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This rebirth isn’t flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there’s a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she’s navigating the contours of heartbreak itself.\u003c\/p\u003e\n\u003cp\u003eRecorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on Underdressed at the Symphony by Matt Stoessel’s arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco’s Nels Cline, among many other crucial players. The title of the album refers to Webster’s post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second. “Going to the symphony was almost like therapy for me. I was quite literally underdressed at the symphony because I would just decide at that moment that that's what I wanted to do,” she says. “That's what I felt like I needed to hear. I got to leave what I felt like was kind of a shitty time in my life and be in this different world for a minute.”\u003c\/p\u003e\n\u003cp\u003eThat strain of lightheartedness with a melancholic backbone permeates the album, and is the major driving force behind “Lego Ring,” which features Atlanta multi-hyphenate Lil Yachty, the only guest voice on the entire album. Yachty’s ghostly warble floats just under Webster’s voice, jabbing through\u003cbr\u003eempty space, trembling over a low rumble of bass. 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The collection features tracks that were “silently” added to Minecraft during its music updates and a few that never officially entered the game. The run time is now adapted to fit the double LP format, while digital downloads include the full set. Rosenfeld’s unmistakable abilities are on display; he creates a sweeping variety of musical ideas that mirror the limitless universe of Minecraft. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eA1. Ki\u003cbr\u003eA2. Alpha\u003cbr\u003eA3. Blind Spots\u003cbr\u003eA4. Mutation\u003cbr\u003eB1. Biome Fest\u003cbr\u003eB2. Aria Math\u003cbr\u003eB3. Taswell\u003cbr\u003eC1. Beginning 2\u003cbr\u003eC2. Moog City 2\u003cbr\u003eC3. The End\u003cbr\u003eD1. Kyoto\u003cbr\u003eD2. Chirp\u003cbr\u003eD3. 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This 4-LP\/2-CD edition includes Beau Sorenson’s restoration of an entire January 30 1985 set, 20 extra live tracks from the year’s touring schedule, and a deluxe booklet detailing twelve months of history-making Hüsker Dü. What is the sound of a legend being written?\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A - January 30th, 1985 at First Ave\u003cbr\u003e1. New Day Rising\u003cbr\u003e3. Everything Falls Apart\u003cbr\u003e4. The Girl Who Lives\u003cbr\u003eOn Heaven Hill\u003cbr\u003e5. I Apologize\u003cbr\u003e6. If I Told You\u003cbr\u003eSide B - January 30th, 1985 at First Ave (cont)\u003cbr\u003e1. Every Everything\u003cbr\u003e2. Makes No Sense At All\u003cbr\u003e3. Terms Of Psychic Warfare\u003cbr\u003e4. Powerline\u003cbr\u003e5. Books About UFOs\u003cbr\u003e6. Broken Home, Broken Heart\u003cbr\u003e7. Diane\u003c\/p\u003e\n\u003cp\u003eSide C - January 30th, 1985 at First Ave (cont)\u003cbr\u003e1. Hate Paper Doll\u003cbr\u003e2. 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John Peel in 1995 - “How many examples have there been in the longish history of English music festivals that define the festival in your head for ever? There have been a few, I DJ’d and compered at The Grateful Dead at Ted Askey’s pig farm, Staffordshire, this was a great example”.\u003cbr\u003e56 years ago the Grateful Dead made their first trip across the pond to play at the Hollywood Festival. The two-day outdoor event was packed with a variety of local and national talent, which included the likes of Traffic, Ginger Baker’s Airforce, Mungo Jerry, The Flaming Groovies, Tony Joe White, a very young Black Sabbath, and Jose Feliciano. The Dead performed a fine electric set despite the tiny stage, crowded press arena, and a PA and monitoring system that they weren't able to hear. No problem, the boys played full tilt for three hours straight to the delight of the Newcastle-under-Lyme freaks and adventurous locals.\u003cbr\u003eOne reviewer said “It represents a band playing at the edge of new possibilities and ideas,”\u003cbr\u003eThe British press were unanimous in their positive appraisal of the Dead’s showing at the festival: Mac Garry (in Zigzag 13) said that they were \"…totally magnificent.” His description of Jerry’s performance was compelling: “…the solid red Gibson looked so flimsy in Garcia’s hands that it looked like it would break like balsa if he squeezed it—but it seemed like every time he touched it, beautiful, clear ringing notes poured out—and on Me and My Uncle he was just fucking fabulous.” Dick Lawson (‘What would be the answer to the answer then?’ Friends 12) completely gushed over the show, describing their set as \"The most ecstatic exploratory music ever witnessed in England.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A.\u003cbr\u003eA1 Casey Jones 5:30\u003cbr\u003eA2 China Cat Sunflower 3:43\u003cbr\u003eA3 I Know You Rider 3:50\u003cbr\u003eA4 Hard To Handle 3:00\u003cbr\u003eA5 Me \u0026amp; My Uncle 3:40\u003cbr\u003eA6 Cryptical Envelopment 1:15\u003cbr\u003eA7 drums 2:11\u003cbr\u003eA8 The Other One 3:44\u003cbr\u003eSide Length: 26:59\u003c\/p\u003e\n\u003cp\u003eSide B.\u003cbr\u003eB1 Cryptical Envelopment 3:15\u003cbr\u003eB2 Attics Of My Life 6:03\u003cbr\u003eB3 Good Lovin' drums 3:59\u003cbr\u003eB4 Good Lovin’ 6:57\u003cbr\u003eB5. 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He began his career in 1989 as a member of the acclaimed psych\/rock band Yura Yura Teikoku, where he played guitar and sang over the course 21 years releasing 10 LPs. His highly anticipated new album Yoo-hoo is set to be released on January 23, 2026 via Zelone Records. Sakamoto previewed the album this autumn with his third U.S. tour along with performances in Mexico City.\u003cbr\u003eYoo-hoo, Sakamoto’s first new album since 2022, reflects his recent live experiences abroad while showcasing a diverse range of sounds, including blues, mood kayō, 1960s soul, surf instrumentals, and funk.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Dear Grandpa\u003cbr\u003e2. Is There A Place For You There?\u003cbr\u003e3. Justice\u003cbr\u003e4. Protect Your Brain\u003cbr\u003e5. On The Other Side of Time\u003cbr\u003eSIDE B\u003cbr\u003e6. The Clock Began To Move\u003cbr\u003e7. Numb\u003cbr\u003e8. Why Do This?\u003cbr\u003e9. 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Back then, our friends at San Francisco institution Aquarius Records described it better than we ever could: “An obscure late-sixties ahead-of-his-time visionary gets his due with this LP reissue. Yonkers’ stuff was like nothing anyone had heard back then (or even now really): fucked-up garage psych with dementedly genius lyrics and crazy acid-fried guitar. Yonkers, a legendary Minneapolis-area figure, built his own effects pedals, cut his Fender Telecaster down to a plank, and played like no one else ever. I’m at a loss of words on how to describe this. It’s sort of like a fusion of stripped down Black Sabbath, The Troggs, Pere Ubu, and The Cramps??” Sub Pop subsequently released the album on CD, and then in 2011 did a limited vinyl pressing, which has been out of print for many years. Sadly, Michael Yonkers passed away in 2026 during the planning of this reissue. He was an incredible, truly singular artist, and one of the sweetest people we've ever met. 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Cansei de Ser Sexy, Portuguese for “Tired of Being Sexy,” is improbably, unbelievably and nearly eponymously their debut. It is a thick, pulsating thing full of haphazard synths (“Alala”) and a come-on of call and response that tears down any attempt at posturing (“Art Bitch,” “Patins”). It is equal parts rock mantra and throwback into something new, transcending boundaries of genre and geography. It careers full speed into dance territory, into the unknown and untouched, to emerge all hot and bothered with wild electro-rock. Pretension? Absent. Friction? Probable. They are the un-pretension: unfinished, exposed, and throwing all they have right at you. It is quick, tightly-wound, unfastened and supreme. Not a sneer but a giggle. To paraphrase from the Portuguese: “Not only music, but a new way to live with it. An unfinished group that, unlike preserving itself until getting ‘to the point,’ was bravely showing off, turning everything into style.” Fashion. Art. Design. Cinema. 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Their tenth album – their debut for Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.\u003c\/p\u003e\n\u003cp\u003eThe eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. “The vast tracking room had big windows looking out on trees,” says O’Malley. “We could go hiking and be out in the woods, spend time outdoors. That became a big part of it.”\u003c\/p\u003e\n\u003cp\u003eSUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Guðnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm’s Tim Midyett and legendary singer-songwriter Scott Walker. 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