{"title":"Cargo Back In 9th October 2026","description":null,"products":[{"product_id":"radiohead-kid-a","title":"RADIOHEAD - KID A","description":"\u003cp\u003eFormat: VL\u003cbr\u003eCatalogue No.: XLLP782B\u003cbr\u003eBarcode: 0634904078201\u003cbr\u003eRelease Date: 30 Sep 2016\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eA1 Everything In Its Right Place\u003cbr\u003eA2 Kid A\u003cbr\u003eB1 The National Anthem\u003cbr\u003eB2 How To Disappear Completely\u003cbr\u003eB3 Treefingers\u003cbr\u003eC1 Optimistic\u003cbr\u003eC2 In Limbo\u003cbr\u003eD1 Idioteque\u003cbr\u003eD2 Morning Bell\u003cbr\u003eD3 Motion Picture Soundtrack\u003c\/p\u003e","brand":"XL","offers":[{"title":"Default Title","offer_id":35751190724764,"sku":"XLLP782B","price":34.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/RADIOHEAD-KIDA.jpg?v=1598692708"},{"product_id":"cocteau-twins-treasure-cd","title":"COCTEAU TWINS - TREASURE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: GAD412CD\u003cbr\u003eBarcode: 0652637041224\u003cbr\u003eRelease Date: 10th February 2003\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eIvo\u003cbr\u003eLorelei\u003cbr\u003eBeatrix\u003cbr\u003ePersephone\u003cbr\u003ePandora\u003cbr\u003eAmelia\u003cbr\u003eAloysius\u003cbr\u003eCicely\u003cbr\u003eOtterley\u003cbr\u003eDonimo\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":36412925837468,"sku":"GAD412CD","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/COCTEAUTWINS-TREASURE.jpg?v=1602341634"},{"product_id":"teno-afrika-amapiano-selections-lp","title":"Teno Afrika - Amapiano Selections [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: ATFA040LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0843563132166\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 19th March 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: International\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eATFA’s most popular digital release of 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSouth Africa's reputation for expanding dance music again with Amapiano.\u003cbr data-mce-fragment=\"1\"\u003eThe past five years have seen amapiano, South Africa’s electronic music movement born in the townships of the country’s Gauteng province, evolve from an underground sound to a nationwide mainstream staple. Even with its commercial success though, amapiano’s DIY ethos has continued to disrupt music creation and distribution in the country. Most amapiano commercial successes today began their careers on cracked versions of production software like FL Studio, distributed their work through file sharing platforms like datafilehost and marketed it using social media pages they controlled and influenced. Amapiano Selections, the debut album by DJ and producer Teno Afrika, gives listeners outside the movement’s online release economy an insight into the high-burn nature of amapiano that has spawned a distinct typology under its larger umbrella. Twenty-one-year-old Lutendo Raduvha has spent the bulk of his life moving between different townships on the outskirts of Johannesburg and Pretoria in the Gauteng province. The palette of amapiano styles on the album reflect these influences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut at first, South Africa’s youngest electronic music movement lived underground with a small, loyal following. “Amapiano is a genre that I chose because I have a passion for it,” says Teno “I started following amapiano in 2016 because I wanted to explore how it’s produced. It was not taken seriously in our country.” Interestingly, Teno Africa only gives vocals prominence on the closing track “Chants of Africa.” As a way of making their music recognizable and relatable for broadcast, amapiano producers have sometimes overly relied on vocals in the form of singing, catch-phrases and party refrains for the purpose. “It was my decision not to use vocals on this project,” says Teno “The reason is I wanted people to feel my instrumentals and style because this is my first album.” On his closing track the young producer gives a glimpse of the considered approach to music which buoys anticipation for greater things from his future releases.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e01. Teno Afrika \u0026amp; Diego Don featuring Stylo Musiq \u0026amp; Flame Darula “Ambassadors”\u003cbr data-mce-fragment=\"1\"\u003e02. 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Zion (as the band was first known) was formed by Efrim, Thierry and Sophie (all of GY!BE) at the beginning of 1999, and after a debut performance at Constellation’s Musique Fragile concert series, the trio recorded this sublime debut record on 8-track at the original Hotel2Tango in November of that year. Starting with simple, stirring piano themes written by Efrim, the music swirls and sways with multiple violin tracks from Sophie and plucked contrebasse from Thierry (his first recording on upright acoustic bass). What initially began as a single long, sparse chamber piece evolved into more fully-orchestrated movements, interspersed with tapes, drones and loops, along with some vocals. Guest musicians include Aidan Girt (GY!BE, Exhaust, 1-Speed Bike), Gordon Krieger (Exhaust) and Sam Shalabi (Land Of Kush). Additional taped fragments are from Efrim’s archives, with contributions from Aidan. The resulting series of plaintive ensemble pieces shivers with intimate sadness. He Has Left Us Alone… is among the most requested records in our catalogue for film projects. The album was dedicated to Efrim’s dog Wanda. Traklisting: \"Lonely As The Sound Of Lying On The Ground Of An Airplane Going Down.\"\u003c\/p\u003e\n\u003cp\u003eA(i) Broken Chords Can Sing A Little. A(ii) Sit In The Middle Of Three Galloping Dogs. A(iii) Stumble Then Rise On Some Awkward Morning. A(iv) Movie(Never Made). \"The World Is SickSICK;(So Kiss Me Quick)! B(i) 13 Angels Standing Guard 'Round The Side Of Your Bed. B(ii) Long March Rocket Or Doomed Airliner. B(iii) Blown-Out Joy From Heaven's Mercied Hole. 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With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016’s Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap—one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped\u003cbr\u003eaway the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs “slowly took on new forms\u003cbr\u003eand meanings, like seed to flower.” Sometimes it’s hard to see the change when you’re the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.\u003c\/p\u003e\n\u003cp\u003eTracks:\u003cbr\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Valentine, Texas\u003cbr data-mce-fragment=\"1\"\u003e2. 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Cover photograph by David Sylvian. Design by Matthew Brandi. Composed by Joachim Nordwall. Produced by Mark Wastell.\u003c\/p\u003e","brand":"Confront","offers":[{"title":"Default Title","offer_id":41198193770652,"sku":"CORE02EP","price":9.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/acetate_oceansofsilverandbloodCORE02EP.jpg?v=1636544367"},{"product_id":"radiohead-kid-a-cd","title":"RADIOHEAD - KID A [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: XLCD782\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0634904078225\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Jun 2016\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e1. \"Everything In Its Right Place\"\u003cbr\u003e2. \"Kid A\"\u003cbr\u003e3. \"The National Anthem\"\u003cbr\u003e4. \"How To Disappear Completely\"\u003cbr\u003e5. \"Treefingers\"\u003cbr\u003e6. \"Optimistic\"\u003cbr\u003e7. \"In Limbo\"\u003cbr\u003e8. \"Idioteque\"\u003cbr\u003e9. \"Morning Bell\"\u003cbr\u003e10. \"Motion Picture Soundtrack\"\u003c\/p\u003e","brand":"XL","offers":[{"title":"Default Title","offer_id":41443395600540,"sku":"XLCD782","price":8.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_1cabe8f0-ca49-434a-9f7f-579da68f7a0e.jpg?v=1644609212"},{"product_id":"amyl-and-the-sniffers-comfort-to-me-lp","title":"AMYL AND THE SNIFFERS - Comfort To Me [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: RT0250LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 191402025019\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Sep 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlready renowned for a ball-tearing live show, The Sniffers made their international debut as one of the hottest tipped acts at The Great Escape in 2018. Soon afterwards, they signed deals with both Rough Trade Records and ATO Records, made a massively hyped appearance at SXSW, and finally released their self-titled debut album in 2019, landing them an ARIA (Australian Recording Industry Association) Award for Best Rock Album, capping off a wild year for the lunatic, likeable punks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLate in 2020, Amyl and The Sniffers went into the studio with producer Dan Luscombe to record their sophomore album, Comfort To Me. Written over a long year of lockdown, the album was influenced by and expanded on a heavier pool of references - old-school rock’n’roll (AC\/DC, Rose Tattoo, Motörhead and Wendy O Williams), modern hardcore (Warthog and Power Trip) and the steady homeland heroes (Coloured Balls and Cosmic Psychos). Lyrically, the album was influenced by Taylor’s rap idols and countless garage bands and in her words ‘I had all this energy inside of me and nowhere to put it, because I couldn’t perform, and it had a hectic effect on my brain. My brain evolved and warped and my way of thinking about the world completely changed.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeventeen songs were recorded in the Comfort to Me sessions and the top 13 made the cut. They were mixed long-distance by Nick Launay (Nick Cave, IDLES, Yeah Yeah Yeahs) and mastered by Bernie Grundman (Michael Jackson, Prince, Dr Dre).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComfort To Me demonstrates the same irrepressible smarts, integrity and fearless candour as their debut but as you’d expect of any young band five years on, their sound has evolved, in Amy’s words it’s ‘raw self expression, defiant energy and unapologetic vulnerability.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACKLIST:\u003cbr data-mce-fragment=\"1\"\u003eGuided By Angels\u003cbr data-mce-fragment=\"1\"\u003eFreaks to the Front\u003cbr data-mce-fragment=\"1\"\u003eChoices\u003cbr data-mce-fragment=\"1\"\u003eSecurity\u003cbr data-mce-fragment=\"1\"\u003eHertz\u003cbr data-mce-fragment=\"1\"\u003eNo More Tears\u003cbr data-mce-fragment=\"1\"\u003eMaggot\u003cbr data-mce-fragment=\"1\"\u003eCapital\u003cbr data-mce-fragment=\"1\"\u003eDon't Fence Me In\u003cbr data-mce-fragment=\"1\"\u003eKnifey\u003cbr data-mce-fragment=\"1\"\u003eDon't Need A Cunt (Like You To Love Me)\u003cbr data-mce-fragment=\"1\"\u003eLaughing\u003cbr data-mce-fragment=\"1\"\u003eSnakes\u003c\/p\u003e","brand":"Rough Trade Records","offers":[{"title":"Default Title","offer_id":42353361354908,"sku":"RT0250LP","price":28.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Amyl-and-the-Sniffers-MockUp-1080x1080-2_1_bdc671a0-02c4-4a2b-a26a-6df5a7ff22bf.jpg?v=1676707397"},{"product_id":"burial-untrue-cd","title":"BURIAL - UNTRUE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: HDBCD002\u003cbr\u003eBarcode: 5024545486520\u003cbr\u003eRelease Date: 01 Oct 2013\u003cbr\u003eGenre: Deep Dubstep\u003c\/p\u003e\n\u003cp\u003e1. \"Track 1\"\u003cbr\u003e2. \"Archangel\"\u003cbr\u003e3. \"Near Dark\"\u003cbr\u003e4. \"Ghost Hardware\"\u003cbr\u003e5. \"Endorphin\"\u003cbr\u003e6. \"Etched Headplate\"\u003cbr\u003e7. \"In Mcdonalds\"\u003cbr\u003e8. \"Untrue\"\u003cbr\u003e9. \"Shell Of Light\"\u003cbr\u003e10. \"Dog Shelter\"\u003cbr\u003e11. \"Homeless\"\u003cbr\u003e12. \"UK\"\u003cbr\u003e13. \"Raver\"\u003c\/p\u003e","brand":"Hyperdub","offers":[{"title":"Default Title","offer_id":42432800063644,"sku":"HDBCD002","price":11.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_66b03c54-b2e4-49f1-9793-fde8a0da621a.jpg?v=1680518058"},{"product_id":"pickle-darling-laundromat-lp","title":"Pickle Darling – Laundromat [LP]","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FD118LPC2\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0679628036366\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Jun 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eFor fans of: Mutual Benefit, Why?, Florist, The Postal Service, The Moldy Peaches. LP on limited Baby Blue vinyl. As Pickle Darling, Christchurch, New Zealand-based producer and multi-instrumentalist Lukas Mayo (they\/them) zooms in on the universality of existential thought with earnest playfulness. After years of touring on previous albums, Bigness (2019, Z Tapes) and Cosmonaut (2021, Z Tapes) and supporting artists like Lucy Dacus and The Beths, Pickle Darling's third album, Laundromat, marks their debut with Father\/Daughter Records. Laundromat !nds magic in the mundane, pointing past perfectionism and instead leans into the art of the everyday. Art is everywhere: in the shape we make out of a napkin while waiting for our co\"ee to arrive, in the text we send to a friend in need, in the beat we make on the steering wheel while stuck at a red light. Laundromat was created in what Mayo describes as their first stable living situation, away from difficult flatmates, tense surroundings, and abysmal landlords. As an artist who writes, records, and produces all of their music at home, the security of their current place allowed their ideas to blossom. Writing soon became a daily practice, and rather than laboring over each song like they had previously some songs on previous records were months and months in the making Mayo found themselves drawn to the spark of what had created the initial idea in the !rst place. Mayo highlights folk artists Connie Converse, Bill Fay, and Vashti Bunyan as passengers in the process of Laundromat; artists who put music into the world then disappeared from the public eye. “I wanted to capture the feeling of making music that's out of step with everything around it,” they explain. “I wanted it to be a lot more immediate.” Mayo recorded a lot of Laundromat’s ideas onto their phone, giving themselves permission to allow those ideas to be the entire song. The enforced length of what a song should be a neat, 3-minute sellable product has always bothered Mayo, and while some of the songs on Laundromat do !t around that particular mold, Pickle Darling says the smaller pockets on the album were them striving to create their “own kind of normal.” “A just reward for a musician who’s been on the cusp of a big breakthrough for several years now.” Rolling Stone AU\/NZ \/\/ “An infectious artist with a bright future ahead.” Ones To Watch \/\/ “Their mastery of starry-eyed songcraft recalls mid-’60s Beach Boys or Harry Nilsson: catchy and innocent-feeling, able to create a whole world in a single two-minute track.” Bandcamp Daily \/\/ “The very embodiment of the kind of bleeding-heart intimacy that should define bedroom pop convention, but rarely ever does.” - Bandcamp Daily \/\/ “Inspired little flashes of magic.” – GoldFlakePaint \/\/ “Wholesome… soothing and lyrically beautiful like Lomelda’s or Tomberlin’s ballads.” – Stereogum \/\/ “They’ve refined what makes them great, and I imagine that audience is only going to get bigger.” - RNZ’s Tony Stamp \/\/\u003c\/p\u003e\n\u003cp\u003eTrack Listing: 1. Early Geometry 2. In Good Health 3. King Of Joy 4. Head Terrarium 5. Choruses 6. Computer Repair 7. Laundromat 8. Marcie 9. Kinds Of Love 10. Invercargill Angel 11. Scared 12. More Kinds Of Love\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Pickle Darling - Head Terrarium (Official Video)\" src=\"https:\/\/www.youtube.com\/embed\/soPK9_UjMXU\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Father Daughter","offers":[{"title":"Default Title","offer_id":42491869593756,"sku":"FD118LPC2","price":26.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PickleDarling_Laundromat.jpg?v=1684145796"},{"product_id":"bobby-lee-endless-skyways-cassette","title":"Bobby Lee - Endless Skyways [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: TSQ5944\u003cbr\u003eBarcode: 0856225005944\u003cbr\u003eRelease Date: 23 Jun 2023\u003cbr\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003eEndless Skyways is Bobby Lee’s third full album and second release on Tompkins Square. Returning to the full band sound of his debut, the name Endless Skyways is borrowed from a line in Woody Guthrie’s This Land Is Your Land, one of the cornerstones of American music. That song’s mix of the terrestrial (“ribbons of highway”) and celestial consciousness encapsulates Lee’s brand of widescreen cosmic americana; a duality also evident in the album’s split between deep-fried rural rock and ambient country. Dusty boots but third eye open.\u003c\/p\u003e","brand":"Tompkins Square","offers":[{"title":"Default Title","offer_id":42498179661980,"sku":"TSQ5944","price":17.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/bobbylee_endlessskyways_a2e5ffc3-5767-42e3-a6f1-7c701d3331b6.jpg?v=1684748744"},{"product_id":"a-giant-dog-bite-lp","title":"A Giant Dog - Bite [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Black\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MRG829LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0673855082912\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 25 Aug 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBoth LPs come with a download.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe moment the needle drops on Bite, the new A Giant Dog record, one’s conception of what an A Giant Dog record sounds like bends like space and time around a starship running at lightspeed. The biggest point of departure is that Bite is a concept album, concerning characters who find themselves moving in and out of a virtual reality called Avalonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Giant Dog’s first album of original songs since 2017’s Toy, Bite finds the band Sabrina Ellis, Andrew Cashen, Danny Blanchard, Graham Low, and Andy Bauer at their peak as musicians, challenging themselves with more complex arrangements and subject matter that forced them out of their heads and into those of the characters who occupy this supposed paradise. “We had to find ourselves within, or project ourselves into, the principal characters. We developed them, got to know their minds, emotions, and motivations, and then expressed those in nine songs,” Ellis explains. Themes of addiction, gender fluidity, living ethically in a capitalist society, physical autonomy, avarice, grief, and consent bubble beneath the promised happiness of Avalonia. This is evident in songs like “Different Than,” where Ellis sings, “My body can’t explain the things my mind don’t comprehend” as if societal gender pressure is squeezing its protagonist out of their skin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe songs on Bite are full of bombast, at turns calling to mind the spacefaring operatic rock of Electric Light Orchestra and the high drama of an Ennio Morricone film score. The album’s narrative sweep is epic in scope, its characters facing impossible odds and certain doom, existing as comfortably with the sci-fi grandiosity of Thin Lizzy’s Jailbreak as it does with the high fantasy of Dio and Iron Maiden.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAppropriately, A Giant Dog came to this narrative armed to the teeth with new ideas, unleashing synthesizers and string sections to create what Ellis describes as orchestral, symphonic, futuristic punk. To achieve this, they left their home turf of Austin, Texas, for La Cuve Studio, just outside of Angers, France. Living in the French countryside, A Giant Dog laid down their vision of the future against a decidedly pastoral backdrop. On walks from Angers to La Cuve, Ellis says that they “would see many things, and also nothing at all. Swans on the river. Romani people living in little trailers, with a side hut built for their dog. A juggler on a unicycle—not fucking with you.” “We thought we wouldn’t be allowed back in France after this trip, to be honest,” they continued. “Five loud, stomping, clapping, rowdy Americans who ran through the streets of Angers for three weeks in November 2022.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe experience capped two years of planning and writing, fleshing out the universe of Avalonia beyond the bounds of most concept albums. The resulting nine songs do not merely occupy this space: They’ve lived in it, and they want out.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1. Avalonia\u003cbr data-mce-fragment=\"1\"\u003e2. Happiness Awaits Inside\u003cbr data-mce-fragment=\"1\"\u003e3. I Believe\u003cbr data-mce-fragment=\"1\"\u003e4. In Destiny\u003cbr data-mce-fragment=\"1\"\u003e5. Different Than\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003e6. A Daydream\u003cbr data-mce-fragment=\"1\"\u003e7. Watch Me Sleeping\u003cbr data-mce-fragment=\"1\"\u003e8. Watch it Burn\u003cbr data-mce-fragment=\"1\"\u003e9. In Rainbows\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"A Giant Dog - Different Than (Official Audio)\" src=\"https:\/\/www.youtube.com\/embed\/aSXADC8ykhk\" height=\"360\" width=\"640\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.youtube.com\/embed\/aSXADC8ykhk\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":42515157319836,"sku":"MRG829LP","price":26.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_16151bed-b861-40f1-ba1f-54acf01e7538.jpg?v=1686169241"},{"product_id":"lutalo-again-transparent-yellow-vinyl","title":"Lutalo - Again [Transparent Yellow vinyl]","description":"\u003cp\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WSP046LPC1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0606638762541\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e25 Aug\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eRIYL: King Krule, Interpol, Alex G, Orion Sun, Snail Mail, Toro Y Moi, Unknown Mortal Orchestra. “Transparent Yellow” Indie Store Colour. (LPC1) available while stocks last. For Lutalo, creating music is an act of hope in and of itself. Throughout their meticulously crafted folk, rock, and soul, on which they sing and play all the instruments, the Twin Cities-raised, Vermont-based musician embeds golden lines of poetry that inspire curiosity about the world and empathy for everyone searching for a way through it. After releasing their 2022 debut EP, Once Now, Then Again, Lutalo emerged as a rising talent in the indie world, catching the attention of Fleet Foxes’ Robin Pecknold and Big Thief’s Adrianne Lenker, who invited the young musician on tour. Following a vinyl release with that breakthrough project, they are releasing its companion EP, AGAIN, on August 25 via Winspear. On the ambitious AGAIN, a collection of kinetic indie rock tracks, Lutalo makes bold critiques of systemic oppression, capitalism, and the digital attention economy. Though these topics are heady, their writing always sits at an accessible place of personal introspection. Like on the arresting single “Push Back Baby,” whose fuzzy electric guitar lines twist and unfurl in intricate patterns, Lutalo paints a complex portrait of our current reality that’s “rooted in the greed or narcissism of capitalists,” they explain. “I’m analyzing those systems and patterns, and also asking, ‘Can we continue to not perpetuate this?’ Because it’s hurt a lot of people historically. I’m just asking people to question it.” Through their music, but also through their lifestyle that’s alternative to America’s economic and political systems, Lutalo asks listeners to imagine new possibilities. “I want to help people question the way they’re living,” they say, “so we can create a better reality for us to exist in together.” Upcoming Festival appearances at Pitchfork London (Nov 12), and more to be announced. Past tour dates supporting The Weather Station, Big Thief, Puma Blue, Adrianne Lenker, and Novo Amor across the US, UK and EU. Sold out residency at Union Pool in NYC this past winter. Named The Guardian One To Watch plus other press support from The FADER, LOBF, CLASH, Bandcamp, Afropunk, Them.\u003c\/p\u003e\n\u003cp\u003eTrack listing: A side. 01. PLPH 02. Hold My Head 03. The Old Cast 04. Push Back Baby. B side. 05. SCRAPZ 06. Strange Folk 07. 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Thoughts will come to the 21-year-old singer-songwriter in dreams, or as she writes lyrics in studio sessions, words floating onto the page before she’s really had a moment to realise what they are. “As soon as we start making the music, my brain sort of turns off,” she explains. “I’ll be sitting there, writing all this stuff that feels like a load of nonsense, and a month later, I'll look back and be like ‘oh’. It all comes from a place I didn’t even realise was there.”\u003c\/p\u003e\n\u003cp\u003eIn learning how to open up to herself, gglum ended up finding a kindred spirit in producer Karma Kid (Maisie Peters, Shygirl, Connie Constance), pushing past her natural bedroom-pop introversion to find joy in the process of collaboration. Whether it’s the ragged radio-rock of ‘SPLAT!’ (“basically about realising that somebody you held up very highly is actually just a massive shambles of a person”) or the riotous, industrial energy of ‘Easy Fun’, Smoker is able to reshape her vocal around the mood, creating a record which expertly balances light and shade. “I've never really done anything in like that vocal style before,” she says of ‘Easy Fun’s near-spoken delivery. “I love that song because it’s not something I would have come up with on my own, but Karma Kid was great at pushing me out of my comfort zone. I just thought like, look: I can be a little silly with this.”\u003c\/p\u003e\n\u003cp\u003eThe release of ‘The Garden Dream’ will offer gglum plenty more opportunity to get both silly and serious, to be bold in her exploration of new ideas and sounds. But it will also offer the opportunity to further accept herself as the dreamlike artist she always wanted to be; confidently embellishing acoustic worlds that her listeners can burrow safely within.\u003c\/p\u003e\n\u003cp\u003e“I feel like I naturally gravitate towards wanting to make musical spaces that you can feel like you’re living in, rather than trying to make songs”, she says. “That's something I really wanted to solidify with this album: I basically want to make music that feels like when you're looking out the window and it's the end of the film and you're imagining what comes next. That's the sound of what I want to be doing.”\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1) With You\u003cbr data-mce-fragment=\"1\"\u003e2) SPLAT!\u003cbr data-mce-fragment=\"1\"\u003e3) Late\u003cbr data-mce-fragment=\"1\"\u003e4) Pruning 1\u003cbr data-mce-fragment=\"1\"\u003e5) Pruning 2\u003cbr data-mce-fragment=\"1\"\u003e6) Easy Fun\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e7) Glue\u003cbr\u003e8) Second Best\u003cbr\u003e9) He Laid His 97's Neatly By The Door\u003cbr\u003e10) Honeybee\u003cbr\u003e11) Do You See Me Different? feat. Kamal.\u003cbr\u003e12) Eating Rust\u003cbr\u003e13) The Garden Dream\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Default Title","offer_id":43032650743964,"sku":"SC477cd","price":11.79,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/sc477.gglum.TGD.mockup.CD.jpg?v=1706118090"},{"product_id":"pixies-wave-of-mutilation-best-of-pixies-2lp","title":"PIXIES - WAVE OF MUTILATION: BEST OF PIXIES [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: CAD2406\u003cbr\u003eBarcode: 0652637240610\u003cbr\u003eRelease Date: 25 Jun 2024 (back in)\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA1        Bone Machine\u003cbr\u003eA2        Nimrod's Son\u003cbr\u003eA3        The Holiday Song\u003cbr\u003eA4        Caribou\u003cbr\u003eA5        Broken Face\u003cbr\u003eA6        Gigantic\u003cbr\u003eB1        Vamos\u003cbr\u003eB2        Hey\u003cbr\u003eB3        Monkey Gone To Heaven\u003cbr\u003eB4        Debaser\u003cbr\u003eB5        Gouge Away\u003cbr\u003eB6        Wave Of Mutilation\u003cbr\u003eC1        Here Comes Your Man\u003cbr\u003eC2        Tame\u003cbr\u003eC3        Where Is My Mind?\u003cbr\u003eC4        Into The White\u003cbr\u003eC5        Velouria\u003cbr\u003eD1        Allison\u003cbr\u003eD2        Dig For Fire\u003cbr\u003eD3        U-Mass\u003cbr\u003eD4        Alec Eiffel\u003cbr\u003eD5        Planet Of Sound\u003cbr\u003eD6        Winterlong\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44138370302108,"sku":"CAD2406","price":34.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_9ca29d55-01b0-40c1-9610-0d5cd706d13f.jpg?v=1719313811"},{"product_id":"various-rumba-blues-gone-mambo-how-latin-music-changed-rhythm-blues-2cd","title":"Various - Rumba Blues Gone Mambo (How Latin Music Changed Rhythm \u0026 Blues) [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: RANDB041CD\u003cbr\u003eBarcode: 5060331751106\u003cbr\u003eRelease Date: 02 Aug 2024\u003cbr\u003eGenre: International\u003c\/p\u003e\n\u003cp\u003e60 mambos - all with rhythm aplenty! The mambo was born in Cuba in 1938, of African and European parentage. It arrived in New York ten years later via Havana and Mexico City. 1954 was the year of the mambo in America as dancers flocked to the ballrooms to see exciting new bands led by Machito, Tito Puente, Perez Prado and Tito Rodriguez. To cash in on the craze, record companies encouraged their R\u0026amp;B artists to come up with songs in a Latin vein and to include the word mambo in the title. Latin rhythms have infiltrated every branch of popular music, but none has had such a wide ranging influence as the rumba. Its 3-3-2 rhythm, combined with the New Orleans second line beat, formed the basis of the Stax and Motown sound and the more complex rhythms of funk in the 1960s.\u003c\/p\u003e\n\u003cp\u003eDisc One: 1 Annie's Mambo - T.N.T. 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Disc Two: 1 Big Joe Mambo - Fay Simmons 2 Helena Mambo - Rollee McGill 3 Hi-Beam Mambo - Charlie Ferguson 4 After Hours Mambo -  J.J. Jones 5 Mambo Jungle - Mel Gray 6 Blues King Mambo - Harmonica ‘Harris 7 Mambo Baby - Dolly Wade 8 Guitarambo - Mickey Baker 9 Filatone's Mambo - Lawrence Peel 10 Mambo - Classie Ballou 11 Mambo Blues - Robert Banks 12 Mamboogie - Sonny Burke 13 Mambino - Kid King 14 Sandman Mambo - Chris Powell 15 Clock Mambo - Esther Sutherland 16 Mambo's Got the Blues - Vin Strong  17 Mambo Twist - Chaz + 2 18 Don't Teach Me To Mambo - Paul Williams 19 Slide's Mambo - Buddy Johnson 20 T-Town Mambo - Ernie Fields 21 Mambo Arribique - Otis Freeman 22 Mambo Daddy - The Celebrities 23 St Louis Blues Mambo - Ellie Russell 24 Mambo Baby - The Five Tinos 25 Junior's Mambo - Larry Liggett 26 Avalon Mambo - Gene Casey 27 Dragnet Mambo - Carlos Molina 28 Lucky Mambo - Juan Toradez 29 Judo Mambo - Jimmy Smith 30 Mambo Holiday - Joe Holiday \u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e","brand":"Rhythm and Blues Records","offers":[{"title":"Default Title","offer_id":44254484234396,"sku":"RANDB041CD","price":8.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RumbaBluesGoneMambo.jpg?v=1721820073"},{"product_id":"borusiade-the-fall-a-series-of-documented-experiences","title":"Borusiade - THE FALL: A Series of Documented Experiences","description":"\u003cdiv class=\"pl-info jq_highlight\"\u003e\n\u003cdiv class=\"vi-text mb-2\"\u003eFormat: LP\u003cbr\u003eCatalogue No.: DE-326\u003cbr\u003eRelease Date: 22 Nov 2024\u003cbr\u003eGenre: Coldw\u003cspan class=\"highlight highlight-2\"\u003ea\u003c\/span\u003eve\/Synth\u003c\/div\u003e\n\u003cdiv class=\"vi-text mb-2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"vi-text mb-2\"\u003e01 Save Me \u003cbr\u003e02 Darsteller\u003cbr\u003e03 Credo \u003cbr\u003e04 Rapture Capture \u003cbr\u003e05 Lurking \u003cbr\u003e06 The Fall \u003cbr\u003e07 Pandrogyne\u003cbr\u003e08 Eerie\u003cbr\u003e09 Recovery and Redemption\u003c\/div\u003e\n\u003cdiv class=\"vi-text mb-2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"vi-text mb-2\"\u003eBorusiade lands on Dark Entries with their triumphant third LP, THE FALL: A Series of Documented Experiences. The Romanian producer and DJ Miruna Boruzescu aka Borusiade has a track record of genre-bending releases on tastemaking outlets like Cómeme, Pinkman, Cititrax, and of course Dark Entries, who unleashed their stunning 2020 sophomore album Fortunate Isolation. THE FALL builds on Borusiade’s mythos with its 9 brooding and sophisticated tracks investigating the contours of memory and embodiment - the “fragile bridge between body and mind” in Borusiade’s words. Moody basslines and melancholy synths wrestle with muscular rhythms; this is electronic body music for the heart and head. This is their most diaristic work to date, as well, chronicling love and loss through the gauze of reflection. Tracks like “Save Me”, “Recovery and Redemption”, and “The Fall” sprung from painful breakups, periods which Borusiade identifies as some of their most creatively fruitful, finding themselves “making the best music when I was brokenhearted.” There are odes to musical titans we’ve lost: the minimal electro producer Porn Darsteller is comemorated on “Darsteller”, while industrial legends Genesis P-Orrige and Lady Jaye are honored on “Pandrogyne.” THE FALL comes housed in a sleeve using Gautier D'Agoty’s “Essai d'Anatomie,” an anatomical work from 1745, and also includes a lyric sheet. Trauma, from lost love to pandemic isolation,  informs THE FALL, situating itself as a gap that can only be accessed through sound and the creation of art. “What can I add? When life gives you drama, make music.”\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dark Entries","offers":[{"title":"Default Title","offer_id":44548255875228,"sku":"DE-326","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_25.jpg?v=1729868835"},{"product_id":"the-charlatans-melting-pot-2lp","title":"The Charlatans - Melting Pot [2LP]","description":"\u003cp\u003eFormat: 2 x 12\" Album\u003cbr\u003eCatalogue No.: BBQLP198\u003cbr\u003eBarcode: 0607618019815\u003cbr\u003eRelease Date: 17 Jul 2015\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eLP  \u003cbr\u003eThe Only One I Know\u003cbr\u003eThen\u003cbr\u003eOpportunity Three\u003cbr\u003eOver Rising\u003cbr\u003eSproston Green (Us Version)\u003cbr\u003eWeirdo\u003cbr\u003eTheme from the Wish\u003cbr\u003ePatrol (The Chemical Brothers Mix)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLP  \u003cbr\u003eCan't Get out of Bed\u003cbr\u003eI Never Want an Easy Life if Me \u0026amp; He Were Ever to Get There\u003cbr\u003eJesus Hairdo\u003cbr\u003eCrashin' in\u003cbr\u003eJust Lookin'\u003cbr\u003eHere Comes a Soul Saver\u003cbr\u003eJust when You're Thinkin' Things over\u003cbr\u003eOne to Another\u003cbr\u003eNorth Country Boy\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"Default Title","offer_id":45649520525468,"sku":"BBQLP198","price":37.22,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_68844abf-4346-4ae1-ba4c-8c97b5dbd866.webp?v=1764328749"},{"product_id":"wendy-eisenberg-wendy-eisenberg-oxblood-vinyl","title":"Wendy Eisenberg - Wendy Eisenberg [Oxblood Vinyl]","description":"\u003cp\u003eFormat: LP, Oxblood Vinyl\u003cbr\u003eCatalogue No.: JNR514LP-C1\u003cbr\u003eBarcode: \u003cspan\u003e0602309900663 \u003c\/span\u003e\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eWendy Eisenberg has spent the past decade as a fixture of independent music and an artist of inspired multiplicity. As a singer-songwriter, improviser,and virtuoso guitarist, the coordinates of their artistry are ever-shifting, from art-rock to jazz to blistering free improv and eloquent folk. On catalog highlights including 2020’s Auto and the 2024 free-jazz sprawler Viewfinder, they’ve made a signature of ambition. After spending the past five years experimenting in different bands, genres, and creative challenges, and following a period of self-confrontation that they liken to a personal exorcism, Eisenberg has arrived at a milestone. The poetic and formally daring folk songs of Wendy Eisenberg comprise their most certain vision yet.\u003cbr\u003eThe songs began to take root in 2020 when Eisenberg moved from Western Massachusetts—where they’d lived for a few years after attending Boston’s New England Conservatory—and relocated to Brooklyn. Longing for the pastoral feel of their former home, Eisenberg gravitated towards the warm sounds of country and folk. “The songs are genuinely folk songs,” Eisenberg says of their record. “The production is less about seeing what the guitar might be capable of and more accepting the inherent strangeness of the languages it has spoken for the last century and a half.”\u003cbr\u003eOn Wendy Eisenberg, the artist creates their own paradigm with a tight-knit circle of long time friends and collaborators—including bassist  Trevor Dunn, drummer Ryan Sawyer, and co-producer Mari Rubio (more eaze), who handled pedal steel, synth, and string arrangements—recording often at Eisenberg’s home and bringing a gorgeous ensemble texture to each note. “I was finally around people who accepted me,” Eisenberg says. “Many of the songs on this record were written in that new feeling. I wanted it to be incredibly comforting as it describes some massive changes in self-under- standing and self-regard. It’s about relief.”\u003cbr\u003e“the singer-songwriter’s distinctive guitar sound drives a song cycle like no other” –The Guardian\u003cbr\u003e\"an astoundingly skilled guitarist who brings a curious touch to a variety of styles, from mathy punk to jazz-trained improvisation\"\u003cbr\u003e–NPR, All Songs Considered\u003cbr\u003e“a guitar virtuoso and singer-songwriter with a penchant for all-American landscapes” –The Wire Magazine\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A\u003cbr\u003e1. Take A Number\u003cbr\u003e2. Meaning Business\u003cbr\u003e3. Old Myth Dying\u003cbr\u003e4. Another Lifetime Floats Away\u003cbr\u003e5. It’s Her\u003cbr\u003eSide B\u003cbr\u003e1. Vanity Paradox\u003cbr\u003e2. Curious Bird\u003cbr\u003e3. The Ultraworld\u003cbr\u003e4. Will You Dare\u003cbr\u003e5. 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The album’s recurrent themes of personal growth and renewal, of love’s perseverance through difficulty and shame and awkwardness, are rooted there. “That experience has pulled me out of myself and given me a different outlook on things,” she says. “The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out.”\u003cbr\u003eHurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe’s Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound’s El Kempner, Lake Street Dive’s Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album.\u003cbr\u003eThe fruits of this process are immediately apparent on lead single “Hurts Like Hell,” a country-saturated yearner Cornfield calls “a shy people love story,” the band swelling to embrace Cornfield’s idiosyncratic flow as if to cradle her protagonist’s heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call.\u003cbr\u003eMuch of Hurts Like Hell’s magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it’s a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On “Kitchen,” Friedman mirrors Cornfield’s sense of astonishment at finding herself in love, rendering the emotion at its ethereal peak. On “Living With It,” she’s joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians.\u003cbr\u003eCornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected — a group chat, songwriters she was fans of but wasn’t acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every “yes,” every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield’s career. Call that moment what you will — an expansion, a rebirth, a breakthrough — Hurts Like Hell is big enough to meet it and has lost none of Cornfield’s charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Before\u003cbr\u003e2. Hurts Like Hell\u003cbr\u003e3. Lost Leader\u003cbr\u003e4. Lucky\u003cbr\u003e5. Living With It\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6. Number\u003cbr\u003e7. Squiddd\u003cbr\u003e8. Kitchen\u003cbr\u003e9. Long Game\u003cbr\u003e10. Bloody and Alive\u003c\/p\u003e","brand":"MERGE RECORDS","offers":[{"title":"Default Title","offer_id":46431460425884,"sku":"MRG881LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CharlotteCornfield-HurtsLikeHell_08a643c0-e22f-4d33-9b28-f27cc9d08b13.jpg?v=1772131386"},{"product_id":"funkadelic-maggot-brain-armageddon-red-vinyl","title":"Funkadelic - Maggot Brain [Armageddon Red Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ORGM2329LP-C1\u003cbr\u003eBarcode: 0711574979813\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Funk \/ Rock\u003c\/p\u003e\n\u003cp\u003eReleased in 1971, Maggot Brain stands as the towering masterpiece in Funkadelic’s groundbreaking catalog. Initially misunderstood upon release, the album is now widely regarded as one of the most influential records of all time. Anchored by Eddie Hazel’s otherworldly guitar performance on the legendary title track and featuring enduring favorites like “Can You Get To That,” Maggot Brain redefined the possibilities of funk, rock, and psychedelic music.\u003c\/p\u003e\n\u003cp\u003eFor this definitive 2026 reissue, the album was mastered directly from analog tape, preserving the raw power, depth, and atmosphere of the original recordings with extraordinary detail. A longtime holy grail for collectors, Maggot Brain receives the fully analog treatment it has long deserved.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Maggot Brain\u003cbr\u003e2. Can You Get To That\u003cbr\u003e3. Hit It And Quit It\u003cbr\u003e4. You And Your Folks, Me And My Folks\u003cbr\u003e5. Super Stupid\u003cbr\u003e6. Back In Our Minds\u003cbr\u003e7. 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Black)]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SC065LP-C1\u003cbr\u003eBarcode: 0656605006536\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eDidn’t It Rain is Jason Molina’s first perfect record. Recorded live in a single room, with no overdubs and musicians creating their parts on the fly, the overall approach to the recording was nothing new for Molina. But something in the air and execution of Didn’t It Rain clearly sets it apart from his existing body of work. His albums had always been full of space, but never had Molina sculpted the space as masterfully as he does on Didn’t It Rain. Perhaps it is that Molina entered the session with fully written songs that allowed this emboldened confidence in chance. The creaks and scraping of strings are all part of the Didn’t It Rain choir. So when Molina hoots for another chorus during the album’s eponymous opening gambit, it feels less an off-the-cuff call, and more an essential piece of the tone and structure. Midway through the same song, that which takes its name from a traditional piece popularized by Mahalia Jackson, we hear the long, low woosh of a passing bus. Distant traffic has forever been a trope of lo-fi, but here, it is a pristine woosh. The highest of fidelity and sure of purpose. The same can be said for Molina’s always remarkable voice, here settling into a matured, assured, and subtly lowered tenor. 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Following the success of 2014’s Rose EP, Ann (2018) features the concert staple, and top 10 Front Bottoms’ song, “Lonely Eyes.”\u003cbr\u003eWhen you turn on a record from The Front Bottoms, you hear the trials, tribulations, and triumphs of two lifelong friends who stare down personal tragedy and the madness of a world gone haywire by simply playing a little louder together. The duo—Brian Sella [vocals, guitar] and Mat Uychich [drums]—spin all of these emotions into a musical tapestry of punk, folk, and alternative.\u003cbr\u003eThe Front Bottoms have received praise from the likes of The FADER, Stereogum, VICE, A.V. Club, and more. Along the way, the band performed on Late Night with Seth Meyers and NPR’s “Tiny Desk,” graced the stages of Coachella, Austin City Limits, and Bonnaroo, and toured with the likes of Blink-182, Manchester Orchestra, and many more. Not to mention, the group has tallied nearly 100 million streams, sold over 500,000 album equivalents, and launched the annual holiday festival Champagne Jam, which expands year over year at an unprecedented rate.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1 Today Is Not Real\u003cbr\u003eA2 Somebody Else\u003cbr\u003eA3 I Think Your Nose Is Bleeding\u003cbr\u003eA4 Pale Beneath the Tan (Squeeze)\u003cbr\u003eA5 Lonely Eyes\u003cbr\u003eA6 Tie Dye Dragon\u003cbr\u003eThis is a single sided EP. 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At the convergence of hip-hop, electronic, and soul music, these artists sought to carve out their own lane. In September 2001, New Orleans’ Telefon Tel Aviv, high school friends Joshua Eustis and the late Charles Cooper, joined the conversation with their debut album, Fahrenheit Fair Enough, released by Hefty Records. A labor of love, Fahrenheit was an attempt by the pair “to contribute something meaningful,” Eustis says today, “something definitely American, and kinda southern too.” On the fifteenth anniversary of its release, Ghostly International is reissuing Fahrenheit Fair Enough with a vinyl edition and bonus digital material.\u003cbr\u003eLiving in New Orleans in the late 1990s, Eustis and Cooper were in the thrall of two musical orbits: American staples---New Orleans’ bounce, Detroit’s techno, Chicago’s house——and British electronica——Autechre, Aphex Twin, Jega. Recorded over the course of a year in Eustis’ childhood bedroom in the Riverbend neighborhood of New Orleans, Fahrenheit mapped out a potential for American electronic music in a time of hope. The tracks were meant to be “constantly evolving sculptures.” Fascinated by IDM, the pair sought to inject “some swagger into it, loosen it up a little but also make it hyper romantic.”Eustis and Cooper had imagined making a “hard club record,” but instead Fahrenheit came to be seen as a delicate slice of electronica by fans and critics who misconstrued its stylistic roots. The music sounds all the more relevant in 2016 because the roadmap Eustis and Cooper desired then exists today. And because today everyone listens to what the South has to say.“We just wanted to see if we could make it work,” recalls Eustis. “We didn’t know. Our aim was to make something we could be proud of.”\u003cbr\u003eFor the 25th anniversary of the seminal electronic LP, a watershed album for American electronic music, a deluxe obi edition double vinyl is being released in a new Watercolor variant. Joshua Eustis and the late Charlie Cooper created a classic that sits at the edges of IDM, experimental, and bass music, influencing a new generation of artists (Loraine James, Kelly Moran, etc.). The album finally returns for a new generation.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Fahrenheit Fair Enough\u003cbr\u003e2. Ttv\u003cbr\u003e3. Lotus Above Water\u003cbr\u003e4. John Thomas On The Inside Is Nothing But Foam\u003cbr\u003e5. Life Is All About Taking Things In And Putting Things Out\u003cbr\u003e6. Your Face Reminds Me Of When I Was Old\u003cbr\u003e7. What's The Use Of Feet If You Haven't Got Legs\u003cbr\u003e8. Introductory Nomenclature\u003cbr\u003e9. Fahrenheit Far Away\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":47438809825436,"sku":"GI272LP-C2","price":46.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/GI272lp-c2_Front_Back.jpg?v=1787238270"},{"product_id":"art-in-america-dreams-of-the-disappeared-cd","title":"Art In America - Dreams of the Disappeared [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eICON1098 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0990481103843 \u003c\/span\u003e\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eArt in America returns with Dreams of the Disappeared – the next chapter in one of progressive rock’s most remarkable stories. The album pushes further into the rich musical territory the band first began exploring decades ago. For songwriter Chris Flynn, the album’s title reflects both its musical structure and its deeper philosophical themes. “These songs morph together as dreams often do. They contain a continuing thread or theme, again a definition of dreams. And in a larger sense, we prepare for the infinite, our disappearance, by defining the finite, our Dreams of the Disappeared.” That dream-like continuity flows throughout the album, where melodies evolve organically and individual songs feel like chapters within a larger musical narrative. The band’s distinctive identity remains intact, led by the unmistakable sound of Shishonee Flynn’s harp — still one of the most original instruments in progressive rock. Dreams of the Disappeared, Art in America’s fourth album and their second release over consecutive years, represents the continuation of a creative journey interrupted by circumstance rather than inspiration. Some dreams disappear. Others simply wait to be heard.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Others\u003cbr\u003e2. Requiem\u003cbr\u003e3. Road Thrill\u003cbr\u003e4. Game\u003cbr\u003e5. Shepherd\u003cbr\u003e6. Three Links\u003cbr\u003e7. Walking the Dog\u003cbr\u003e8. Pink Dominoes\u003cbr\u003e9. Falling Forward\u003cbr\u003e10. Battle of Because\u003cbr\u003e11. Sorry to Say\u003cbr\u003e12. Postscript\u003c\/p\u003e","brand":"ICONOCLASSIC RECORDS","offers":[{"title":"Default Title","offer_id":47443837517980,"sku":"ICON1098","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ArtinAmerica-Dreams.jpg?v=1787318609"},{"product_id":"queens-of-the-stone-age-perfecth-lp","title":"Queens of the Stone Age - Perfecth [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: OLE2253LP\u003cbr\u003eBarcode: 0191401225311\u003cbr\u003eRelease Date: 30 Oct 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eQueens of the Stone Age have always remained enduringly, singularly magnetic. It isn't just their sound. It's their spirit. They are provocative in the most essential sense: unafraid to explore the dark, the sexual, the surreal, the absurd. It's art that snarls and seduces in equal measure, and never more so than on the band’s ninth album, Perfecth, due Oct. 30 from Matador Records.\u003c\/p\u003e\n\u003cp\u003eKintsugi — the Japanese art of repairing broken pottery by filling its cracks with gold — holds that what has been shattered is made more beautiful, not less, by the act of repair. This is the spirit in which Perfecth was made. An album that could only have been made right now thanks to Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita, and Jon Theodore taking significant evolutionary steps as a collective and arriving at hard-won clarity, its nine songs map different forms of love: of family, friends, and others both significant and insignificant. The loves that break you beyond survival and the loves that put you back together.\u003c\/p\u003e\n\u003cp\u003eBirthed from sessions tracked everywhere from New Orleans to Los Angeles, the music is fearless and boundless, moody and menacing, gentle and strange. Here, Queens have moved a career's worth of jagged pieces into alignment. \"Every song sounds like it's from a different world,\" says Homme. \"And that's on purpose, because it's trying to stitch together all these emotions revolving around love, lust, foolishness, and the sort of wisdom that comes as a gift from all that.\"\u003c\/p\u003e\n\u003cp\u003eThe record is called Perfecth because \"perfect,\" as a word, has never been honest. It doesn't exist. So, Homme broke the word and made it \"perfecth,\" a more appropriate spelling for a term that never felt right to begin with. \"Nothing in this world is perfect, but everything seems to be 'perfecth',\" he explains. \"And that title is funny when you're in a group, but it ain't so funny when you're alone.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eIt's Only Love\u003cbr\u003eInsignificant Other\u003cbr\u003eWhere The Goth Girls At?\u003cbr\u003eMono\u003cbr\u003eFrom the Cliff\u003cbr\u003eSunday\u003cbr\u003eEasy Street\u003cbr\u003ePhantom Limb\u003cbr\u003eRun Away From the Mob\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":47469299531932,"sku":"OLE2253LP","price":24.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1x1LP_VinylOut__Black.jpg?v=1787663548"},{"product_id":"queens-of-the-stone-age-perfecth-transparent-vinyl","title":"Queens of the Stone Age - Perfecth [Transparent Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: OLE2253LPE\u003cbr\u003eBarcode: 0191401225304\u003cbr\u003eRelease Date: 30 Oct 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eQueens of the Stone Age have always remained enduringly, singularly magnetic. It isn't just their sound. It's their spirit. They are provocative in the most essential sense: unafraid to explore the dark, the sexual, the surreal, the absurd. It's art that snarls and seduces in equal measure, and never more so than on the band’s ninth album, Perfecth, due Oct. 30 from Matador Records.\u003c\/p\u003e\n\u003cp\u003eKintsugi — the Japanese art of repairing broken pottery by filling its cracks with gold — holds that what has been shattered is made more beautiful, not less, by the act of repair. This is the spirit in which Perfecth was made. An album that could only have been made right now thanks to Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita, and Jon Theodore taking significant evolutionary steps as a collective and arriving at hard-won clarity, its nine songs map different forms of love: of family, friends, and others both significant and insignificant. The loves that break you beyond survival and the loves that put you back together.\u003c\/p\u003e\n\u003cp\u003eBirthed from sessions tracked everywhere from New Orleans to Los Angeles, the music is fearless and boundless, moody and menacing, gentle and strange. Here, Queens have moved a career's worth of jagged pieces into alignment. \"Every song sounds like it's from a different world,\" says Homme. \"And that's on purpose, because it's trying to stitch together all these emotions revolving around love, lust, foolishness, and the sort of wisdom that comes as a gift from all that.\"\u003c\/p\u003e\n\u003cp\u003eThe record is called Perfecth because \"perfect,\" as a word, has never been honest. It doesn't exist. So, Homme broke the word and made it \"perfecth,\" a more appropriate spelling for a term that never felt right to begin with. \"Nothing in this world is perfect, but everything seems to be 'perfecth',\" he explains. \"And that title is funny when you're in a group, but it ain't so funny when you're alone.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eIt's Only Love\u003cbr\u003eInsignificant Other\u003cbr\u003eWhere The Goth Girls At?\u003cbr\u003eMono\u003cbr\u003eFrom the Cliff\u003cbr\u003eSunday\u003cbr\u003eEasy Street\u003cbr\u003ePhantom Limb\u003cbr\u003eRun Away From the Mob\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":47469303824540,"sku":"OLE2253LPE","price":28.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1x1LP_VinylOut__CrystalClear.jpg?v=1787663547"},{"product_id":"maria-teresa-pirrigheddu-vieri-mura-rundinas","title":"Maria Teresa Pirrigheddu \u0026 Vieri Mura - Rundinas","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRI220LP\u003cbr\u003eBarcode: 0617308062809\u003cbr\u003eRelease Date: 02 Oct 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eVieri Mura grew up under Sardinia’s intense sun. For many years, he has traveled to the north of the island to visit the renowned singer Maria Teresa Pirrigheddu (b. 1942). What began as a musical interest evolved into a profound familial bond. Rundinas (“Swallows” in Sardinian), captured by Vieri on portable devices, documents this relationship, along with the sound of the island, and the rhythm of Maria Teresa’s daily life. Maria Teresa sings orally transmitted cantos a chiterra over Vieri’s minimal compositions for guitar (Side A, in her garden) and organ (Side B, in the church, steps from her home). Swallows drift throughout, symbols of passing seasons and fleeting youth. Maria Teresa, now 84, her voice at once agile and veiled with age, imparts new layers of meaning to these ancient chants.\u003cbr\u003eOne of the most profoundly moving and transporting pieces of music we’ve heard, recorded in the present yet stretching back hundreds of years, a musical dialogue between two artists of different generations and the land that nourished them. A source of hope and beauty in a diminished world.\u003cbr\u003ePressed at Smashed Plastic,\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide A:\u003cbr\u003e1. A Sas Rundinas (In Sa Domo de Campagna)\u003cbr\u003e2. Rundines Chi ‘Olades\u003cbr\u003e3. Innozzente Rundinella\u003cbr\u003e4. Imbasciada\u003cbr\u003e5. Sa Rundine Passizzera\u003cbr\u003e6. Margaretina Dopia\u003cbr\u003e7. Una Boci Una Chitarra\u003cbr\u003e8. Lu Pintimentu\u003cbr\u003e9. Benvinuta Bona Gjenti\u003cbr\u003e10. Passu\u003cbr\u003eSide B:\u003cbr\u003e11. A Sas Rundinas (In Cresia)\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":47575956062364,"sku":"MRI220LP","price":26.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MariaTeresaPirrigheddu_VieriMura-Rundinas.jpg?v=1789058142"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/cargo-back-in-9th-october-2026.oembed","provider":"Horizons Music","version":"1.0","type":"link"}