p\u003e","brand":"FAT BEATS \/ ICE H20","offers":[{"title":"Default Title","offer_id":46458225623196,"sku":"CHEF002CD","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/OnlyBuilt4CubanLinxPtII-THEINSTRUMENTALSShaolinNoirEditionCHEF002_CD_MOCKUPA.jpg?v=1772538859"},{"product_id":"rami-gabriel-tunderizer","title":"Rami Gabriel - Tunderizer","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SR067LP\u003cbr\u003eBarcode: 0789091611851\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRami Gabriel’s second LP Tunderizer focuses the harsh experimentalism of post-punk industrial upon the intimate sphere of home. Like shadows crossing through mirrors, a mesh of lo-fi noise art and field recordings obscures expertly tuned songwriting. Tunderizer fires in all registers, from irrepressible melody to deconstructive static, from country to tarab, skronk to delta blues.\u003cbr\u003eBorn in Beirut, Rami Gabriel is a composer and songwriter who plays Oud, Buzuq, and Guitar. He learned blues and jazz performing with legendary Chicago musicians and integrating it with Arabic traditions. Rami performs widely across North America and internationally including in Europe, India, Turkey, Lebanon and Ghana. He recently performed at the Portland Jazz Festival, the NYC Arab Festival, and the Festival International De Louisiane.\u003cbr\u003eRami leads Chicago favorites The Arab Blues and the R\u0026amp;B quartet Rami \u0026amp; the Reliables. He has shared bills with roots luminaries including Buddy Guy, Zakir Hussein, Bela Fleck, Edgar Meyers, and Rakesh Chaurasia. He opened for British songwriter Nick Lowe, and records regularly with members of American rock legends NRBQ. He also shared bills with Prostitute, Marvin Tate, and other punk and noise artists. His music has been remixed by experimental artists including Fire-Toolz, Beau Wanzer, Sen Morimoto, Lynyn, k-rAd, and Alex Hall of Chicago’s Reliable Recorders.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A:\u003cbr\u003e1. Majesty and Misery\u003cbr\u003e2. Tunderizer\u003cbr\u003e3. Out of Our Bed\u003cbr\u003e4. Waiting for the Drugs\u003cbr\u003e5. 680\u003cbr\u003e6. Ain’t I Worth That\u003cbr\u003eSide B:\u003cbr\u003e7. Whiskey on the Rocks\u003cbr\u003e8. Greece Without the Greeks 9. Chennai\u003cbr\u003e10. Nothome\u003cbr\u003e11. Select a Room\u003cbr\u003e12. Approaching Ramp\u003cbr\u003e13. Money and Blood\u003c\/p\u003e","brand":"SOOPER RECORDS","offers":[{"title":"Default Title","offer_id":46458386972828,"sku":"SR067LP","price":23.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Merch_Image_SR067LP_Front_Cover.jpg?v=1772550491"},{"product_id":"robyn-sexistential-white-vinyl","title":"Robyn - Sexistential [White Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: YO467LPE\u003cbr\u003eBarcode: 0889030046703\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003eSexistential is the most ecstatic record that Robyn has ever made, the sound of one of contemporary music’s most influential artists coming home. After the club music meditations of 2018’s Honey, the album features nine, deeply playful pop songs that tie back to her era-defining Body Talk trilogy, designed to feel “like a spaceship coming through the atmosphere at a really high speed and crash landing”, she says. “That’s how I felt, like I’d had all these experiences searching too far out into space, and now I’m crashing back into myself.”\u003cbr\u003eCo-produced mainly with longtime collaborator Klas Åhlund, Sexistential is emphatic and punchy, defiant about both emotional and biological pleasure, need and softness. The album’s title started life as an in-joke before she realised it said everything she wanted to say. “Exploring my sensual life is the same feeling as when I make a good song,” she explains. “It’s such a beautiful kind of sensitive vibration that takes so much work to keep afloat. I feel like the purpose of my life is to stay horny - it doesn’t even have to be about sex, but it’s feeling sensual and attracted to things that I enjoy, and not letting anything take over that.”\u003cbr\u003eTo celebrate the news, Robyn released two new tracks from the album. Building on the success of acclaimed first single “Dopamine”, new singles “Talk To Me” and “Sexistential” further reveal one of the decade’s most celebrated comebacks. “Talk To Me” – produced by Klas Åhlund and Oscar Holter, and featuring Max Martin as a co-writer (their first collaboration since 2010’s “Time Machine”) – is pure, unadulterated fun, like Robyn trying to write a Prince or Gap Band song but underpinned with uber-contemporary production. “I wrote it during the pandemic when there was no way to be physical,” Robyn says. “I like talkers, that turns me on.”\u003cbr\u003eThe album news comes among a run of recent public appearances - including a performance on CNN’s New Year’s Eve Live with Anderson Cooper and Andy Cohen and two sold-out shows at Brooklyn Paramount - that have created huge anticipation and speculation around new Robyn music. Whether performing with David Byrne to celebrate Saturday Night Live's fiftieth anniversary, making show-stopping live appearances with the likes of Charli xcx and Gracie Abrams, collaborating with Yung Lean and Charli for a version of Brat’s “360,” or soundtracking Acne Studio's 2025 Paris show, Robyn continues to shape and influence popular culture in truly unique ways.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Really Real\u003cbr\u003e2. Dopamine\u003cbr\u003e3. Blow My Mind\u003cbr\u003e4. Sucker For Love\u003cbr\u003e5. It Don't Mean A Thing\u003cbr\u003e6. Talk To Me\u003cbr\u003e7. Sexistential\u003cbr\u003e8. Light Up\u003cbr\u003e9. Into The Sun\u003c\/p\u003e","brand":"YOUNG","offers":[{"title":"Default Title","offer_id":46458387202204,"sku":"YO467LPE","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Robyn_Sexistential_WhiteSpread_1x1_a142203b-43d3-4c90-81f2-95fc588319aa.jpg?v=1772551519"},{"product_id":"robyn-sexistential","title":"Robyn - Sexistential","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eYO467LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0889030046710 \u003c\/span\u003e\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003eSexistential is the most ecstatic record that Robyn has ever made, the sound of one of contemporary music’s most influential artists coming home. After the club music meditations of 2018’s Honey, the album features nine, deeply playful pop songs that tie back to her era-defining Body Talk trilogy, designed to feel “like a spaceship coming through the atmosphere at a really high speed and crash landing”, she says. “That’s how I felt, like I’d had all these experiences searching too far out into space, and now I’m crashing back into myself.”\u003cbr\u003eCo-produced mainly with longtime collaborator Klas Åhlund, Sexistential is emphatic and punchy, defiant about both emotional and biological pleasure, need and softness. The album’s title started life as an in-joke before she realised it said everything she wanted to say. “Exploring my sensual life is the same feeling as when I make a good song,” she explains. “It’s such a beautiful kind of sensitive vibration that takes so much work to keep afloat. I feel like the purpose of my life is to stay horny - it doesn’t even have to be about sex, but it’s feeling sensual and attracted to things that I enjoy, and not letting anything take over that.”\u003cbr\u003eTo celebrate the news, Robyn released two new tracks from the album. Building on the success of acclaimed first single “Dopamine”, new singles “Talk To Me” and “Sexistential” further reveal one of the decade’s most celebrated comebacks. “Talk To Me” – produced by Klas Åhlund and Oscar Holter, and featuring Max Martin as a co-writer (their first collaboration since 2010’s “Time Machine”) – is pure, unadulterated fun, like Robyn trying to write a Prince or Gap Band song but underpinned with uber-contemporary production. “I wrote it during the pandemic when there was no way to be physical,” Robyn says. “I like talkers, that turns me on.”\u003cbr\u003eThe album news comes among a run of recent public appearances - including a performance on CNN’s New Year’s Eve Live with Anderson Cooper and Andy Cohen and two sold-out shows at Brooklyn Paramount - that have created huge anticipation and speculation around new Robyn music. Whether performing with David Byrne to celebrate Saturday Night Live's fiftieth anniversary, making show-stopping live appearances with the likes of Charli xcx and Gracie Abrams, collaborating with Yung Lean and Charli for a version of Brat’s “360,” or soundtracking Acne Studio's 2025 Paris show, Robyn continues to shape and influence popular culture in truly unique ways.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Really Real\u003cbr\u003e2. Dopamine\u003cbr\u003e3. Blow My Mind\u003cbr\u003e4. Sucker For Love\u003cbr\u003e5. It Don't Mean A Thing\u003cbr\u003e6. Talk To Me\u003cbr\u003e7. Sexistential\u003cbr\u003e8. Light Up\u003cbr\u003e9. Into The Sun\u003c\/p\u003e","brand":"YOUNG","offers":[{"title":"Default Title","offer_id":46458387300508,"sku":"YO467LP","price":24.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Robyn_Sexistential_BlackSpread_1x1_6eea89b4-016b-4b62-bc90-285935548288.jpg?v=1772551528"},{"product_id":"robyn-sexistential-cd","title":"Robyn - Sexistential [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: YO467CD\u003cbr\u003eBarcode: 0889030046727\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003eSexistential is the most ecstatic record that Robyn has ever made, the sound of one of contemporary music’s most influential artists coming home. After the club music meditations of 2018’s Honey, the album features nine, deeply playful pop songs that tie back to her era-defining Body Talk trilogy, designed to feel “like a spaceship coming through the atmosphere at a really high speed and crash landing”, she says. “That’s how I felt, like I’d had all these experiences searching too far out into space, and now I’m crashing back into myself.”\u003cbr\u003eCo-produced mainly with longtime collaborator Klas Åhlund, Sexistential is emphatic and punchy, defiant about both emotional and biological pleasure, need and softness. The album’s title started life as an in-joke before she realised it said everything she wanted to say. “Exploring my sensual life is the same feeling as when I make a good song,” she explains. “It’s such a beautiful kind of sensitive vibration that takes so much work to keep afloat. I feel like the purpose of my life is to stay horny - it doesn’t even have to be about sex, but it’s feeling sensual and attracted to things that I enjoy, and not letting anything take over that.”\u003cbr\u003eTo celebrate the news, Robyn released two new tracks from the album. Building on the success of acclaimed first single “Dopamine”, new singles “Talk To Me” and “Sexistential” further reveal one of the decade’s most celebrated comebacks. “Talk To Me” – produced by Klas Åhlund and Oscar Holter, and featuring Max Martin as a co-writer (their first collaboration since 2010’s “Time Machine”) – is pure, unadulterated fun, like Robyn trying to write a Prince or Gap Band song but underpinned with uber-contemporary production. “I wrote it during the pandemic when there was no way to be physical,” Robyn says. “I like talkers, that turns me on.”\u003cbr\u003eThe album news comes among a run of recent public appearances - including a performance on CNN’s New Year’s Eve Live with Anderson Cooper and Andy Cohen and two sold-out shows at Brooklyn Paramount - that have created huge anticipation and speculation around new Robyn music. Whether performing with David Byrne to celebrate Saturday Night Live's fiftieth anniversary, making show-stopping live appearances with the likes of Charli xcx and Gracie Abrams, collaborating with Yung Lean and Charli for a version of Brat’s “360,” or soundtracking Acne Studio's 2025 Paris show, Robyn continues to shape and influence popular culture in truly unique ways.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Really Real\u003cbr\u003e2. Dopamine\u003cbr\u003e3. Blow My Mind\u003cbr\u003e4. Sucker For Love\u003cbr\u003e5. It Don't Mean A Thing\u003cbr\u003e6. Talk To Me\u003cbr\u003e7. Sexistential\u003cbr\u003e8. Light Up\u003cbr\u003e9. Into The Sun\u003c\/p\u003e","brand":"YOUNG","offers":[{"title":"Default Title","offer_id":46458387398812,"sku":"YO467CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_a39c5a1f-cf0e-4b96-baee-19a2f5e23f47.png?v=1772551534"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/cargo-wk-08-2026.oembed?page=2","provider":"Horizons Music","version":"1.0","type":"link"}