{"title":"Cargo BIS 09032026","description":"","products":[{"product_id":"waxahatchee-saint-cloud","title":"Waxahatchee - Saint Cloud","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MRG704LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0673855070414\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 30th April 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eLP finally back in April. Standard Black LP also contains poster + download. What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved. Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield’s voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time. Many of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on “Fire,” which she says was literally written in transit, during a drive over the Mississippi River into West Memphis, and serves as a love song to herself, a paean to moving past shame into a place of unconditional self-acceptance. Over the course of Saint Cloud, which was recorded the summer of 2019 and produced by Brad Cook (Bon Iver), Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country, folk-inspired tones, and distinctly modern touches. To bolster her vision, Crutchfield enlisted Bobby Colombo and Bill Lennox, both of the Detroit band Bonny Doon, to serve as backing band on the record, along with Josh Kaufman (Hiss Golden Messenger, Bon Iver) on guitar and keyboards and Nick Kinsey (Kevin Morby) on drums and percussion. Saint Cloud marks the beginning of a journey for Crutchfield, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm, she’s now firmly in the eye of it, taking stock of her past with a clear perspective and gathering the strength to carry onward.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: SIDE A Oxbow, Can’t Do Much, Fire, Lilacs, The Eye, Hell.. SIDE B Witches, War, Arkadelphia, Ruby Falls, St. Cloud\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":39531176296604,"sku":"MRG704LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Waxahatchee-SaintCloud.jpg?v=1617122250"},{"product_id":"godspeed-you-black-emperor-f-a","title":"GODSPEED YOU BLACK EMPEROR - F# A#","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CST003LP\u003cbr\u003eBarcode: 0666561000318\u003cbr\u003eRelease Date: 05 May 2023\u003cbr\u003eGenre: Post Rock\/Experimental\u003c\/p\u003e\n\u003cp\u003eF# A# ∞ was recorded at the original Hotel2Tango in spring 1997 on a rented 16-track tape deck and supplemented with various field recordings. In the preceding year, the band had taken shape as a quasi-orchestral outfit involving most of the players that would go on to make three more records and tour the world many times. This is the first recorded document of Godspeed as a large band and is soaring, fragile, awkward, heartbreaking stuff. Constellation released a vinyl-only pressing of 500 copies in August 1997, with LP jackets hand made by the label, the band, and various local artisans. It has since gone through dozens of re-presses, with virtually all of the original packaging elements preserved. The opening monologue on Side One (\"Dead Flag Blues\") is taken from Incomplete Movie About Jail, an unfinished film by Efrim. \"An album of soothing, repetitious beauty.\" – NME \/\/ \"Godspeed create some of the most emotionally charged music this side of The Dirty Three.\" – The Wire \/\/ Tracks: A Side: Nervous, Sad, Poor ... B Side: Bleak, Uncertain, Beautiful ...\u003c\/p\u003e","brand":"Constellation","offers":[{"title":"Default Title","offer_id":40246663905436,"sku":"CST003LP","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_3da696af-c4e5-479e-a54b-da5fc6404275.jpg?v=1624445901"},{"product_id":"mitski-laurel-hell-standard-black-lp","title":"Mitski - Laurel Hell [Standard Black LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Standard Black LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC250lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605155012\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Feb 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe don’t typically look to pop albums to answer our cultural moment, let alone to meet the soul hunger left in the wake of global catastrophe. But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016’s Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap—one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped\u003cbr data-mce-fragment=\"1\"\u003eaway the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs “slowly took on new forms\u003cbr data-mce-fragment=\"1\"\u003eand meanings, like seed to flower.” Sometimes it’s hard to see the change when you’re the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracks:\u003cbr data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Valentine, Texas\u003cbr data-mce-fragment=\"1\"\u003e2. Working for the Knife\u003cbr data-mce-fragment=\"1\"\u003e3. Stay Soft\u003cbr data-mce-fragment=\"1\"\u003e4. Everyone\u003cbr data-mce-fragment=\"1\"\u003e5. Heat Lightning\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6. The Only Heartbreaker\u003cbr data-mce-fragment=\"1\"\u003e7. Love Me More\u003cbr data-mce-fragment=\"1\"\u003e8. There’s Nothing Left for You\u003cbr data-mce-fragment=\"1\"\u003e9. Should’ve Been Me\u003cbr data-mce-fragment=\"1\"\u003e10. I Guess\u003cbr data-mce-fragment=\"1\"\u003e11. That’s Our Lamp\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41194018635932,"sku":"DOC250lp","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc250.mitski.lp.black.jpg?v=1636458595"},{"product_id":"phoebe-bridgers-stranger-in-the-alps","title":"PHOEBE BRIDGERS - STRANGER IN THE ALPS","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: DOC142LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode: 0656605144214\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRelease Date: 06 Oct 2017\u003cbr\u003eGenre: Indie\/Alternative\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBack in 1 Mar 2\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Smoke Signals\" (5:21)\u003cbr\u003e2. \"Motion Sickness\" (3:49)\u003cbr\u003e3. \"Funeral\" (3:50)\u003cbr\u003e4. \"Demi Moore\" (3:13)\u003cbr\u003e5. \"Scott Street\" (5:05)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Killer\" (3:07)\u003cbr\u003e2. \"Georgia\" (4:07)\u003cbr\u003e3. \"Chelsea\" (4:42)\u003cbr\u003e4. \"Would You Rather\" (3:19)\u003cbr\u003e5. \"You Missed My Heart\" (6:55)\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42376412954780,"sku":"DOC142LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_12f83f78-6053-49c5-8f3c-4ade50ab9002.jpg?v=1677658449"},{"product_id":"ginger-root-nisemono-black-vinyl-repress","title":"Ginger Root - Nisemono (Black Vinyl Repress)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: ACRO1138LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3663729217875 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: Jun 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie \/ City Pop\u003c\/p\u003e\n\u003cp\u003eWhen an artist sets out to build a universe it is often overwhelming and is lost in translation as they try to captivate their fans with lush visuals and concept around the music. \u003cbr\u003eThe challenges that come with the concept are juxtaposed with the opportunity to create something truly impactful for the project. Nisemono showcases Ginger Root combining all the aspects of his work to extend the music into a new world.\u003cbr\u003eThe phrase loosely translates to “fraud or fake”, and is yet another part of the universe. The EP sets out to immerse the listeners in a world fully crafted by Lew. Nisemono tells the story of Ginger Root’s role in delivering the latest project for the biggest star in Japan, Kimiko Takeguchi. He is called in to help craft her vision and bring the music to life ahead of her American debut. The project brings an immense amount of pressure to the artist's career as it is meant to introduce her to the rest of the world. When Takeguchi is set to make her debut in America she decides to walk away from it all after dealing with the pressure of her career. In that moment her management needs to do anything they can to deliver an artist in America, and see Ginger Root as the perfect alternative who is standing side stage at the late night performance. \u003cbr\u003eGinger Root is thrust into the spotlight and becomes a star. Nisemono tells the story of his fraudulent rise to fame and equally quick fall. The story echoes some of the sentiments Ginger Root experienced in the past year as they saw their music flirt with virality and the new influx of fans that came with the EP, City Slicker. Ginger Root’s universe is not one dimensional, and rather than just being consumed like a normal EP the listener is expected to become a viewer. \u003cbr\u003eThe visual universe of Nisemono is highly stylized, and the project is meant to invoke the feelings of the Japanese “idol era” that came in the 70’s-80’s. Each track will be accompanied by a visual that advances the story line of Ginger Root’s rise to fame. The goal of Nisemono is to build a fraudulent universe completely crafted at the hands of Lew from the music and artists to the ads and late night shows.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: 1. Kimiko! 2. Loneliness 3. Holy Hell 4. Over the Hiil 5. Nisemono 6. Everything's Alright (Meet You in the Galaxy Ending Theme) 7. Kimiko! (Instrumental) 8. Loneliness (Demo) 9. Holy Hell (Demo) 10. Over the Hill (Demo) 11. Nisemono (Demo) 12. Everything's Alright (Meet You in the Galaxy Ending Theme) (Instrumental) 13. Holy Jazz\u003cbr\u003e\u003c\/p\u003e","brand":"Acrophase Records","offers":[{"title":"Default Title","offer_id":42515973439644,"sku":"ACRO1138LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3663729217875_993194cd-070a-42e8-8319-3e9deef98ed2.jpg?v=1686244973"},{"product_id":"mitski-be-the-cowboy","title":"Mitski - Be the Cowboy","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DOC150LP\u003cbr\u003eBarcode: 0656605145013\u003cbr\u003eRelease Date: 17 Aug 2018\u003cbr\u003eGenre: Indie Pop\u003c\/p\u003e\n\u003cp\u003e1 Geyser\u003cbr\u003e2 Why Didn't You Stop Me?\u003cbr\u003e3 Old Friend\u003cbr\u003e4 A Pearl\u003cbr\u003e5 Lonesome Love\u003cbr\u003e6 Remember My Name\u003cbr\u003e7 Me and My Husband\u003cbr\u003e8 Come Into the Water\u003cbr\u003e9 Nobody\u003cbr\u003e10 Pink in the Night\u003cbr\u003e11 A Horse Named Cold Air\u003cbr\u003e12 Washing Machine Heart\u003cbr\u003e13 Blue Light\u003cbr\u003e14 Two Slow Dancers\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42624205684892,"sku":"DOC150LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_88b6ff96-b3d2-4766-9512-67bc9d020f33.jpg?v=1692529442"},{"product_id":"sonic-youth-sister-1","title":"Sonic Youth - Sister","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: GOO020LP\u003cbr\u003eBarcode: 0787996802015  \u003cbr\u003eRelease Date: 23 Jun 2023\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eClassic 1987 album is one of the band’s most beloved releases. Includes a cover of Crime’s “Hot Wire My Heart”. Vinyl includes digital download card with a bonus track “Let’s get something straight. There is no album in the entire corpus of indie rock not Loveless, not Surfer Rosa, not Psychocandy— that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... Reissued on the band’s Goofin’ imprint, pressing includes a digital download card with the vinyl edition.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: 1. Schizophrenia 2. Catholic Block 3. Beauty Lies in the Eye 4. Stereo Sanctity 5. Pipeline \/ Kill Time 6. Tuff Gnarl 7. Pacific Coast Highway 8. Hot Wire My Heart 9. Cotton Crown 10. White Cross 11. 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Burning\u003c\/p\u003e\n\u003cp\u003eSIDE D\u003cbr\u003e1. Lost In The Dream\u003cbr\u003e2. In Reverse\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Default Title","offer_id":44486420889756,"sku":"SELY503101PMI","price":39.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_8d583664-b71c-4ebd-8d30-47eb47680ad0.jpg?v=1727449920"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-deluxe-edition-black-180gr-vinyl-with-poster-and-aluminium-sleeve","title":"Chat Pile and Hayden Pedigo - In the Earth Again [Deluxe Edition Black 180gr Vinyl With Poster And Aluminium Sleeve]","description":"\u003cp\u003eFormat: Deluxe Edition Black 180gr Vinyl With Poster And Aluminium Sleeve\u003cbr\u003eCatalogue No.: \u003cspan\u003eCS013B \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e3700604769125 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. 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A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417321857180,"sku":"CS013O","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain-MockUP-OxBloodVInyl.jpg?v=1760458597"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-180gr-black-vinyl","title":"Chat Pile and Hayden Pedigo - In the Earth Again [180gr Black Vinyl]","description":"\u003cp\u003eFormat: 180gr Black Vinyl\u003cbr\u003eCatalogue No.: \u003cspan\u003eCS013 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e3700604769118 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003cbr\u003eIn The Earth Again will be released through innovative label Computer Students- on October 31, 2025.\u003cbr\u003eThe album will be released in multiple formats featuring a cover art by Malcom Byers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Outside\u003cbr\u003e2. Demon Time\u003cbr\u003e3. Never Say Die\u003cbr\u003e4. Behold a Pale Horse\u003cbr\u003e5. Magic of the World\u003cbr\u003e6. Fission\/Fusion\u003cbr\u003e7. The Matador\u003cbr\u003e8. I’ve Got My Own Blunt to Smoke\u003cbr\u003e9. Radioactive Dreams\u003cbr\u003e10. Inside\u003cbr\u003e11. A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417321922716,"sku":"CS 013","price":32.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain-MockupBlackVinyl.jpg?v=1760458589"},{"product_id":"pastor-chris-congregation-west-virginia-snake-handler-revival-they-shall-take-up-serpents","title":"Pastor Chris Congregation - West Virginia Snake Handler Revival “They Shall Take Up Serpents”","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SF130\u003cbr\u003eBarcode: \u003cspan\u003e0843563194263 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Inspirational\u003c\/p\u003e\n\u003cp\u003eWest Virginia Snake Handler Revival “They Shall Take Up Serpents” marks the arrival of a landmark record, documenting the last, snake-handling church in Appalachia. Featuring hillbilly rock guitars, trance-like rhythms, and howling vocals, this album was recorded 100% live and without overdubs by Grammy-award winning producer and author, Ian Brennan (Tinariwen, Ramblin’ Jack Elliott, Zomba Prison Project).\u003cbr\u003eThe first release of American music ever by Sublime Frequencies, Brennan states, “As much as I’ve travelled around the globe to remote areas such as Comoros, the southeast Sahara or upriver in Suriname, few places have felt more foreign or ‘exotic’ than this part of Appalachia - The recording represents in many ways a companion and counterpoint— the other side of the Deep South, so to speak— to the music that was explored on the Parchman Prison Prayer albums. The Snake Handler album was an attempt to listen across that divide— a divide that’s never fully healed and continues to haunt and imperil the USA to this day.”\u003cbr\u003eThe recording took place during a two-plus hour Sunday service in the West Virginia mountains. Brennan states, “I’d sworn to stay far away from the snakes at the service, but instead they were waved in my face as they coiled in the preachers’ hands, and I crouched down at the foot of the altar tending to the equipment. The pastor soon was bitten and blood splattered, pooling on the floor. The female parishioners hurriedly came to wipe up the mess, and it instantly became clear just what the rolls of paper towels stacked on the pulpit had been for. You can actually hear this moment transpire towards the end of the track ‘Don’t Worry It’s Just a Snakebite (What Has Happened to This Generation?)’ - The congregation leapt to its feet and a mini mosh-pit formed. The tag-team preachers huffed handkerchiefs soaked in strychnine, as they circled like aggro frontmen and an elderly worshiper held the flame of a candle to her throat, closing her eyes and swaying. The church PA blew out from the screams as a bonnet-wearing senior whacked away at a trap kit that dwarfed her. It was the most metal thing I’d ever seen, rendering Slayer mere kids play.”\u003cbr\u003eThe flock claim to be the first church that merged Rock and Roll with firebrand preaching— that the music was stolen from them by Satan, that they are the originators. Given that snake handling ministries can be traced back to at least 1910, there might even be a faint something to the claim.\u003cbr\u003eThe pastor’s father and brother both died after being bitten by timber rattlesnakes, and the pastor himself suffered greatly from one a few years back— his forearm swelling to twice its size and turning slime green. As a result, he fell unconscious and his forearm had to be sliced open from wrist to bicep to relieve the pressure. Nonetheless, Pastor Chris steadfastly claims that “Jesus is our anti-venom.” “Some people think we’re Devil worshippers, that we’re a cult. But snake handling is only a small part of what we do.”\u003cbr\u003eIn the 1970s, there were reportedly five hundred snake churches throughout Appalachia, but now there is only one— in West Virginia, the only state where serpent handling remains legal. It’s estimated that in the past century, more than one hundred preachers have died from poisonous snakebites inflicted while leading these services. This includes the founder of the first snake handling flock, George Went Hensley, who was illiterate and once convicted of selling moonshine during the Prohibition era. His death was officially ruled a suicide due to his refusal of medical treatment. The local county’s population has dropped by more than 80% in the wake of the West Virginia coal industry’s globalisation gutting, and the area now leads the USA in drug-related deaths per capita, while also being the poorest in the state.\u003cbr\u003eWithin minutes of launching into trance-like states during the service featured on this album, both preachers became drenched in sweat. More than strict scripture, the preachers are gifted improvisers able to vent for hours at a time. 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This surprise collection is self-released by Hayley Williams on her new venture Post Atlantic.\u003cbr\u003eThese songs come as the third batch of work released from Williams as a solo artist. The COVID-era saw her release two extraordinary albums - 2020’s Petals For Armor and 2021’s Flowers for Vases. Both albums were gorgeous and stark meditations on loss and offered up a contrast to the high-energy and up-tempo muscle she displays in Paramore. “The record—epitomizing vulnerability and transformative growth—reveals a more mature and introspective side of Williams,” said Pitchfork of Petals, and went on to say of Flowers “her voice is undoubtedly the standout feature... husky and gentle, dangerous yet warm,” and explained that the minimal production “makes this a purposeful reset.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Ice In My OJ\u003cbr\u003e2. Glum\u003cbr\u003e3. Kill Me\u003cbr\u003e4. Whim\u003cbr\u003e5. 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Parachute\u003cbr\u003e19.\u003cbr\u003e20.\u003c\/p\u003e","brand":"POST ATLANTIC","offers":[{"title":"Default Title","offer_id":45438595629212,"sku":"PA001LPC2","price":43.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/lp_c6444d17-36f3-42d6-9d17-997791fe4eb1.png?v=1761062511"},{"product_id":"william-basinski-the-disintegration-loops-arcadia-archive-edition-8lp","title":"William Basinski - The Disintegration Loops (Arcadia Archive Edition) [8LP]","description":"\u003cp\u003eFormat: 8 x LP\u003cbr\u003eCatalogue No.: TRR300LP\u003cbr\u003eBarcode: 0656605330013\u003cbr\u003eRelease Date: 07 Nov 2025\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eSince the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller Laurie Anderson describes the impact of this transformation in poetic detail: “These dissolving sounds, this emptying space, has gained my complete confidence. They are taking me somewhere. I am willingly following these sounds, becoming more and more transparent.”\u003cbr\u003eThe Disintegration Loops – Arcadia Archive Edition is an expansive new box set that includes the entire 5-hour suite of iconic work. Newly remastered from the original recordings by Josh Bonati, the hefty package includes eight vinyl records (or four CDs for the less analog-inclined) in sturdy full-color jackets featuring the restored original artwork, and a new 1000-word foreword by Laurie Anderson – all housed in a striking heavyweight, case-wrapped box. It is the ideal encapsulation of one of the 21st century’s most truly transcendent works. As Anderson concludes in her foreword, “this music has created another world, a world to be carried away in.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. dlp 1.1 (1:03:35)\u003cbr\u003e2. dlp 2.1 (10:50)\u003cbr\u003e3. dlp 2.2 (32:41)\u003cbr\u003e4. dlp 3 (41:53)\u003cbr\u003e5. dlp 4 (20:12)\u003cbr\u003e6. dlp 5 (52:19)\u003cbr\u003e7. dlp 6 (40:32)\u003cbr\u003e8. dlp 1.2 (20:41)\u003cbr\u003e9. dlp 1.3 (12:02)\u003c\/p\u003e","brand":"TEMPORARY RESIDENCE","offers":[{"title":"Default Title","offer_id":45440388563100,"sku":"TRR300LP","price":201.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRR300LP_Mock-Up_4000x4000_d6179d8b-4267-43ec-a61d-43cff98fedf1.jpg?v=1761077970"},{"product_id":"atomik-train-atomik-train","title":"Atomik Train - Atomik Train","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CXIS038LP\u003cbr\u003eBarcode: 0628678657670\u003cbr\u003eRelease Date: 30 Jan 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eAtomik Train, the hard rock band that’s been shaking Canadian underground venues and festival stages alike, is full steam ahead and poised to redefine the modern rock landscape. With thunderous riffs, relentless rhythms, and anthemic hooks, Atomik Train is not just a band, they are a force of nature. Atomik Train’s self-titled debut album is a full-throttle ride through rebellion, resilience, and raw emotion. Produced by John Webster (Aerosmith, The Cult, Tom Cochrane) and recorded at Montreal’s Planet Studios, the album features 11 explosive tracks, including the superb singles «Supersonik Speedway» and «Back on Earth», promising to climb streaming charts and rock playlists worldwide. The Album's release is accompanied by a worldwide press campaign, as well as some key print and digital advertising including Fireworks, Rock Candy Magazine and Sweden Rock Magazine and Metalized\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Supersonik Speedway\u003cbr\u003e2. Destination\u003cbr\u003e3. Back on Earth\u003cbr\u003e4. Lunatic Fringe\u003cbr\u003e5. Long Way Down\u003cbr\u003e6. Playground\u003cbr\u003e7. Never Again\u003cbr\u003e8. Animal Fire\u003cbr\u003e9. I’m a Winner I’m a Loser\u003cbr\u003e10. Reborn\u003cbr\u003e11. 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Pressed in a limited run of 500 copies worldwide, this is a must have for funk\/soul djs and collectors.\u003cbr\u003e“I wanted the album to have an uptempo track that really moved,” says Tiwayo about “Up For Soul.” “One afternoon I was listening to Sly Stone and Johnny Guitar Watson, and by the end of the day, this song was born. It’s a playful take on the ups and downs of being a musician — the hustle, the joy, and the chaos — all wrapped in 70s soul energy.” Recorded with Adrian Quesada and featuring a lush string arrangement by Sly5thAve, the track is a testament to Tiwayo’s ability to make classic soul sound fresh and alive.\u003cbr\u003eBoth tracks preview Tiwayo’s highly anticipated third album, Outsider, due April 10, 2026 — a collaboration between Tiwayo and Adrian Quesada that bridges Parisian soul with Austin’s raw southern heat.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Up For Soul\u003cbr\u003e2. 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And that’s what this record felt like: a gift that shouldn’t be there but it is. An impossible thing but it’s real.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHen’s Teeth and his previous album, Light Verse, are siblings of a sort. They were recorded during the same sessions after a year-long dry spell, with the same band, at Waystation studio in Laurel Canyon. “When I’ve been on a writing kick, and the band can meet me where I’m at, they push me into something I hadn’t imagined. I’m at a point in my life where spontaneity is a lot more important to me. I don’t have as much to prove as I used to. I’m a lot freer and I love making music more than ever. There are no right or wrong answers. You just pray for your luck and try your best.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this case prayers were answered and luck struck hard. The musicians cohered so quickly and inspired each other so much that they were often getting songs recorded in just a few takes, sometimes at the rate of two or three per day. The two albums might therefore be thought of as fraternal twins: they share DNA and complement each other but have distinct identities and are defined as much by their differences as their similarities.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLight Verse (2024) took its name from a form of poetry that makes heavy use of wordplay, humor, and nonsense. Its cover depicts figures in silhouette, floating or falling through a cyanotype sky. It’s a sweet and airy album, impressionistic, at times even flirting with abstraction, a hearty shaking off of the doom and gloom of the Covid era. Many of the songs are named for ideas or feelings that gesture toward hope amidst uncertainty: “You Never Know,” “All in Good Time” (a gorgeous duet with Fiona Apple), “Cutting It Close,” “Taken by Surprise.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe world of Hen’s Teeth is earthier, darker, more robust and more tactile than that of Light Verse. The songs have titles like “Roses,” “Robin’s Egg,” “Dates and Dead People,” “Singing Saw.” “Run into the one you love forever \/ Laugh into each other’s empty mouth,” Beam sings on “Roses,” the album’s first track. It’s one of several songs in which lovers are depicted as so deeply entwined they physically merge. “Paper and Stone” recalls that “But for the time we fell in two \/ You’d be me and I’d be you \/ One crust of bread could fit in our mouths \/ You’d breathe in and I’d let it out.” And on “In Your Ocean,” we find Beam “Praying for dry ground \/ Though I only want to drown \/ When I find myself swimming in your ocean.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover is a portrait of Beam surrounded on all sides by flourishing ferns and other tropical plant life. He is wearing a pin-stripe jacket and holding a massive cluster of grapes, prodigious beard spilling down his chest. He could be a local harvest god or a gentleman outlaw holed up in a jungle cave. There are white feathers covering his eyes but these somehow do not suggest blindness. Rather they seem to literalize the poetic notion of an artist’s vision taking flight. The whole surreal scene is washed in humid, spooky red. It’s somewhere between Leonora Carrington and Frida Kahlo, and the contrast with the cool blue-white palette of Light Verse could not be starker.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“The experiments in this one were more with genre than with form. For the last couple years one of my go-to’s has been Van Morrisson’s Astral Weeks, that style where jazz musicians play folk music and it blossoms in different ways than folk musicians are normally interested in doing. ‘Singing Saw’ feels like a song that Dock Boggs and Simon \u0026amp; Garfunkel might have done together. ‘Roses’ and ‘In Your Ocean’ are straight forward folk rock, but they build to these apocalyptic endings. ‘Dates and Dead People’ and ‘Defiance, Ohio’ take a lot from Tropicalia, which is some of my favorite music too. I don’t see it as that much different from jazz. All these forms have been in rock music forever.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the players: David Garza on guitar, Sebastian Steinberg on bass, and Tyler Chester on keyboards. Griffin Goldsmith, Beth Goodfellow, and Kyle Crane all play drums. Paul Cartwright plays violin and mandolin among other stringed instruments; he also handled string arrangements for both records. The indiecountry trio I’m With Her appears on the ebullient lead single, “Robin’s Egg,” and again on the tender, mournful “Wait Up.”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I’m obsessed with duets,” Beam says. “Ever since I did Love Letter to Fire with Jesca Hoop. I just love the form. It’s inherently dramatic. And it’s so fun. I had these songs and I finished them with I’m With Her in mind.” Arden Beam—Beam’s daughter—contributes harmonies and backing vocals onthe tracks, “Roses,” “Singing Saw,” “Defiance, Ohio” and “Grace Notes.” Her contributions lend a personal poignancy, as well as a wonderful sonic texture, to Hen’s Teeth. Born two months before the release of his debut album, The Creek Drank the Cradle (2002), she is now 23 years old and a musician herself—the first of his children to appear on one of his records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“It’s exciting, making it more of a family affair. I like making Iron and Wine records, but I like the collaboration even more. Interacting with a bunch of friends and being blown away by what they can bring, musically and emotionally, to a set of three chords. I get to play all day with these people I love and they respond by giving me their most vulnerable, expressive self. 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