{"title":"Cargo WK 05 2026","description":"","products":[{"product_id":"kaytramine-amine-and-kaytranada-kaytramine-transparent-blue-12-vinyl","title":"KAYTRAMINÉ (Aminé and KAYTRANADA) - KAYTRAMINÉ [Transparent Blue 12\" Vinyl]","description":"\u003cp\u003eFormat: Transparent Blue 12\" Vinyl  \u003cbr\u003eCatalogue No.: KA001LP\u003cbr\u003eBarcode: 0810061619802\u003cbr\u003eRelease Date: 08 May 2026\u003cbr\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eRepress: 03 Nov 2023\u003c\/p\u003e\n\u003cp\u003eTransparent Blue 12\" Vinyl \u003cbr\u003eIncludes Blotter Sheet *liquid sold separately* \u003cbr\u003eIncludes folded poster \u003cbr\u003e\u003cbr\u003eAlbum Featuring: Freddie Gibbs, Pharrell Williams, Big Sean, Amaarae \u0026amp; Snoop Dogg\u003c\/p\u003e\n\u003cp\u003eThe album has been a labour of love spanning nearly a decade with the origins of KAYTRAMINÉ trace back to 2014, when Aminé unveiled \"Not At All,\" an unofficial remix of KAYTRANADA's 2013 track \"At All.\" Impressed by Aminé's rendition, KAYTRANADA extended a hand to collaborate officially, leading to his production contributions on three songs from Aminé's 2015 mixtape, Calling Brio. 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A fuzzed out haze of dark and arresting shoegaze pop.\u003cbr\u003eExtensive UK and EU tours in April\/May 2026\u003cbr\u003eFestival history includes End Of The Road, SXSW, Eurosonic, Ment, Roskilde and Sea Change. Touring History with Ben Howard and Radio Dept.\u003cbr\u003eSupport from NPR, Stereogum, The Fader, Gorilla vs Bear, Paste, KEXP, Flood, BBC6 Music, BBC Radio 1 and more.\u003cbr\u003eFFO: The Radio Dept, The Cardigans, My Bloody Valentine, Slowdive, Deerhunter, Alvvays, Snail Mail, Makthaverskan\u003cbr\u003e\"One of the best bands in the world.\" Gorilla vs Bear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScandinavian indie pop four-piece Hater end a three-year hiatus following their formidable third album Sincere with the release of Mosquito, an intriguing dream pop drama played out across eleven gripping instalments of self-examination.\u003c\/p\u003e\n\u003cp\u003eOn Mosquito, Malmö-based Hater sound rejuvenated – they embrace the raw indie pop approach that they’ve become known for, but with a more direct, polished songwriting style. The band have refined their shoegaze roots into something sharper, more melodic, and deeply resonant. Mosquito overflows with stories where mythical twists (vampires, Cupid, mosquitos) are underpinned by the sad-eyed yearning for true love. But this is not your typical album about love the band are keen to point out.\u003c\/p\u003e\n\u003cp\u003e'Angel Cupid' unfurls in slow motion, a gorgeously controlled diatribe against bland love songs when you’re locked out of that emotion yourself. The curious lead single 'This Guy?' is a mystery in itself: the tale of a strangely confused interloper, unidentified and unidentifiable – and the band themselves call it “a quiet confusing song”. Entering an echoey cavern of gothic strangeness, “Stinger's” insistent drums and Caroline’s lyrics worm into the inner thoughts of a love struck supernatural.\u003c\/p\u003e\n\u003cp\u003eAn emotional rollercoaster by any other name, Mosquito spills over with half remembered broken hearts and broken promises, filled with torture and tingle, yet punctuated by hopes and dreams for future resolutions.\u003c\/p\u003e\n\u003cp\u003eMosquito was recorded in the splendid isolation of AGM Studios in Vollsjö, Sweden, with long-time collaborator Joakim Lindberg at the controls and bassist Adam Agace returning to the fold. 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Entering an echoey cavern of gothic strangeness, “Stinger's” insistent drums and Caroline’s lyrics worm into the inner thoughts of a love struck supernatural.\u003c\/p\u003e\n\u003cp\u003eAn emotional rollercoaster by any other name, Mosquito spills over with half remembered broken hearts and broken promises, filled with torture and tingle, yet punctuated by hopes and dreams for future resolutions.\u003c\/p\u003e\n\u003cp\u003eMosquito was recorded in the splendid isolation of AGM Studios in Vollsjö, Sweden, with long-time collaborator Joakim Lindberg at the controls and bassist Adam Agace returning to the fold. 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Under the stewardship of acclaimed producer James Ford, HELP(2) features an incredible line-up of contributors including Anna Calvi, Arctic Monkeys, Arlo Parks, Arooj Aftab, Bat For Lashes, Beabadoobee, Beck, Beth Gibbons, Big Thief, Black Country, New Road, Cameron Winter, Damon Albarn, Depeche Mode, Dove Ellis, Ellie Rowsell, English Teacher, Ezra Collective, Foals, Fontaines D.C., Graham Coxon, Greentea Peng, Grian Chatten, Kae Tempest, King Krule, Nilüfer Yanya, Olivia Rodrigo, Pulp, Sampha, The Last Dinner Party, Wet Leg and Young Fathers…amongst other musicians, engineers, mixers and producers.\u003c\/p\u003e\n\u003cp\u003eIn addition to the stellar cast of musicians involved, renowned filmmaker Jonathan Glazer and his team at Academy Films generously helmed the Creative Direction for HELP(2), overseeing both the filming and art direction for the project.\u003c\/p\u003e\n\u003cp\u003eAll proceeds from this album support War Child UK to protect, educate, and stand up for the rights of children living through conflict around the world.\u003c\/p\u003e\n\u003cp\u003eHELP(2) represents hope for children whose lives have been torn apart by war. 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This year, Bird marks the milestone with a limited edition boxset, a re-issue of the original album, and anniversary tour, performing Eggs in full alongside the world’s foremost symphony orchestras proving that some mysteries only grow richer with time.\u003cbr\u003eAlongside the 3LP deluxe boxset, Bird is re-issuring the beloved album garnished with deluxe reimagined artwork by longtime collaborator Jay Ryan, whose whimsical artwork graced the original and is a crucial part of its lore.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSTANDARD LP:\u003cbr\u003eSIDE A\u003cbr\u003e1. \/=\/\u003cbr\u003e2. Sovay\u003cbr\u003e3. A Nervous Tic Motion of the\u003cbr\u003eHead to the Left\u003cbr\u003e4. Fake Palindromes\u003cbr\u003e5. Measuring Cups\u003cbr\u003e6. Banking on a Myth\u003cbr\u003e7. Masterfade\u003cbr\u003eSide B\u003cbr\u003e8. Opposite Day\u003cbr\u003e9. Skin Is, My\u003cbr\u003e10. The Naming of Things\u003cbr\u003e11. 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BELGRADO, a ring of keys chiming through an empty prison hallway liberating every iron door as it approaches in countless careful celebrations of its passage. El Encuentro, meaning “The Meeting” or “The Encounter” pulses in cool kindness and high energy reverie, probing the same moment from a thousand angles as if Alain Resnais photographed their own private hallucinations and burnt them into song. That moment, THE moment is so elegantly woven into lyrical silk on “El Encuentro” as an exploration of dreams and reality, deep personal reflection, and acceptance of the end. It is the search, and the crossroads of the ethereal science of the imaginary. It sounds like being led into the back room of a tiny club in an imaginary city lost in time - intimidating whirring machinery drawing you in as if to lure you into wrecking on the rocks in a spume of Last Year at Hacienda-bad, dizzy on Righeira punch, and burnt by the Balearic sun.\u003cbr\u003e15 years after their debut, Belgrado continue their journey of musical development from the immediacy and directness of their guitar driven post sounds all those years ago into an ever evolving musical project which has spanned four LPs ranging from minimal wave and dub influences all the way to this effort which is so heavily influenced by early dance music, and prime beachfront bacchanal. It is as much the cold sounds of SIEKIERA as it is CABARET VOLTAIRE bleeding into NEW ORDER. Packaged beautifully, hand crafted in an early modernist and constructivist style of artwork depicting the band in workers garb hinting at both the labour and ongoing service of the artist to the audience. 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The album shares its title with Daumal's novel, Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing, published posthumously in 1952, eight years after the author's untimely death. Mount Analogue is a classic allegorical adventure novel. The novel describes an expedition undertaken by a group of mountaineers to travel to and climb the titular Mount Analogue an enormous mountain on a surreal continent, that is invisible and inaccessible to the outside world and can be perceived only by the application of obscure knowledge. The central theme of mountaineering is extensively explored through literary and philosophical lenses. Daumal died before the novel was completed, providing an uncanny one-way quality to the story, which ends abruptly in the middle of a sentence.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eVinyl\u003cbr\u003eside 1\u003cbr\u003e1. Mount Analogue Part I 25'30\u003cbr\u003eside 2\u003cbr\u003e2. 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Guided by Chris Stewart’s unmistakable baritone and a palette of analog synths, pulsing basslines, and minimalist rhythms, the album feels simultaneously nostalgic and forward-leaning. Its songs drift between shadowy introspection and subtle hope, creating a cinematic atmosphere that’s\u003cbr\u003eboth intimate and hypnotic. With It’s Immaterial, Black Marble deepened its\u003cbr\u003esignature sound, offering a collection that resonates like a faded memory—soft, hazy, and endlessly replayable.\u003cbr\u003e\"Melodies twist inward and out of the comfort zone, but never overstep their\u003cbr\u003eboundaries or demand extra attention they don’t deserve. The fragments that have been found, from beginning to end, click and fall into place almost effortlessly. It’s surprising how nothing feels forced.\" - Drowned in Sound\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01. Interdiction\u003cbr\u003e02. Iron Lung\u003cbr\u003e03. It’s Conditional\u003cbr\u003e04. 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It’s the thoroughly collected works of Blood Sausage, the early 1990’s punk and poetry phenomena that baffled audiences, upset soundmen and really really angered the music press. Blood Sausage was a loose fitting musical collective based around Dale Shaw (Vocals and words), AJW Bourton (The McTells, The Beatpack, Cee Bee Beaumont), Owen Thomas (Cee Bee Beaumont, Graham Coxon), Jo Johnson (Huggy Bear, Bleep43), Niki Elliott (Huggy Bear) plus special guests such as Sexton Ming and Kathleen Hanna. Featuring their acclaimed Wiiija EP ‘Touching You in Ways That Don’t Feel Comfortable’ (NME’s Single of the Week) every track from their debut album, K single, Clawfist split single with Cornershop plus live tracks, unreleased stuff and demos. 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Perhaps it’s too simple to say that making music under his own name allowed Edwin to be more honest, direct and personal but it certainly feels that way to anyone listening. A Plague Of Gimps is the follow-up. The gimps of the title would seem to refer to the mental intrusions that tie us all in knots. We revisit, replay and over-think to infinity, time ticking as our single shot at happiness and fulfilment slides into a whirlpool of repetitious thought.\u003cbr\u003eThose recurring \/ intrusive themes still shape the songs but now it feels they’re being dealt with differently. Edwin describes A Plague Of Gimps as a “hangover” of the previous album – the themes of God On All Fours linger but are no longer obsessions:\u003cbr\u003e“I can tell I’m moving on, and I’m proud\/happy with that” You can hear this too.\u003cbr\u003eThe lyrics feel more refined – the stories might be longer and more densely-packed, but the storytelling is sharper. The absurd imagery that characterises Edwin’s work was always used to disarm and disrupt but now it puts the listener in a place where the heaviness of the story can hit the hardest. The instrumentation is stripped back to give those lyrics the space they need and the sonic choices illuminate the songs perfectly and magically.\u003cbr\u003eA word from Wrong Speed: this record destroys us. We've lived with it for some time now and it's burnt itself into us. There's heavy music out there with battle jackets and big amps and edgy imagery and whatever else. But this is different. This is crushing. The space in the music left for the voice is like leaving a door ajar to let the monster in.\u003cbr\u003eA Plague Of Gimps is a beautiful and personal record. 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The Next From Field Commander, her new record and second under that taken name, was recorded in her bedroom in Stanwell Park, a beachside town surrounded by bushland. Here, where the Great Dividing Range meets the Tasman Sea, Mollica worked quickly in the early part of 2025, utilising little more than a classical guitar and a 4-track tape recorder to execute her vision. The result is a truly beguiling Australian folk record.\u003cbr\u003eWith a voice that balances understated vulnerability with determined stoicism, Mollica describes everyday scenes, passing interactions and the moments that follow moments between people, all with an astonishing clarity of expression. Full moons are felt but remain unwitnessed, great loves lean into praxis or strain against it, and time is a character that watches quietly on all the while.\u003cbr\u003eDespite its modest conception, both the songs and recordings are possessed by a unique density. Layered vocals are used undramatically but effectively. Conversational asides seem to open outwards like leaves, and offhand remarks reveal themselves to be quiet realisations through subtle repetition. There is an intimate spaciousness within these songs too, with shuffling pages, creaking chairs, and distant whistling all entering the sonic sphere.\u003cbr\u003eThe spirit of folk song clairvoyants like Bridget St John, Anne Briggs and Maxine Funke may be sensed throughout, while Michael Hurley’s ‘Wildegeeses’ is given a faithful, though suitably idiosyncratic, re-reading. A tradition is being channeled here, though ultimately what you are hearing is the emergence of a distinct new voice.\u003cbr\u003eAs such, The Next From Field Commander moves with a meandering yet captivating immediacy, clear and self-assured, while remaining deeply receptive to the world and all the things in it - ‘still reaching out, still finding out’. As Mollica notes herself:\u003cbr\u003e\"My songs often express the literal goings on in my life – the lyrics are raw and unbridled (and maybe a bit unhinged, too); but underneath this immediacy is a heavy hum that I think sounds like not knowing. How I wish to know!\"\u003cbr\u003eIf knowing remains beyond us, the process of trying to work it out is as compelling as ever.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. She Was Picking Flowers (05:48)\u003cbr\u003e2. Wildegeeses (03:13)\u003cbr\u003e3. One Kind of Forever (02:58)\u003cbr\u003e4. Time (04:51)\u003cbr\u003e5. Prefab Moon (06:46)\u003cbr\u003e6. Lonesome Saturday Bed (03:56)\u003cbr\u003e7. Dark Cloud (06:02)\u003c\/p\u003e","brand":"WORLD OF ECHO","offers":[{"title":"Default Title","offer_id":46190481768604,"sku":"WOE028LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FieldCommanderAli-TheNextFromFieldCommander.jpg?v=1770813201"},{"product_id":"fred-frith-karen-stackpole-nature-cd","title":"Fred Frith + Karen Stackpole - Nature [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SR546\u003cbr\u003eBarcode: 5411867115465\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eDrummer\/percussionist Karen Stackpole has a long-standing passion for gongs, scrap metal, and a range of \"ethnic\" instruments. She\u003cbr\u003especializes in dynamic soundscapes and textures and has contributed gong sounds to more conventional musical genres as well as providing source material for film soundtracks. In her exploration of metals, she has cultivated some distinctive techniques for drawing harmonics out of tamtams with various implements. In addition to solo work, she has performed and recorded with Machine Shop: Live Amplified Gong Experience (a duo with electronics master, Drew Webster), Sabbaticus Rex, Ghost in the House, Vorticella, Malcolm Mooney and the Tenth Planet, the Francis Wong Unit, and the rock band Steel Hotcakes. Most recently her work has focused on duo performances and recordings with experimental instrument builder Krys Bobrowski (Gliss Glass \u0026amp; Gongs), contrabassist Bill Noertker (Talking Frog), and guitarist extraordinaire Fred Frith. Fred Frith - Pioneer of the extended electric guitar. He learned to compose in\u003cbr\u003eHenry Cow, developed his song-writing skills in Art Bears, explored his multi-instrumentalism in Skeleton Crew, rocked the house with\u003cbr\u003eMassacre and is still doing all of those things, having been in one band or another continuously since 1964! Meanwhile his work has been performed by both Baroque and contemporary music ensembles, along with string quartets, chamber orchestras, and a whole range of groups and artists in the ever-expanding field of semi-popular music. Fred composes extensively for film and dance, and taught improvisation for years at Mills College in Oakland, California and the Musik Akademie in Basel, Switzerland. His life-long passion for improvising has increasingly led him to work with artists who don't necessarily define themselves as improvisers, including Brazilian drummer Mariá Portugal, violinist gabby fluke-mogul, and bricoleur extraordinaire Sudhu Tewari. Fred is the subject of Nicolas Humbert and Werner Penzels' award-winning film Step Across the Border.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Fault 16:35\u003cbr\u003e2. Tephra 17:00\u003cbr\u003e3. Fissure 9:49\u003cbr\u003e4. 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Groove,” a tune that affirmed through a Rakim sample that the trio represented “New York, from Long Island.” On the strength of H20’s newfound respect among Hip Hop’s cypher legions, H2O dropped their debut album “Ism and Blues” to explore three true loves: weed, women, and Hip-Hop. The album reflects this triple love affair, combining hazy funk and jazz echoes with a rapper’s delight format. MCs Taste and DL are B-Boys in the\u003cbr\u003etraditional sense, playing off each other nicely with call-and-response rhymes, and cuts provided by DJ Six-Seven. In addition to the standout lead single “L.I. Groove”, other standout tracks include the horn-heavy “Ghetto Diamond”, a fortified ode to beautiful women of a Hip-Hop persuasion, and “Heels Without Souls” fuses Hip-Hop and the R\u0026amp;B-styled vocals of Vinia Mojica (Tribe Called Quest) with some flair. This largely slept-on album also features a guest appearance from New Jersey underground stalwarts the Artifacts and boasts production from the Stimulated Dummies aka SD50s (beatmakers for K.M.D., Brand Nubian, Grand Puba), Roc Raida (X-Ecutioners), and DJ Nastee. The album, rooted in jazz, R\u0026amp;B, and an old-school Hip-Hop aesthetic, caught a ripple of popularity with the non-mainstream Hip-Hop audience, but, unfortunately, the threesome was never heard from again. Get On Down is proud to bring back this Golden Era classic for the first time on vinyl in the US since it was originally released. The album is packaged in a gatefold jacket and pressed on Ghostly Blue and Ghostly Orange colored vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Joker's World\u003cbr\u003eA2. Babble On\u003cbr\u003eA3. Heels Without Souls\u003cbr\u003eB1. Shit We Do\u003cbr\u003eB2. Street Dwellers\u003cbr\u003eB3. A Lil Sumthing Featuring – Artifacts, Raquel\u003cbr\u003eB4. L.I. 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Metal movement rose rapidly thanks to strong support from record labels scouting in California, quickly becoming a major force that rivaled the British metal scene. For the first time since the global success of Hotel California, Los Angeles became the center of attention in rock and metal. Many American bands moved to California, drawn by new opportunities and a vibrant music scene. Unlike the New Wave of British Heavy Metal (NWOBHM), L.A. Metal developed a flashier, more accessible style that attracted a new audience and gradually pushed the British movement into decline.\u003cbr\u003eIn this highly competitive environment, bands were forced to constantly improve and stand out by performing relentlessly in small clubs. Among the groups that emerged, Hurricane took a more traditional and musical approach compared to the glam excess of many contemporaries. The band was built around guitarist Robert Sarzo and bassist Tony Cavazo, both already experienced musicians. After a long selection process, vocalist Kelly Hansen was chosen, and drummer Jay Schellen completed the lineup. Their first EP, Take What You Want (1985), produced by Kevin Beamish, helped them gain attention and eventually opened the door to Enigma Records, despite several setbacks including label problems and internal tensions. After signing with Enigma, the band worked with major producers Bob Ezrin and Mike Clink, which allowed them to refine their sound and create a more ambitious and mature album, Over The Edge. The resulting record captured the spirit of the American West Coast with powerful melodies, energetic hard rock, and more experimental elements. Highlights included a cover of Alice Cooper’s classic “I’m Eighteen” and tracks mixing intensity with humor. The album is remembered as a strong example of polished, heartfelt West Coast hard rock that has stood the test of time.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eCD1:\u003cbr\u003e1. 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Hot And Heavy\u003c\/p\u003e","brand":"BAD REPUTATION","offers":[{"title":"Default Title","offer_id":46190693023900,"sku":"BAD260302","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Hurricane-2CD.jpg?v=1770813215"},{"product_id":"iota-tonge-love-come-wicked-looking-at-the-world-7-splatter-single","title":"Iota \/ Tonge - Love Come Wicked \/ Looking At The World [7\" Splatter Single]","description":"\u003cp\u003eFormat: 7\" Single\u003cbr\u003eCatalogue No.: AGR045-C1\u003cbr\u003eBarcode: 0647581301937\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003eLove Come Wicked by Iota (USA - 1971)\u003cbr\u003eSide B\u003cbr\u003eLooking At The World by Tonge (UK - 1971)\u003c\/p\u003e","brand":"ANCIENT GREASE RECORDS","offers":[{"title":"Default Title","offer_id":46190712258716,"sku":"AGR045-C1","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IOTATONGE-LoveComeWicked.jpg?v=1770813221"},{"product_id":"john-wells-i-dont-wanna-die-pt-1-2-translucent-red-lp","title":"John Wells - I don't wanna die (Pt. 1 \u0026 2) [Translucent Red LP]","description":"\u003cp\u003eFormat: LP, Translucent Red LP\u003cbr\u003eCatalogue No.: LFMB001\u003cbr\u003eBarcode: 0784085104739\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eI don't wanna die (Pt. 1 \u0026amp; 2) is John Wells raw portrait of two years caught between a stalled music deal, broken trust, and the fight to stay alive. Set against fog and grit in Baltimore, the EP blends soul-baring lyricism with shifting, dreamlike production — confronting self-doubt, past mistakes, and the stubborn will to survive.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. I gotta slow down\u003cbr\u003e2. I cherish every moment\u003cbr\u003e3. I never got real answers\u003cbr\u003e4. I accidentally let the devil in (terlude)\u003cbr\u003e5. I called your phone\u003cbr\u003e6. MaNiya wants to help (skit)\u003cbr\u003e7. I’ve been skipping therapy (ft. Spottie Dolo)\u003cbr\u003e8. I prolly got time\u003cbr\u003e9. I don’t know who to trust (ft. Shooting Niro)\u003cbr\u003e10. I saw my dawg die\u003cbr\u003e11. I fall back to sleep (interlude)\u003cbr\u003e12. What am I running from?\u003cbr\u003e13. I couldn’t find the sun today (ft. Scotty Banx)\u003cbr\u003e14. 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That was it: an audible auratic journey trough the memories of a place lost in the heights of the swiss mountains.\u003cbr\u003eA century after the events depicted in the book, we went where the story took\u003cbr\u003eplace, trying to capture the remaining sounds that could have been heard at the\u003cbr\u003etime, and the ghosts who might have still wandered around.\u003cbr\u003eZauberberg is based on these captures, on recordings of the music played by\u003cbr\u003eHans Castorp (the novel’s main character), on acoustic\/electronic instrumentation and digital processing. The result is an evokation of time and duration, an\u003cbr\u003eexploration of what remains and what is lost, a meditation of the dissolution and\u003cbr\u003epersistence of the aura surrounding everything.\u003cbr\u003e— Kassel Jaeger, Nov. 19, 2015\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Zauberberg (Part I)\u003cbr\u003eB1. 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Period, Buckwild, DJ Clark Kent, Nick Wiz, The Beatnuts \u0026amp; Large Professor). The\u003cbr\u003ealbum was also praised for its strong lyrical content. Skillz, as we know him, was never short on captivating listeners with his punchlines and wordplay. In 2002, he began his annual “Rap Up” series, incorporating a year’s worth of headlines from the prior year. On From Where??? The singles “The Nod Factor and “Move Ya Body” received steady radio and video airplay while album cuts like “VA. In The House, “Doin Time In\u003cbr\u003eThe Cypha,” “The Jam,” and the showstopper “Extra Abstract Skillz” (Featuring Q-Tip \u0026amp; Large Professor) all round out the album with bangers from start to finish. Out of print on vinyl in the United States since its original release, Get On Down is proud to present another underrated Golden Era classic on vinyl. From Where??? is pressed on half-and-half with black splatter-colored vinyl, limited to 1000 copies.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. From Where??? (Intro)\u003cbr\u003eA2. It's Goin' Down\u003cbr\u003eA3. The Nod Factor\u003cbr\u003eA4. VA. In The House\u003cbr\u003eB1. Tongues Of The Next Shit\u003cbr\u003eB2. Doin' Time In The Cypha\u003cbr\u003eB3. Tip Of The Tongue\u003cbr\u003eB4. Extra Abstract Skillz\u003cbr\u003eC1. WMAD (Interlude)\u003cbr\u003eC2. Get Your Groove On\u003cbr\u003eC3.The Jam\u003cbr\u003eC4. Move Ya Body\u003cbr\u003eD1. Street Rules\u003cbr\u003eD2. All In It\u003cbr\u003eD3. Unseen World\u003cbr\u003eD4. 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The sound of FULLNESS is built on simple, living elements: real drums, deep bass, a warm sound, and melodies that leave space to breathe. It moves between Early Reggae, Rocksteady, and Roots - sometimes straight and solid, sometimes stretching out into Dub and Echo. With its voice, from singer and lyricist Marcus I, FULLNESS carries the message about gratitude, love, freedom, and the small moments of everyday life. While Marcus’s singing style nods to the great singers, he stays grounded in his own experience, which perfectly complements aDUBta’s production, giving him space to shine. This LP is a complete, warm, balanced, and uplifting experience from start to finish.\u003cbr\u003eFULLNESS grew from a steady musical exchange between Marcus I and aDUBta - two people on different sides of the Alps (Marcus I in France and aDUBta in Germany), finding a shared rhythm. What began in early 2022 with a few Riddims sent back and forth soon turned into a regular flow of songs. Every week brought new ideas, new words, and new melodies. When they finally met in person at aDUBta’s Attic Roots Studio in Bavaria, Germany, it all fell naturally into place. Most of the instruments were played by aDUBta, and the whole LP was mixed live on his Tascam 388, keeping that raw, handmade feel. With several friends helping bring even more color into the music, aDUBta brought in Viti Sanchez to lend his expressive saxophone and horn lines, Michael Salvermoser with his warm trombone tones, and members of the Black Oak Roots Allstars - King HuHa and Jannis Klenke on bass and guitars, along with Morry 'Da Baron' (Dub Inc.) on bass. FULLNESS means the fullness of music, of life, of friendship, of gratitude. It’s what happens when music becomes more than a project - when it turns into a shared space where things just flow.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Upful\u003cbr\u003e2. Mr. Bossman\u003cbr\u003e3. Youthman\u003cbr\u003e4. Island\u003cbr\u003e5. 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It is also a hand-painted Mekons T-shirt with a chicken smoking a cigarette on it. Hagar the Womb are very special and unique and of great value and I’m glad they didn’t really split up that night at the Hawley Arms even though they stole our rider.” Jon Langford 2025\u003cbr\u003eHagar The Womb - Fare Dodging With The Mekon’s Rider (3 Beers \u0026amp; A Lemon) The label image shows Chris knocking back one of the 3 beers on the train. This song emerged shortly after beer 3 was downed. Fare Dodging with the Mekon’s Rider came into being after we supported our all-time favourite band the Mekons a few years back in Brighton. Unlike the Hags, they had a bountiful rider including a bowl of fruit topped by a very splendid lemon. When it came to us making a mad dash for the train back to London, Ruth sneaked three beers from the Mekon’s rider into her bag and then found she couldn’t leave the lemon! Imbued with lawlessness, we bunked the train after being told we couldn’t board it as we had the wrong tickets. We finished the beers before it left the station, but reader - that lemon was never consumed. A sorry end to the citrus but in this song celebrating our evening’s gains, it will never be forgotten.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA - Mekons – Out Of Desperation (Luxury Chicken Song)\u003cbr\u003eAA – Hagar The Womb – Fare Dodging With The Mekon’s Rider (3 Beers \u0026amp; a Lemon)\u003c\/p\u003e","brand":"DAMAGED GOODS","offers":[{"title":"Default Title","offer_id":46190957625500,"sku":"DAMGOOD643","price":11.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/mekonsDAMGOOD643.jpg?v=1770817826"},{"product_id":"memorials-memorial-waterslides-blue-vinyl","title":"MEMORIALS - Memorial Waterslides [Blue Vinyl]","description":"\u003cp\u003eFormat: LP, Blue Vinyl\u003cbr\u003eCatalogue No.: FIRELP766B\u003cbr\u003eBarcode: 0809236005038\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e‘Memorial Waterslides’ is the debut album from MEMORIALS, the duo consisting of Verity Susman and Matthew Simms (previously of Electrelane and Wire). This is an otherworldly, surrealist pop record that is both timeless and timely, displaying a rare mix of classic songwriting and avant-garde attitudes. MEMORIALS create panoramic pop that draws on both the familiar and the strange, while also treading new ground. With their playful and experimental style, combined with a love of good tunes, they sit comfortably alongside Broadcast, Portishead, Arthur Russell, The Velvet Underground, Yo La Tengo and Tortoise. The album is awash with imagery evoking a lost future, a veiled present and a daydreamed past, each song playing a role in creating a swirling, widescreen atmosphere, the listener taken along for the ride. Produced entirely by the two of them, the sound of the record was inspired by the reel-to-reel tape experiments they first played around with onstage as they began to develop their multi-layered recordings for live performances as a duo. Following their acclaimed 2023 soundtracks ‘Women Against The Bomb’ and ‘Tramps!’, a European tour with Stereolab (they’ve been called “Stereolab’s evil twin”) and a new music commission from the Centre Pompidou in Paris, Verity and Matthew arrived at MEMORIALS in reverse, escaping their soundtracking day jobs to create cosmic journeys through the garden shed into psychedelic rock, far-out folk and wild analogue electronics. 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Released in 2001 on avant-garde icon John Zorn's Tzadik label, Under The Pipal Tree showcased a young Japanese quartet whose wide range of influences – most notably Sonic Youth, Mogwai, The Velvet Underground, and Neil Young's Crazy Horse – were on ferocious and ambitious display. Though MONO would eventually become known for their expert marriage of metal and classical genres, Under The Pipal Tree highlights the band's psychedelic roots. Long stretches of hypnotic, melodic washes give way to scorching guitar freakouts that evaporate into haunting silence. It's remarkable not just for its earnest exploration, but for its startling execution. 25 years and a dozen albums later, Under The Pipal Tree stands as one of the great debut albums by a seminal underground band.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Karelia (12:31)\u003cbr\u003e2. The Kidnapper Bell (10:00) 3. Jackie Says (7:31)\u003cbr\u003e4. OP Beach (5:49)\u003cbr\u003e5. Holy (1:41)\u003cbr\u003e6. Error #9 (12:34)\u003cbr\u003e7. L’America (4:38)\u003cbr\u003e8. 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If something we might deign to call self-discovery emerges over the course of these narratives, it owes in no small part to the scale of their scenes, to the modesty of their ambitions, in which tumult and adaptation and growth are metabolized through a body’s gentle actions and reactions, its moments of quietude and observation and reflection. “Into the current of life I will fly,” Hill sings on Oranges, a song that would serve her well as a mission statement. “Changing and loving and growing and trying.”\u003cbr\u003eHopeful Woman was recorded live in two parts: first in Lockhart, Texas —she’s a native of the state—and then in Western North Carolina, where she now makes her home. She enlisted a small ensemble of collaborators whose spacious but focused arrangements hum with the nuance and delicacy that has attended the recordings of another thoughtful Texas songwriter, the great Edith Frost. Hill’s crackerjack multi-instrumentalist partner Mat Davidson in particular appears throughout with preternatural grace: attend to his aching pedal steel on “Never Left Me,” or demurely pastoral-psychedelic flute that weaves through “Lucky to Be,” or the stacked fiddles on “Blue is the Color of My Sun.” All is in deft service to Hill’s magnificent voice, redolent of Hope Sandoval or Karen Dalton but more humane, more sturdy, closer to the earth.\u003cbr\u003eIt’s only close to the earth where hope takes root and, we can only hope, grows—not in reckless, wild fecundity but in measured steps, one at a time, while the storm gathers, rips through, passes. “And I know through time we’ll give and we’ll let go,” Hill sings. “And I know this time I’ll give and I’ll let go.” Hers is a wise and humane hopefulness, built exquisitely to human scale. The same can be said of this record.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A:\u003cbr\u003e1. Rose and Pink\u003cbr\u003e2. 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If something we might deign to call self-discovery emerges over the course of these narratives, it owes in no small part to the scale of their scenes, to the modesty of their ambitions, in which tumult and adaptation and growth are metabolized through a body’s gentle actions and reactions, its moments of quietude and observation and reflection. “Into the current of life I will fly,” Hill sings on Oranges, a song that would serve her well as a mission statement. “Changing and loving and growing and trying.”\u003cbr\u003eHopeful Woman was recorded live in two parts: first in Lockhart, Texas —she’s a native of the state—and then in Western North Carolina, where she now makes her home. She enlisted a small ensemble of collaborators whose spacious but focused arrangements hum with the nuance and delicacy that has attended the recordings of another thoughtful Texas songwriter, the great Edith Frost. Hill’s crackerjack multi-instrumentalist partner Mat Davidson in particular appears throughout with preternatural grace: attend to his aching pedal steel on “Never Left Me,” or demurely pastoral-psychedelic flute that weaves through “Lucky to Be,” or the stacked fiddles on “Blue is the Color of My Sun.” All is in deft service to Hill’s magnificent voice, redolent of Hope Sandoval or Karen Dalton but more humane, more sturdy, closer to the earth.\u003cbr\u003eIt’s only close to the earth where hope takes root and, we can only hope, grows—not in reckless, wild fecundity but in measured steps, one at a time, while the storm gathers, rips through, passes. “And I know through time we’ll give and we’ll let go,” Hill sings. “And I know this time I’ll give and I’ll let go.” Hers is a wise and humane hopefulness, built exquisitely to human scale. The same can be said of this record.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A:\u003cbr\u003e1. Rose and Pink\u003cbr\u003e2. Never Left Me\u003cbr\u003e3. Colors\u003cbr\u003e4. Kitchen Table\u003cbr\u003e5.Lady Pond\u003cbr\u003eSide B:\u003cbr\u003e6. Lucky To Be\u003cbr\u003e7. Blue is the Color of My Sun\u003cbr\u003e8. Oranges\u003cbr\u003e9. Endless Memory\u003cbr\u003e10. 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If something we might deign to call self-discovery emerges over the course of these narratives, it owes in no small part to the scale of their scenes, to the modesty of their ambitions, in which tumult and adaptation and growth are metabolized through a body’s gentle actions and reactions, its moments of quietude and observation and reflection. “Into the current of life I will fly,” Hill sings on Oranges, a song that would serve her well as a mission statement. “Changing and loving and growing and trying.”\u003cbr\u003eHopeful Woman was recorded live in two parts: first in Lockhart, Texas —she’s a native of the state—and then in Western North Carolina, where she now makes her home. She enlisted a small ensemble of collaborators whose spacious but focused arrangements hum with the nuance and delicacy that has attended the recordings of another thoughtful Texas songwriter, the great Edith Frost. Hill’s crackerjack multi-instrumentalist partner Mat Davidson in particular appears throughout with preternatural grace: attend to his aching pedal steel on “Never Left Me,” or demurely pastoral-psychedelic flute that weaves through “Lucky to Be,” or the stacked fiddles on “Blue is the Color of My Sun.” All is in deft service to Hill’s magnificent voice, redolent of Hope Sandoval or Karen Dalton but more humane, more sturdy, closer to the earth.\u003cbr\u003eIt’s only close to the earth where hope takes root and, we can only hope, grows—not in reckless, wild fecundity but in measured steps, one at a time, while the storm gathers, rips through, passes. “And I know through time we’ll give and we’ll let go,” Hill sings. “And I know this time I’ll give and I’ll let go.” Hers is a wise and humane hopefulness, built exquisitely to human scale. The same can be said of this record.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A:\u003cbr\u003e1. Rose and Pink\u003cbr\u003e2. Never Left Me\u003cbr\u003e3. Colors\u003cbr\u003e4. Kitchen Table\u003cbr\u003e5.Lady Pond\u003cbr\u003eSide B:\u003cbr\u003e6. Lucky To Be\u003cbr\u003e7. Blue is the Color of My Sun\u003cbr\u003e8. Oranges\u003cbr\u003e9. Endless Memory\u003cbr\u003e10. 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Growing up as a woman of color in a predominantly white Australia, Nkechi had fear and hesitation around expressing her Africanness and Nigerianess, and this album is about her journey. Both archival and contemporary, the album’s DNA is laced with musical and historic references as well as a cohesive vision of the present.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Kellen\u003cbr\u003e2. Owerri Disco\u003cbr\u003e3. Tourist\u003cbr\u003e4. Okra 4 Bilalli (feat. Bilalli)\u003cbr\u003e5. Oluwasam\u003cbr\u003e6. Stutter\u003cbr\u003e7. Daughters Always Listening I\u003cbr\u003e8. Niger River\u003cbr\u003e9. Daughter's Always Listening II\u003cbr\u003e10. Struggle for Kasawa\u003cbr\u003e11. Realised\u003cbr\u003e12. 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The Pop Hits \u0026amp; More 1965-1968 featuring all their A-sides, most of the B-sides, and selections from their two 60s albums - one of which has never seen the light of day on compact disc. Features 31 tracks - a full colour booklet with liner notes, pictures and annotations.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Don’t Bring Me Your Heartaches\u003cbr\u003e2. To Remind You Of My Love\u003cbr\u003e3. Have Pity On The Boy\u003cbr\u003e4. I Love Her\u003cbr\u003e5. I Love How You Love Me\u003cbr\u003e6. Baby I’m Sorry\u003cbr\u003e7. Have You Ever Loved Somebody\u003cbr\u003e8. Missy, Missy\u003cbr\u003e9. Rainbow Weather\u003cbr\u003e10. Keep It Out Of Sight\u003cbr\u003e11. Who Told You?\u003cbr\u003e12. Claire\u003cbr\u003e13. I’ll Make It Worth Your While\u003cbr\u003e14. I Made Her That Way\u003cbr\u003e15. (Love) You Don’t Know What It Means\u003cbr\u003e16. Am I Wasting My Time\u003cbr\u003e17. Pay You Back With Interest\u003cbr\u003e18. 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On thisalbum by Sonologyst, raw data from radio waves, electromagnetic fields, and plasma fluctuations, utilising data sonification files provided by NASA, are transformed into a haunting soundscape, unveiling the ambient music of planets, solar winds, and the cosmic beyond. As the newest addition to Sonologyst's series of sonic documentaries, this work deepens his exploration of the sonic spectrum, converting cosmic phenomena into immersive auditory experiences. Double CD in a matt-finish gatefold ecopak, with a bonus disc of the raw source material from NASA's probes. NASA and other space agencies have captured \"sounds\" from the cosmos by recording non-audible signals like radio waves, electromagnetic waves, and plasma (ionized gas that’s prevalent in space) wave fluctuations. These are converted into audio frequencies we can hear using a process called data sonification. Spacecraft like Voyager, Cassini, and Juno are equipped with special instruments (e.g., plasma wave antennas, magnetometers, radio wave receivers) to detect radio waves, plasma waves, and electromagnetic fields. These signals can provide data on phenomena like solar wind, planetary magnetospheres, and charged particles. Since many of these signals are outside our hearing range (radio waves might have frequencies far below the audible range (20 Hz to 20 kHz) or far above it, while magnetic and plasma waves are often in the range of milliHertz (mHz) to kilohertz (kHz), also outside human hearing.), they are converted using various techniques, including frequency scaling, sampling, filtering, and amplitude modulation. Some events, like plasma wave bursts, happen over long periods. Scientists may speed up the playback so we can hear the changes in a shorter time frame. 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Together with classically-trained guitarist and avant-garde autodidact Steve Parry, he created the restless, eerie batch of metallic polyrhythms, fractured avant-blooz and subaquatic noise klangs now titled ‘Womb’, which, with benefit of hindsight, roughly resemble aspects of Craig Leon’s ‘Nommos’ from the same year, or even far out John Fahey experiments, and early NWW and Robert Rental spectres - although they were quite unaware of all the above at the time. 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Getting together and writing under the radar for some years, the group would play a handful of sets at local house shows before ever deciding to release a song. Performed with a trademark looseness of feel, their tracks bridge maximalist aggression with the low-key and melancholy, somehow collaging the careful intricacy and sentimentality of early 2010's math rock with subtle pop sensibilities of classic guitar-driven music from the latter half of the 20th century. SUPERWORLD's tonal unpredictability is neither forced nor abashed, and remains tightly bound by each member's approach to the arrangements in whole.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. I Saw It Too\u003cbr\u003e2. Payback\u003cbr\u003e3. Circle of Palms\u003cbr\u003e4. Eraser\u003cbr\u003e5. Locked Room\u003cbr\u003e6. The Dream\u003cbr\u003e7. Surefire\u003cbr\u003e8. Dark Upper\u003cbr\u003e9. Stag Hunt\u003cbr\u003e10. 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A 2024 Sarah Vaughan International Jazz Vocal Competition 1st Runner-Up, Winters reimagines classics such as “Stormy Weather” and “If You Believe” with elegance, emotional depth, and narrative clarity. The album also features “Alive,” a contemporary anthem of resilience written by Andromeda Turre, bridging past and present.\u003cbr\u003eWinters is joined by a stellar lineup of musicians, including Michael Eckroth, Freddie Hendrix, Warren Wolf, Alexis Lombre, John Davis, Brad Allen Williams, Jason Ennis, Allan Mednard, Edward Perez, and Grammy Award winner Ben Williams, resulting in a collection that feels both reverent and refreshingly alive.\u003cbr\u003eTaking the Jazz Radio charts by surprise, debuting in the Top 40 on Jazzweek, critics are taking notice. Upscale Magazine writes, “Syndee Winters, a powerhouse performer with Broadway chops and jazz lineage, delivers a dazzling performance across every track… She doesn’t mimic Lena. She honors her.” Right On! 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Formed between bassist Che (founder of Flatspot Records), guitarist Brady (formerly of Turnstile), and drummer Ryan (formerly of End It), the band started through jam sessions in early 2024. Before they knew it, they had instrumentals for seven songs written and were ready to put lyrics to the tracks, and the search for a vocalist began. Che spotted Tim hopping on stage and grabbing the microphone at Disturbin’ The Peace Festival, invited him to try out for vocalist, and The S.E.T. was then complete.\u003cbr\u003eThe S.E.T. will release their debut Self Evident Truth EP, on February 27th through Flatspot Records. It’s 15 minutes of fury and groove, taking cues from Baltimore acts such as Gut Instinct (whose Sebastian Gorgone features on “White Lies”) and Stout and the crossover sounds of New York like Leeway and Judge. Recorded and mixed by Justin Day at New Noise Recording and mastered by Brad Boatright at Audiosiege, the tracks roar with thick bass lines, fast-paced drums, and rage fueled vocals. Lyrics come from a place of candor, expressing the basis of equal rights and defying the propaganda the current administration is spewing.\u003cbr\u003eAs The S.E.T. comes into fruition, the band wants to exist as a place to put words to action and come together as a community through both their music and live shows.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. This Chain\u003cbr\u003e2. T.M.T.\u003cbr\u003e3. White Lies (feat. Gut Instinct)\u003cbr\u003e4. Predetermined Hate\u003cbr\u003e5. Prey Strikes Back\u003cbr\u003e6. Truth Revealed\u003cbr\u003e7. Self Evident Truth\u003c\/p\u003e","brand":"FLATSPOT RECORDS","offers":[{"title":"Default Title","offer_id":46191329050780,"sku":"FSR091LP-C1","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/lp_96a6645d-6019-4767-ab7f-d90f23c5907f.png?v=1770821879"},{"product_id":"the-s-e-t-self-evident-truth-cd","title":"The S.E.T. - Self Evident Truth [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FSR091CD\u003cbr\u003eBarcode: 0840526500581\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eOut of Baltimore, Maryland comes The S.E.T. who are crafting 100% unapologetic hardcore music. Formed between bassist Che (founder of Flatspot Records), guitarist Brady (formerly of Turnstile), and drummer Ryan (formerly of End It), the band started through jam sessions in early 2024. Before they knew it, they had instrumentals for seven songs written and were ready to put lyrics to the tracks, and the search for a vocalist began. Che spotted Tim hopping on stage and grabbing the microphone at Disturbin’ The Peace Festival, invited him to try out for vocalist, and The S.E.T. was then complete.\u003cbr\u003eThe S.E.T. will release their debut Self Evident Truth EP, on February 27th through Flatspot Records. It’s 15 minutes of fury and groove, taking cues from Baltimore acts such as Gut Instinct (whose Sebastian Gorgone features on “White Lies”) and Stout and the crossover sounds of New York like Leeway and Judge. Recorded and mixed by Justin Day at New Noise Recording and mastered by Brad Boatright at Audiosiege, the tracks roar with thick bass lines, fast-paced drums, and rage fueled vocals. Lyrics come from a place of candor, expressing the basis of equal rights and defying the propaganda the current administration is spewing.\u003cbr\u003eAs The S.E.T. comes into fruition, the band wants to exist as a place to put words to action and come together as a community through both their music and live shows.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. This Chain\u003cbr\u003e2. T.M.T.\u003cbr\u003e3. White Lies (feat. Gut Instinct)\u003cbr\u003e4. Predetermined Hate\u003cbr\u003e5. Prey Strikes Back\u003cbr\u003e6. Truth Revealed\u003cbr\u003e7. Self Evident Truth\u003c\/p\u003e","brand":"FLATSPOT RECORDS","offers":[{"title":"Default Title","offer_id":46191329280156,"sku":"FSR091CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_113a59be-7b32-47ac-911b-0042471bf04d.png?v=1770821882"},{"product_id":"the-s-e-t-self-evident-truth-mc","title":"The S.E.T. - Self Evident Truth [MC]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: FSR091CASS\u003cbr\u003eBarcode: 0840526500598\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eOut of Baltimore, Maryland comes The S.E.T. who are crafting 100% unapologetic hardcore music. Formed between bassist Che (founder of Flatspot Records), guitarist Brady (formerly of Turnstile), and drummer Ryan (formerly of End It), the band started through jam sessions in early 2024. Before they knew it, they had instrumentals for seven songs written and were ready to put lyrics to the tracks, and the search for a vocalist began. Che spotted Tim hopping on stage and grabbing the microphone at Disturbin’ The Peace Festival, invited him to try out for vocalist, and The S.E.T. was then complete.\u003cbr\u003eThe S.E.T. will release their debut Self Evident Truth EP, on February 27th through Flatspot Records. It’s 15 minutes of fury and groove, taking cues from Baltimore acts such as Gut Instinct (whose Sebastian Gorgone features on “White Lies”) and Stout and the crossover sounds of New York like Leeway and Judge. Recorded and mixed by Justin Day at New Noise Recording and mastered by Brad Boatright at Audiosiege, the tracks roar with thick bass lines, fast-paced drums, and rage fueled vocals. Lyrics come from a place of candor, expressing the basis of equal rights and defying the propaganda the current administration is spewing.\u003cbr\u003eAs The S.E.T. comes into fruition, the band wants to exist as a place to put words to action and come together as a community through both their music and live shows.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. This Chain\u003cbr\u003e2. T.M.T.\u003cbr\u003e3. White Lies (feat. Gut Instinct)\u003cbr\u003e4. Predetermined Hate\u003cbr\u003e5. Prey Strikes Back\u003cbr\u003e6. Truth Revealed\u003cbr\u003e7. Self Evident Truth\u003c\/p\u003e","brand":"FLATSPOT RECORDS","offers":[{"title":"Default Title","offer_id":46191334260892,"sku":"FSR091CASS","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cass_515a4e1d-9dd1-4c2b-b3c7-a87e33fc020b.png?v=1770821885"},{"product_id":"the-silvertone-mistakes-green-smoke-vinyl","title":"The Silvertone - Mistakes [Green Smoke vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MR888\u003cbr\u003eBarcode: 0784085105538\u003cbr\u003eRelease Date: 13 Mar 2026\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eFast-rising Los Angeles band The Silvertone make a splash on the modern soul scene with Mistakes—their most soulful statement yet. Retro-laced and dripping with smoky vocals, dusty grooves, and late-night cool, this souldie record blends vintage R\u0026amp;B, classic soul, and a touch of psych—Sam Cooke meets Durand Jones under neon lights.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Warning Signs\u003cbr\u003e2. Mistakes\u003cbr\u003e3. She Was The One\u003cbr\u003e4. Love Magic\u003cbr\u003e5. Complicated\u003cbr\u003e6. I Cry\u003cbr\u003e7. Are You Ready\u003cbr\u003e8. June\u003cbr\u003e9. All I Really Want Is You\u003cbr\u003e10. We Don't Have To\u003cbr\u003e11. Flowers\u003cbr\u003e12. Trust Is Broken\u003c\/p\u003e","brand":"MIXTO RECORDS","offers":[{"title":"Default Title","offer_id":46191791014044,"sku":"MR888","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TheSilvertone-Mistakesgreenmockup.jpg?v=1770834921"},{"product_id":"tvam-ruins-crystal-clear-vinyl","title":"TVAM - Ruins [Crystal Clear Vinyl]","description":"\u003cp\u003eFormat: LP, Crystal Clear Vinyl\u003cbr\u003eCatalogue No.: INV348LP-C1 \u003cbr\u003eBarcode: \u003cspan\u003e0617308005646 \u003c\/span\u003e\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eTVAM returns with news of his new album, Ruins, which is due to be released on ‘Crystal Clear’ vinyl on 27 February via Invada Records.\u003cbr\u003eThe follow-up to High Art Lite, Ruins is an album shaped by grief, reflection, and transformation; a record that captures both the weight of loss and the strange beauty that comes with it. Written after a self-imposed break from songwriting, it represents a shift in focus and perspective for Joseph Oxley. “I wanted to step away from what I thought I was supposed to make,” he explains. “The worst advice anyone can give you is, ‘If it ain’t broke, don’t fix it.’ It’s always broken. It always needs fixing.”\u003cbr\u003eAt its core, Ruins explores loss not as emptiness but as presence, something that reshapes the world around you. The album finds Oxley wrestling with the dualities of human experience: the tension between what’s said and unsaid, between humanism and nihilism, public and private, despair and acceptance. “Hope and despair don’t cancel each other out,” he says. “They can co-exist — that’s what makes it feel real.”\u003cbr\u003eSomewhere within a lifetime of repeats, reruns, and reboots, TVAM lives, crafting work that touches on our memories while toying with our fears, creating a world in which broadcast becomes performance. Since his debut album Psychic Data burst from a small bedroom studio in Wigan, TVAM has defined the sound and spectacle of nostalgia’s grip on modern life, from the sloganeering of “Porsche Majeure” to the electioneering of “Semantics,” his music has gained daytime playlisting on BBC 6 Music and has been featured on TV including groundbreaking series Succession.\u003cbr\u003eMusically, Ruins is expansive and immersive. Dark but magical, it is filled with reverb-drenched synths, fractured textures and hammer-blow snares. Guitars weave through the mix with a newfound restraint, creating space for atmosphere and emotion to take centre stage. “Broken reality” textures collide with driving rhythms, recalling the cinematic pulse of Floodland-era The Sisters of Mercy, and the melodic melancholy of Disintegration-era The Cure. The result is a record that finds beauty in dissonance and light in the wreckage.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01. Comfort Collar\u003cbr\u003e02. The Gloom\u003cbr\u003e03. The Words\u003cbr\u003e04. Real Life\u003cbr\u003e05. Powder Blue\u003cbr\u003e06. Follow Me Home\u003cbr\u003e07. Winter Rose\u003cbr\u003e08. In Memory\u003cbr\u003e09. Love Like Glue\u003cbr\u003e10. Sweetness \u0026amp; Light\u003cbr\u003e11. The Haunted\u003c\/p\u003e","brand":"INVADA","offers":[{"title":"Default Title","offer_id":46191796125852,"sku":"INV348LP-C1","price":26.62,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TVAM_RUINS.jpg?v=1770817930"},{"product_id":"waterbaby-memory-be-a-blade-cd","title":"waterbaby - Memory Be A Blade [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SPCD1702\u003cbr\u003eBarcode: 0098787170221\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRising Stockholm, Sweden-based singer-songwriter waterbaby romanticizes everything. You can hear it in the rising star’s music, which is nostalgic, tender, and as fluid as her stage name implies. waterbaby was surrounded by music as a child, from her great-grandad, a jazz pianist, to her uncle, who worked in clubs, to her own brother, who performs under the name tt. She eventually found her own way and sound, releasing her debut EP Foam with Sub Pop in 2023. Produced by her main collaborator Marcus White (YG, Anna of the North), the fizzy, confessional, guitar-driven project featured the singles “911,” “Airforce blue,” and “Wishing well.”\u003cbr\u003eFollowing the 2025 releases of singles “Amiss” and award-winning Hannes collaboration “Wish,” waterbaby is preparing for the highly anticipated release of her full-length debut, Memory Be a Blade. Darker and more lush than her EP, waterbaby’s new music comes from a place of subconscious heartbreak, reflecting on a past break-up as she was about to experience a new one. White brought in a stellar team of musicians to add depth and wholeness to the sound, reflecting waterbaby’s classical music background. “It basically took shape before our eyes,” she says of the seamless process of bringing these emotional new songs to life. This time, the lyrics were more improvised, allowing waterbaby more freedom to express what she needed to say.\u003cbr\u003e“I took the mic not knowing what I’m about to do,” she says, “and that’s become the most honest outlet in my life.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Sink\u003cbr\u003e2.Memory Be a Blade\u003cbr\u003e3.Clay\u003cbr\u003e4.Beck n Call\u003cbr\u003e5.Minnie\u003cbr\u003e6.Minnie Too\u003cbr\u003e7.Amiss\u003cbr\u003e8.Srs Ice\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":46191806546076,"sku":"SPCD1702","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/waterbaby_MemoryBeABlade_Mockup_CD_2000x2000_e2800c06-5c3b-4e54-a42b-440118d0e016.jpg?v=1770835091"},{"product_id":"waterbaby-memory-be-a-blade-loser-edition-arctic-pearl-vinyl","title":"waterbaby - Memory Be A Blade [Loser Edition Arctic Pearl Vinyl]","description":"\u003cp\u003eFormat: LP, Loser Edition Arctic Pearl Vinyl\u003cbr\u003eCatalogue No.: SP1702X\u003cbr\u003eBarcode: 0098787170207\u003cbr\u003eRelease Date: 06 Mar 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRising Stockholm, Sweden-based singer-songwriter waterbaby romanticizes everything. You can hear it in the rising star’s music, which is nostalgic, tender, and as fluid as her stage name implies. waterbaby was surrounded by music as a child, from her great-grandad, a jazz pianist, to her uncle, who worked in clubs, to her own brother, who performs under the name tt. She eventually found her own way and sound, releasing her debut EP Foam with Sub Pop in 2023. Produced by her main collaborator Marcus White (YG, Anna of the North), the fizzy, confessional, guitar-driven project featured the singles “911,” “Airforce blue,” and “Wishing well.”\u003cbr\u003eFollowing the 2025 releases of singles “Amiss” and award-winning Hannes collaboration “Wish,” waterbaby is preparing for the highly anticipated release of her full-length debut, Memory Be a Blade. Darker and more lush than her EP, waterbaby’s new music comes from a place of subconscious heartbreak, reflecting on a past break-up as she was about to experience a new one. White brought in a stellar team of musicians to add depth and wholeness to the sound, reflecting waterbaby’s classical music background. “It basically took shape before our eyes,” she says of the seamless process of bringing these emotional new songs to life. 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