{"title":"Cargo WK 04 2026","description":"","products":[{"product_id":"cypress-hill-cypress-hill-1","title":"Cypress Hill - Cypress Hill [Red Vinyl]","description":"\u003cp\u003eFormat: LP, Red Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: GET51293LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0664425129311\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 20 Feb 2026\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\u003c\/p\u003e\n\u003cp\u003eRepressed on red vinyl, note price change. Cypress Hill’s self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren’t usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice. From the opening notes of the group’s first single, “The Phuncky Feel One,” to deeper album cuts like “Stoned Is The Way Of The Walk” and “Tres Equis,” it was clear that Cypress Hill was something different. And very, very dope. The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real’s back, to bring intensity and a no-bullshit gruffness that made the group both menacing and unpredictable. When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group’s relationship in the reissue’s liner notes (which is included only in limited edition Skull) saying, “[By the late ‘80s] the undisputed Cypress unit finally formed. B and Sen realized that their diametric styles - the latter’s deep wrangle, the former’s inimitable high notes - complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop’s most formidable young producer, while straddling the bi-coastal gap.” Cypress Hill’s debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of “The Phuncky One” and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group’s live set to this day.\u003c\/p\u003e\n\u003cp\u003eA1. Pigs A2. How I Could Just Kill A Man A3. Hand On The Pump A4. Hole In The Head A5. Ultraviolet Dreams A6. Light Another A7. The Phuncky Feel One A8. Break It Up B1. Real Estate B2. Stoned Is The Way Of The Walk B3. Psychobetabuckdown B4. Something For The Blunted B5. Latin Lingo B6. The Funny Cypress Hill Shit B7. Tres Equis B8. Born To Get Busy\u003c\/p\u003e","brand":"Traffic Entertainment","offers":[{"title":"Default Title","offer_id":39871088754844,"sku":"GET51293LP","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/CYPRESSHILLCypressHillLP.jpg?v=1620665971"},{"product_id":"spacemen-3-sound-of-confusion","title":"Spacemen 3 – Sound Of Confusion","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FIRELP015  \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0809236101518\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 30th July 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eRepress: May 2024\u003c\/p\u003e\n\u003cp\u003eClassic black vinyl pressing on 140g LP. Spacemen 3’s debut album \"Sound Of Confusion\", released in 1986, was a blistering affair - establishing their love of the two-chord song and also expressing their admiration for the likes of MC5, The 13th Floor Elevators and The Stooges. Sound of Confusion was 7 tracks of overdriven assault, with a strange bleakness and despair creeping through the hypnotic sprawl. R Hunter Gibson would later say: \"It boosts the value of unlit rooms, unpaid debts and unfeigned terror and it would rather tackle the gradients than settle for level best.\u003c\/p\u003e\n\u003cp\u003eTracks : 1 Loosing Touch With Your Mind 2 2.35, 3 Little Doll, 4 MaryAnne, 5 Roller coaster, 6 Hey Man, 7 OD Catastophe.\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":40231758200988,"sku":"FIRELP015","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FIRELP015.jpg?v=1624291886"},{"product_id":"esg-come-away-with-esg-1","title":"ESG - Come Away With ESG","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FIRELP140\u003cbr\u003eBarcode: 0809236114013\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Funk\u003c\/p\u003e\n\u003cp\u003eRepress. LP is Black Vinyl (Different from the RSD issue). Come Away With ESG - 35-year anniversary release of the classic genre-busting debut album by the Bronx sisters ESG. The sample-friendly opus that’s the inspiration for hip-hop, house and post punk. Music that falls outside of the no wave, new wave and post punk library, it’s for the dance floor but it’s not funk, there’s no horns, no driving organ; it’s the opposite of Sly And The Family Stone but no less cool and no less groovy. “A lasting document of their unique brand of minimal funk that would influence subsequent post-punk, hip-hop, and dance music acts. Stripped down to the most basic of drumbeats and rudimentary bass lines, ‘Come Away’ confirms the notion that the real rhythm is what happens between the beats. - AllMusic \/\/ “This is dub disco with a punk edge.” Paste \/\/ “Uncut punk-funk straight off the streets of the South Bronx.” Record Collector \/\/ “ESG are that rare thing” Guardian \/\/ “Come Away with ESG sounds so shockingly current.” Paste \/\/ “A musical snapshot of New York City at the beginning of the '80s.” Allmusic \/\/ Track Listing 1. Come Away 2. Dance 3. You Make No Sense 4. Parking Lot Blues 5. Chistelle 6. About You 7. It’s Alright 8. Moody ( Spaced Out ) 9. Tiny Sticks 10. The Beat 11. My Love For You\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":43086579204252,"sku":"FIRELP140","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ESG-ComeAwayWithESG_05e9c54c-4ecd-4fba-913f-dd430aff5835.jpg?v=1707749270"},{"product_id":"witch-witch-including-janet","title":"Witch - Witch (Including Janet)","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: NA6107LP\u003cbr\u003eBarcode: 0659457610715\u003cbr\u003eRelease Date: 20 Feb 2026\u003cbr\u003eGenre: International\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArchival reissue of the Afro-prog-psych Zamrock masterpiece presented for the first time ever in a yellow vinyl pressing. \"Electrified by a diet of James Brown, the Stones and Deep Purple, WITCH were the stadium-filling kings of 70s Zamrock. - **** MOJO. WITCH’s musical arc is contained to a five year span and, in retrospect, is a logical one. The band’s fifth and final rock album - released before the band splintered and an offshoot band traveled to Zimbabwe to record and release disco albums - makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. Like Lukombo Vibes before it, it is in the Osibas “afro-rock” style.\u003c\/p\u003e\n\u003cp\u003eA1. Janet A2. As Days Go By A3. Ntendelakumbi A4. In Flight A5. Nazingwa B1. Silverlady B2. Anyinamwana B3. Mama Feel Good B4. The Way I Feel \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Janet\" src=\"https:\/\/www.youtube.com\/embed\/Z_FR3rhR_D4?list=PLohGHdiAXn0Vy7Lsv3n4lz7xTaRmwUYYE\" height=\"368\" width=\"864\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Now-Again Records","offers":[{"title":"Default Title","offer_id":43822371668124,"sku":"NA6107LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/WITCHWitch_IncludingJanet_LP.jpg?v=1717318534"},{"product_id":"nothing-a-short-history-of-decay-cassette","title":"Nothing - a short history of decay [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: RFC295CSC1\u003cbr\u003eBarcode: 0199438001083\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative \/ Shoegaze, Rock\u003c\/p\u003e\n\u003cp\u003eClear Tint\u003c\/p\u003e\n\u003cp\u003eFifth LP from NOTHING \u0026amp; first full-length on Run For Cover Records\u003cbr\u003eFirst full-length release in six years following 2020’s The Great Dismal\u003cbr\u003eMusic videos for all singles including ‘cannibal world’\u003c\/p\u003e\n\u003cp\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date.\u003c\/p\u003e\n\u003cp\u003eThe band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Cowritten and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme. On the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, Guilty of Everything -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with a short history of decay,. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e1. never come never morning\u003cbr\u003e2. cannibal world\u003cbr\u003e3. a short history of decay\u003cbr\u003e4. the rain don’t care\u003cbr\u003eSide B\u003cbr\u003e1. purple strings\u003cbr\u003e2. toothless coal\u003cbr\u003e3. ballet of the traitor\u003cbr\u003e4. nerve scales\u003cbr\u003e5. essential tremors\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":45502245437596,"sku":"RFC295CSC1","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/project_files_file_uploads_542_RFC295cass-c1.jpg?v=1762262106"},{"product_id":"nothing-a-short-history-of-decay-cd","title":"Nothing - a short history of decay [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: RFC295CD\u003cbr\u003eBarcode: 0199438000895\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative \/ Shoegaze, Rock\u003c\/p\u003e\n\u003cp\u003eFifth LP from NOTHING \u0026amp; first full-length on Run For Cover Records\u003cbr\u003eFirst full-length release in six years following 2020’s The Great Dismal\u003cbr\u003eMusic videos for all singles including ‘cannibal world’\u003c\/p\u003e\n\u003cp\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date.\u003c\/p\u003e\n\u003cp\u003eThe band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Cowritten and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme. On the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, Guilty of Everything -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with a short history of decay,. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e1. never come never morning\u003cbr\u003e2. cannibal world\u003cbr\u003e3. a short history of decay\u003cbr\u003e4. the rain don’t care\u003cbr\u003eSide B\u003cbr\u003e1. purple strings\u003cbr\u003e2. toothless coal\u003cbr\u003e3. ballet of the traitor\u003cbr\u003e4. nerve scales\u003cbr\u003e5. essential tremors\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":45502246879388,"sku":"RFC295CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Nothing-Ashorthistoryofdecay_9deb8495-1989-47b4-9baa-ffbb4ab32bba.jpg?v=1762261890"},{"product_id":"nothing-a-short-history-of-decay-x-ray-vinyl","title":"Nothing - a short history of decay [X-Ray Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RFC295LPC4\u003cbr\u003eBarcode: 0199438001526\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative \/ Shoegaze, Rock\u003c\/p\u003e\n\u003cp\u003eFifth LP from NOTHING \u0026amp; first full-length on Run For Cover Records\u003cbr\u003eFirst full-length release in six years following 2020’s The Great Dismal\u003cbr\u003eMusic videos for all singles including ‘cannibal world’\u003c\/p\u003e\n\u003cp\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date.\u003c\/p\u003e\n\u003cp\u003eThe band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Cowritten and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme. On the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, Guilty of Everything -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with a short history of decay,. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e1. never come never morning\u003cbr\u003e2. cannibal world\u003cbr\u003e3. a short history of decay\u003cbr\u003e4. the rain don’t care\u003cbr\u003eSide B\u003cbr\u003e1. purple strings\u003cbr\u003e2. toothless coal\u003cbr\u003e3. ballet of the traitor\u003cbr\u003e4. nerve scales\u003cbr\u003e5. essential tremors\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":45502248976540,"sku":"RFC295LPC4","price":23.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/project_files_file_uploads_536_RFC295lp-c04.jpg?v=1762262088"},{"product_id":"nothing-a-short-history-of-decay-rfc-first-run-club-version-candy-corn-vinyl","title":"Nothing - a short history of decay [RFC First Run Club Version – Candy Corn Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RFC295LPC5\u003cbr\u003eBarcode: 0199438001533\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative \/ Shoegaze, Rock\u003c\/p\u003e\n\u003cp\u003eFifth LP from NOTHING \u0026amp; first full-length on Run For Cover Records\u003cbr\u003eFirst full-length release in six years following 2020’s The Great Dismal\u003cbr\u003eMusic videos for all singles including ‘cannibal world’\u003c\/p\u003e\n\u003cp\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date.\u003c\/p\u003e\n\u003cp\u003eThe band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Cowritten and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme. On the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, Guilty of Everything -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with a short history of decay,. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e1. never come never morning\u003cbr\u003e2. cannibal world\u003cbr\u003e3. a short history of decay\u003cbr\u003e4. the rain don’t care\u003cbr\u003eSide B\u003cbr\u003e1. purple strings\u003cbr\u003e2. toothless coal\u003cbr\u003e3. ballet of the traitor\u003cbr\u003e4. nerve scales\u003cbr\u003e5. essential tremors\u003c\/p\u003e","brand":"RUN FOR COVER","offers":[{"title":"Default Title","offer_id":45502250287260,"sku":"RFC295LPC5","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/project_files_file_uploads_537_RFC295lp-c05.jpg?v=1762262067"},{"product_id":"crooked-fingers-swet-deth-cd","title":"Crooked Fingers - Swet Deth  [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MRG878CD\u003cbr\u003eBarcode: 0673855087825\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eOne afternoon, Eric Bachmann’s son returned from school with a sheath of pictures he’d drawn, all of them macabre. “There were crows and sinister figures with scythes and tombstones,” he recalls. On one, he had written ‘DETH, SWET DETH,’ and everything clicked in my head.” Swet Deth, Bachmann’s first album under his Crooked Fingers moniker after a 15-year hiatus, organized itself around the image: its songs are about death, yes, but there’s a sweetness to them, a wry sensibility to his lyrics that comes from having experienced many kinds of death and the life that follows in its wake.\u003cbr\u003e“Crooked Fingers” is a historically slippery concept — no two albums sound alike or feature the same lineup in studio or on tour. Hearing parts in these songs that called for instruments he didn’t play or vocals that weren’t in his register, he found himself expanding the roster of guest musicians further than he had on any album in his catalog, including Sharon Van Etten (“Haunted”), The National’s Matt Berninger (“From All Ways”), and Superchunk’s Mac McCaughan (“Cold Waves”). But first he started with family, friends, and frequent collaborators. Jon Rauhouse plays pedal steel. Bachmann’s wife, Liz Durrett, contributes vocals, as do members of his touring band, Skylar Gudasz and Avery Leigh Draut (of Night Palace).\u003cbr\u003eThere is a freedom to this collection of songs, a groove to them that would belie their agonies and anxieties were mere death the album’s point and not what comes before. For Eric Bachmann, that has been growth, as a musician and as a man. Like the tree sprouting from the graveyard on its cover, Swet Deth is surprising and lush, a shock of color against its morbid landscape, proof of life in the shadow of its opposite. “RIP Eric Bachmann,” one tombstone reads. As Crooked Fingers, he’s never felt more alive.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Cold Waves\u003cbr\u003e2. From All Ways\u003cbr\u003e3. Spray Tan Speed Queen (In a German Car)\u003cbr\u003e4. Insomnia\u003cbr\u003e5. Empty Love and Cheap Thrills\u003cbr\u003eSIDE B\u003cbr\u003e6. Haunted\u003cbr\u003e7. Hospital\u003cbr\u003e8. (I’m Your) Bodhisattva\u003cbr\u003e9. Lena\u003cbr\u003e10. Steady Now\u003c\/p\u003e","brand":"MERGE RECORDS","offers":[{"title":"Default Title","offer_id":45604971380892,"sku":"MRG878CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/878_crookedfingers_swetdeth_CD1.jpg?v=1763579535"},{"product_id":"crooked-fingers-swet-deth-lp","title":"Crooked Fingers - Swet Deth  [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG878LP\u003cbr\u003eBarcode: 0673855087818\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eOne afternoon, Eric Bachmann’s son returned from school with a sheath of pictures he’d drawn, all of them macabre. “There were crows and sinister figures with scythes and tombstones,” he recalls. On one, he had written ‘DETH, SWET DETH,’ and everything clicked in my head.” Swet Deth, Bachmann’s first album under his Crooked Fingers moniker after a 15-year hiatus, organized itself around the image: its songs are about death, yes, but there’s a sweetness to them, a wry sensibility to his lyrics that comes from having experienced many kinds of death and the life that follows in its wake.\u003cbr\u003e“Crooked Fingers” is a historically slippery concept — no two albums sound alike or feature the same lineup in studio or on tour. Hearing parts in these songs that called for instruments he didn’t play or vocals that weren’t in his register, he found himself expanding the roster of guest musicians further than he had on any album in his catalog, including Sharon Van Etten (“Haunted”), The National’s Matt Berninger (“From All Ways”), and Superchunk’s Mac McCaughan (“Cold Waves”). But first he started with family, friends, and frequent collaborators. Jon Rauhouse plays pedal steel. Bachmann’s wife, Liz Durrett, contributes vocals, as do members of his touring band, Skylar Gudasz and Avery Leigh Draut (of Night Palace).\u003cbr\u003eThere is a freedom to this collection of songs, a groove to them that would belie their agonies and anxieties were mere death the album’s point and not what comes before. For Eric Bachmann, that has been growth, as a musician and as a man. Like the tree sprouting from the graveyard on its cover, Swet Deth is surprising and lush, a shock of color against its morbid landscape, proof of life in the shadow of its opposite. “RIP Eric Bachmann,” one tombstone reads. As Crooked Fingers, he’s never felt more alive.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Cold Waves\u003cbr\u003e2. From All Ways\u003cbr\u003e3. Spray Tan Speed Queen (In a German Car)\u003cbr\u003e4. Insomnia\u003cbr\u003e5. Empty Love and Cheap Thrills\u003cbr\u003eSIDE B\u003cbr\u003e6. Haunted\u003cbr\u003e7. Hospital\u003cbr\u003e8. (I’m Your) Bodhisattva\u003cbr\u003e9. Lena\u003cbr\u003e10. Steady Now\u003c\/p\u003e","brand":"MERGE RECORDS","offers":[{"title":"Default Title","offer_id":45604971413660,"sku":"MRG878LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/878_crookedfingers_swetdeth_LP1.jpg?v=1763579580"},{"product_id":"heavenly-highway-to-heavenly-white-vinyl","title":"Heavenly - Highway To Heavenly (White Vinyl)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SKEPWAX040LP\u003cbr\u003eBarcode: 5055869551663\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eHeavenly return! As fiercely independent as any punk band, but as sweetly melodic as any chart-topping act, Heavenly combine sharp-edged lyrics with shamelessly joyful pop music.\u003c\/p\u003e\n\u003cp\u003e‘Highway To Heavenly’ shares this musical recipe with the band’s first four albums, all of which were released in the 1990s at a time when sensitive indie types in the UK were sheltering from the prevailing macho-rock storm under the Sarah Records umbrella, and when women in the US were starting to find their Riot Grrrl voices in the small town of Olympia, where labels like K and Kill Rock Stars were designing a new creative space.\u003c\/p\u003e\n\u003cp\u003eHeavenly were on Sarah Records in the UK and on K in the US - and maybe this is a useful shorthand for understanding the band’s ability to meld the attitude of American Riot Grrrl bands with the pop charms of the English indie scene. In terms of style, Heavenly presented an androgynous look – short hair and pinafores for Amelia and Cathy - while Peter Rob and Mathew determinedly avoided the theatrics of male rock. Heavenly did not want to fit in with the hyper-gendered corporate music scene of the 1990s, and the band have stayed determinedly independent ever since (this new album is released on Rob and Amelia’s Skep Wax label). The new songs are full of anger, of grief, of empathy, of love, and set themselves in opposition to the resurgence of the cold ‘masculine energy’ that is making the world a miserable, aggressive place today.\u003c\/p\u003e\n\u003cp\u003eHeavenly have recently enjoyed a huge resurgence of interest from a younger generation of fans, who have cottoned on to Heavenly’s music, but also embraced the band’s inclusive version of feminism. Portland Town is a joyful celebration of a place where diversity is welcomed. Press Return is a demolition of those men who think technology and wealth make them winners rather than sad losers. Excuse Me is an outburst of punk energy, as effervescent as a song on the first Undertones album, gleefully celebrating a teenage romance with the nerdiest boy in school. A Different Beat tells the entire story of a doomed relationship, its heroine falling for and then escaping from an oppressive man, before heading for the metaphorical disco of freedom. Heavenly have clearly been to a disco or two lately: opening track Scene Stealing feels like a distant cousin of Blondie’s ‘Heart Of Glass’ and tells the story of self-obsessed YouTube influencers who don’t know how to treat women with respect. By contrast, album closer That Last Day may be most poignant song about bereavement you will hear all year, certainly the only one you’ll want to sing along to. It’s all pop here, but Highway To Heavenly has a huge range of tones and moods.\u003c\/p\u003e\n\u003cp\u003eThe band comprises original members Amelia Fletcher, Peter Momtchiloff, Cathy Rogers and Rob Pursey, who are now joined on drums by Ian Button. (An important element of the Heavenly story was the loss of Mathew Fletcher, who took his own life just before the fourth album was released. It took Amelia, Peter, Cathy and Rob a long time to get over the loss; maybe it took even longer to find a drummer as good as Ian.) The new Heavenly have played a number of sell-out shows in the past couple of years, where older fans have mingled with new devotees. The band are looking forward to their slow-motion international tour in the first half of 2026, with dates in the UK, the US, Canada, France, Greece and Spain.\u003c\/p\u003e\n\u003cp\u003eHighway To Heavenly was recorded at Rumbaba (Deptford, London) and at The Sunday School (Kent). It was produced by Toby Burroughs.\u003c\/p\u003e\n\u003cp\u003eHeavenly are:\u003c\/p\u003e\n\u003cp\u003eAmelia Fletcher – vocals, guitar, Cathy Rogers – vocals, keyboard, Ian Button – drums, Peter Momtchiloff – guitar, Rob Pursey – bass.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e01. Scene Stealing\u003cbr\u003e02. Portland Town\u003cbr\u003e03. Press Return\u003cbr\u003e04. Skep Wax\u003cbr\u003e05. Deflicted\u003cbr\u003e06. Excuse Me\u003cbr\u003eSIDE B\u003cbr\u003e07. A Different Beat\u003cbr\u003e08. Good Times\u003cbr\u003e09. The Neverseen\u003cbr\u003e10. She Is The One\u003cbr\u003e11. That Last Day\u003c\/p\u003e","brand":"SKEP WAX RECORDS","offers":[{"title":"Default Title","offer_id":45900853018780,"sku":"SKEPWAX040LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Heavenly_HighwayToHeavenlyLPrender.jpg?v=1767749186"},{"product_id":"heavenly-highway-to-heavenly-cd","title":"Heavenly - Highway To Heavenly (CD)","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SKEPWAX040CD\u003cbr\u003eBarcode: 5055869551670\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eHeavenly return! As fiercely independent as any punk band, but as sweetly melodic as any chart-topping act, Heavenly combine sharp-edged lyrics with shamelessly joyful pop music.\u003c\/p\u003e\n\u003cp\u003e‘Highway To Heavenly’ shares this musical recipe with the band’s first four albums, all of which were released in the 1990s at a time when sensitive indie types in the UK were sheltering from the prevailing macho-rock storm under the Sarah Records umbrella, and when women in the US were starting to find their Riot Grrrl voices in the small town of Olympia, where labels like K and Kill Rock Stars were designing a new creative space.\u003c\/p\u003e\n\u003cp\u003eHeavenly were on Sarah Records in the UK and on K in the US - and maybe this is a useful shorthand for understanding the band’s ability to meld the attitude of American Riot Grrrl bands with the pop charms of the English indie scene. In terms of style, Heavenly presented an androgynous look – short hair and pinafores for Amelia and Cathy - while Peter Rob and Mathew determinedly avoided the theatrics of male rock. Heavenly did not want to fit in with the hyper-gendered corporate music scene of the 1990s, and the band have stayed determinedly independent ever since (this new album is released on Rob and Amelia’s Skep Wax label). The new songs are full of anger, of grief, of empathy, of love, and set themselves in opposition to the resurgence of the cold ‘masculine energy’ that is making the world a miserable, aggressive place today.\u003c\/p\u003e\n\u003cp\u003eHeavenly have recently enjoyed a huge resurgence of interest from a younger generation of fans, who have cottoned on to Heavenly’s music, but also embraced the band’s inclusive version of feminism. Portland Town is a joyful celebration of a place where diversity is welcomed. Press Return is a demolition of those men who think technology and wealth make them winners rather than sad losers. Excuse Me is an outburst of punk energy, as effervescent as a song on the first Undertones album, gleefully celebrating a teenage romance with the nerdiest boy in school. A Different Beat tells the entire story of a doomed relationship, its heroine falling for and then escaping from an oppressive man, before heading for the metaphorical disco of freedom. Heavenly have clearly been to a disco or two lately: opening track Scene Stealing feels like a distant cousin of Blondie’s ‘Heart Of Glass’ and tells the story of self-obsessed YouTube influencers who don’t know how to treat women with respect. By contrast, album closer That Last Day may be most poignant song about bereavement you will hear all year, certainly the only one you’ll want to sing along to. It’s all pop here, but Highway To Heavenly has a huge range of tones and moods.\u003c\/p\u003e\n\u003cp\u003eThe band comprises original members Amelia Fletcher, Peter Momtchiloff, Cathy Rogers and Rob Pursey, who are now joined on drums by Ian Button. (An important element of the Heavenly story was the loss of Mathew Fletcher, who took his own life just before the fourth album was released. It took Amelia, Peter, Cathy and Rob a long time to get over the loss; maybe it took even longer to find a drummer as good as Ian.) The new Heavenly have played a number of sell-out shows in the past couple of years, where older fans have mingled with new devotees. The band are looking forward to their slow-motion international tour in the first half of 2026, with dates in the UK, the US, Canada, France, Greece and Spain.\u003c\/p\u003e\n\u003cp\u003eHighway To Heavenly was recorded at Rumbaba (Deptford, London) and at The Sunday School (Kent). It was produced by Toby Burroughs.\u003c\/p\u003e\n\u003cp\u003eHeavenly are:\u003c\/p\u003e\n\u003cp\u003eAmelia Fletcher – vocals, guitar, Cathy Rogers – vocals, keyboard, Ian Button – drums, Peter Momtchiloff – guitar, Rob Pursey – bass.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e01. Scene Stealing\u003cbr\u003e02. Portland Town\u003cbr\u003e03. Press Return\u003cbr\u003e04. Skep Wax\u003cbr\u003e05. Deflicted\u003cbr\u003e06. Excuse Me\u003cbr\u003eSIDE B\u003cbr\u003e07. A Different Beat\u003cbr\u003e08. Good Times\u003cbr\u003e09. The Neverseen\u003cbr\u003e10. She Is The One\u003cbr\u003e11. That Last Day\u003c\/p\u003e","brand":"SKEP WAX RECORDS","offers":[{"title":"Default Title","offer_id":45900854362268,"sku":"SKEPWAX040CD","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Heavenly_HighwayToHeavenly_53f6d02c-9d05-4fc0-af46-12bee87580b4.jpg?v=1767749326"},{"product_id":"superheaven-jar-10-year-anniversary-edition-coloured-vinyl","title":"Superheaven - Jar (10 Year Anniversary Edition) [Coloured Vinyl]","description":"\u003cp\u003eFormat: LP, Olive Green\u003cbr\u003eCatalogue No.: RFC081DLX-C5\u003cbr\u003eBarcode: 0810097915848\u003cbr\u003eRelease Date: Feb 2026\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e1. Sponge - Superheaven\u003cbr\u003e2. Life in a Jar - Superheaven\u003cbr\u003e3. Outside of Me - Superheaven\u003cbr\u003e4. Sheltered - Superheaven\u003cbr\u003e5. Crawl - Superheaven\u003cbr\u003e6. Last October - Superheaven\u003cbr\u003e7. Youngest Daughter - Superheaven\u003cbr\u003e8. Knew - Superheaven\u003cbr\u003e9. No One s Deserving - Superheaven\u003cbr\u003e10. Hole in the Ground - Superheaven\u003cbr\u003e11. In On It - Superheaven\u003cbr\u003e12. Around the Railing - Superheaven\u003cbr\u003e13. Lucky (B-side) - Superheaven\u003cbr\u003e14. Siblings - Superheaven\u003c\/p\u003e","brand":"Run For Cover","offers":[{"title":"Default Title","offer_id":46071492051100,"sku":"RFC081DLX-C5","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/5_c2012ffa-82ce-4ee9-9732-6f2ac8c1ec26.jpg?v=1770201254"},{"product_id":"and-also-the-trees-the-devil-s-door","title":"And Also The Trees - The Devil’s Door","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: AATTLP16\u003cbr\u003eBarcode: 5063176101815\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003e‘The devil’s door’ by ‘And also the trees’, one of the original ‘Post-Punk’ bands, present a quiet storm of an album. At times filmic, poetic and intense with an  undercurrent of dark psychedelia.\u003cbr\u003eIt completes a trilogy of works created by the current line-up: ‘The Bone Carver’, ‘Mother-of-pearl Moon’ and now ‘The devil’s door’. Here there are signature ‘And also the trees’ poetic lyrics, orchestral guitar and soundtrack influenced songs inspired by newsreel, oil paintings and folklore. But with this work we have the addition of some surprising instruments that skew the album towards a world where John Barry meets Bela Bartok.\u003cbr\u003eAnd also the trees (AATT) formed during the original post-punk era in rural Worcestershire, an environment that has provided a constant inspiration to a group  whose music has often explored the dark underbelly as well as the beauty of the British countryside.\u003cbr\u003eThey are renowned for their captivating live performances, a unique style of mandolin-like electric guitar, evocative lyrics and dark jazz rhythms - not to mention a creative independence fiercely preserved for over four decades.\u003cbr\u003eAATT immediately caught the attention of Robert Smith of The Cure, who invited them to tour with his group on several occasions. Smith was also involved with their early recordings alongside his bandmate Lol Tolhurst, who produced their first records. This longterm friendship and mutual respect was further solidified when AATT were invited to perform at the Robert Smith curated 2018 Meltdown festival in London. This July AATT appear as The Cure’s special guests  at the Nimes festival.\u003cbr\u003eFounded by singer Simon Jones and his guitarist brother Justin, AATT have maintained a continuous presence on the post-punk, and alternative rock scenes worldwide. They have released sixteen studio albums.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. The Silver Key\u003cbr\u003e2. The Crosshair\u003cbr\u003e3. Rooftop\u003cbr\u003e4. The Child in You\u003cbr\u003e5. Return of the Reapers\u003cbr\u003e6. The Trickster\u003cbr\u003e7. I Lit a Light\u003cbr\u003e8. The Rifleman’s Wedding\u003cbr\u003e9. As I Dive\u003cbr\u003e10. Beginning of the End\u003cbr\u003e11. Shared Fate\u003c\/p\u003e","brand":"AATT","offers":[{"title":"Default Title","offer_id":46180311269532,"sku":"AATTLP16","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/AndAlsoTheTreesDevilsDoor_6660d6e6-0ddc-4597-8e22-bd67ffad7025.jpg?v=1770647189"},{"product_id":"and-also-the-trees-the-devil-s-door-cd","title":"And Also The Trees - The Devil’s Door [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: AATTCD16\u003cbr\u003eBarcode: 5063176101921\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003e‘The devil’s door’ by ‘And also the trees’, one of the original ‘Post-Punk’ bands, present a quiet storm of an album. At times filmic, poetic and intense with an  undercurrent of dark psychedelia.\u003cbr\u003eIt completes a trilogy of works created by the current line-up: ‘The Bone Carver’, ‘Mother-of-pearl Moon’ and now ‘The devil’s door’. Here there are signature ‘And also the trees’ poetic lyrics, orchestral guitar and soundtrack influenced songs inspired by newsreel, oil paintings and folklore. But with this work we have the addition of some surprising instruments that skew the album towards a world where John Barry meets Bela Bartok.\u003cbr\u003eAnd also the trees (AATT) formed during the original post-punk era in rural Worcestershire, an environment that has provided a constant inspiration to a group  whose music has often explored the dark underbelly as well as the beauty of the British countryside.\u003cbr\u003eThey are renowned for their captivating live performances, a unique style of mandolin-like electric guitar, evocative lyrics and dark jazz rhythms - not to mention a creative independence fiercely preserved for over four decades.\u003cbr\u003eAATT immediately caught the attention of Robert Smith of The Cure, who invited them to tour with his group on several occasions. Smith was also involved with their early recordings alongside his bandmate Lol Tolhurst, who produced their first records. This longterm friendship and mutual respect was further solidified when AATT were invited to perform at the Robert Smith curated 2018 Meltdown festival in London. This July AATT appear as The Cure’s special guests  at the Nimes festival.\u003cbr\u003eFounded by singer Simon Jones and his guitarist brother Justin, AATT have maintained a continuous presence on the post-punk, and alternative rock scenes worldwide. They have released sixteen studio albums.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. The Silver Key\u003cbr\u003e2. The Crosshair\u003cbr\u003e3. Rooftop\u003cbr\u003e4. The Child in You\u003cbr\u003e5. Return of the Reapers\u003cbr\u003e6. The Trickster\u003cbr\u003e7. I Lit a Light\u003cbr\u003e8. The Rifleman’s Wedding\u003cbr\u003e9. As I Dive\u003cbr\u003e10. Beginning of the End\u003cbr\u003e11. Shared Fate\u003c\/p\u003e","brand":"AATT","offers":[{"title":"Default Title","offer_id":46180311335068,"sku":"AATTCD16","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/AndAlsoTheTreesDevilsDoor.jpg?v=1770647186"},{"product_id":"augustus-pablo-rockers-united","title":"Augustus Pablo - Rockers United!","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NSD829BLP\u003cbr\u003eBarcode: 0822720782970\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Reggae\u003c\/p\u003e\n\u003cp\u003eAs the meteoric rise of reggae began to captivate listeners around the globe in the 1970s, innovative artist Augustus Pablo emerged as vital creative force pushing the genre forward. An important figure in the Jamaican music scene during this remarkable era, Pablo was not only a skilled musician but an influential producer who shaped the sound of countless classic recordings. While his instrumental work and legendary dubs remain essential, Pablo was also responsible for iconic vocal tracks from a wide range of local talent, many of which were released on his own label Rockers. Now, Nature Sounds is proud to present Rockers United!, a collection of classic and rare vocal selections from the Rockers archives, all produced by Augustus Pablo. Deeply rooted in hypnotic, bass-heavy instrumentation, the album features remastered audio transferred from the original master tapes, with vocals by Jacob Miller, Delroy Williams, Hugh Mundell, Tetrak, Junior Delgado, Earl Sixteen, Spliffy Dan and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Jacob Miller – Keep On Knocking\u003cbr\u003e2. Junior Delgado – Away With You Fussing And Fighting\u003cbr\u003e3. Hugh Mundell – Africa Must Be Free By 1983\u003cbr\u003e4. Jacob Miller – Baby I Love You So\u003cbr\u003e5. Delroy Williams – Think Twice\u003cbr\u003e6. Spliffy Dan – No Justice Place\u003cbr\u003e7. Tetrack – Let’s Get Together\u003cbr\u003e8. Sister Erica – One In The Spirit\u003cbr\u003e9. Dillinger – Brace A Boy\u003cbr\u003e10. Jacob Miller – Who Say Jah No Dread\u003cbr\u003e11. Earl Sixteen – Changing World\u003cbr\u003e12. Paul Blackman – Earth Wind \u0026amp; Fire\u003c\/p\u003e","brand":"Nature Sounds","offers":[{"title":"Default Title","offer_id":46180311826588,"sku":"NSD829BLP","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/AUGUSTUSPABLORockersUnitedCDLP_98f45579-6f0c-4649-a248-1a9e8bc792d0.jpg?v=1770647182"},{"product_id":"augustus-pablo-rockers-united-cd","title":"Augustus Pablo - Rockers United! [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: NSD829CD\u003cbr\u003eBarcode: 0822720782925\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Reggae\u003c\/p\u003e\n\u003cp\u003eAs the meteoric rise of reggae began to captivate listeners around the globe in the 1970s, innovative artist Augustus Pablo emerged as vital creative force pushing the genre forward. An important figure in the Jamaican music scene during this remarkable era, Pablo was not only a skilled musician but an influential producer who shaped the sound of countless classic recordings. While his instrumental work and legendary dubs remain essential, Pablo was also responsible for iconic vocal tracks from a wide range of local talent, many of which were released on his own label Rockers. Now, Nature Sounds is proud to present Rockers United!, a collection of classic and rare vocal selections from the Rockers archives, all produced by Augustus Pablo. Deeply rooted in hypnotic, bass-heavy instrumentation, the album features remastered audio transferred from the original master tapes, with vocals by Jacob Miller, Delroy Williams, Hugh Mundell, Tetrak, Junior Delgado, Earl Sixteen, Spliffy Dan and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Jacob Miller – Keep On Knocking\u003cbr\u003e2. Junior Delgado – Away With You Fussing And Fighting\u003cbr\u003e3. Hugh Mundell – Africa Must Be Free By 1983\u003cbr\u003e4. Jacob Miller – Baby I Love You So\u003cbr\u003e5. Delroy Williams – Think Twice\u003cbr\u003e6. Spliffy Dan – No Justice Place\u003cbr\u003e7. Tetrack – Let’s Get Together\u003cbr\u003e8. Sister Erica – One In The Spirit\u003cbr\u003e9. Dillinger – Brace A Boy\u003cbr\u003e10. Jacob Miller – Who Say Jah No Dread\u003cbr\u003e11. Earl Sixteen – Changing World\u003cbr\u003e12. Paul Blackman – Earth Wind \u0026amp; Fire\u003c\/p\u003e","brand":"Nature Sounds","offers":[{"title":"Default Title","offer_id":46180313268380,"sku":"NSD829CD","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/AUGUSTUSPABLORockersUnitedCDLP_53dd7741-eec5-4663-91c5-77944934c214.jpg?v=1770647177"},{"product_id":"bibi-club-amaro","title":"Bibi Club - Amaro","description":"\u003cp\u003eFormat: Black vinyl in a gatefold jacket.\u003cbr\u003eCatalogue No.: SCR0190LP\u003cbr\u003eBarcode: 0680341906010\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eOn their third album, Amaro, Bibi Club invites us to brave the dark beasts that shadow us beneath the surface and devote ourselves to the therapeutic power of a fierce will to live. It explores the sensitive spectrum between the here and there, pointing to love, nature, and community as the unifying purpose. The songs draw a map of a world of its own, following the trajectory traced by the Bibis in recent years. Now out of the living room, we dance in a mental space overloaded with grief and fear in their rawest forms. Following the death of two loved ones in the last year, the mantra “I want to love, I want to live” resonates intensely in each melody; if the heart is a place that never dies, we must reach it as quickly as possible.\u003cbr\u003eInspired by memorable artistic encounters, tours with Blonde Redhead and Circuit des yeux, and a collaboration with Calvin Johnson, Bibi Club now reveals itself in avant-pop and electronic body music with elements of dark wave and neofolk, simultaneously borrowing from baroque sounds with harpsichords, trumpets, and ritual songs to be learned by heart. Supported by a caring community, including saxophonist and activist Dimitri Milbrun (George Sand) and singer-songwriter Helena Deland (A Different Light), Amaro allows Bibi Club to define itself in both intimate and collective terms.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Infinité\u003cbr\u003e2. Amaro\u003cbr\u003e3. A Different Light\u003cbr\u003e4. Le Styx\u003cbr\u003e5. Le château\u003cbr\u003e6. Les vagues\u003cbr\u003e7. Cérémonie\u003cbr\u003e8. George Sand\u003cbr\u003e9. Washing Machine\u003cbr\u003e10. La bête en colère\u003cbr\u003e11. The Pine on the Corner\u003c\/p\u003e","brand":"SECRET CITY RECORDS","offers":[{"title":"Default Title","offer_id":46180470685852,"sku":"SCR0190LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BibiClubAMARO.jpg?v=1770648570"},{"product_id":"buck-meek-the-mirror-crystal-clear","title":"Buck Meek - The Mirror [Crystal Clear]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 4AD0870LP\u003cbr\u003eBarcode: 0191400087019\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eBuck Meek announces his new album, The Mirror, out 27 February, and shares its lead single, ‘Gasoline’. As Pitchfork praises, Meek “specialises in a philosophical strain of songwriting,” which is evident across The Mirror. There’s a tender power, countered by immutable vulnerability. With an uncanny curiosity, he reveals the uniqueness in the mundane. The Mirror searches for new meaning and the familiar is reframed through Meek’s singular voice.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn The Mirror, love, as an idea, is always close – but in its reflection comes an afterimage of the way things could be and how they’ve been before. Meek holds the absurdity of devotion, the choice to love – with equal parts ache and grin, as on today’s single, ‘Gasoline’. He sings, “Making words up while we made love \/ one month and she’s in my blood.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEmerging from a decade of work together in Big Thief, the partnership of Meek and producer James Krivchenia on The Mirror arrived from the idea to combine the band’s live, kinetic energy with an oblique electronic world. From production projects including Big Thief’s Dragon New Warm Mountain I Believe In You and his recent solo record, Performing Belief, Krivchenia’s work is enlivened through electronic elements, always seeking to deepen sound. The concept for The Mirrorwelcomed a collective atmosphere in which simultaneous experiment could occur – the musicians responded to each other in real time, while their instruments triggered modular synthesizers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor The Mirror, Meek and Krivchenia welcomed in friends, family, and longtime collaborators including Adrianne Lenker, who contributed vocals, Adam Brisbin on guitar, and Ken Woodward on bass. New creative partners and longtime friends like composer and ambient musician Alex Somers joined in on synthesizer, toy microphone, an old piano, and Mary Lattimore brought in the sounds of her prismatic harp. A rotating cast of four drummers: Jesse Quebbeman-Turley, Jonathan Wilson, Kyle Crane, and Krivchenia provide a wide dynamic arc of grooves. Germaine Dunes, Staci Foster, Jolie Holland, and Lenker sing as a choir on many songs. Meek’s brother, Dylan Meek contributed piano, keys, and vocals. Adrian Olsen created a wide range of sounds and melodies with modular synths.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith his songwriting acting as a compass to the recording process, Meek invited interaction, instead of limiting the tracks to something controllable. The album was recorded in Meek and Dunes' Los Angeles log cabin studio, Ringo Bingo. Meek recorded vocals outdoors on the front porch, looking through the living room window where the band played inside.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs an artist, Meek continues to reveal his singular aptitude as translator of human feeling and its endless portals. Through The Mirror, he aptly embraces the unknown with an abiding desire to find the right questions to ask, rather than their answers. “I don’t know the meaning of your dreams,” Meek writes on ‘Déjà vu’, “Though tell me everything.”\u003cbr\u003eReturning with his band for the first time since Summer 2023, having toured extensively across North America, East Asia and Australia, Meek brings his compelling live show to UK and European venues next Spring, including London’s EartH Theatre on 20 March.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Gasoline\u003cbr\u003e2. Pretty Flowers\u003cbr\u003e3. Can I Mend It?\u003cbr\u003e4. Ring of Fire\u003cbr\u003e5. Demon\u003cbr\u003e6. God Knows Why\u003cbr\u003e7. Heart In The Mirror\u003cbr\u003e8. Worms\u003cbr\u003e9. Soul Feeling\u003cbr\u003e10. Deja Vu\u003cbr\u003e11. Outta Body\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":46180473340060,"sku":"4AD0870LP","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BuckMeek_TheMirror_1x1MASTERLP_front__2.jpg?v=1770649379"},{"product_id":"buck-meek-the-mirror-cd","title":"Buck Meek - The Mirror [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 4AD0870CD\u003cbr\u003eBarcode: 0191400087026\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eBuck Meek announces his new album, The Mirror, out 27 February, and shares its lead single, ‘Gasoline’. As Pitchfork praises, Meek “specialises in a philosophical strain of songwriting,” which is evident across The Mirror. There’s a tender power, countered by immutable vulnerability. With an uncanny curiosity, he reveals the uniqueness in the mundane. The Mirror searches for new meaning and the familiar is reframed through Meek’s singular voice.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn The Mirror, love, as an idea, is always close – but in its reflection comes an afterimage of the way things could be and how they’ve been before. Meek holds the absurdity of devotion, the choice to love – with equal parts ache and grin, as on today’s single, ‘Gasoline’. He sings, “Making words up while we made love \/ one month and she’s in my blood.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEmerging from a decade of work together in Big Thief, the partnership of Meek and producer James Krivchenia on The Mirror arrived from the idea to combine the band’s live, kinetic energy with an oblique electronic world. From production projects including Big Thief’s Dragon New Warm Mountain I Believe In You and his recent solo record, Performing Belief, Krivchenia’s work is enlivened through electronic elements, always seeking to deepen sound. The concept for The Mirrorwelcomed a collective atmosphere in which simultaneous experiment could occur – the musicians responded to each other in real time, while their instruments triggered modular synthesizers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor The Mirror, Meek and Krivchenia welcomed in friends, family, and longtime collaborators including Adrianne Lenker, who contributed vocals, Adam Brisbin on guitar, and Ken Woodward on bass. New creative partners and longtime friends like composer and ambient musician Alex Somers joined in on synthesizer, toy microphone, an old piano, and Mary Lattimore brought in the sounds of her prismatic harp. A rotating cast of four drummers: Jesse Quebbeman-Turley, Jonathan Wilson, Kyle Crane, and Krivchenia provide a wide dynamic arc of grooves. Germaine Dunes, Staci Foster, Jolie Holland, and Lenker sing as a choir on many songs. Meek’s brother, Dylan Meek contributed piano, keys, and vocals. Adrian Olsen created a wide range of sounds and melodies with modular synths.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith his songwriting acting as a compass to the recording process, Meek invited interaction, instead of limiting the tracks to something controllable. The album was recorded in Meek and Dunes' Los Angeles log cabin studio, Ringo Bingo. Meek recorded vocals outdoors on the front porch, looking through the living room window where the band played inside.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs an artist, Meek continues to reveal his singular aptitude as translator of human feeling and its endless portals. Through The Mirror, he aptly embraces the unknown with an abiding desire to find the right questions to ask, rather than their answers. “I don’t know the meaning of your dreams,” Meek writes on ‘Déjà vu’, “Though tell me everything.”\u003cbr\u003eReturning with his band for the first time since Summer 2023, having toured extensively across North America, East Asia and Australia, Meek brings his compelling live show to UK and European venues next Spring, including London’s EartH Theatre on 20 March.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Gasoline\u003cbr\u003e2. Pretty Flowers\u003cbr\u003e3. Can I Mend It?\u003cbr\u003e4. Ring of Fire\u003cbr\u003e5. Demon\u003cbr\u003e6. God Knows Why\u003cbr\u003e7. Heart In The Mirror\u003cbr\u003e8. Worms\u003cbr\u003e9. Soul Feeling\u003cbr\u003e10. Deja Vu\u003cbr\u003e11. Outta Body\u003cbr\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":46180473503900,"sku":"4AD0870CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BuckMeek_TheMirror_1x1MASTERCD_2.jpg?v=1770649382"},{"product_id":"catbeats-all-cats-are-cute-cloudy-blue-vinyl","title":"catbeats - All Cats Are Cute [Cloudy Blue Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SWEDC114LP-C1\u003cbr\u003eBarcode: 0349361346021\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eAll Cats Are Cute is an instrumental funk\/lofi-beats party \u0026amp; chill album for the animal-inclined! This album celebrates not only cats but the spirit of diversity and togetherness among all beings on Earth. Whether oneʼs home is shared with cats, dogs, rodents, birds, humans, or simply a love for all creatures, this record serves as the soundtrack—a ride away from the bustle, cruising on a technicolor catbus past the soul train to the rainbow bridge.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by Furnace Record Pressingʼs resident rescue cats, Tibby and Slippy, this LP benefits cats who need it most. 100% of proceeds will be donated to Brooklyn Animal Action, supporting their mission to rescue, rehabilitate, and rehome animals in need. This project has been made possible through the generous support of Furnace Record Pressing, Catbeats, and all participating vendors, who have donated their services to ensure every cent goes directly to helping animals.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBehind the moniker is Shelby Cinca, best known as the former screamer of the 90s hardcore band Frodus. A longtime collaborator with Furnace, Shelby was Furnace freelancer #1, working in the basement days when the company was focused on CD manufacturing well over 20 years ago!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. All Cats Are Cute\u003cbr\u003e2. Snax\u003cbr\u003e3. Morning Pawfee\u003cbr\u003e4. Meowtown\u003cbr\u003e5. Alley Cats\u003cbr\u003e6. Moonly*\u003cbr\u003e7. Catnip\u003cbr\u003e8. Churu\u003cbr\u003e9. Animal Well Dream\u003cbr\u003e10. Totakeke’s Funk Connection\u003cbr\u003e11. Rat Rendezvous\u003cbr\u003e12. Doge in Disguise\u003cbr\u003e13. Treat*\u003cbr\u003e14. Naps\u003c\/p\u003e","brand":"ORG MUSIC","offers":[{"title":"Default Title","offer_id":46180478386332,"sku":"SWEDC114LP-C1","price":25.02,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Catbeats_AllCatsAreCute.jpg?v=1770648579"},{"product_id":"daniel-lopatin-marty-supreme-original-soundtrack-2lp","title":"Daniel Lopatin - Marty Supreme (Original Soundtrack) [2LP Clear Vinyl \u0026 Black Vinyl]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: A24M052LP-C1\u003cbr\u003eBarcode: 0617308017083\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Spoken Word\u003c\/p\u003e\n\u003cp\u003eDaniel Lopatin’s (Oneohtrix Point Never) score for Marty Supreme pressed on double vinyl, one transparent LP and one black LP. Includes Japanese obi strip plus double-sided Koto Endo \/ Marty Supreme Official Ball poster.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. THE CALL\u003cbr\u003e2. MARTY’S DREAM\u003cbr\u003e3. ENDO’S GAME\u003cbr\u003e4. THE APPLE\u003cbr\u003e5. PURE JOY\u003cbr\u003e6. HOLOCAUST HONEY\u003cbr\u003eSIDE B\u003cbr\u003e1. THE HUMBLING\u003cbr\u003e2. MOTHERSTONE\u003cbr\u003e3. THE SCAPE\u003cbr\u003e4. TUB FALLS\u003cbr\u003e5. FUCKING MENSCH\u003cbr\u003e6. ROCKWELL INK\u003cbr\u003eSIDE C\u003cbr\u003e1. HOFF’S\u003cbr\u003e2. SEWARD PARK\u003cbr\u003e3. THE NECKLACE\u003cbr\u003e4. VAMPIRE’S CASTLE\u003cbr\u003e5. BACK TO HOFF’S\u003cbr\u003e6. SHOOTOUT\u003cbr\u003eSIDE D\u003cbr\u003e1. I LOVE YOU, TOKYO\u003cbr\u003e2. THE REAL GAME\u003cbr\u003e3. ENDO’S GAME (REPRISE)\u003cbr\u003e4. FORCE OF LIFE\u003cbr\u003e5. END CREDITS (I STILL LOVE YOU, TOKYO)\u003c\/p\u003e","brand":"A24 MUSIC","offers":[{"title":"Default Title","offer_id":46180483268764,"sku":"A24M052LP-C1","price":40.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DanielLopatin-MartySupremeOST.jpg?v=1770648584"},{"product_id":"darby-mills-flying-solo-live-2cd","title":"Darby Mills - Flying Solo \u0026 Live [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: BAD260301\u003cbr\u003eBarcode: 3341348054650\u003cbr\u003eRelease Date: 06 Feb 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA true icon of Canadian rock, Darby Mills has captivated audiences for decades with her powerhouse voice, unmistakable style, and commanding stage presence. First rising to prominence as the distinctive voice of the HEADPINS, she helped drive the band to international success before launching a celebrated solo career. With raw energy and a signature sound recognized instantly, Darby Mills continues to electrify audiences. Her solo album Never Look Back, released through Warner Music, solidified her status as a standout artist and opened the door to bold new creative ventures. From her high-voltage live  performances to notable collaborations — including a standout duet with Gene Simmons — and her feature in the  documentary Queen of Scream, Mills remains an unstoppable creative force. Today, she returns stronger than ever, delivering  an irresistible fusion of authentic rock, raw emotion, and unmatched stage experience. With Darby Mills, every performance is powerful, genuine, and unforgettable.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eCD1:\u003cbr\u003e1. Never Look Back\u003cbr\u003e2. Cry To Me\u003cbr\u003e3. Give It All Up\u003cbr\u003e4. Hot Water\u003cbr\u003e5. Monkey\u003cbr\u003e6. Run\u003cbr\u003e7. Bad Bad Boy\u003cbr\u003e8. Someone\u003cbr\u003e9. Turn The Light On\u003cbr\u003e10. Want It\u003cbr\u003e11. (Don't Stop) Keepin' On\u003cbr\u003e12. House On Pooh Corner\u003cbr\u003eCD2:\u003cbr\u003e1. Want It\u003cbr\u003e2. Run\u003cbr\u003e3. Feel My Body\u003cbr\u003e4. Hot Water\u003cbr\u003e5. Brother Louie\u003cbr\u003e6. Cry To Me\u003cbr\u003e7. Piece Of My Heart\u003cbr\u003e8. Monkey\u003cbr\u003e9. I Got The Music In Me\u003cbr\u003e10. Natural Woman\u003cbr\u003e11. Dancing\u003cbr\u003e12. Bad Bad Boy\u003cbr\u003e13. T u r n It L o u d\u003cbr\u003e14. Don't Stop\u003cbr\u003e15. Hair Of The Dog\u003c\/p\u003e","brand":"BAD REPUTATION","offers":[{"title":"Default Title","offer_id":46180575576220,"sku":"BAD260301","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DarbyMills-2ClassicAlbums.jpg?v=1770648592"},{"product_id":"edward-ka-spel-the-sympathy-portal","title":"Edward Ka-Spel - The Sympathy Portal","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: LUMB038LP\u003cbr\u003eBarcode: 0783495652007\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eRecorded during lockdown and previously only available as a CDr self-released in an edition of 99 in 2022, 'The Sympathy Portal' collects four tracks (one of which is divided into three parts) that make full use of Edward Ka-Spel’s command of melodies, cosmic churn, subtle field recordings, percolated vocals, hypno-rhythms, tempered noise, broken clocks, atmospheric keyboards, uncoiling springs and carefully hewn dynamics. Coupled to often despairing or melancholic lyrics, the album ultimately forms a fantastic addition to a body of work from this hardworking artist usually found at home fronting The Legendary Pink Dots and apparently barely able to rest when not engaged in commitments to them. Here is what he says himself about 'The Sympathy Portal':  “'The Sympathy Portal' was created as 2020 drifted into 2021 with the world in the grip of a pandemic. He studied charts on TV, horrified by statistics, temporarily free from a lockdown but well aware that we'd be back in our cubicles soon enough. It was hard to be positive in such an environment and this album reflects much of the fear and tension of the time. But the last song, 'Angel Trail ( Slight Return)', was intended to offer some genuine hope, having been revived for the release after first appearing in a different form on The Legendary Pink Dots' '9 Lives to Wonder' back in 1994.” The album pays testament to a troubled and troubling time that now, a mere few years on, strangely appears like the grand entrance to a series of heavily dark periods we are still desperate  to crawl from. It could be argued that the angel trail Edward so eloquently refers to is something that needs to be found more than ever and that, thankfully, his music helps to illuminate this despites its mostly distressed overtones. \u003cbr\u003eAway from the confines of a now hard-to-find and long sold out CDr, Lumberton Trading Company brings this album back as a vinyl release that’s limited to 300 and is scheduled to appear in February 2026.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide One\u003cbr\u003e1. Rust Compassionate\u003cbr\u003e2. Ceremonial Coffee\u003cbr\u003e3. Neon Percolators\u003cbr\u003eSide Two\u003cbr\u003e1. Demon Traces \/ Armchair Revolution \/ Angel Trail (Slight Return)\u003c\/p\u003e","brand":"Lumberton Trading Co.","offers":[{"title":"Default Title","offer_id":46182652739740,"sku":"LUMB038LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EdwardKa-Spel-TheSympathyPortal.jpg?v=1770648597"},{"product_id":"evil-blizzard-everybody-come-to-church-purple-vinyl","title":"Evil Blizzard - Everybody Come To Church [Purple Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CANKLP041\u003cbr\u003eBarcode: 5065023616046\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTo celebrate the tenth anniversary of their critically acclaimed second album, Preston's unholiest sons Evil Blizzard are please to announce a brand new re press of 'Everybody Come To Church' on limited edition (300) purple vinyl, with hand numbered  full colour insert and DL code, and also on CD. \u003cbr\u003eFeaturing the live favourites 'Are You Evil?', 'Sacrifice' and 'Stupid People', the album has long ince been out of print.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Are You Evil?\u003cbr\u003e2.Stupid People\u003cbr\u003e3.Bow Down and Pray\u003cbr\u003e4.Spread The Fear\u003cbr\u003e5.Sacrifice\u003cbr\u003e6.Laughing Gas\u003cbr\u003e7.Watching\u003cbr\u003e\u003c\/p\u003e","brand":"CRACKED ANKLES","offers":[{"title":"Default Title","offer_id":46182653788316,"sku":"CANKLP041","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/evilblizzardeverybodycometoChurchpurpleVinylmockup.jpg?v=1770687877"},{"product_id":"evil-blizzard-everybody-come-to-church-cd","title":"Evil Blizzard - Everybody Come To Church [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CANKCD041\u003cbr\u003eBarcode: 5065023616022\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTo celebrate the tenth anniversary of their critically acclaimed second album, Preston's unholiest sons Evil Blizzard are please to announce a brand new re press of 'Everybody Come To Church' on limited edition (300) purple vinyl, with hand numbered  full colour insert and DL code, and also on CD. \u003cbr\u003eFeaturing the live favourites 'Are You Evil?', 'Sacrifice' and 'Stupid People', the album has long ince been out of print.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Are You Evil?\u003cbr\u003e2.Stupid People\u003cbr\u003e3.Bow Down and Pray\u003cbr\u003e4.Spread The Fear\u003cbr\u003e5.Sacrifice\u003cbr\u003e6.Laughing Gas\u003cbr\u003e7.Watching\u003cbr\u003e8.Balloon (CD format only)\u003c\/p\u003e","brand":"CRACKED ANKLES","offers":[{"title":"Default Title","offer_id":46182653821084,"sku":"CANKCD041","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EvilBlizzardChurch_5818e163-433a-4cd0-8305-c885b232f8b5.jpg?v=1770648604"},{"product_id":"exek-prove-the-mountains-move","title":"EXEK - Prove The Mountains Move","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DFA2731LP\u003cbr\u003eBarcode: 0829732000825\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eFor just over a decade, EXEK has very quietly become one of the most hypnotic bands on the planet, mutating and growing from record to record, gradually opening themselves up without ever losing that strange, inscrutable, altogether essential quality that’s made them so great—so EXEK-y.\u003cbr\u003eOn 27 February, the Melbourne post-punk outfit—vocalist and chief architect Albert Wolski, guitarist Jai Morris-Smith, drummer Chris Stephenson, synth specialist Andrew Brocchi, trumpet-brandishing vocalist Valya YL Hooi, and bassist Ben Hepworth—will release Prove The Mountains Move, their seventh album and first for DFA. It is, as Wolski says, “a bit more ‘epic’” than anything he’s recorded to date, a lush and unabashedly melodic set of surrealist pop that luxuriates in contradiction. “This record is experimental in its craft,” Wolski says, “but it may not necessarily sound experimental.”\u003cbr\u003eThere’s good reason for that. Work began on a cold afternoon in June of 2023, as Wolski and Stephenson came together at Pelican Refill Studios in Melbourne to track drums—the first thing they always do. From there, Wolski went home on his own and began sifting through the beats and breaks they’d captured, letting the drum sounds guide him towards melodies and basslines, looping and layering and laying foundation for what would become Prove The Mountains Move. “I feel comfortable tinkering away alone like a mad scientist,” he says. “I also enjoyed pressing record with no clear intention. More often than not, that would steer me towards an interesting direction that my conscious mind probably wouldn’t have sought out.”\u003cbr\u003eAnd yet, somehow Wolski arrived at his most direct work since he launched the project, newly inspired by the clarity and concision of mainstream pop, the strong and undeniable pull of a simple vocal melody. After Melbourne’s famously stringent COVID lockdowns ended, he found himself wanting to stay out. \u003cbr\u003e“Working on new music took a distant backseat to raging with friends,” he says. “And those parties were filled with big bangers as the soundtrack—stuff I didn’t really listen to on my own, stuff I hadn’t really encountered since my adolescence. But in the early hours of Sunday morning, ‘Alive’ by Pearl Jam sounds like you’re talking to God. And so does “All I Wanna Do”by Sheryl Crow, and so does “Feel” by Robbie Williams. Krautrock and dub were still in my DNA, but the music that I started to make was perhaps a little more lighthearted, and perhaps a bit more emotional.”\u003cbr\u003eWhich isn’t to say you should expect to hear traces of Eddie Vedder in Wolski’s vocal delivery here, but the stakes feel similar in their own way—this is what it sounds like when EXEK are really going for it. Take, for instance, the levitating synths of opener “Sidestepping” or the mountainous guitars of “Arriverderci Back Pain,” the piano bench pyrotechnics of “Don’t Answer (When They Call)” or the Bowie-like melancholy of “You Have Been Blessed.” The arrangements feel more open, the sonics more focused. It’s not hard to believe him when Wolski says he spent time earnestly A-B’ing his mixes of Prove The Mountains Move against some of the most important albums ever recorded, Abbey Road among them. \u003cbr\u003eBut everything is relative. And lyrically, Wolski remains oblique. ”Each song is a vignette into an abstract milieu, whether it’s an experimental chiropractic business at an airport, or scantily clad creatures made from dust at a food court. No matter how wacky, there’s themes and motifs throughout the record, both lyrical and musical, that mirror up and reflect each other throughout different songs.” That dissonance—between the direct and indirect, smooth and textured, shadowed and incandescent, zany and deadpan—is the animating force at the heart of these songs, his best yet.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Sidestepping\u003cbr\u003e2. You Have Been Blessed\u003cbr\u003e3. Visiting Dust Bunnies\u003cbr\u003e4. Arrivederci Back Pain\u003cbr\u003eSide B\u003cbr\u003e1. Don’t Answer (When They Call)\u003cbr\u003e2. Tyres\u003cbr\u003e3. Spotless\u003cbr\u003e4. Chef’s Hat Renaissance\u003c\/p\u003e","brand":"DFA RECORDS","offers":[{"title":"Default Title","offer_id":46182698451100,"sku":"DFA2731LP","price":25.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EXEK-ProveTheMountainsMove.jpg?v=1770648609"},{"product_id":"flaccid-mojo-loose-jacks","title":"Flaccid Mojo - Loose Jacks","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PPM115LP\u003cbr\u003eBarcode: 0784300942290\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eAaron Warren and Bjorn Copeland have been playing music together since 1999: nine years as Flaccid Mojo and twenty-six years as Black Dice. This partnership has been a ramble, a supply run through the wasted landscape of contemporary music. Stacking up the dumb, the muffled, and the used-up, the pair consistently create unbalanced, breathtaking mutant constructions. The latest example is Loose Jacks, Flaccid Mojo's second full-length. Made from free phone apps, fractured youtube videos, and cracked-screen electronics—the scorched and crumpled sediment of the streaming-industrial complex—Loose Jacks is the wide, hysterical grin of finding treasure in the end days.\u003cbr\u003eFlaccid Mojo’s songs are built for live performance, with a modular arsenal of rhythms, stabs, and payoffs all at the ready. It’s their way of centering the physical; of ensuring the bodily dictates of each song’s composition reassert these commands on everyone in the audience. The satisfaction of a loop that runs until it’s in your blood, the bassline sculpted into a shove, the snare hit as sharp as a stranger’s elbow. You can feel like a ghost passing through some other band’s record, but Loose Jacks is all brick wall, weighted blanket, strong hands launching you atop a pile of bodies. It’s a liberatory, unspiritual experience. A carnal one. \u003cbr\u003eAs with their debut LP, Flaccid Mojo (released 2022 by Castle Face), Loose Jacks was recorded by Chris Coady, whose been at Black Dice shows since the nineties. It’s good to work with people who get it, who aren’t going to argue about key or “the grid.” Similarly, Loose Jacks was mastered by Sarah Register, whose band Talk Normal shared a wall with the Black Dice practice space. \u003cbr\u003eLoose Jacks hits on February 27, 2026. For fans of Chrome, Men’s Recovery Project, and the Chemical Brothers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Conversational Excess\u003cbr\u003e2 Creep Meter\u003cbr\u003e3 Bang Your Chain\u003cbr\u003e4 VHS Motherfucker\u003cbr\u003e5 Milk and Bones\u003cbr\u003e6 Born Dumb\u003cbr\u003e7 Cold Roller\u003cbr\u003e8 Infinity Upgrade\u003c\/p\u003e","brand":"PPM","offers":[{"title":"Default Title","offer_id":46182720798876,"sku":"PPM115LP","price":23.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FlaccidMojo-LooseJacks.jpg?v=1770648612"},{"product_id":"geir-sundstol-joe-harvey-whyte-langeleik-cd","title":"Geir Sundstøl \u0026 Joe Harvey-Whyte - Langeleik [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: HUBROCD2674\u003cbr\u003eBarcode: 7022662026740\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eOn Langeleik, two pioneers of alternative pedal-steel meet across oceans, time, and temperament. Norwegian multi-instrumentalist Geir Sundstøl and London-based pedal-steel player Joe Harvey-Whyte merge the instrument’s ghostly resonance with field recordings, ambient drones and vintage synths to create a sound that feels as fluid and alive as the rivers that inspired it. Geir and Joe got in touch in 2016 when Joe, exploring beyond his usual listening habits, stumbled upon Geir’s debut Furulund. Struck by its hypnotic slide melodies, he reached out. A musical friendship grew through years of conversation, sharing curiosities and visiting each other’s studios in Oslo and London.In August 2024, during a break from touring with Susanne Sundfør, Joe travelled to Oslo. What began as “five days to do something with two pedal-steel guitars” at Studio Intim became a full-length record. “We decided almost nothing in advance,” says Joe. “We just started playing.” For Geir, who usually spends eighteen months on an album, this fast and intuitive process was a revelation. “Joe works spontaneously. I usually tinker with tiny detail for days. The two different work forms are equally good, I guess. You gain some, and you loose some by spending months on a song.” Most of the music was written in the studio, born out of improvisation and mutual listening. “I think when you play with a musician who is as good a listener as Geir then magical things can happen. It’s that kind of listening which makes you so deeply present in what is happening in the moment \u003cbr\u003ethat you can unlock the mysteries of the music which is coming out of you” says Joe. From the sound of dark alleyways and urban meanders to blissfully serene waters and oceanic drones; throughout the album there remains a unity in its sense of movement. “It encourages the same deep listening which was necessary for its creation,” Joe says. “This is not an album of instant gratification - it’s an album to do nothing with. A companion for reverie.”Featuring guest appearances by Erland Dahlen, Jo Berger Myhre, Anders Engen, and poet Ivar Orvedal, Langeleik captures the rare chemistry between two musicians who has created an album that sounds more like nature: we slow down the tempo and let the instruments mirror the wind and the river flowing by.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Tana\u003cbr\u003e2. Otra Mantra\u003cbr\u003e3.Lea Dub\u003cbr\u003e4.Ribbes\u003cbr\u003e5.Rørvikelva\u003cbr\u003e6.Bleikstranda\u003cbr\u003e7.The Tyburn\u003cbr\u003e8.Tista lengter\u003cbr\u003e9.Der elvene møtes\u003c\/p\u003e","brand":"HUBRO","offers":[{"title":"Default Title","offer_id":46182751764636,"sku":"HUBROCD2674","price":13.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_5c999da6-5211-4831-bf6a-a11c60333e9a.jpg?v=1770648688"},{"product_id":"geir-sundstol-joe-harvey-whyte-langeleik","title":"Geir Sundstøl \u0026 Joe Harvey-Whyte - Langeleik","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: HUBROLP3674\u003cbr\u003eBarcode: 7033661036746\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eOn Langeleik, two pioneers of alternative pedal-steel meet across oceans, time, and temperament. Norwegian multi-instrumentalist Geir Sundstøl and London-based pedal-steel player Joe Harvey-Whyte merge the instrument’s ghostly resonance with field recordings, ambient drones and vintage synths to create a sound that feels as fluid and alive as the rivers that inspired it. Geir and Joe got in touch in 2016 when Joe, exploring beyond his usual listening habits, stumbled upon Geir’s debut Furulund. Struck by its hypnotic slide melodies, he reached out. A musical friendship grew through years of conversation, sharing curiosities and visiting each other’s studios in Oslo and London.In August 2024, during a break from touring with Susanne Sundfør, Joe travelled to Oslo. What began as “five days to do something with two pedal-steel guitars” at Studio Intim became a full-length record. “We decided almost nothing in advance,” says Joe. “We just started playing.” For Geir, who usually spends eighteen months on an album, this fast and intuitive process was a revelation. “Joe works spontaneously. I usually tinker with tiny detail for days. The two different work forms are equally good, I guess. You gain some, and you loose some by spending months on a song.” Most of the music was written in the studio, born out of improvisation and mutual listening. “I think when you play with a musician who is as good a listener as Geir then magical things can happen. It’s that kind of listening which makes you so deeply present in what is happening in the moment \u003cbr\u003ethat you can unlock the mysteries of the music which is coming out of you” says Joe. From the sound of dark alleyways and urban meanders to blissfully serene waters and oceanic drones; throughout the album there remains a unity in its sense of movement. “It encourages the same deep listening which was necessary for its creation,” Joe says. “This is not an album of instant gratification - it’s an album to do nothing with. A companion for reverie.”Featuring guest appearances by Erland Dahlen, Jo Berger Myhre, Anders Engen, and poet Ivar Orvedal, Langeleik captures the rare chemistry between two musicians who has created an album that sounds more like nature: we slow down the tempo and let the instruments mirror the wind and the river flowing by.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.Tana\u003cbr\u003e2. Otra Mantra\u003cbr\u003e3.Lea Dub\u003cbr\u003e4.Ribbes\u003cbr\u003e5.Rørvikelva\u003cbr\u003e6.Bleikstranda\u003cbr\u003e7.The Tyburn\u003cbr\u003e8.Tista lengter\u003cbr\u003e9.Der elvene møtes\u003c\/p\u003e","brand":"HUBRO","offers":[{"title":"Default Title","offer_id":46182753829020,"sku":"HUBROLP3674","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_e93f632d-7c0e-4688-be25-32783bc7c36d.jpg?v=1770648684"},{"product_id":"hey-colossus-heaven-was-wild-purple-vinyl","title":"Hey Colossus - Heaven Was Wild [Purple Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WSR075\u003cbr\u003eBarcode: 5056688853525\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe idea was simple: a week in a studio together playing live, no click-track, amps up full, don't stress the spill. BE A BAND.\u003cbr\u003eShortly before recording, we did four sold-out London dates in three days: North, South, East and West. We played the new album across the weekend, tweaking songs between gigs. Then it was into a room in Bruton, Somerset with the JT Soar mobile studio coming down from Nottingham. Five days and it was done, warts-and-all. Some imperfections. Some un-ironed creases. And better that way too.\u003cbr\u003eThis is Hey Colossus album number 15 and record number 30 or 40 or something equally ridiculous. The band is heading towards a quarter of a century of existence and there are some deep thoughts to be had about this. But not here. There's therapy in music; listening AND playing. This felt like therapy. And it was needed.\u003cbr\u003eWe asked Claire from Objections \/ Nape Neck to sing on a song and Angi Fletcher and James Finlay of Nottingham’s Fists to sing on another. Angi did the sleeve too: all our pets, alive or dead, together and reporting back to us that “Heaven was wild!”. They had the best time. No humans allowed, obviously. We don’t deserve it.\u003cbr\u003eAt this point, in 2026, we run our own record label, release our own records, and release music by people we love. It is absolutely the time to be in control. To be able to platform those around who are fighting the same fight. The music industry is in pieces. Wrong Speed Records and Hey Colossus are not part of the music industry.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Cannibal Forecast\u003cbr\u003e2. Roses\u003cbr\u003e3. Clock\u003cbr\u003e4.Death And Deliverance\u003cbr\u003e5. Runaway Heart\u003cbr\u003e6. People You Long To Forget\u003cbr\u003e7. Consequences\u003cbr\u003e8. Party Of Fleas\u003cbr\u003e9. You'll Rot\u003cbr\u003e10. The Spiders Line\u003c\/p\u003e","brand":"WRONG SPEED RECORDS","offers":[{"title":"Default Title","offer_id":46182779781276,"sku":"WSR075","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LP-MockUpFront-PurpleVinyl-square.jpg?v=1770688197"},{"product_id":"hey-colossus-heaven-was-wild-cd","title":"Hey Colossus - Heaven Was Wild [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: WSR075CD\u003cbr\u003eBarcode: 5056688853549\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe idea was simple: a week in a studio together playing live, no click-track, amps up full, don't stress the spill. BE A BAND.\u003cbr\u003eShortly before recording, we did four sold-out London dates in three days: North, South, East and West. We played the new album across the weekend, tweaking songs between gigs. Then it was into a room in Bruton, Somerset with the JT Soar mobile studio coming down from Nottingham. Five days and it was done, warts-and-all. Some imperfections. Some un-ironed creases. And better that way too.\u003cbr\u003eThis is Hey Colossus album number 15 and record number 30 or 40 or something equally ridiculous. The band is heading towards a quarter of a century of existence and there are some deep thoughts to be had about this. But not here. There's therapy in music; listening AND playing. This felt like therapy. And it was needed.\u003cbr\u003eWe asked Claire from Objections \/ Nape Neck to sing on a song and Angi Fletcher and James Finlay of Nottingham’s Fists to sing on another. Angi did the sleeve too: all our pets, alive or dead, together and reporting back to us that “Heaven was wild!”. They had the best time. No humans allowed, obviously. We don’t deserve it.\u003cbr\u003eAt this point, in 2026, we run our own record label, release our own records, and release music by people we love. It is absolutely the time to be in control. To be able to platform those around who are fighting the same fight. The music industry is in pieces. Wrong Speed Records and Hey Colossus are not part of the music industry.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Cannibal Forecast\u003cbr\u003e2. Roses\u003cbr\u003e3. Clock\u003cbr\u003e4.Death And Deliverance\u003cbr\u003e5. Runaway Heart\u003cbr\u003e6. People You Long To Forget\u003cbr\u003e7. Consequences\u003cbr\u003e8. Party Of Fleas\u003cbr\u003e9. You'll Rot\u003cbr\u003e10. The Spiders Line\u003c\/p\u003e","brand":"WRONG SPEED RECORDS","offers":[{"title":"Default Title","offer_id":46182801932444,"sku":"WSR075CD","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CDMockUpAll.jpg?v=1770688195"},{"product_id":"iron-wine-hens-teeth-loser-edition-on-oxblood-vinyl","title":"Iron \u0026 Wine - Hen's Teeth [Loser Edition on Oxblood vinyl]","description":"\u003cp\u003eFormat: Loser Edition on Oxblood vinyl\u003cbr\u003eCatalogue No.: SP1707X\u003cbr\u003eBarcode: 0098787170702\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: \u003cspan\u003eIndie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I’ve always wanted to use that title,” Sam Beam says of Hen’s Teeth, his eighth full-length album and his sixth for Sub Pop Records. “I just love it. To me it suggests the impossible. Hen’s teeth do not exist. And that’s what this record felt like: a gift that shouldn’t be there but it is. An impossible thing but it’s real.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHen’s Teeth and his previous album, Light Verse, are siblings of a sort. They were recorded during the same sessions after a year-long dry spell, with the same band, at Waystation studio in Laurel Canyon. “When I’ve been on a writing kick, and the band can meet me where I’m at, they push me into something I hadn’t imagined. I’m at a point in my life where spontaneity is a lot more important to me. I don’t have as much to prove as I used to. I’m a lot freer and I love making music more than ever. There are no right or wrong answers. You just pray for your luck and try your best.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this case prayers were answered and luck struck hard. The musicians cohered so quickly and inspired each other so much that they were often getting songs recorded in just a few takes, sometimes at the rate of two or three per day. The two albums might therefore be thought of as fraternal twins: they share DNA and complement each other but have distinct identities and are defined as much by their differences as their similarities.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLight Verse (2024) took its name from a form of poetry that makes heavy use of wordplay, humor, and nonsense. Its cover depicts figures in silhouette, floating or falling through a cyanotype sky. It’s a sweet and airy album, impressionistic, at times even flirting with abstraction, a hearty shaking off of the doom and gloom of the Covid era. Many of the songs are named for ideas or feelings that gesture toward hope amidst uncertainty: “You Never Know,” “All in Good Time” (a gorgeous duet with Fiona Apple), “Cutting It Close,” “Taken by Surprise.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe world of Hen’s Teeth is earthier, darker, more robust and more tactile than that of Light Verse. The songs have titles like “Roses,” “Robin’s Egg,” “Dates and Dead People,” “Singing Saw.” “Run into the one you love forever \/ Laugh into each other’s empty mouth,” Beam sings on “Roses,” the album’s first track. It’s one of several songs in which lovers are depicted as so deeply entwined they physically merge. “Paper and Stone” recalls that “But for the time we fell in two \/ You’d be me and I’d be you \/ One crust of bread could fit in our mouths \/ You’d breathe in and I’d let it out.” And on “In Your Ocean,” we find Beam “Praying for dry ground \/ Though I only want to drown \/ When I find myself swimming in your ocean.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover is a portrait of Beam surrounded on all sides by flourishing ferns and other tropical plant life. He is wearing a pin-stripe jacket and holding a massive cluster of grapes, prodigious beard spilling down his chest. He could be a local harvest god or a gentleman outlaw holed up in a jungle cave. There are white feathers covering his eyes but these somehow do not suggest blindness. Rather they seem to literalize the poetic notion of an artist’s vision taking flight. The whole surreal scene is washed in humid, spooky red. It’s somewhere between Leonora Carrington and Frida Kahlo, and the contrast with the cool blue-white palette of Light Verse could not be starker.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“The experiments in this one were more with genre than with form. For the last couple years one of my go-to’s has been Van Morrisson’s Astral Weeks, that style where jazz musicians play folk music and it blossoms in different ways than folk musicians are normally interested in doing. ‘Singing Saw’ feels like a song that Dock Boggs and Simon \u0026amp; Garfunkel might have done together. ‘Roses’ and ‘In Your Ocean’ are straight forward folk rock, but they build to these apocalyptic endings. ‘Dates and Dead People’ and ‘Defiance, Ohio’ take a lot from Tropicalia, which is some of my favorite music too. I don’t see it as that much different from jazz. All these forms have been in rock music forever.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the players: David Garza on guitar, Sebastian Steinberg on bass, and Tyler Chester on keyboards. Griffin Goldsmith, Beth Goodfellow, and Kyle Crane all play drums. Paul Cartwright plays violin and mandolin among other stringed instruments; he also handled string arrangements for both records. The indiecountry trio I’m With Her appears on the ebullient lead single, “Robin’s Egg,” and again on the tender, mournful “Wait Up.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I’m obsessed with duets,” Beam says. “Ever since I did Love Letter to Fire with Jesca Hoop. I just love the form. It’s inherently dramatic. And it’s so fun. I had these songs and I finished them with I’m With Her in mind.” Arden Beam—Beam’s daughter—contributes harmonies and backing vocals onthe tracks, “Roses,” “Singing Saw,” “Defiance, Ohio” and “Grace Notes.” Her contributions lend a personal poignancy, as well as a wonderful sonic texture, to Hen’s Teeth. Born two months before the release of his debut album, The Creek Drank the Cradle (2002), she is now 23 years old and a musician herself—the first of his children to appear on one of his records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“It’s exciting, making it more of a family affair. I like making Iron and Wine records, but I like the collaboration even more. Interacting with a bunch of friends and being blown away by what they can bring, musically and emotionally, to a set of three chords. I get to play all day with these people I love and they respond by giving me their most vulnerable, expressive self. It’s the weirdest, best job ever.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRACKLISTING\u003cbr\u003e1. Roses\u003cbr\u003e2. Paper and Stone\u003cbr\u003e3. Robin's Egg (feat. I'm With Her)\u003cbr\u003e4. Singing Saw\u003cbr\u003e5. In Your Ocean\u003cbr\u003e6. Defiance, Ohio\u003cbr\u003e7. Wait Up (feat. I'm With Her)\u003cbr\u003e8. Grace Notes\u003cbr\u003e9. Dates and Dead People\u003cbr\u003e10. Half Measures\u003c\/span\u003e\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":46182968262812,"sku":"SP1707X","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IronAndWine_HensTeeth_Mockup_LP_EU_2000x2000_c76eff20-7f28-4fc7-aa9f-4f7a8edc97d7.jpg?v=1770689408"},{"product_id":"iron-wine-hens-teeth-cd","title":"Iron \u0026 Wine - Hen's Teeth [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SPCD1707\u003cbr\u003eBarcode: 0098787170726\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: \u003cspan\u003eIndie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I’ve always wanted to use that title,” Sam Beam says of Hen’s Teeth, his eighth full-length album and his sixth for Sub Pop Records. “I just love it. To me it suggests the impossible. Hen’s teeth do not exist. And that’s what this record felt like: a gift that shouldn’t be there but it is. An impossible thing but it’s real.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHen’s Teeth and his previous album, Light Verse, are siblings of a sort. They were recorded during the same sessions after a year-long dry spell, with the same band, at Waystation studio in Laurel Canyon. “When I’ve been on a writing kick, and the band can meet me where I’m at, they push me into something I hadn’t imagined. I’m at a point in my life where spontaneity is a lot more important to me. I don’t have as much to prove as I used to. I’m a lot freer and I love making music more than ever. There are no right or wrong answers. You just pray for your luck and try your best.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this case prayers were answered and luck struck hard. The musicians cohered so quickly and inspired each other so much that they were often getting songs recorded in just a few takes, sometimes at the rate of two or three per day. The two albums might therefore be thought of as fraternal twins: they share DNA and complement each other but have distinct identities and are defined as much by their differences as their similarities.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLight Verse (2024) took its name from a form of poetry that makes heavy use of wordplay, humor, and nonsense. Its cover depicts figures in silhouette, floating or falling through a cyanotype sky. It’s a sweet and airy album, impressionistic, at times even flirting with abstraction, a hearty shaking off of the doom and gloom of the Covid era. Many of the songs are named for ideas or feelings that gesture toward hope amidst uncertainty: “You Never Know,” “All in Good Time” (a gorgeous duet with Fiona Apple), “Cutting It Close,” “Taken by Surprise.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe world of Hen’s Teeth is earthier, darker, more robust and more tactile than that of Light Verse. The songs have titles like “Roses,” “Robin’s Egg,” “Dates and Dead People,” “Singing Saw.” “Run into the one you love forever \/ Laugh into each other’s empty mouth,” Beam sings on “Roses,” the album’s first track. It’s one of several songs in which lovers are depicted as so deeply entwined they physically merge. “Paper and Stone” recalls that “But for the time we fell in two \/ You’d be me and I’d be you \/ One crust of bread could fit in our mouths \/ You’d breathe in and I’d let it out.” And on “In Your Ocean,” we find Beam “Praying for dry ground \/ Though I only want to drown \/ When I find myself swimming in your ocean.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover is a portrait of Beam surrounded on all sides by flourishing ferns and other tropical plant life. He is wearing a pin-stripe jacket and holding a massive cluster of grapes, prodigious beard spilling down his chest. He could be a local harvest god or a gentleman outlaw holed up in a jungle cave. There are white feathers covering his eyes but these somehow do not suggest blindness. Rather they seem to literalize the poetic notion of an artist’s vision taking flight. The whole surreal scene is washed in humid, spooky red. It’s somewhere between Leonora Carrington and Frida Kahlo, and the contrast with the cool blue-white palette of Light Verse could not be starker.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“The experiments in this one were more with genre than with form. For the last couple years one of my go-to’s has been Van Morrisson’s Astral Weeks, that style where jazz musicians play folk music and it blossoms in different ways than folk musicians are normally interested in doing. ‘Singing Saw’ feels like a song that Dock Boggs and Simon \u0026amp; Garfunkel might have done together. ‘Roses’ and ‘In Your Ocean’ are straight forward folk rock, but they build to these apocalyptic endings. ‘Dates and Dead People’ and ‘Defiance, Ohio’ take a lot from Tropicalia, which is some of my favorite music too. I don’t see it as that much different from jazz. All these forms have been in rock music forever.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the players: David Garza on guitar, Sebastian Steinberg on bass, and Tyler Chester on keyboards. Griffin Goldsmith, Beth Goodfellow, and Kyle Crane all play drums. Paul Cartwright plays violin and mandolin among other stringed instruments; he also handled string arrangements for both records. The indiecountry trio I’m With Her appears on the ebullient lead single, “Robin’s Egg,” and again on the tender, mournful “Wait Up.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I’m obsessed with duets,” Beam says. “Ever since I did Love Letter to Fire with Jesca Hoop. I just love the form. It’s inherently dramatic. And it’s so fun. I had these songs and I finished them with I’m With Her in mind.” Arden Beam—Beam’s daughter—contributes harmonies and backing vocals onthe tracks, “Roses,” “Singing Saw,” “Defiance, Ohio” and “Grace Notes.” Her contributions lend a personal poignancy, as well as a wonderful sonic texture, to Hen’s Teeth. Born two months before the release of his debut album, The Creek Drank the Cradle (2002), she is now 23 years old and a musician herself—the first of his children to appear on one of his records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“It’s exciting, making it more of a family affair. I like making Iron and Wine records, but I like the collaboration even more. Interacting with a bunch of friends and being blown away by what they can bring, musically and emotionally, to a set of three chords. I get to play all day with these people I love and they respond by giving me their most vulnerable, expressive self. It’s the weirdest, best job ever.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRACKLISTING\u003cbr\u003e1. Roses\u003cbr\u003e2. Paper and Stone\u003cbr\u003e3. Robin's Egg (feat. I'm With Her)\u003cbr\u003e4. Singing Saw\u003cbr\u003e5. In Your Ocean\u003cbr\u003e6. Defiance, Ohio\u003cbr\u003e7. Wait Up (feat. I'm With Her)\u003cbr\u003e8. Grace Notes\u003cbr\u003e9. Dates and Dead People\u003cbr\u003e10. Half Measures\u003c\/span\u003e\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":46182969049244,"sku":"SPCD1707","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IronAndWine_HensTeeth_Mockup_CD_2000x2000_792dd3d5-f6ba-4a83-bc82-d20a78519ac2.jpg?v=1770689404"},{"product_id":"michelle-david-the-true-tones-soul-woman-cd","title":"Michelle David \u0026 The True-tones - Soul Woman [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: RKX105CD\u003cbr\u003eBarcode: 0617308110791\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eRenowned US-Dutch gospel-soul powerhouse Michelle David \u0026amp; The True-tones mark a bold new chapter with their forthcoming album, “Soul Woman”, out February 27, 2026 on Record Kicks. Building on the critical acclaim of 2024’s “Brothers \u0026amp; Sisters”, a record that held a mirror to the complexities of the world, the new LP “Soul Woman” turns inward — a deeply personal exploration of identity, healing, and spiritual resilience. \u003cbr\u003e“How can I ask others to take time to reflect on their lives if I’m not doing the same myself?” Michelle David asks. That spirit of self-inquiry and renewal lies at the heart of “Soul Woman” — a record that embraces vulnerability while radiating strength. \u003cbr\u003eMusically, “Soul Woman” continues to refine the band’s signature blend of gospel fire, soul and vintage rhythm \u0026amp; blues, while drawing from a wider palette of influences. Echoes of Curtis Mayfield, Bobby Womack, and The Four Seasons pulse through the grooves, while the gospel fire of The Blind Boys of Alabama and the joyous uplift of Diana Ross \u0026amp; The Supremes lend the album both gravity and sparkle. At the center is Michelle David’s unmistakable voice — raw, warm, and filled with purpose — wrapped in rich, analog-driven arrangements from longtime collaborators Paul Willemsen (guitar, bass guitar), Onno Smit (guitar, bass guitar) and Bas Bouma (drums). Together, Michelle David \u0026amp; The True-tones stand tall at the forefront of the retro soul scene — blending timeless grooves with modern urgency, unshakable authenticity, and heartfelt spirit.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Running\u003cbr\u003e2. Soul Woman\u003cbr\u003e3. Golden Sun\u003cbr\u003e4. You’ll Never Know\u003cbr\u003e5. Flow\u003cbr\u003e6. Speak To Me\u003cbr\u003e7. Pick Up The Pieces\u003cbr\u003e8. When All Is Said And Done\u003cbr\u003e9. Seasons\u003cbr\u003e10. I Thank You\u003c\/p\u003e","brand":"RECORD KICKS","offers":[{"title":"Default Title","offer_id":46183010173084,"sku":"RKX105CD","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MichelleDavid_TheTrue-tones-SoulWoman_b49de0ba-59dc-491b-b863-688627935568.jpg?v=1770689544"},{"product_id":"michelle-david-the-true-tones-soul-woman-transparent-vinyl","title":"Michelle David \u0026 The True-tones - Soul Woman [Transparent Vinyl]","description":"\u003cp\u003eFormat: Transparent Vinyl\u003cbr\u003eCatalogue No.: RKX105LPC1\u003cbr\u003eBarcode: 0617308110807\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eRenowned US-Dutch gospel-soul powerhouse Michelle David \u0026amp; The True-tones mark a bold new chapter with their forthcoming album, “Soul Woman”, out February 27, 2026 on Record Kicks. Building on the critical acclaim of 2024’s “Brothers \u0026amp; Sisters”, a record that held a mirror to the complexities of the world, the new LP “Soul Woman” turns inward — a deeply personal exploration of identity, healing, and spiritual resilience. \u003cbr\u003e“How can I ask others to take time to reflect on their lives if I’m not doing the same myself?” Michelle David asks. That spirit of self-inquiry and renewal lies at the heart of “Soul Woman” — a record that embraces vulnerability while radiating strength. \u003cbr\u003eMusically, “Soul Woman” continues to refine the band’s signature blend of gospel fire, soul and vintage rhythm \u0026amp; blues, while drawing from a wider palette of influences. Echoes of Curtis Mayfield, Bobby Womack, and The Four Seasons pulse through the grooves, while the gospel fire of The Blind Boys of Alabama and the joyous uplift of Diana Ross \u0026amp; The Supremes lend the album both gravity and sparkle. At the center is Michelle David’s unmistakable voice — raw, warm, and filled with purpose — wrapped in rich, analog-driven arrangements from longtime collaborators Paul Willemsen (guitar, bass guitar), Onno Smit (guitar, bass guitar) and Bas Bouma (drums). Together, Michelle David \u0026amp; The True-tones stand tall at the forefront of the retro soul scene — blending timeless grooves with modern urgency, unshakable authenticity, and heartfelt spirit.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Running\u003cbr\u003e2. Soul Woman\u003cbr\u003e3. Golden Sun\u003cbr\u003e4. You’ll Never Know\u003cbr\u003e5. Flow\u003cbr\u003e6. Speak To Me\u003cbr\u003e7. Pick Up The Pieces\u003cbr\u003e8. When All Is Said And Done\u003cbr\u003e9. Seasons\u003cbr\u003e10. I Thank You\u003c\/p\u003e","brand":"RECORD KICKS","offers":[{"title":"Default Title","offer_id":46183014269084,"sku":"RKX105LPC1","price":26.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MichelleDavid_TheTrue-tones-SoulWoman.jpg?v=1770689541"},{"product_id":"joe-holmes-joe-holmes","title":"Joe Holmes - Joe Holmes","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JOH002LP\u003cbr\u003eBarcode: 0711574977611\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eJoe Holmes is an American Hard Rock and Heavy Metal musician, best known for his work as a touring guitarist for David Lee Roth and Ozzy Osbourne. He began playing guitar at the age of 9, and would later become a student of guitar legend Randy Rhoads. \u003cbr\u003eIn December of 2024 Holmes released \"Cross Eyed Stare\", the first single from his upcoming self-titled album. The record, written by Holmes and collaborator Brent Hoffort, showcases his musical bond with Robert Trujillo (Metallica) and Mike Bordin(Faith No More) from the Ozzy Osbourne band, with vocalist Robert Locke rounding out the group. Both of Holmes' solo records were co-produced with Rich Mouser, and were recorded and engineered by Mouser at the Mouse House in Altadena, CA.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Speak Into the Sea\u003cbr\u003e2. Cross Eyed Stare\u003cbr\u003e3. The Deadfall\u003cbr\u003e4. OCIN\u003cbr\u003e5. Away\u003cbr\u003e6. Lay You Low\u003cbr\u003e7. Wake Into the Inside\u003cbr\u003e8. The Crush of Light\u003c\/p\u003e","brand":"ORG MUSIC","offers":[{"title":"Default Title","offer_id":46184711684252,"sku":"JOH002LP","price":30.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/JoeHolmes-JoeHolmes.jpg?v=1770718415"},{"product_id":"joe-holmes-joe-holmes-cd","title":"Joe Holmes - Joe Holmes [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eJOH002CD \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0711574977710 \u003c\/span\u003e\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eJoe Holmes is an American Hard Rock and Heavy Metal musician, best known for his work as a touring guitarist for David Lee Roth and Ozzy Osbourne. He began playing guitar at the age of 9, and would later become a student of guitar legend Randy Rhoads. \u003cbr\u003eIn December of 2024 Holmes released \"Cross Eyed Stare\", the first single from his upcoming self-titled album. The record, written by Holmes and collaborator Brent Hoffort, showcases his musical bond with Robert Trujillo (Metallica) and Mike Bordin(Faith No More) from the Ozzy Osbourne band, with vocalist Robert Locke rounding out the group. Both of Holmes' solo records were co-produced with Rich Mouser, and were recorded and engineered by Mouser at the Mouse House in Altadena, CA.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Speak Into the Sea\u003cbr\u003e2. Cross Eyed Stare\u003cbr\u003e3. The Deadfall\u003cbr\u003e4. OCIN\u003cbr\u003e5. Away\u003cbr\u003e6. Lay You Low\u003cbr\u003e7. Wake Into the Inside\u003cbr\u003e8. The Crush of Light\u003c\/p\u003e","brand":"ORG MUSIC","offers":[{"title":"Default Title","offer_id":46184711717020,"sku":"JOH002CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/JoeHolmes-JoeHolmes_8ded61a4-b42b-4826-83bf-cd7d82a519be.jpg?v=1770718419"},{"product_id":"kane-west-western-beats","title":"Kane West - western beats","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PCMKW1\u003cbr\u003eBarcode: \u003cspan\u003e0628425430785 \u003c\/span\u003e\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003ePremium first edition Kane West - western beats. Heavyweight vinyl, heavyweight sleeves, heavyweight design.\u003cbr\u003e1xLP \u003cbr\u003e12” Vinyl Records (180g, Black), Black and White Labels \u003cbr\u003e12”Jacket 3mm Spine, 350gsm, Print 1\/0 K, Gloss Machine Varnish + Hot Foil with Emboss on Front Cover, Hot Foil on Rear Cover \u003cbr\u003eFull Colour 12” Board Sleeves\u003cbr\u003eCreative Direction by Kane West \u003cbr\u003eDesign by Jacob Hulmston \u003cbr\u003ePencil Guy Artwork by Daniel Swan\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. gameset\u003cbr\u003e2. baby how could we be wrong\u003cbr\u003e3. power of social media\u003cbr\u003e4. preview\u003cbr\u003eSide B\u003cbr\u003e5. good price\u003cbr\u003e6. pr\u003cbr\u003e7. goin crazy\u003c\/p\u003e","brand":"PC MUSIC","offers":[{"title":"Default Title","offer_id":46184711979164,"sku":"PCMKW1","price":28.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/kanewest.jpg?v=1770718423"},{"product_id":"keith-seatman-counting-to-ten-then-back-again-splatter-vinyl","title":"Keith Seatman - Counting to Ten Then Back Again [Splatter vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eCIS179LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e5060889590714 \u003c\/span\u003e\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eI remember when at school on the last day of term, all the class would bring games in to play, but it always seemed that no one really knew the rules or could fathom out how to play some of them. However, a lot of the games had interesting artwork and fantastic layouts with all sorts of cards and paraphernalia, which I really enjoyed. Around the same time I received a magic set for Christmas. The packaging, images, type, colours on the box and instructions were wonderful.\u003cbr\u003eI would entertain members of the family over the festive period with my conjuring skills. My family would humour me by clapping at the end of every really obvious trick and then make excuses to leave the room.\u003cbr\u003eA few years back a friend gave me a great book on old Firework packaging, labels etc. The colour, wonderful images and names (Martian Ray, Fireball, Silver Rain, Lightning Chaser) were so evocative. I remembered that every November I would be taken to a fantastic local shop that was packed with fireworks encased under smudged and fingerprint stained grubby glass. A highlight of the year. Memories of magic tricks, bizarre board games and amazing looking fireworks, all began to come together to feed and inform a growing idea for another album. Not so much a concept album but one very loosely based around some of the above and much more.\u003cbr\u003eOne time member of Portsmouth Psych\/Noise\/Indie Band Psylons, Keith Seatman has released 8 albums and 3 EPs of strange Electronics, Psych, Radiophonics, Drone and quirky Folk. Keith Seatman has been played on BBC Radio 6 music's The Freak Zone, Gideon Coe Show and BBC Radio 3 Late Junction.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Tonight's Guests Are?\u003cbr\u003e2. Molly Dolly Stain Glass\u003cbr\u003e3. Clip Clop to the Shop\u003cbr\u003e4. Between Tide and Town\u003cbr\u003e5. Smoke and Mirrors\u003cbr\u003e6. Starting First as a Pastime\u003cbr\u003e7. A Posh Hat and Timepiece\u003cbr\u003e8. Another Strange Thing\u003cbr\u003e9. Before Your Very Eyes\u003cbr\u003e10. Counting to Ten Then Back Again\u003c\/p\u003e","brand":"CASTLES IN SPACE","offers":[{"title":"Default Title","offer_id":46184712175772,"sku":"CIS179LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_5bdc9593-608b-4bb7-b2a5-97c15b940223.png?v=1770719590"},{"product_id":"kevin-richard-martin-sub-zero-2lp","title":"Kevin Richard Martin - Sub Zero [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: PRESH028LP\u003cbr\u003eBarcode: 5056321698698\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eJust when you thought Kevin Richard Martin's music couldn’t go any slower, lower or deeper, Sub Zero emerges. A slow-motion excavation of drug-tech, dub, dreamy noise and frozen ambience, the album gradually mutates into hypnotic pulsations and melodic melancholia. It is arguably Martin’s most striking release to date under his given name.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally released digitally on Bandcamp only in the depths of winter 2022, amid the final year of the COVID-19 pandemic and Russia’s initial invasion of Ukraine, this desolate epic went on to become KRM's best-selling digital album on the platform. With persistent demand for a vinyl pressing and a full DSP release from fans, Martin thought the time was right for Sub Zero to finally surface in its full glory: remastered and paired with fresh new artwork.\u003c\/p\u003e\n\u003cp\u003eUnnervingly, the album is as beautiful as it is solemn, as glacial as it is relentless, and as subtle as it is terrifying. A trip into a sonic abyss, with a tour of a philosophical void, it’s to my ears, KRM’s most seductive work yet, and also his most emotionally resonant. Martin expertly balances tear-jerking motifs with heavier than hell rhythmic weight. With its melodic fog, eternal drones and eerie atmospherics, the peripheral throb of distant kick drums, the heartbeat punctuation of cavernous subs and the snowstorm blizzard of fuzz absolutely envelopes the mind, whilst crushing the soul.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn terms of lineage, Sub Zero might recall a more paranoid Porter Ricks, a dystopian GAS, or a brutally dubbed-out Pan Sonic. Most fitting, however, is its kinship with the deepest dub terrain Martin previously explored on In Blue, The Bug’s acclaimed 2020 collaboration with Dis Fig for Hyperdub, where he obsessively probed subaqueous pulses and low-end modulations.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSub Zero is possibly the most minimal, desolate, and deviant dub record yet released on Martin’s PRESSURE label. It marks the point at which dub disappears into its own effects trails. Dub music capturing frozen moments in time. Dub as an addictive painkiller, that sounds both sacred and ocean deep.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Too Human\u003cbr\u003e2. Alien\u003cbr\u003e3. Destroyed\u003cbr\u003e4. Sorrow\u003cbr\u003e5. I Am Nothing\u003cbr\u003e6. Numb\u003cbr\u003e7. Take Me Home\u003cbr\u003e8. Screwed\u003cbr\u003e9. Higher Than The Sky\u003cbr\u003e10. Shadow Boxer\u003cbr\u003e11. The Beast\u003cbr\u003e12. When I'm Gone\u003c\/p\u003e","brand":"PRESSURE","offers":[{"title":"Default Title","offer_id":46184921366684,"sku":"PRESH028LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_a99a5568-26a3-40b9-a841-7d22fd72d8e3.webp?v=1770722594"},{"product_id":"kishi-bashi-sonderlust-10th-anniversary-edition-bone-gold-vinyl","title":"Kishi Bashi - Sonderlust (10th Anniversary Edition) [Bone \u0026 Gold Vinyl]","description":"\u003cp\u003eFormat: 2 x LP, Bone \u0026amp; Gold Vinyl \u003cbr\u003eCatalogue No.: \u003cspan\u003eJNR517LP-C1 \u003c\/span\u003e\u003cbr\u003eBarcode: 0602309900700\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eA decade ago, Kishi Bashi found himself creatively and emotionally depleted after years of touring behind his acclaimed albums 151a and Lighght. The orchestral exuberance that once defined his sound had begun to fade, leading him to question his artistic purpose. Out of that exhaustion came Sonderlust (2016), a deeply personal reinvention marked by vulnerability, analog warmth, and spiritual honesty. Stepping away from ornate violin loops, Ishibashi embraced vintage synths and stripped-down textures, creating a record that shimmered with soulful, human energy. Songs like “Say Yeah,” “Honeybody,” and “Ode to My Next Life” captured both the ache and joy of self-discovery, grounding his lush imagination in lived experience. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNow, with its 10th anniversary reissue, Sonderlust stands as a pivotal work—where Kishi Bashi’s dazzling playfulness gave way to introspection and connection. The new edition features refreshed artwork by original cover artist Ssin Kim, symbolizing growth and renewed perspective. “When you’re younger, the world can feel overwhelming,” Ishibashi reflects. “As you age, you start to see your place in it.” What began as an album of heartbreak has become a timeless meditation on empathy, creativity, and the enduring beauty of being human.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eLP1\u003cbr\u003e1 m'Lover\u003cbr\u003e2 Hey Big Star\u003cbr\u003e3 Say Yeah\u003cbr\u003e4 Can't Let Go, Juno\u003cbr\u003e5 Ode to My Next Life\u003cbr\u003e6 Who'd You Kill\u003cbr\u003e7 Statues in a Gallery\u003cbr\u003e8 Why Don't You Answer Me\u003cbr\u003e9 Flame on Flame (a Slow Dirge)\u003cbr\u003e10 Honeybody\u003c\/p\u003e\n\u003cp\u003eLP2\u003cbr\u003e1 Comin' to You\u003cbr\u003e2 Harpsi Chords\u003cbr\u003e3 m'Lover (Demo-arigato Version)\u003cbr\u003e4 Hey Big Star (Demo-arigato Version)\u003cbr\u003e5 Say Yeah (Demo-arigato Version)\u003cbr\u003e6 Can't Let Go, Juno (Demo-arigato Version)\u003cbr\u003e7 Ode to My Next Life (Demo-arigato Version)\u003cbr\u003e8 Who'd You Kill (Demo-arigato Version)\u003cbr\u003e9 Statues in a Gallery (Demo-arigato Version)\u003cbr\u003e10 Why Don't You Answer Me (Demo-arigato Version)\u003cbr\u003e11 Flame on Flame (a Slow Dirge) (Demo-arigato Version)\u003cbr\u003e12 Honeybody (Demo-arigato Version)\u003c\/p\u003e","brand":"JOYFUL NOISE RECORDINGS","offers":[{"title":"Default Title","offer_id":46184922644636,"sku":"JNR517LP-C1","price":40.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KishiBashi-Sonderlust.jpg?v=1770718450"},{"product_id":"kishi-bashi-sonderlust-10th-anniversary-edition-2cd","title":"Kishi Bashi - Sonderlust (10th Anniversary Edition) [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: JNR517CD\u003cbr\u003eBarcode: 0602309900595\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eA decade ago, Kishi Bashi found himself creatively and emotionally depleted after years of touring behind his acclaimed albums 151a and Lighght. The orchestral exuberance that once defined his sound had begun to fade, leading him to question his artistic purpose. Out of that exhaustion came Sonderlust (2016), a deeply personal reinvention marked by vulnerability, analog warmth, and spiritual honesty. Stepping away from ornate violin loops, Ishibashi embraced vintage synths and stripped-down textures, creating a record that shimmered with soulful, human energy. Songs like “Say Yeah,” “Honeybody,” and “Ode to My Next Life” captured both the ache and joy of self-discovery, grounding his lush imagination in lived experience. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNow, with its 10th anniversary reissue, Sonderlust stands as a pivotal work—where Kishi Bashi’s dazzling playfulness gave way to introspection and connection. The new edition features refreshed artwork by original cover artist Ssin Kim, symbolizing growth and renewed perspective. “When you’re younger, the world can feel overwhelming,” Ishibashi reflects. “As you age, you start to see your place in it.” What began as an album of heartbreak has become a timeless meditation on empathy, creativity, and the enduring beauty of being human.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eLP1\u003cbr\u003e1 m'Lover\u003cbr\u003e2 Hey Big Star\u003cbr\u003e3 Say Yeah\u003cbr\u003e4 Can't Let Go, Juno\u003cbr\u003e5 Ode to My Next Life\u003cbr\u003e6 Who'd You Kill\u003cbr\u003e7 Statues in a Gallery\u003cbr\u003e8 Why Don't You Answer Me\u003cbr\u003e9 Flame on Flame (a Slow Dirge)\u003cbr\u003e10 Honeybody\u003c\/p\u003e\n\u003cp\u003eLP2\u003cbr\u003e1 Comin' to You\u003cbr\u003e2 Harpsi Chords\u003cbr\u003e3 m'Lover (Demo-arigato Version)\u003cbr\u003e4 Hey Big Star (Demo-arigato Version)\u003cbr\u003e5 Say Yeah (Demo-arigato Version)\u003cbr\u003e6 Can't Let Go, Juno (Demo-arigato Version)\u003cbr\u003e7 Ode to My Next Life (Demo-arigato Version)\u003cbr\u003e8 Who'd You Kill (Demo-arigato Version)\u003cbr\u003e9 Statues in a Gallery (Demo-arigato Version)\u003cbr\u003e10 Why Don't You Answer Me (Demo-arigato Version)\u003cbr\u003e11 Flame on Flame (a Slow Dirge) (Demo-arigato Version)\u003cbr\u003e12 Honeybody (Demo-arigato Version)\u003c\/p\u003e","brand":"JOYFUL NOISE RECORDINGS","offers":[{"title":"Default Title","offer_id":46184923136156,"sku":"JNR517CD","price":20.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KishiBashi-Sonderlust_2984a503-2a2c-4138-bc71-32b7cec411fd.jpg?v=1770718453"},{"product_id":"kling-klang-esthetik-of-destruction","title":"Kling Klang - Esthetik of Destruction","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TR1F4LP\u003cbr\u003eBarcode: 5055869547659\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThe singles are long out of print!! “It's like electronic stoner rock. Very doomy, very sabbath! Sit back and nod your head to it. I don't know what this sounds like!’ JACK OSBOURNE (review of Kling Klang’s Heavydale in Kerrang) KKKKK - Single of The Week \/\/ “I could not believe it when I saw that there was a band named Kling Klang from Liverpool. A group named after Kraftwerk's Dusseldorf studio? I had to check them out. Pounding Krautrock inspired Motorik beat, like Neu! welded to incessant Phillip Glass keyboard riffs on acid. But somehow creating their own authentic style. I had to go and say “hello” and offer them studio time. Great maverick music… Their recordings still sound amazing, and like no other band that I have heard before or since.” Andy Mccluskey, OMD \/\/ “I first heard Kling Klang when recording The Coral with Geoff Barrow (BEAK\u0026gt;) and we immediately loved them. Heavydale blew me away then and still does. \u003cbr\u003eWhen we curated All Tomorrows Parties festival we invited them to play, then invited them to come on our European Tour for our Album Third. They were so awesome live. For me, when they played it was the beginning of the whole show and not just a support band. So cool this collection of singles is happening.” \u003cbr\u003eAdrian Utley, Portishead.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Heavydale\u003cbr\u003e2 Superposition 1\u003cbr\u003e3 Flying Hotel\u003cbr\u003e4 Vander\u003cbr\u003eScanner\u003cbr\u003e6 Apex\u003cbr\u003e7 Rocker\u003cbr\u003e8 Tesla's Future War\u003cbr\u003e9 Nexus\u003cbr\u003e10 Red Cuffs\u003cbr\u003e11 Radio Hotel\u003cbr\u003e12 Untitled@33RPM\u003cbr\u003e13 Superposition 2\u003cbr\u003e14 Radium\u003cbr\u003e15 H'vydale\u003c\/p\u003e","brand":"TENEMENT RECORDS","offers":[{"title":"Default Title","offer_id":46184923431068,"sku":"TR1F4LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KlingKlang-EsthetikofDestruction.jpg?v=1770718459"},{"product_id":"lala-lala-heaven-2-cd","title":"Lala Lala - Heaven 2 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SPCD1696\u003cbr\u003eBarcode: 0098787169621\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eLillie West has always made her music in response to an itch to always be moving. But, as she recently experienced a burgeoning desire to settle down, she realized that steadiness can beget creativity. That evolution is what fuels much of her new album as Lala Lala, Heaven 2. For many years, West lived in Chicago, where she established Lala Lala as part of that city’s indie scene, releasing several records on the Sub Pop imprint Hardly Art. Those albums, The Lamb and I Want the Door to Open, were powerful statements from a curious artist: catchy guitar-pop songs about being stuck in the ups and downs of life, the struggle to stay sober, to leave town, to blow up your life. West left Chicago to search for more and, in the process, wrote her new album, Heaven 2. On her journey, she landed in New Mexico, where she lived off the grid in Taos. “It was very challenging, freezing, infested with poisonous animals. But it’s still the most beautiful and magical place I’ve ever been and I dream about it all the time,” West says. She then made her way to Iceland, where she lived for two years on and off, with the off being in London, where she grew up. Eventually, she made her way to Reykjavik and settled in with the music community and released an instrumental album (If I Were A Real Man I Would Be Able To Break The Neck Of A Suffering Bird) before heading to Los Angeles, where she has fallen in love and found herself settled. L.A. has been a good place to live, if for no other reason than, in West’s words, “wherever you go, there you are. I wish there was a cooler way to say that.” Fortunately, there are: This theme of finding beauty and fulfillment wherever one can permeates Heaven 2. On “Even Mountains Erode,” West sings, “There are symbols and signs, you're missing your life.” West encourages herself, and us, to slow down. To stop and smell the flowers. \u003cbr\u003eWest produced the album with Jay Som’s Melina Duterte, who provides a strong punchiness as a bed for West’s warm, rounded vocals. The relationship between the two of them was telepathic, and the result is a bold and confident album. Duterte and West performed almost all of the album’s instruments, with a few crucial guests, like Sen Morimoto on saxophone on the opening track, “Car Anymore,” and a bridge written by Porches’ Aaron Maine on the title track, “Heaven 2.” Catharsis is not only about the pain, but the escape that happens when you free yourself of it. And so there are moments of bold joy on the album, too. “Arrow,” which samples the French electro pop band La Femme, moves fast, and its swiftness and pleasure feel like running towards something, not away. “None of this was supposed to happen,” West sings. But it did. “It’s such a basic spiritual thing,” West says, “Resistance is the root of all suffering, and I thought I could dictate the course of my life.” Of course, like everyone else, she could not. Wherever you go, there you are.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Car Anymore\u003cbr\u003e2. Even Mountains Erode\u003cbr\u003e3. Arrow\u003cbr\u003e4. Tricks\u003cbr\u003e5. Scammer\u003cbr\u003e6. Heaven2\u003cbr\u003e7. Anywave\u003cbr\u003e8. Does This Go Faster?\u003cbr\u003e9. This City\u003cbr\u003e10. Wyoming Dirt\u003c\/p\u003e","brand":"SUB POP","offers":[{"title":"Default Title","offer_id":46184928477340,"sku":"SPCD1696","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LalaLala_Heaven2_Mockup_CD_2000x1417_7e93e0c4-8ba1-4f50-8bfa-6782d99b196f.jpg?v=1770723317"},{"product_id":"leela-james-a-change-is-gonna-come-2lp-golden-pearl","title":"Leela James - A Change Is Gonna Come [2LP Golden Pearl]","description":"\u003cp\u003eFormat: 2 x LP, Golden Pearl Colored Vinyl\u003cbr\u003eCatalogue No.: \u003cspan\u003eGET52780LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0664425278019 \u003c\/span\u003e\u003cbr\u003eRelease Date: 20 Feb 2026\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eL.A.-based soul singer Leela James started out singing backup vocals on Hip-Hop albums in the late 90s and early 2000s. In 2004, she recorded the song \"No Tears\" on Pete Rock's \"Soul Survivor 2\", shortly after she signed a deal with Warner Bros Records and released her debut album A Change is Gonna Come, named after her cover of the Sam Cooke song. A true soul singer, with a voice comparable to Mavis Staples and Betty Wright, Leela enlisted Commissioner Gordon to oversee production, which included tracks by Kanye West, Raphael Saadiq, Wyclef Jean, and Chucky Thompson. The lead single, \"Music,\" is an ode to the soul singers of yesterday, with a Hip-Hop feel. She performs a soulful R\u0026amp;B cover of No Doubt's \"Don't Speak\" and alternates between funky uplifting tracks like \"Good Time\" and \"Soul Food\" with downtempo, soulful ballads like \"When You Love Somebody\" and \"My Joy.\" Leela James departed from Warner after the release of her debut and went on to release seven more studio albums. It's been twenty years since A Change is Gonna Come was released in June of 2005, and Get On Down is proud to present this underrated gem for the first time on vinyl. The album is pressed on \"Golden Pearl\" colored vinyl and packaged in a gatefold jacket, limited to 1000 copies. It's been a long time coming, but this is a must-have for neo-soul and R\u0026amp;B music lovers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Intro\u003cbr\u003eA2. Music\u003cbr\u003eA3. Good Time\u003cbr\u003eA4. Ghetto\u003cbr\u003eA5. Slappy (Interlude)\u003cbr\u003eA6. Soul Food\u003cbr\u003eB1. Rain\u003cbr\u003eB2. Married (Interlude)\u003cbr\u003eB3. When You Love Somebody\u003cbr\u003eB4. Mistreating Me\u003cbr\u003eC1. Don't Speak\u003cbr\u003eC2. Bummy (Interlude)\u003cbr\u003eC3. My Joy\u003cbr\u003eC4. It's Alright\u003cbr\u003eC5. Didn't I\u003cbr\u003eD1. Prayer\u003cbr\u003eD2. I Know I Been Changed (Interlude)\u003cbr\u003eD3. A Change Is Gonna Come\u003cbr\u003eD4. Long Time Coming\u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Default Title","offer_id":46184929820828,"sku":"GET52780LP","price":47.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LEELAJAMESAChangeIsGonnaCome.jpg?v=1770718473"},{"product_id":"magnolia-electric-co-hard-to-love-a-man-anniversary-reissue","title":"Magnolia Electric Co. - Hard to Love a Man (Anniversary Reissue)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SC513LP\u003cbr\u003eBarcode: 0656605051314\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eCelebrating twenty years since its release, Magnolia Electric Co.’s Hard to Love a Man will be expanded and available for the first time on vinyl in February 2026. This anniversary release of the band’s first EP includes three additional tracks: remastered demos of “31 Seasons in the Minor Leagues,” previously titled as “Tonight I’m So Down,” and “Lonesome Valley,” recorded at Echo Park Studios in Indiana during the Hard to Love a Man sessions, as well as “One Thin Dime,” recorded during the Black Ram sessions at Sound of Music Recording Studios in Richmond, Virginia.‘Working class rock’ is a phrase used frequently to describe The Magnolia Electric Co. Categorically, the band has secured their place amongst like-minded icons such as Bob Seger, CCR, Tom Petty and Bruce Springsteen, but it's not merely an aesthetic description. Magnolia backs it up with their work ethic. Amazingly, The Magnolia Electric Co. will have been on the road eight months by the end of 2005. This fact is most apparent to the band members themselves having been away from their homes and their loved ones for such extended periods of time. Hence the significance of the title track. When Jason Molina assumes the perspective of the one he left behind on \"Hard To Love A Man” and sings: “It was hard to love a man like you \/ Goodbye was half the words you knew \/ While you were waiting for me not to call \/ I sent my love,” the loneliness and guilt of separation is painfully obvious. The wounded feminine voice of Jennie Benford, coupled with Jason Groth's sweeping guitar and Mike Kapinus' mournful organ dramatically reiterate this sentiment. Mark Rice and Pete Schreiner deliver their signature tight and tasteful rhythm and Nicole Evans adds a new and dynamic voice. While \"Hard To Love A Man\" and live set favorite, \"Werewolves Of London\" were recorded with Steve Albini at his Electrical Audio Studios, the rest of the tracks were recorded during a brief five day visit home in Indiana at Echo Park Studios with Paul Mahern, whose engineering resume includes The Blake Babies, Lisa Germano and John Mellencamp. As we watch Magnolia grow, Jason Molina doesn't have to coach us through another one, letting the inmates run the asylum. The Magnolia Electric Co. cast no doubt by putting their business in the street.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Hard To Love A Man\u003cbr\u003e2. Bowery\u003cbr\u003e3. Doing Something Wrong\u003cbr\u003e4. 31 Seasons In The Minor Leagues\u003cbr\u003eSIDE B\u003cbr\u003e5. Werewolves Of London\u003cbr\u003e6. 31 Seasons in the Minor Leagues (Tonight I'm So Down) (Demo)\u003cbr\u003e7. One Thin Dime (Black Ram Session)\u003cbr\u003e8. Lonesome Valley (Echo Park Full Band Demo)\u003c\/p\u003e","brand":"SECRETLY CANADIAN","offers":[{"title":"Default Title","offer_id":46184929984668,"sku":"SC513LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/magnoliaelectricco-hardtoloveaman.jpg?v=1770718489"},{"product_id":"mavi-laughing-so-hard-it-hurts","title":"Mavi - Laughing So Hard, It Hurts","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NSD265LP\u003cbr\u003eBarcode: 0822720726516\u003cbr\u003eRelease Date: 20 Feb 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\u003c\/p\u003e\n\u003cp\u003eWhile it remains a remarkable achievement, Mavi’s breakthrough debut album Let The Sun Talk was the work of an artist still coming into his own, recorded when the gifted emcee was a teenager attending Howard University. After touring with Jack Harlow and working with artists like Earl Sweatshirt and Pink Siifu, the Charlotte, North Carolina wordsmith returned three years later with the acclaimed follow-up Laughing So Hard, It Hurts, an emotional meditation on life’s complex duality. Embedding his dense flows within lush instrumentation and stuttering percussion, Mavi unearthed new lyrical depth on the album, navigating through joy and sorrow, grief and hope, pain and healing. While many artists have struggled to match the heights of a beloved debut, Laughing So Hard, It Hurts proved that Mavi would only continue to elevate his virtuosic self expression with each new release. Eloquently cascading rhymes reveal an artist searching for truth through a vast scope of thought, floating atop serene production from Monte Booker, Dlyvinci, Ovrkast, and more. After very limited initial pressings, this classic 2022 collection is now receiving its most extensive vinyl release to date.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. High John\u003cbr\u003e2. Spoiled Brat\u003cbr\u003e3. Baking Soda\u003cbr\u003e4. Doves\u003cbr\u003e5. Quiet On Set\u003cbr\u003e6. 3 Left Feet\u003cbr\u003e7. My Good Ghosts\u003cbr\u003e8. Reason!\u003cbr\u003e9. Hemlock\u003cbr\u003e10. Having My Way\u003cbr\u003e11. Known Universe\u003cbr\u003e12. Trip (feat. Amindi)\u003cbr\u003e13. Opportunity Kids\u003cbr\u003e14. The Inconvenient Truth\u003cbr\u003e15. Chinese Finger Trap\u003cbr\u003e16. Last Laugh\u003c\/p\u003e","brand":"NATURE SOUNDS","offers":[{"title":"Default Title","offer_id":46184930181276,"sku":"NSD265LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MAVILaughingSoHard_ItHurtsLP.jpg?v=1770718496"},{"product_id":"mississippi-macdonald-slim-pickin-cd","title":"MISSISSIPPI MACDONALD - SLIM PICKIN' [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: APMR031\u003cbr\u003eBarcode: 5056688853716\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Blues\u003c\/p\u003e\n\u003cp\u003eRevisiting his alter-ego Oli Mac for a second time with Oli Mac presents Slim Pickin’ Mississippi MacDonald has produced a true nugget of acoustic folk-blues. \u003cbr\u003e(Rock n Reel 5*) \u003cbr\u003eIf your thing hasn't been Acoustic music, you just might not have heard anything this good before \u003cbr\u003e(Blues In Britain) \u003cbr\u003eThe band set out to make an album saturated with warmth, soul and feeling. They certainly nailed it!! (Blues Matters) \u003cbr\u003eIf you don’t already have Mississippi MacDonald in your sights, do it now. You’ll thank me later! \u003cbr\u003e(Blues Blast)\u003cbr\u003eLIVE: \u003cbr\u003ePerformed acoustic songs on stage with Paul Jones at UK Blues awards 2025 \u003cbr\u003ePerformed on stage in Birmingham, and at the Barbican,London with Carla Thomas and Hi Rhythm for Take Me To The River Memphis Soul Revue. \u003cbr\u003ePerformed on stage at the New Orleans Jazz\u0026amp; Blues Heritage Festival with Hi Rhythm.\u003cbr\u003eAppearing in January 2026 at: \u003cbr\u003ePaul Jones \u0026amp; Friends Concert at G Live \u003cbr\u003eBlackpool Blues,Rhythm and Rock Festival \u003cbr\u003eTyneside Winter Blues Festival. \u003cbr\u003esupport dates with Curtis Salgado on UK tour\u003cbr\u003eAppe\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Trouble Doing The Right Thing\u003cbr\u003e2. Slim Pickin’\u003cbr\u003e3. My Bad Attitude\u003cbr\u003e4. I’m Sorry\u003cbr\u003e5. Statesboro Blues\u003cbr\u003e6. Got to Get To Walkin’\u003cbr\u003e7. Goin’ Down Slow\u003cbr\u003e8. Strange Things Are Happening Everyday\u003cbr\u003e9. Sad Songs\u003cbr\u003e10. You can’t Love Yourself\u003c\/p\u003e","brand":"APM RECORDS","offers":[{"title":"Default Title","offer_id":46185151299740,"sku":"APMR031","price":15.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/missismcd.jpg?v=1770726213"},{"product_id":"mitski-nothings-about-to-happen-to-me-mc","title":"Mitski - Nothing's About to Happen to Me [MC]","description":"\u003cp\u003eFormat: Blue Cat Eye Cassette\u003cbr\u003eCatalogue No.: DOC450CASS-C1\u003cbr\u003eBarcode: 0617308005523\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eNothing’s About to Happen to Me is the eighth studio album by Mitski. All songs and vocals are by Mitski. The album was produced and engineered by Patrick Hyland and mastered by Bob Weston, with assistance on drums and logistics from Kris Bulakowski. Continuing the musical through line established with The Land Is Inhospitable and So Are We, the album features live instrumentation by The Land touring band and ensemble arrangements. The orchestra was recorded at Sunset Sound and TTG Studios, arranged and conducted by Drew Erickson, engineered by Michael Harris, with additional engineering by Isaac Diskin and assistance from Alex Miller. Standout singles include “Where’s My Phone?,” “I’ll Change for You,” and “If I Leave.” Mitski is currently writing the \u003cbr\u003emusic and lyrics for the musical adaptation of The Queen’s Gambit. Her concert film, Mitski: The Land, recently had its cinematic release in 27 countries, and was accompanied by The Land: The Live Album.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. In a Lake\u003cbr\u003e2. Where’s My Phone?\u003cbr\u003e3. Cats\u003cbr\u003e4. If I Leave\u003cbr\u003e5. Dead Women\u003cbr\u003e6. Instead of Here\u003cbr\u003e7. I’ll Change for You\u003cbr\u003e8. Rules\u003cbr\u003e9. That White Cat\u003cbr\u003e10. Charon’s Obol\u003cbr\u003e11. Lightning\u003c\/p\u003e","brand":"DEAD OCEANS","offers":[{"title":"Default Title","offer_id":46185305538716,"sku":"DOC450CASS-C1","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/mitskidoc450.mitski.nothing.preorder.cass-C1.bluecateye.jpg?v=1770727900"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/cargo-wk-04-2026.oembed","provider":"Horizons Music","version":"1.0","type":"link"}