{"title":"Back In Stock ROM300626","description":"","products":[{"product_id":"patrice-rushen-straight-from-the-heart-2lp","title":"Patrice Rushen - Straight From The Heart [2LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eRelease date: 9th July 2021\u003cbr data-mce-fragment=\"1\"\u003eFormats: 2LP\u003cbr data-mce-fragment=\"1\"\u003eLabel: Strut\u003cbr data-mce-fragment=\"1\"\u003eCatalogue Number: STRUT221LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 2LP 4062548005691\u003cbr data-mce-fragment=\"1\"\u003eGenre: Soul\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFormat Details: Single sleeve + 4PP 12” Booklet\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStrut present the definitive edition of Patrice Rushen’s landmark album from 1982, ‘Straight From The Heart’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded during Elektra’s drive for ‘sophisticated dance music’ as many jazz artists created their own arrangements of disco and boogie, the sessions marked a progression for Patrice as she began exploring sonics as much as songwriting. “I was looking at different ways to experiment with the sounds on my records. Synths widened the palette available to us.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSingles from the album included ‘Breakout!’, ‘Number One’ and the global hit ‘Forget Me Nots’. “Bassist Freddie Washington played the bassline during a jam at my family’s house. I caught it, we kept messing around with the groove, then I developed the lyrics and chorus. It was just about recognising that moment when it came up.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“When I delivered the album to the label, the A\u0026amp;R said, ‘we don’t like anything on here.’ I realised quickly that they would give us no support so producer Charles Mims, myself and Freddie decided to engage a promotion company ourselves to start working the single. Although it took a while to pick up support, it paid off.” The single hit no. 23 on the Billboard Hot 100 in March 1982 and the album became Patrice’s best seller globally from her time with Elektra \/ Asylum, securing a Grammy nomination. In more recent years, the album has become a regular source for samples in the world of hip hop and R\u0026amp;B. Most famously, Will Smith’s theme for the film ‘Men In Black’ and George Michael’s ‘Fastlove’ were both based, to varying degrees, on ‘Forget Me Nots’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStrut’s new reissue of ‘Straight From The Heart’ is released on 9th April 2021. LP and CD are presented in their full original artwork and feature bonus 12” versions of the album’s singles including a previously unreleased extended mix of ‘Tired Of Being Alone’. Package includes rare photos by Bobby Holland and a new interview with Patrice Rushen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll tracks remastered from the original tapes by Technology Works.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eLP:\u003cbr data-mce-fragment=\"1\"\u003eA1 FORGET ME NOTS\u003cbr data-mce-fragment=\"1\"\u003eA2 I WAS TIRED OF BEING ALONE\u003cbr data-mce-fragment=\"1\"\u003eA3 ALL WE NEED\u003cbr data-mce-fragment=\"1\"\u003eA4 NUMBER ONE (Instrumental)\u003cbr data-mce-fragment=\"1\"\u003eB1 WHERE THERE IS LOVE\u003cbr data-mce-fragment=\"1\"\u003eB2 BREAKOUT!\u003cbr data-mce-fragment=\"1\"\u003eB3 IF ONLY\u003cbr data-mce-fragment=\"1\"\u003eB4 REMIND ME\u003cbr data-mce-fragment=\"1\"\u003eB5 (SHE WILL) TAKE YOU DOWN FOR LOVE\u003cbr data-mce-fragment=\"1\"\u003eC1 FORGET ME NOTS (12” version)\u003cbr data-mce-fragment=\"1\"\u003eC2 BREAKOUT! (12” version)\u003cbr data-mce-fragment=\"1\"\u003eD1 I WAS TIRED OF BEING ALONE (12” version: F. Byron Clark remix)\u003cbr data-mce-fragment=\"1\"\u003eD2 NUMBER ONE (Instrumental) (12” version)\u003cbr data-mce-fragment=\"1\"\u003eCD:\u003cbr data-mce-fragment=\"1\"\u003e1. FORGET ME NOTS\u003cbr data-mce-fragment=\"1\"\u003e2. I WAS TIRED OF BEING ALONE\u003cbr data-mce-fragment=\"1\"\u003e3. ALL WE NEED\u003cbr data-mce-fragment=\"1\"\u003e4. NUMBER ONE (Instrumental)\u003cbr data-mce-fragment=\"1\"\u003e5. WHERE THERE IS LOVE\u003cbr data-mce-fragment=\"1\"\u003e6. BREAKOUT!\u003cbr data-mce-fragment=\"1\"\u003e7. IF ONLY\u003cbr data-mce-fragment=\"1\"\u003e8. REMIND ME\u003cbr data-mce-fragment=\"1\"\u003e9. (SHE WILL) TAKE YOU DOWN FOR LOVE\u003cbr data-mce-fragment=\"1\"\u003e10. FORGET ME NOTS (12” version)\u003cbr data-mce-fragment=\"1\"\u003e11. BREAKOUT! (12” version)\u003cbr data-mce-fragment=\"1\"\u003e12. I WAS TIRED OF BEING ALONE (12” version: F. Byron Clark remix)\u003cbr data-mce-fragment=\"1\"\u003e13. NUMBER ONE (Instrumental) (12” version)\u003c\/p\u003e","brand":"Strut","offers":[{"title":"Default Title","offer_id":40161341341852,"sku":"STRUT221LP","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_000bb135-1d14-4955-b77d-935c90b80238.jpg?v=1623684011"},{"product_id":"secret-night-gang-secret-night-gang-lp","title":"Secret Night Gang - Secret Night Gang [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BWOOD261LPN\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060180325077\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Dec 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Broken Beat\/Nu Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBrownswood Recordings are proud to present the newest addition to the family, Manchester natives, Secret Night Gang, releasing their stellar, eponymous debut album digitally on October 22nd 2021. The physical will follow early 2022 with a limited run of 500 3D Artwork LPs available worldwide.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHandpicked by Gilles Peterson from Manchester’s vibrant live music community, and newly signed to Brownswood, 2021 is set to be the main stage for them to breeze on to the scene. Founded by singer\/song-writer Kemani Anderson, multi-instrumentalist and songwriter Callum Connell and Manchester music scene stalwart, Stuart Whitehead they were encouraged by their music teacher, Tom Burford, (aka Rhythm Section’s Contours) to start attending jam nights like ‘Jam Street’ and ‘Matt and Phreds’. Later, the band expanded to include veteran drummer and guitarist Myke Wilson and Jack Duckham; coming together to carve out their own lane, a real celebration of exceptional songwriting and musicianship. A multi-generational band breathing new life into the classic British street-soul sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Incredibly complete music, tight arrangements and with far reaching musical ambition” Gilles Peterson\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Secret Night Gang’s burst of positive musical and life energy is a cathartic antidote to the troubles of the last year.” Colleen ‘Cosmo’ Murph\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e1. Lonely\u003cbr data-mce-fragment=\"1\"\u003e2. Fall in Love\u003cbr data-mce-fragment=\"1\"\u003e3. Beautiful Day\u003cbr data-mce-fragment=\"1\"\u003e4. The Sun\u003cbr data-mce-fragment=\"1\"\u003e5. You Are My Love\u003cbr data-mce-fragment=\"1\"\u003e6. Journey\u003cbr data-mce-fragment=\"1\"\u003e7. Wanna Be With You\u003cbr data-mce-fragment=\"1\"\u003e8. Live Your Life\u003cbr data-mce-fragment=\"1\"\u003e9. Captured\u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":41066662330524,"sku":"BWOOD261LPN","price":18.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_5a8aa712-92d9-4960-812a-f801b54633b2.jpg?v=1634020916"},{"product_id":"yussef-dayes-black-classical-music-cd","title":"Yussef Dayes - Black Classical Music [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BWOOD310CD\u003cbr\u003eBarcode: 5054197622212\u003cbr\u003eRelease Date: 08 Sep 2023\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eMulti-instrumentalist and visionary artist Yussef Dayes is set to release his highly anticipated debut solo studio album ‘Black Classical Music’, on the 8th September 2023. Available on Double 12” LP Vinyl with special limited edition white vinyl exclusive to indie stories, as well as digital and CD via Brownswood Recordings, Warner Music and Cashmere Thoughts Recordings. \u003cbr\u003e \u003cbr\u003e ‘Black Classical Music’ is a 19-track record taking listeners through a looking glass into the exalted artist’s past and present whilst exploring themes of home and family. The album draws influence from his musical heroes Miles Davis \u0026amp; Rahsaan Roland Kirk and Yussef’s extensive travel around the globe that has deepened his study of rhythm. \u003cbr\u003e \u003cbr\u003e Honourable features on “Black Classical Music” - Chronixx, Jamilah Barry, Tom Misch, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchestra, plus Venna, Rocco Palladino, Charlie Stacey \u0026amp; Elijah Fox\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e A1. Black Classical Music ft. Venna \u0026amp; Charlie Stacey\u003cbr\u003e A2. Afro Cubanism \u003cbr\u003e A3. Raisins Under The Sun ft. Shabaka Hutchings\u003cbr\u003e A4. Rust ft. Tom Misch\u003cbr\u003e A5. Turquoise Galaxy \u003cbr\u003e \u003cbr\u003e B1. The Light ft. Bahia Dayes \u003cbr\u003e B2. Pon Di Plaza ft. Chronixx\u003cbr\u003e B3. Magnolia Symphony \u003cbr\u003e B4. Early Dayes \u003cbr\u003e B5. Chasing The Drum \u003cbr\u003e \u003cbr\u003e C1. Birds Of Paradise \u003cbr\u003e C2. Gelato \u003cbr\u003e C3. Marching Band ft. Masego\u003cbr\u003e C4. Crystal Palace Park ft. Elijah Fox\u003cbr\u003e C5. Presidential ft. Jahaan Sweet\u003cbr\u003e \u003cbr\u003e D1. Jukebox \u003cbr\u003e D2. Woman's Touch ft. Jamilah Barry\u003cbr\u003e D3. Tioga Pass ft. Rocco Palladino \u003cbr\u003e D4. Cowrie Charms ft. Leon Thomas \u0026amp; Barbara Hicks\u003c\/p\u003e","brand":"Brownswood Recordings","offers":[{"title":"Default Title","offer_id":42473135079580,"sku":"BWOOD310CD","price":11.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_c45a76e6-366d-4d9f-8603-c5ef787879a6.png?v=1682590738"},{"product_id":"alfa-mist-antiphon-2lp-1","title":"Alfa Mist - Antiphon [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SEKITO004V \/ SEKITO4V\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5056321620149\u003cbr\u003eRelease Date: 27 Jun 23 [back in]\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eCreated around a conversation with his brothers, Alfa blends melancholy Jazz harmony with alternative hip-hop and soul.\u003c\/p\u003e\n\u003cp\u003eLP 1: Keep On \/ Potential \/ Errors \/ Breathe\u003c\/p\u003e\n\u003cp\u003eLP 2: 7th October \/ Kyoki \/ Nucleus \/ Brian\u003c\/p\u003e","brand":"SEKITO","offers":[{"title":"Default Title","offer_id":42546291703964,"sku":"SEKITO004V","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/AlfaMist-Antiphon_6fd12616-b5db-4606-94fa-4849ce2d4c1d.jpg?v=1687882202"},{"product_id":"lafayette-afro-rock-band-malik","title":"Lafayette Afro Rock Band  - Malik ","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: STRUT299LPB\u003cbr\u003eBarcode: 4062548089349\u003cbr\u003eRelease Date: 28 Jun 2024\u003cbr\u003eGenre: Funk\u003c\/p\u003e\n\u003cp\u003eStrut proudly presents the official remastered reissue of Lafayette Afro Rock Band's elusive funk\/Afro original album, 'Malik,' originally released in 1974, pressed on black vinyl LP. \u003cbr\u003e  \u003cbr\u003e In 1971, an undocumented seven-member Afro-American ensemble known as the Bobby Boyd Congress made a transformative journey from the United States to France. Bandleader Frank Abel recollects, \"We sensed that the soul and funk market was saturated back home, and our original plan was a brief 6-month stint in Paris. Surprisingly, we ended up staying for a decade.\" Upon lead singer Bobby Boyd's return to the U.S., the group rebranded as Ice and crossed paths with independent producer Pierre Jaubert, a seasoned studio professional with credits on groundbreaking recordings alongside Charles Mingus, John Lee Hooker, and Archie Shepp, among others. \u003cbr\u003e  \u003cbr\u003e Drawing inspiration from Motown's work ethic, Jaubert initiated regular rehearsals with Ice. He recalled, \"I didn't want to mimic Berry, but with seven talented musicians collaborating daily, something unique emerged.\" The band, residing in Paris and immersed in the African-dominated Barbesse district, began infusing African elements into their music frequently performing with Paris-dwelling Camaroonian and legendary composer Manu Dibango. \u003cbr\u003e  \u003cbr\u003e Under the new moniker Lafayette Afro Rock Band, the group's music transitioned to predominantly instrumental compositions, featuring a denser Afro-funk sound. Their inaugural recording with the new name, 'Soul Makossa,' included a compelling rendition of Dibango's classic and the impactful break in 'Hihache.' The subsequent release a year later, 'Malik,' refined their sound with the percussive Afro party jam 'Conga,' the atmospheric vocoder and piano-led piece 'Djungi,' and the robust funk of 'Darkest Light.' Despite a limited impact upon its initial release, 'Malik' found appreciation as hip-hop culture flourished in the '80s, establishing itself as a rich source of samples and riffs. 'Conga' was featured in the 'Ultimate Breaks And Beats' series, while the opening horn line from 'Darkest Light' became a pivotal hip-hop motif, employed by Jay-Z, Public Enemy, Wreckx 'N' Effect, and many others. \u003cbr\u003e  \u003cbr\u003e This remastered reissue, the first of its kind, meticulously crafted by The Carvery from the original tapes, showcases the album in its entirety and includes the full original artwork. Pressed on black vinyl LP. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e A1. Djungi \u003cbr\u003e A2. Raff \u003cbr\u003e A3. Conga \u003cbr\u003e A4. Avi-Vo \u003cbr\u003e B1. Malik \u003cbr\u003e B2. Darkest Light \u003cbr\u003e B3. Baba Hya \u003c\/p\u003e\n\u003c!----\u003e","brand":"Strut","offers":[{"title":"Default Title","offer_id":43771100790940,"sku":"STRUT299LPB","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_3_a43f4c3d-74dd-4c84-863b-8c3f6234357e.jpg?v=1716838098"},{"product_id":"twisted-teens-twisted-teens","title":"TWISTED TEENS - TWISTED TEENS","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JAZZLIFE98LP\u003cbr\u003eBarcode: 5053760132530\u003cbr\u003eRelease Date: 0\u003cspan\u003e1 Aug 2025\u003c\/span\u003e\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003e1 Twisted Teen\u003cbr\u003e2 Marionette\u003cbr\u003e3 Something I Haven't Told Ya\u003cbr\u003e4 When the Wire Get Cut\u003cbr\u003e5 Tic Tac Toe\u003cbr\u003e6 The Valley Spirit Never Dies\u003cbr\u003e7 Sister Heat\u003cbr\u003e8 Rando\u003cbr\u003e9 Sea of Love\u003cbr\u003e10 Waiting for the Whip\u003cbr\u003e11 Cool Former Friend\u003c\/p\u003e","brand":"JAZZ LIFE","offers":[{"title":"Default Title","offer_id":45257293332636,"sku":"JAZZLIFE98LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_83eda394-2870-4a6b-810a-0a8145456ee7.webp?v=1756904136"},{"product_id":"julianna-barwick-mary-lattimore-tragic-magic-cd","title":"Julianna Barwick \u0026 Mary Lattimore - Tragic Magic [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: IF1100CD\u003cbr\u003eBarcode: 3516628498626\u003cbr\u003eRelease Date: 16 Jan 2026\u003cbr\u003eGenre: Experimental \/ Avant-Garde \/ Classical\u003c\/p\u003e\n\u003cp\u003eThe Collaboration - Having toured together over the years, Lattimore and Barwick now join forces to co-write and record this full-length album. Their creative synergy brings together harp, voice, and analog synths in a deeply emotional, immersive sound journey. The album was recorded at the Philharmonie de Paris with co-producer Trevor Spencer (Fleet Foxes, Beach House). This album continues a unique series of collaborations between the label and the Musée de la Musique, featuring historical instruments in contemporary composition. Since 2017, InFiné and the Philharmonie de Paris have co-developed a series of albums designed to highlight the extraordinary instrument collection of the Musée de la Musique. Following the albums InBach by Arandel (2020) and Saturn 63 by Seb Martel (2022), this third release is a meeting of two iconic contemporary ambient voices: Mary Lattimore and Julianna Barwick. The project offers the artists full access to the museum’s playable instruments for recording, sound conservation, and creative reinterpretation.\u003c\/p\u003e\n\u003cp\u003eTragic Magic brings together Julianna Barwick and Mary Lattimore, two of contemporary ambient, experimental and electronic music’s most celebrated composers, for a unique collaboration at the Philharmonie de Paris, with extraordinary access to the Musée de la Musique’s instrument collection, in partnership with the French label InFiné. The album features seven immersive, evocative compositions guided by the human spirit – intimate, grounded in friendship, both earthly and cosmic – and part of a greater continuum, reflecting the solace and transformative power of artistry across generations.\u003c\/p\u003e\n\u003cp\u003eCo-produced by Trevor Spencer (Fleet Foxes, Beach House), Tragic Magic was created in just nine days, a testament to the “musical telepathy” that has developed between Barwick and Lattimore over years of touring and friendship. Arriving in Paris from Los Angeles shortly after the 2025 wildfires, their sessions combined improvisation with the emotions and experiences they carried, in a setting both inspiring and deeply supportive. Lattimore selected harps tracing the instrument’s evolution from 1728 to 1873, while Barwick chose several iconic analog synthesizers, including the Roland JUPITER and Sequential Circuits PROPHET-5. In freeform dialogue between voice and instrument, they create a meditation on tragedy, wonder, and the restorative power of shared experience.\u003c\/p\u003e\n\u003cp\u003eThe duo, often joined by Spencer, also explored the city, sharing meals and visiting museums and landmarks, each encounter leaving an impression on their next session. The experience allowed them to work intimately with rare instruments, blending their personal sensibilities with centuries of history, resulting in music that honors the past while remaining a deeply authentic expression of the present.\u003c\/p\u003e\n\u003cp\u003eThroughout Tragic Magic, Barwick and Lattimore find something beyond themselves: a sense that while everything may not be okay, beauty persists. Their approach – transforming life into music, observing, feeling, and creating – continues a lineage of creative expression and visionary invention, embodied in the very instruments they employed for this project.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1_Perpetual adoration \u003cbr\u003eA2_The Four Sleeping Princesses \u003cbr\u003eA3_Temple of the Winds \u003cbr\u003eA4_Haze with no Haze\u003cbr\u003eB1_Rachel's Song \u003cbr\u003eB2_Stardust \u003cbr\u003eB3_Melted Moon\u003c\/p\u003e","brand":"Infiné","offers":[{"title":"Default Title","offer_id":45485431586972,"sku":"IF1100CD","price":16.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_c766a5c1-c65a-46de-bf70-56efccb9c623.jpg?v=1761738351"},{"product_id":"julianna-barwick-mary-lattimore-tragic-magic-forest-green-biovinyl","title":"Julianna Barwick \u0026 Mary Lattimore - Tragic Magic [Forest Green biovinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: IF1100LP\u003cbr\u003eBarcode: 3516628498411\u003cbr\u003eRelease Date: 16 Jan 2026\u003cbr\u003eGenre: Experimental \/ Avant-Garde \/ Classical\u003c\/p\u003e\n\u003cp\u003eLP, Forest Green biovinyl, Poster 30x60 cm, printed inner-sleeves\u003c\/p\u003e\n\u003cp\u003eThe Collaboration - Having toured together over the years, Lattimore and Barwick now join forces to co-write and record this full-length album. Their creative synergy brings together harp, voice, and analog synths in a deeply emotional, immersive sound journey. The album was recorded at the Philharmonie de Paris with co-producer Trevor Spencer (Fleet Foxes, Beach House). This album continues a unique series of collaborations between the label and the Musée de la Musique, featuring historical instruments in contemporary composition. Since 2017, InFiné and the Philharmonie de Paris have co-developed a series of albums designed to highlight the extraordinary instrument collection of the Musée de la Musique. Following the albums InBach by Arandel (2020) and Saturn 63 by Seb Martel (2022), this third release is a meeting of two iconic contemporary ambient voices: Mary Lattimore and Julianna Barwick. The project offers the artists full access to the museum’s playable instruments for recording, sound conservation, and creative reinterpretation.\u003c\/p\u003e\n\u003cp\u003eTragic Magic brings together Julianna Barwick and Mary Lattimore, two of contemporary ambient, experimental and electronic music’s most celebrated composers, for a unique collaboration at the Philharmonie de Paris, with extraordinary access to the Musée de la Musique’s instrument collection, in partnership with the French label InFiné. The album features seven immersive, evocative compositions guided by the human spirit – intimate, grounded in friendship, both earthly and cosmic – and part of a greater continuum, reflecting the solace and transformative power of artistry across generations.\u003c\/p\u003e\n\u003cp\u003eCo-produced by Trevor Spencer (Fleet Foxes, Beach House), Tragic Magic was created in just nine days, a testament to the “musical telepathy” that has developed between Barwick and Lattimore over years of touring and friendship. Arriving in Paris from Los Angeles shortly after the 2025 wildfires, their sessions combined improvisation with the emotions and experiences they carried, in a setting both inspiring and deeply supportive. Lattimore selected harps tracing the instrument’s evolution from 1728 to 1873, while Barwick chose several iconic analog synthesizers, including the Roland JUPITER and Sequential Circuits PROPHET-5. In freeform dialogue between voice and instrument, they create a meditation on tragedy, wonder, and the restorative power of shared experience.\u003c\/p\u003e\n\u003cp\u003eThe duo, often joined by Spencer, also explored the city, sharing meals and visiting museums and landmarks, each encounter leaving an impression on their next session. The experience allowed them to work intimately with rare instruments, blending their personal sensibilities with centuries of history, resulting in music that honors the past while remaining a deeply authentic expression of the present.\u003c\/p\u003e\n\u003cp\u003eThroughout Tragic Magic, Barwick and Lattimore find something beyond themselves: a sense that while everything may not be okay, beauty persists. 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Evaporator is Fake’s idea of “airy daytime music”, with each track a different barometer reading across the album’s varying atmospheres, which range from vibrant sunbursts, bracing rainscapes, and fine mists of clement melodics. “It’s not overtly confrontational electronic club music,” states Fake. “It’s quite pleasant, it’s accessible. As I was progressing through making the tracklist, I called it a daytime album. It doesn’t feel like an afterparty album.” For the past decade Fake has been gingerly introducing collaborations with heroes and friends alike into his lone, idiosyncratic working process.\u003c\/p\u003e\n\u003cp\u003eBorder Community alumni Dextro AKA Ewan Mackenzie transmutes his ferocious drumming for Pigs Pigs Pigs Pigs Pigs Pigs Pigs into the blurred choral thump of ‘Baltasound’. ‘Orbiting Meadows’, meanwhile, is his second collaboration with Clark, an eerily idyllic duet where microtonal 18EDO piano clangs slowly twirl around wailing pads. Evaporator marks the junction point of old technology and ever fresh creativity for Nathan. The trusty “dinosaur” age software, particularly Cubase VST5, that has powered two decades of music is rarely updated. “I used to sort of feel a bit ashamed of using such old software, and then I kind of had an epiphany – that’s just how I work”, comments Fake. “That’s just how I play. I’m very fond of these old tools, and I get the most joy out of them, but now I’ve incorporated new technology too.” When an artist accumulates so much synergy with their instrument, music making becomes instinctual. By Fake’s account, much of Evaporator just fell into place. The album title arrived randomly in his head (“it felt completely perfect. 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The opener ‘Aiwa’ (“the breeziest,” he muses) reminds of the introspection that characterised Providence, excited by the fire and grit of Steam Days’ textural experiments, its chunky slams and clatters surging into a flood of harmonic buzzing as they reach out for old wisdom. ‘Hypercube’ stampedes in a similar chronological confluence, infusing an incessant synth line reminiscent of the golden age of rave with the crackling, ecstatic energy of modern festival anthems. Like the vaporisation of liquid to particles, everything that Evaporator presents has a mutant desire to be amorphous. Sounds rarely settle; the irradiated garage beat of ‘Bialystok’ is pitched downwards to driving, rebounding effect, while ‘You’ll Find a Way’ warps static into shivering energy, cinematic synth strings building anticipation into a gradual gush of chords. 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Evaporator marks the junction point of old technology and ever fresh creativity for Nathan. The trusty “dinosaur” age software, particularly Cubase VST5, that has powered two decades of music is rarely updated. “I used to sort of feel a bit ashamed of using such old software, and then I kind of had an epiphany – that’s just how I work”, comments Fake. “That’s just how I play. I’m very fond of these old tools, and I get the most joy out of them, but now I’ve incorporated new technology too.” When an artist accumulates so much synergy with their instrument, music making becomes instinctual. By Fake’s account, much of Evaporator just fell into place. The album title arrived randomly in his head (“it felt completely perfect. 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The opener ‘Aiwa’ (“the breeziest,” he muses) reminds of the introspection that characterised Providence, excited by the fire and grit of Steam Days’ textural experiments, its chunky slams and clatters surging into a flood of harmonic buzzing as they reach out for old wisdom. ‘Hypercube’ stampedes in a similar chronological confluence, infusing an incessant synth line reminiscent of the golden age of rave with the crackling, ecstatic energy of modern festival anthems. Like the vaporisation of liquid to particles, everything that Evaporator presents has a mutant desire to be amorphous. Sounds rarely settle; the irradiated garage beat of ‘Bialystok’ is pitched downwards to driving, rebounding effect, while ‘You’ll Find a Way’ warps static into shivering energy, cinematic synth strings building anticipation into a gradual gush of chords. 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Alongside Natsu Dragneel, a fire-powered Dragon Slayer, and his friends Happy the flying cat, Erza, and Gray, the adventure is only just beginning!\u003c\/p\u003e\n\u003cp\u003eThis double vinyl will feature a selection of the best opening and ending themes from the series, transporting you back to the enchanting world of Fairy Tail as if by magic.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Snow fairy\u003cbr\u003eA2. Kanpeki Gu~ no ne\u003cbr\u003eA3. S.O.W. Sense of Wonder\u003cbr\u003eA4. Tsuioku Merry-go-round\u003cbr\u003eA5. Ft.\u003cbr\u003eA6. Kimi ga Iru kara\u003c\/p\u003e\n\u003cp\u003eB1. Egao no Mahou\u003cbr\u003eB2. HOLY SHINE\u003cbr\u003eB3. Fiesta\u003cbr\u003eB4. Be As One\u003cbr\u003eB5. Evidence\u003c\/p\u003e\n\u003cp\u003eC1. The Rock City Boy\u003cbr\u003eC2. Don't think.Feel!!!\u003cbr\u003eC3. Towa no Kizuna feat. Another Infinity\u003cbr\u003eC4. TsuioKono Te Nobashite\u003cbr\u003eC5. I Wish\u003cbr\u003eC6. 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In accordance with the duo’s mission, the project is seeking to redefine and reimagine Ethiopian music for a new generation. \u003c\/p\u003e\n\u003cp\u003eSpeaking on the inspiration behind the EP’s title, Yohan said: “‘TEMESGEN’ means “Thank God”  in Amharic, and for me, I never heard my mother receive good news without saying it aloud. After the first couple gigs we did as ZENA, we saw how people reacted to our music and how it resonated with them. It spurred in us a feeling of overwhelming gratitude, after which the EP kind of named itself”.\u003c\/p\u003e\n\u003cp\u003eBorn out of a mutual love and respect for the music of their shared Ethiopian heritage,  ZENA are charting a new endeavour where Ethiopian musical traditions meet the future. Building upon the roots and foundations laid by legendary Ethiopian musicians Haliu Mergia, Alemayehu Eshete and Mulatu Astatke, ZENA fuses the haunting spirituality and earthiness of the ethio-jazz tradition with a modernity, sensuality and sense of disruption that is distinctly London.\u003c\/p\u003e\n\u003cp\u003eFollowing three sold-out London headline shows, plus appearances at We Out Here Festival and on NTS Radio, ZENA arrive on Brownswood Recordings with a bold debut that’s equally at home across jazz-minded selectors and leftfield crate-diggers. The duo’s momentum is fuelled by Yohan Kebede’s landmark year with Kokoroko; from the release of Tuff Times Never Last to an NPR Tiny Desk, a North American tour, and their biggest headline show yet at O2 Academy Brixton, alongside Menelik’s quietly formidable reputation in London’s inner circle, shaped by time on the road and in the studio with Muva Of Earth and Bill Laurance.\u003c\/p\u003e\n\u003cp\u003eRIYL: Mulatu Astatke, Hailu Mergia, Khruangbin, Solange, Admas\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1 - ZENA!\u003cbr\u003eA2 - MY LOVE YOUR LOVE\u003cbr\u003eA3 - KAZANCHIS\u003cbr\u003eB1 - IT'S YOU (ANTE NEH) [ft. 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By following her intuition and going against the grain of online fads, Stel is setting trends, not chasing them — always creating from a place of true originality. Her self-directed, sometimes spur-of-the-moment digicam visuals for tracks like “I’ll Take It” and “You Could Hate Me” have the fuzzy realism of vintage photos or cherished memories: effortlessly cool without ever trying to be. In addition to earning co-signs from Troye Sivan and A.G. Cook and being selected for this year's DAZED 100, she recently made her runway debut at Ann Demeulemeester’s PFW SS26 show and embarked on her first headline tour, which included a performance at Pitchfork Festival in Paris, following the release of her sophomore EP How to Win At Solitaire. Continuing to push the boundaries of today’s music landscape while honing in on a truly singular, post-genre sound that’s all her own, Stel is currently working on her debut album.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Static\u003cbr\u003eA2. No Pressure\u003cbr\u003eA3. You Could Hate Me\u003cbr\u003eA4. why tf would that help\u003cbr\u003eB1. Object Permanence\u003cbr\u003eB2. I’m Not Alone\u003cbr\u003eB3. I’ll Take It\u003cbr\u003eC1. Everyone Falls Asleep In Their Own Time\u003cbr\u003eC2. Taste\u003cbr\u003eC3. All Seven Seasons\u003cbr\u003eD1. I’d Rather Be Yours Than Mine\u003cbr\u003eD2. All My Friends Are Models\u003cbr\u003eD3. 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PK) \u003cbr\u003eB2  - Komodo \u003cbr\u003eB3  - Somebody Jump (feat. Reek0) \u003cbr\u003eB4  - Wonderluv \u003cbr\u003eB5  - Tek Control (feat. Liam Bailey) \u003cbr\u003eB6  - Guiding Star (feat. Reek0)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEast London producer and DJ IZCO announces his debut solo studio album ‘POWERSCROFT’, set for release on 1st May via Brownswood Recordings. The album’s first single, ‘Strike a Pose’ featuring the vocals of Camille Munn offers an early glimpse into the project. To celebrate the release, he will go on a run of UK dates from March to May, culminating at London’s Jazz Cafe.\u003c\/p\u003e\n\u003cp\u003eNamed after the road where he grew up, ‘POWERSCROFT’ marks a defining new chapter for an artist who has spent the past decade shaping the sound of UK dance music. Drawing from jungle, broken beat, grime, garage, soul and dub, the album channels the energy of the dancefloor while remaining deeply rooted in memory, instinct and identity. It captures what it feels like to be inside IZCO’s world, where thoughts, memories and influences collide.\u003c\/p\u003e\n\u003cp\u003eHailing from East London, IZCO is a producer and DJ spearheading a new generation that is bringing soul back to the dancefloor. Shaped by the rich musical heritage of his hometown, he has developed a sound that feels familiar yet forward-looking, diverse yet distinctly his own. That sound has taken him across the globe, from New York to Tokyo, alongside standout sets at We Out Here, Outlook and Glastonbury.\u003c\/p\u003e\n\u003cp\u003eIZCO began his journey making grime beats for local rappers including Capo Lee, Novelist and Reek0, before becoming a key figure in the UK’s evolving garage and dance music landscape. In 2018, he launched his long-running Rinse FM show and released his debut EP Tek 5, earning early underground acclaim. His production credits include PinkPantheress’ breakout track ‘Passion’, created alongside Jkarri, as well as collaborations and remixes for artists such as Katy B and Greentea Peng.\u003c\/p\u003e\n\u003cp\u003eBeyond his solo work, IZCO is a label head, promoter and co-founder of the Brighter Days Family, a collective built on community, craft and cooperation. With ‘POWERSCROFT’, he steps fully into the spotlight, presenting his most personal and fully realised body of work to date. “This album is about channeling my true musical personality and character,” he says. “I’m marking a new chapter by paying tribute to my foundations.”\u003c\/p\u003e\n\u003cp\u003eRIYL: Brighter Days Family, Nia Archives, Kaytranada, Interplanetary Criminal, Bakey\u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":46593331363996,"sku":"BWOOD446LP","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_93fd742a-71a6-4223-8c7d-f2b1c3228db3.webp?v=1774627605"},{"product_id":"various-artists-inuyasha-original-soundtrack-best-selection-red-and-white-splatter-coloured-vinyl","title":"Various Artists - InuYasha - Original Soundtrack (Best Selection) [red and white splatter coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DV12877\u003cbr\u003eBarcode: 3701627800970\u003cbr\u003eRelease Date: 15 May 2026\u003cbr\u003eGenre: Soundtrack\u003c\/p\u003e\n\u003cp\u003estandard weight, red and white splatter coloured vinyl\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. CHANGE THE WORLD \u003cbr\u003eA2. OWARINAIYUME \u003cbr\u003eA3. Grip! \u003cbr\u003eA4. One Day, One Dream \u003cbr\u003eA5. ANGELUS \u003c\/p\u003e\n\u003cp\u003eB1. My Will (Original Mix) \u003cbr\u003eB2. DEEP FOREST \u003cbr\u003eB3. Every Heart -MINNA NO KIMOCHI- \u003cbr\u003eB4. TRUE SONG \u003cbr\u003eB5. Itazurana KISS\u003c\/p\u003e\n\u003cp\u003eKagome, a modern-day schoolgirl, is transported to feudal Japan and frees Inuyasha, a half-demon. Together, they seek the shattered shards of the Shikon Jewel, desired by demons. Along their journey, they face fierce enemies, forge deep friendships, and discover a growing love amidst their perilous quest. This album features the best openings and endings from Inuyasha. Performed by iconic J-pop artists, these songs blend emotion, nostalgia, and energy. A must-have compilation for fans of the anime.\u003c\/p\u003e","brand":"Microids Records","offers":[{"title":"Default Title","offer_id":46648374788252,"sku":"DV12877","price":56.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_022bb257-3629-48d3-a4ed-0872a4382e49.webp?v=1775672733"},{"product_id":"sweet-live-at-the-capitol-cd","title":"Sweet - Live At The Capitol [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MV0466\u003cbr\u003eBarcode: 4250444194469\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Alternative\/Rock\u003c\/p\u003e\n\u003cp\u003eFor the first time ever, Sweet – Live At The Capitol (1992) is being reissued in a carefully restored edition on CD digipack and limited white vinyl. Captured at the height of their early 90s live powers, this concert finds Andy Scott’s Sweet delivering high energy versions of their classic hits alongside deeper album tracks, all in front of a fired up crowd. In addition to founding member Andy Scott, Sweet consisted at the time of Mal McNulty (Slade), Bodo Schopf (Eloy\/MSG) and Steve Grant (George Harrison\/Eric Burdon). The new edition features remastered audio from the original source material, updated artwork and liner notes, and presents this long out of print fan favourite in definitive form. The show includes essential songs such as “Ballroom Blitz”, “Fox on the Run” and “Love Is Like Oxygen”, making it an ideal catalogue highlight for both long time fans and new listeners discovering Sweet’s legacy. With Sweet still active on the touring circuit and a loyal classic rock audience for physical formats, Live At The Capitol is a strong, collectible addition to any rock assortment. The white vinyl pressing is strictly limited and aimed at collectors and Record Store Day style shoppers, while the CD digipack offers an attractive mid price catalogue title with strong margin potential for retail.\u003c\/p\u003e\n\u003cp\u003e01. Hellraiser \u003cbr\u003e02. AC\/DC \u003cbr\u003e03. X-Ray Specs \u003cbr\u003e04. Sweet F.A. \u003cbr\u003e05. The Six Teens \u003cbr\u003e06. Burn On The Flame \u003cbr\u003e07. Cockroach \u003cbr\u003e08. Action \u003cbr\u003e09. Love Is Like Oxygen \u003cbr\u003e10. Set Me Free \u003cbr\u003e11. Blockbuster \u003cbr\u003e12. Teenage Rampage \u003cbr\u003e13. Introduction \u003cbr\u003e14. Fox On The Run \u003cbr\u003e15. The Ballroom Blitz \u003cbr\u003e\u003c\/p\u003e","brand":"EDEL","offers":[{"title":"Default Title","offer_id":46764319277212,"sku":"MV0466","price":16.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_14_caca6d13-f84a-4c0f-9de6-7ed41031aa72.jpg?v=1777378219"},{"product_id":"makeshift-art-bar-marionette-ep","title":"Makeshift Art Bar - Marionette EP","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: HEIST305LP1\u003cbr\u003eBarcode: 5060603092807\u003cbr\u003eRelease Date: 26 Jun 2026\u003cbr\u003eGenre: Alternative \/ Rock\u003c\/p\u003e\n\u003cp\u003eNewly signed to indie heavyweights Heist or Hit (Westside Cowboy, Her’s) EP two: ‘Marionette’ has been produced by Daniel Fox (Sprints, Melts, Psychotic Monks, Naked Lungs, Nerves, Ronan Group) and it’s set to be seminal. A set text for future musicians with aspirations of innovation. “The theme of the marionette is present throughout each song, involving some aspect of a power struggle and a lack of control within oneself.” Opener ‘Chocolate’ bounces in on a synth line as slippery and hyperactive as anything Aphex Twin ever cooked up. Crispy offbeat electronic cymbals play counterpoint to atonal guitars and pugilistic drumming before the track dry-wretches its way into a nauseating cacophony of euphoria. It’s a tale of crippling social anxiety and a preference for an unflattering, lonely reality. The muted guitar pluck in the intro to ‘Crows’ is the sonic equivalent of biting one’s nails. An anxious, involuntary tic that speaks to the theme of guilt, especially surrounding digital culture: “children can watch what they please, just with viewer discretion.” The track lurches between textures, weaving themselves in and out of focus. Guitars blare like sirens, interrupting paranoid urban centres at 2am, while the bass sounds like the inside of an insomniac’s head on day four of a REM drought. The metallic intent of ‘Discipline’ squats on the chest as though Steve Albini is your sleep paralysis demon. The pain of accountability spews from the industrial regularity of the beat, apt to the narrative of a soldier coming to terms with the lies that made him commit atrocious, violent acts. EP closer ‘Servant’ starts like a Spectrum loading screen. Dial-up modem-coded, it pauses for moments of white-noise-vomit and existential bloops. Fitting for a more abstract take on the idea of the power struggle filtered through religious imagery and self-awareness of one’s own actions, coupled with an inability to exert control over them. The band pile on the textures with sadistic glee until the evil is exorcized and the modem melts. Connection severed. Across the EP, vocalist Joseph has a tendency to hyper-fixate on themes of control and unhappiness. Creating rooms in which doom and isolation ricochet. Not that it’s all bad news “we like to think that by shedding light on the negative, it commands a sense of hope.” Influenced as much by the liminal-space horror and uncanny dread of Silent Hill as the existentialist theatre of The Twilight Zone or the absurdity of Twin Peaks, they occupy a space between unease and impulse. Makeshift Art Bar are not a band interested in being liked. They’re a band interested in being necessary. There’s so much eating and drinking in their work that multiple listens simply don’t satisfy; something new reveals itself on each return visit. Audacious. Idiosyncratic. Vital. A young band carrying identity, defiance and an uncompromising vision as if it isn’t a rare cargo.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSIDE A \u003cbr\u003e1. Chocolate \u003cbr\u003e2. 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