{"title":"Cargo BIS 03082026","description":null,"products":[{"product_id":"l7-smell-the-magic-lp","title":"L7 - Smell the Magic [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCat: SP1379\u003cbr\u003eBarcode: 0098787137910\u003cbr\u003eReleased: 18th September 2020\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003e This 30th Anniversary edition of the 90s underground rock classic ‘Smell The Magic’ includes all 9 songs from the album, remastered and available together on vinyl for the first time ever.\u003cbr\u003e A multitude of rock music scenes populated the expanse of Los Angeles in 1989: hardcore punk, industrial goth, roots rock and Sunset Strip hair metal, to name a few. L7 fit into none of them, creating their own unique blend of punk and hard, hooky rock loaded with humour and cultural commentary.\u003cbr\u003e Loser Edition neon orange coloured vinyl available to independent retailers.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eShove\u003cbr\u003eFast and Frightening\u003cbr\u003e(Right On) Thru\u003cbr\u003eDeathwish\u003cbr\u003eTill the Wheels Fall Off\u003cbr\u003eBroomstick\u003cbr\u003ePackin’ a Rod\u003cbr\u003eJust Like Me\u003cbr\u003eAmerican Society\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":35705290555548,"sku":"SP1379","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/L7-SmelltheMagic_77e4b98d-62c0-43f6-b794-035e8884886d.jpg?v=1598443238"},{"product_id":"ol-dirty-bastard-return-to-the-36-chambers","title":"Ol Dirty Bastard - Return To The 36 Chambers","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: GET52716LP\u003cbr\u003eBarcode: 0664425271614\u003cbr\u003eRelease Date: 26 May 2023\u003cbr\u003eGenre: Hip Hop\u003c\/p\u003e\n\u003cp\u003eRepress: 05 Jun 2026\u003c\/p\u003e\n\u003cp\u003eIt's safe to say that hip-hop has never seen an album like Ol’ Dirty Bastard's 1995 solo debut Return to the 36 Chambers. The brief glimpses of ODB's unhinged genius provided by Wu-Tang Clan's landmark Enter the Wu-Tang album two years earlier were begging to be expanded on to a larger canvas, and, with RZA guiding production, the album promised to give Dirty the creative license to make one of the most bizarre, entertaining and original LPs in hip-hop history. With his raspy, drunken flow and dark sense of humor, Dirty fearlessly attacks from all angles, throwing himself fearlessly into punchy rhyme attacks (“Damage,” with GZA), drugged-out party jams (the monster singles “Brooklyn Zoo” and “Shimmy Shimmy Ya”) and bizarre, grimly hilarious fantasies of sex and violence (“Don't U Know” and the R\u0026amp;B-tinged “Sweet Sugar Pie”). Backed by RZA's appropriately gritty, dissonant beats and appearances from the Clan, Return became an instant hit, selling over 1 million copies and earning a Grammy Award nomination for Best Rap Album in 1996. The album stands as a high water mark in the Wu-Tang Clan's collective creative output and was selected as one of the Best 100 Rap Albums by The Source magazine in 1998. In honoring the legacy of one of hip-hop's most innovative releases, Get On Down is proud to present this incredible and unique special edition of Ol’ Dirty Bastard's Return to the 36 Chambers as a double LP which contains the complete original album, remastered for optimal sound quality.\u003c\/p\u003e\n\u003cp\u003eTracks : SIDE A Intro, Shimmy Shimmy Ya, Baby C’mon, Brooklyn Zoo. SIDE B Hippa To Da Hoppa, Raw Hide, Damage, Don’t U Know. SIDE C The Stomp, Goin’ Down, Drunk Game (Sweet Sugar Pie), Snakes. 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A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders. Where prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points — whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! 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These too are all about looking out and looking back, in order to better look ahead.\u003cbr\u003e\u003cbr\u003eFirst studio album by Khruangbin since 2020, marking a return to their fundamental creative make up – Laura Lee, Mark Speer, Donald “DJ” Johnson.\u003cbr\u003eVinyl editions feature limited-edition LP colors and die-cut covers revealing a unique slipcase with front and back images exclusive to each pressing; each is a special edition\u003cbr\u003eWorldwide touring planned for 2024 includes extensive US\/CAN dates, high billing with major festivals, and multi-night stands covering 15,000+ tickets in many markets.\u003cbr\u003eOver 6M monthly Spotify listeners with over 650M US streams, 375k+ US physical sales and over 1.2B streams ATD worldwide\u003cbr\u003eSocial: 1,600,00+ Spotify, 725,000+ Instagram; 222,000+ Youtube\u003cbr\u003e\u003cbr\u003eTracklist\u003cbr\u003eSIDE A\u003cbr\u003e1.Fifteen Fifty-Three\u003cbr\u003e2.May Ninth\u003cbr\u003e3.Ada Jean\u003cbr\u003e4.Farolim de Felgueiras\u003cbr\u003e5.Pon Pón\u003cbr\u003e6.Todavía Viva\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e1.Juegos y Nubes\u003cbr\u003e2.Hold Me Up (Thank You)\u003cbr\u003e3.Caja de la Sala\u003cbr\u003e4.Three From Two\u003cbr\u003e5.A Love International\u003cbr\u003e6.Les Petits Gris\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":43009344176284,"sku":"DOC357LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc357.khruangbin.ALS.LP.jpg?v=1705378798"},{"product_id":"mark-lanegan-whiskey-for-the-holy-ghost","title":"MARK LANEGAN - WHISKEY FOR THE HOLY GHOST","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SP132\u003cbr\u003eBarcode: 0098787013214\u003cbr\u003eRelease Date: 15 Mar 2024 (back in)\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA1 The River Rise 4:29\u003cbr\u003eA2 House A Home 3:07\u003cbr\u003eA3 Kingdoms Of Rain 3:24\u003cbr\u003eA4 Carnival 3:40\u003cbr\u003eA5 Riding The Nightingale 6:17\u003cbr\u003eA6 El Sol 3:42\u003cbr\u003eB1 Borracho 5:40\u003cbr\u003eB2 Dead On You 3:11\u003cbr\u003eB3 Shooting Gallery 3:32\u003cbr\u003eB4 Sunrise 2:55\u003cbr\u003eB5 Pendulum 2:12\u003cbr\u003eB6 Beggar's Blues 5:36\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":43247009562780,"sku":"SP132","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_f7ea8147-7d78-457e-a13d-f03f682767c9.jpg?v=1710858588"},{"product_id":"postal-service-give-up","title":"POSTAL SERVICE - GIVE UP","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SP595\u003cbr\u003eBarcode: 0098787059519\u003cbr\u003eRelease Date: 15 Mar 2024 (back in)\u003cbr\u003eGenre: Synth-pop, Indie Pop\u003c\/p\u003e\n\u003cp\u003eA1 The District Sleeps Alone Tonight\u003cbr\u003eA2 Such Great Heights\u003cbr\u003eA3 Sleeping In\u003cbr\u003eA4 Nothing Better\u003cbr\u003eA5 Recycled Air\u003cbr\u003eB1 Clark Gable\u003cbr\u003eB2 We Will Become Silhouettes\u003cbr\u003eB3 This Place Is A Prison\u003cbr\u003eB4 Brand New Colony\u003cbr\u003eB5 Natural Anthem\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":43247432630428,"sku":"SP595","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_a203c03e-bd9f-41d5-a911-297bbdf3d724.jpg?v=1710865378"},{"product_id":"freddie-gibbs-madlib-pinata-repress-1","title":"Freddie Gibbs \u0026 Madlib - Pinata [Repress]","description":"\u003cp\u003e\u003cspan\u003eFormat: 2LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: MMS022LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode: 0989327002211\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRelease Date: 24 Jul 2026 \u003c\/span\u003e\u003cspan\u003e(back in)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre: Hip Hop\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRepress coming soon, note new price!! Featuring Danny Brown, Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul, Polyester the Saint, BJ The Chicago Kid, Big Time Watts, G-Wiz, Casey Veggies, Sulaiman, Meechy Darko \u0026amp; Freddie Kane. Freddie Gibbs is the product of violent, drug-laden streets but unlike most rappers with similar resumes, he brings the block to the booth without inhibition or an exaggerated rap persona. Piñata, a 17 track collaboration with producer Madlib, is the best distillation yet of his transparent approach to making music, combining an at times stark honesty with electrifying talent as a lyricist and performer. Piñata is “a gangster Blaxploitation film on wax,” says Gibbs, who came up on the streets of Gary, Indiana, the disregarded city previously best known for producing Michael Jackson. Here he is joined by Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul and a host of others in setting his soliloquies of the streets alongside film snippets and dusted funk, soul and prog musical tapestries. While this is the latest in a series of single-artist collaborations for Madlib, after Jaylib (J Dilla), Madvillainy (MF Doom) and the street-centric O.J. Simpson with Detroit’s Guilty Simpson, the pairing is unique as it is the first time for Gibbs working with just one producer. On Piñata, where Gibbs can shift from textbook lessons in robbing and drugging on trackslike “Scarface” and “Knicks,” to perhaps the album’s most personal song, “Broken,” a collaboration with Scarface, who, along with Tupac, DMX and 50 Cent, make up the rapper’s own Mount Rushmore of MCs (“You’re getting a hurricane of all those motherfuckers hitting you at once when you listen to Freddie Gibbs,” he says). “Deeper,” a Gibbs favorite and the third single from the album after “Thuggin’” (2012) and “Shame,” (2013) is an ode to hip-hop in the mold of Common’s “I Used to Love H.E.R.”; “High,” featuring Danny Brown, is self-explanatory and just what you would expect from Gibbs, Madlib and one of Detroit’s finest; while on “Real,” Gibbs addresses an old score just as Michael Corleone settled all family business on baptism day. As a producer, Madlib, quite simply, is music, and ten years into his career—a time when other artists become comfortable—Gibbs remains restless, focused, with an eye on the competition and their position relative to his ascent. This is because mentally, he’s still on the corner hustling, which would be the downfall of the average rapper. With Piñata, Gibbs confirms that he is anything but average.\u003c\/p\u003e\n\u003cp\u003eSIDE A 1. Supplier 2. Scarface 3. Deeper 4. High ft. Danny Brown 5. Harold’s SIDE B 6. Bomb ft. Raekwon 7. Shitsville 8. Thuggin’ 9. Real 10. Uno SIDE C 11. Robes ft. Domo Genesis \u0026amp; Earl Sweatshirt 12. Broken ft. Scarface 13. Lakers ft. Ab-Soul \u0026amp; Polyester the Saint SIDE D 14. Knicks 15. Shame ft. BJ The Chicago Kid 16. Watts ft. Big Time Watts 17. Piñata ft. 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Note a new dealer price. 12 tracks produced entirely by The Czar-Keys (7L \u0026amp; Jeremy Page). Fresh off 2018’s collaborative LP with the enigmatic MF DOOM, “CZARFACE meets METAL FACE,” the adventure continues as CZARFACE now faces off with Wu-Tang Clan’s GHOSTFACE KILLAH. \"Czarface meets Ghostface” brings strictly mind melting beats and bars as 3 emcees clash like villains \u0026amp; heroes in the Savage Land. Czarface, a hip-hop \u0026amp; comics force comprised of WU-TANG CLAN General Inspectah Deck, Esoteric (who recently penned an X-Men comic for Marvel) and super producer 7L team up with Ghostface aka Iron-Man aka Tony Starks for murderous mayhem! Czar commando's Rebel INS \u0026amp; Esoteric trade lines such as \"follow in my footsteps might tear your Achilles,\" \u0026amp; \"flow customized got that Dapper Dan touch\" with Ghost on the assist \"chain is off the cooler, charm look like a shrunken head\". With track titles like \"The King Heard Voices\", \"Mongolian Beef\", \"Czarrcade '87\", \"Masked Superstars\" \u0026amp; \"Powers and Stuff\" expect nothing short of a super charged collaboration!\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 Back at Ringside A2 Face Off A3 Iron Claw A4 Czarrcade '87 A5 Powers and Stuff A6 Masked Superstars B1 Morning Ritual (feat. Kendra Morris) B2 Super Soldier Serum B3 The King Heard Voices (feat. 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As the title song “The Avalanche” bemuses, \"I call you once my friends,” Sufjan took in the odd musical misfits and gathered them together like a party of good friends. “The songs on Avalanche are nearly as good as the ones on Illinois, although with surprising synth bursts and craggy guitar noise that were sandpapered off of its predecessor.” SPIN \/\/ “Most of these songs are just as good, if not better, than the ones that actually made the cut.” E Online \/\/ “All the songs here are fully realised and often the equal of those on their parent album.” Observer \/\/\u003c\/p\u003e\n\u003cp\u003e Tracks: A1 The Avalanche A2 Dear Mr. Supercomputer A3 Adlai Stevenson A4 The Vivian Girls Are Visited In The Night By Saint Dargarius And His Squadron Of Benevolent Butterflies A5 Chicago (Acoustic Version) A6 The Henney Buggy Band B7 Saul Bellow B8 Carlyle Lake B9 Springfield, Or Bobby Got A Shadfly Caught In His Hair B10 The Mistress Witch From McClure (Or, The Mind That Knows Itself) B11 Kaskaskia River C12 Chicago (Adult Contemporary Easy Listening Version) C13 Inaugural Pop Music For Jayne Margaret Byrne C14 No Man’s Land C15 The Palm Sunday Tornado Hits Crystal Lake C16 The Pick-Up D17 The Perpetual Self, Or “What Would Saul Alinsky Do?” D18 For Clyde Tombaugh D19 Chicago (Multiple Personality Disorder Version) D20 Pittsfield D21 The Undivided Self (For Eppie And Popo)\u003cbr\u003e\u003c\/p\u003e","brand":"Asthmatic Kitty Records","offers":[{"title":"Default Title","offer_id":44697226870940,"sku":"AKR22LP","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_46d031b5-f10a-4c09-92b8-dd5d67a35ed6.jpg?v=1736449933"},{"product_id":"bon-iver-for-emma-forever-ago-2","title":"Bon Iver - For Emma, Forever Ago","description":"\u003cp\u003eFormat: Vinyl \/ 12\" Album (Gatefold Cover)\u003cbr\u003eCatalogue No.: JAG115LP\u003cbr\u003eBarcode: 0656605211510\u003cbr\u003eRelease Date: 12 Jul 2024\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eA1        Flume\u003cbr\u003eA2        Lump Sum\u003cbr\u003eA3        Skinny Love\u003cbr\u003eA4        The Wolves (Act I And II)\u003cbr\u003eB1        Blindsided\u003cbr\u003eB2        Creature Fear\u003cbr\u003eB3        Team\u003cbr\u003eB4        For Emma\u003cbr\u003eB5        Re: Stacks\u003c\/p\u003e","brand":"Jagjaguwar","offers":[{"title":"Default Title","offer_id":44934448087196,"sku":"JAG115LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_15ca0b99-5867-4449-9c77-1cbd3bd03edb.jpg?v=1739305595"},{"product_id":"sufjan-stevens-illinois-2lp-trifold-1","title":"Sufjan Stevens - Illinois (2LP\/TRIFOLD)","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: AKR014LP\u003cbr\u003eBarcode: 0656605892610\u003cbr\u003eRelease Date: 01 Apr 2016\u003cbr\u003eGenre: Folk Rock\u003c\/p\u003e\n\u003cp\u003eA1 Concerning The UFO Sighting Near Highland, Illinois 2:08\u003cbr\u003eA2 The Black Hawk War, Or, How To Demolish An Entire Civilization And Still Feel Good About Yourself In The Morning, Or, We Apologize For The Inconvenience But You're Going To Have To Leave Now, Or, \"I Have Fought The Big Knives And Will Continue To Fight Them Until They Are Off Our Lands!\" 2:17\u003cbr\u003eA3 Come On! Feel The Illinoise! Part I: The World's Columbian Exposition Part II: Carl Sandburg Visits Me In A Dream 6:49\u003cbr\u003eA4 John Wayne Gacy, Jr. 3:22\u003cbr\u003eA5 Jacksonville 5:29\u003cbr\u003eA6 A Short Reprise For Mary Todd, Who Went Insane, But For Very Good Reasons 0:48\u003cbr\u003eB1 Decatur, Or, Round Of Applause For Your Stepmother! 3:07\u003cbr\u003eB2 One Last \"Whoo-Hoo!\" For The Pullman 0:06\u003cbr\u003eB3 Chicago 6:09\u003cbr\u003eB4 Casimir Pulaski Day 5:57\u003cbr\u003eB5 To The Workers Of The Rock River Valley Region, I Have An Idea Concerning Your Predicament 1:43\u003cbr\u003eC1 The Man Of Metropolis Steals Our Hearts 6:26\u003cbr\u003eC2 Prairie Fire That Wanders About 2:14\u003cbr\u003eC3 A Conjunction Of Drones Simulating The Way In Which Sufjan Stevens Has An Existential Crisis In The Great Godfrey Maze 0:20\u003cbr\u003eC4 The Predatory Wasp Of The Palisades Is Out To Get Us! 5:30\u003cbr\u003eC5 They Are Night Zombies!! They Are Neighbors!! 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On their aptly titled new album, Flowers, The Indications unfurl their true colors — embracing all their roots and influences, maturation and confidence, and share them with the world.\u003c\/p\u003e\n\u003cp\u003eSince forming in 2012, the road has taken The Indications from those origins at Indiana University, Bloomington to the global stage, selling out shows across Europe, Japan, Australia, and New Zealand to the West Coast— where DJI has a strong following among the lowrider and vintage soul enthusiasts.\u003c\/p\u003e\n\u003cp\u003eFor as far as Durand Jones \u0026amp; The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut. Pulling sonically and spiritually from each of the group's previous releases and solo work, Flowers is the next stage of DJI's inspired soulful discography. 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She found herself drawn to the melodic simplicity of her early songs and embraced her musical insecurities: “I wanted to see my limitations as strengths that inform my style.” After working with producers Jorge Elbrecht (Caroline Polachek, Japanese Breakfast, Sky Ferreira) and Dan Nigro (Olivia Rodrigo, Chappell Roan) on Giving the World Away, Pilbeam wanted to complete Liquorice with a single collaborator, ideally a non-male producer who also fronts their own musical project. In September 2024, Pilbeam and Agius returned to Los Angeles to work with Melina Duterte, who records indie rock under the name Jay Som and has production credits on an assortment of projects including the GRAMMY-winning boygenius album the record. “My last album ended up being really dark and introspective and that is one part of me, but there was this whole other side that I felt like I wasn't expressing,” Pilbeam says. “I’m a hopeless romantic and a very silly person, sometimes to a fault.” Now 32 and married, Pilbeam found that “eternal feelings” of yearning and heartache quickly rushed back as she reflected on her experiences as a younger woman. At the same time, she channeled her fondness for tragic romance movies where the characters do not necessarily find a happy ending together. Liquorice is preoccupied with the finite forever. 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Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date.\u003c\/p\u003e\n\u003cp\u003eThe band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Cowritten and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme. On the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, Guilty of Everything -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with a short history of decay,. 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Led (as always) by songwriter and natural historian Jonathan Meiburg, The New World’s nine immersive songs find the group farther afield than ever, and in\u003cbr\u003erare company: along with Meiburg’s fellow Shearwaters Emily Lee and Dan Duszynski, the album’s supporting cast includes instrumental wizard Shahzad Ismaily, saxophonist and clarinetist Doug Wieselman, qanunist Farouz Zriek, guitarist Leo Abrahams, ngonist Mamadou Kouyate, percussionists Mahamadou Tounkara and Moctar Kouyate (of Ngoni Ba), and unclassifiable drummer Thor Harris. (There’s even a surprise visit from a certain L. Anderson.) That might sound like a lot of passengers, but they’re all ideal company for a headlong journey through joy, confusion, reverence and defiance, with Meiburg’s voice as a graceful yet elusive guide. Both spare and ornate, The New World is absorbing in a way few albums are; it’s hard not to listen to the end once you drop in.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Even Song\u003cbr\u003e2. More and More\u003cbr\u003e3. Daydream Unbeliever\u003cbr\u003e4. A Mink in the Dusk\u003cbr\u003e5. The Only Sound I’m Afraid Of\u003cbr\u003eSIDE B\u003cbr\u003e1. The High Ranges\u003cbr\u003e2. Slugs in the Marigolds\u003cbr\u003e3. Anamnesia\u003cbr\u003e4. 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Both spare and ornate, The New World is absorbing in a way few albums are; it’s hard not to listen to the end once you drop in.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Even Song\u003cbr\u003e2. More and More\u003cbr\u003e3. Daydream Unbeliever\u003cbr\u003e4. A Mink in the Dusk\u003cbr\u003e5. The Only Sound I’m Afraid Of\u003cbr\u003eSIDE B\u003cbr\u003e1. The High Ranges\u003cbr\u003e2. Slugs in the Marigolds\u003cbr\u003e3. Anamnesia\u003cbr\u003e4. 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That’s first and foremost,” the director says. “It’s all about making the music work.” “This is somewhat different sounding stuff that we’ve done, but it’s done with the same desire in mind,” he adds. “In other words, put this thing on and imagine you’re watching a movie. That’s what we want you to do.” Daniel Davies’ soaring, snaky guitars take center stage on opener “Primeval,” “Elevator,” and the metal masterpiece “Lord of the Underground” while John Carpenter and Cody Carpenter’s synths take the lead on the ominous “Desolation in the Underworld,” the plaintive “Death of the Mapmaker,” and even converge with strings on “Abandoned Cathedral.”\u003cbr\u003eWhereas the Lost Themes albums were written as scores to movies of the mind, Cathedral scores the first original graphic novel written by Carpenter, his wife and long-time creative partner, producer and editor Sandy King, and writer Sean Sobczak, published by Storm King Comics. 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These are intimate, solitary explora- tions, sketches that feel less composed than discovered, yet they carry a quiet emotional clarity. Where Feynman’s past work often leaned on intricate grooves and dense interplay, Orphans is disarmingly still, patient, and comforting.\u003cbr\u003eAs the album begins, you can almost picture Feynman hunched over a 4-track, tracing melodies on a small Casio, following instinct wherever it leads. 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