{"title":"Back In Stock ROM230424","description":"","products":[{"product_id":"hana-vu-public-storage-cd","title":"Hana Vu - Public Storage [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: GI386CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 804297838625 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie \/ Alternative\u003c\/p\u003e\n\u003cp\u003eStorage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. The 20-year-old musician sees the art of making and releasing songs in a similar sense: “these public expressions of thoughts, feelings, baggage, experiences that accumulate every year and fill little units such as ‘albums.’” She lived next to one of these buildings when she started writing her full-length Ghostly International debut, Public Storage, and its towering presence lends a metaphor to a record that sounds far bigger than the bedroom it came from.\u003cbr\u003e \u003cbr\u003eVu’s relationship with music began when she picked up a guitar her dad had lying around and taught herself to play. She’d wake up every day and listen to LA’s ALT 98.7, home to ‘90s and ‘00s alternative rock; later in high school, she found the local DIY scene. She remembers, “A lot of my peer musicians were surf rock\/punk type bands and so I tried to fit into that when I was gigging around. But what I was listening to at that time [St. Vincent, Sufjan Stevens] was very different from what I performed.” Ultimately she’d do her own thing, keeping a journal of bedroom pop ex-periments on Bandcamp, including a low-key Willow Smith collaboration and covers of The Cure and Phil Collins. She caught the ear of Gorilla vs. Bear, who released Vu’s self-produced debut EP in 2018 on their Luminelle Recordings imprint, followed by a double EP the next year.\u003cbr\u003e \u003cbr\u003ePublic Storage builds on the sound of Vu’s early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it “very invasive and intense sounding music,” refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. For the first time, she welcomes a co-producer, Jackson Phillips (Day Wave), who helps Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts.\u003c\/p\u003e\n\u003cp\u003eVu opens the album fixed on a force that recurs throughout. She explains, “I am not religious but when writing these songs I imagined a sort of desolate character crying out to an ultimately punitive force for something more.” The first sounds we hear are charming: isolated piano keys cycle into warm strums and self-harmonies on “April Fool,” as Vu’s protagonist dismisses her surroundings and ability to communicate. The soft amber glow diffuses into the album’s title track, a darker, murkier, louder place. Vu rips through “Public Storage’’ with a series of defiant rejections (failure, family, magic) and cathartic demands. It’s a rare and powerful display of vulnerability from a lyricist who favors the abstract over autobiographical.\u003cbr\u003e \u003cbr\u003eBuilt on a disco synth pattern and grooving bass stabs, “Aubade” has the bright bounce of its morning namesake, cleverly at odds with its downbeat subject. The contrast continues on “Keeper,” a pulsating new wave cut, replete with soaring dreamy synths and a cooly snarling narrator, again challenging that force. “Gutter” returns to the grungy lowlight, with muscular guitar riffs striating above a bed of feedback, swelling alongside orchestral strings to a roaring finish.\u003cbr\u003e \u003cbr\u003eThe back half of Public Storage features some of its most striking moments: the rhythmic, hook-heavy “Everybody’s Birthday” speaks to the evil absurdity of the present, the end of times. The night is red, the mood is blue, and her character’s shame is painted gold. Vu saves “Maker” for last, a final go at the existential. That long-lost trinket, enormously meaningful, buried at the bottom of a box at the back of the unit. Tender banjo plucks and piano keys serve as the base for Vu’s escalating harmonies, overcome by remorseful exhalations, the song culminates on the lines: “save me oh my angel \/ are you angry \/ cos I’m not stronger and I crumble \/ oh that’s my nature \/ just like you.” In that address, in finding something lost along the way in too many shuffles from place to place, Vu finds a tarnished token of solace and a logical conclusion for Public Storage: we are all fucked up, scattered, prone to getting lost, and whoever, whatever made us is fucked up, scattered and lost too.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e01. April Fool\u003cbr\u003e02. Public Storage\u003cbr\u003e03. Aubade\u003cbr\u003e04. Heaven\u003cbr\u003e05. Keeper\u003cbr\u003e06. Gutter\u003cbr\u003e07. My House\u003cbr\u003e08. World’s Worst\u003cbr\u003e09. Anything Striking\u003cbr\u003e10. Everybody’s Birthday\u003cbr\u003e11. I Got\u003cbr\u003e12. Maker\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":40692676198556,"sku":"GI386CD","price":11.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_380aa491-46f9-4bf3-a504-32307d16cf6f.jpg?v=1629298897"},{"product_id":"hana-vu-public-storage-clear-white-marble-effect","title":"Hana Vu - Public Storage [Clear \u0026 White Marble Effect]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Vinyl, Clear \u0026amp; white marble effect\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: GI386LPC1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 804297838632\u003cbr data-mce-fragment=\"1\"\u003eRelease Date:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e05 Nov\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie \/ Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStorage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. The 20-year-old musician sees the art of making and releasing songs in a similar sense: “these public expressions of thoughts, feelings, baggage, experiences that accumulate every year and fill little units such as ‘albums.’” She lived next to one of these buildings when she started writing her full-length Ghostly International debut, Public Storage, and its towering presence lends a metaphor to a record that sounds far bigger than the bedroom it came from.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVu’s relationship with music began when she picked up a guitar her dad had lying around and taught herself to play. She’d wake up every day and listen to LA’s ALT 98.7, home to ‘90s and ‘00s alternative rock; later in high school, she found the local DIY scene. She remembers, “A lot of my peer musicians were surf rock\/punk type bands and so I tried to fit into that when I was gigging around. But what I was listening to at that time [St. Vincent, Sufjan Stevens] was very different from what I performed.” Ultimately she’d do her own thing, keeping a journal of bedroom pop ex-periments on Bandcamp, including a low-key Willow Smith collaboration and covers of The Cure and Phil Collins. She caught the ear of Gorilla vs. Bear, who released Vu’s self-produced debut EP in 2018 on their Luminelle Recordings imprint, followed by a double EP the next year.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublic Storage builds on the sound of Vu’s early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it “very invasive and intense sounding music,” refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. For the first time, she welcomes a co-producer, Jackson Phillips (Day Wave), who helps Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVu opens the album fixed on a force that recurs throughout. She explains, “I am not religious but when writing these songs I imagined a sort of desolate character crying out to an ultimately punitive force for something more.” The first sounds we hear are charming: isolated piano keys cycle into warm strums and self-harmonies on “April Fool,” as Vu’s protagonist dismisses her surroundings and ability to communicate. The soft amber glow diffuses into the album’s title track, a darker, murkier, louder place. Vu rips through “Public Storage’’ with a series of defiant rejections (failure, family, magic) and cathartic demands. It’s a rare and powerful display of vulnerability from a lyricist who favors the abstract over autobiographical.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBuilt on a disco synth pattern and grooving bass stabs, “Aubade” has the bright bounce of its morning namesake, cleverly at odds with its downbeat subject. The contrast continues on “Keeper,” a pulsating new wave cut, replete with soaring dreamy synths and a cooly snarling narrator, again challenging that force. “Gutter” returns to the grungy lowlight, with muscular guitar riffs striating above a bed of feedback, swelling alongside orchestral strings to a roaring finish.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe back half of Public Storage features some of its most striking moments: the rhythmic, hook-heavy “Everybody’s Birthday” speaks to the evil absurdity of the present, the end of times. The night is red, the mood is blue, and her character’s shame is painted gold. Vu saves “Maker” for last, a final go at the existential. That long-lost trinket, enormously meaningful, buried at the bottom of a box at the back of the unit. Tender banjo plucks and piano keys serve as the base for Vu’s escalating harmonies, overcome by remorseful exhalations, the song culminates on the lines: “save me oh my angel \/ are you angry \/ cos I’m not stronger and I crumble \/ oh that’s my nature \/ just like you.” In that address, in finding something lost along the way in too many shuffles from place to place, Vu finds a tarnished token of solace and a logical conclusion for Public Storage: we are all fucked up, scattered, prone to getting lost, and whoever, whatever made us is fucked up, scattered and lost too.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e01. April Fool\u003cbr data-mce-fragment=\"1\"\u003e02. Public Storage\u003cbr data-mce-fragment=\"1\"\u003e03. Aubade\u003cbr data-mce-fragment=\"1\"\u003e04. Heaven\u003cbr data-mce-fragment=\"1\"\u003e05. Keeper\u003cbr data-mce-fragment=\"1\"\u003e06. Gutter\u003cbr data-mce-fragment=\"1\"\u003e07. My House\u003cbr data-mce-fragment=\"1\"\u003e08. World’s Worst\u003cbr data-mce-fragment=\"1\"\u003e09. Anything Striking\u003cbr data-mce-fragment=\"1\"\u003e10. Everybody’s Birthday\u003cbr data-mce-fragment=\"1\"\u003e11. I Got\u003cbr data-mce-fragment=\"1\"\u003e12. Maker\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":40692739801244,"sku":"GI386LPC1","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/GI-386_02.jpg?v=1629299024"},{"product_id":"hana-vu-public-storage-red-marble-effect","title":"Hana Vu - Public Storage [Red Marble Effect]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Vinyl, Red marble effect\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: GI386LPC4\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 804297838663\u003cbr data-mce-fragment=\"1\"\u003eRelease Date:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e05 Nov\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie \/ Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStorage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. The 20-year-old musician sees the art of making and releasing songs in a similar sense: “these public expressions of thoughts, feelings, baggage, experiences that accumulate every year and fill little units such as ‘albums.’” She lived next to one of these buildings when she started writing her full-length Ghostly International debut, Public Storage, and its towering presence lends a metaphor to a record that sounds far bigger than the bedroom it came from.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVu’s relationship with music began when she picked up a guitar her dad had lying around and taught herself to play. She’d wake up every day and listen to LA’s ALT 98.7, home to ‘90s and ‘00s alternative rock; later in high school, she found the local DIY scene. She remembers, “A lot of my peer musicians were surf rock\/punk type bands and so I tried to fit into that when I was gigging around. But what I was listening to at that time [St. Vincent, Sufjan Stevens] was very different from what I performed.” Ultimately she’d do her own thing, keeping a journal of bedroom pop ex-periments on Bandcamp, including a low-key Willow Smith collaboration and covers of The Cure and Phil Collins. She caught the ear of Gorilla vs. Bear, who released Vu’s self-produced debut EP in 2018 on their Luminelle Recordings imprint, followed by a double EP the next year.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublic Storage builds on the sound of Vu’s early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it “very invasive and intense sounding music,” refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. For the first time, she welcomes a co-producer, Jackson Phillips (Day Wave), who helps Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVu opens the album fixed on a force that recurs throughout. She explains, “I am not religious but when writing these songs I imagined a sort of desolate character crying out to an ultimately punitive force for something more.” The first sounds we hear are charming: isolated piano keys cycle into warm strums and self-harmonies on “April Fool,” as Vu’s protagonist dismisses her surroundings and ability to communicate. The soft amber glow diffuses into the album’s title track, a darker, murkier, louder place. Vu rips through “Public Storage’’ with a series of defiant rejections (failure, family, magic) and cathartic demands. It’s a rare and powerful display of vulnerability from a lyricist who favors the abstract over autobiographical.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBuilt on a disco synth pattern and grooving bass stabs, “Aubade” has the bright bounce of its morning namesake, cleverly at odds with its downbeat subject. The contrast continues on “Keeper,” a pulsating new wave cut, replete with soaring dreamy synths and a cooly snarling narrator, again challenging that force. “Gutter” returns to the grungy lowlight, with muscular guitar riffs striating above a bed of feedback, swelling alongside orchestral strings to a roaring finish.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe back half of Public Storage features some of its most striking moments: the rhythmic, hook-heavy “Everybody’s Birthday” speaks to the evil absurdity of the present, the end of times. The night is red, the mood is blue, and her character’s shame is painted gold. Vu saves “Maker” for last, a final go at the existential. That long-lost trinket, enormously meaningful, buried at the bottom of a box at the back of the unit. Tender banjo plucks and piano keys serve as the base for Vu’s escalating harmonies, overcome by remorseful exhalations, the song culminates on the lines: “save me oh my angel \/ are you angry \/ cos I’m not stronger and I crumble \/ oh that’s my nature \/ just like you.” In that address, in finding something lost along the way in too many shuffles from place to place, Vu finds a tarnished token of solace and a logical conclusion for Public Storage: we are all fucked up, scattered, prone to getting lost, and whoever, whatever made us is fucked up, scattered and lost too.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e01. April Fool\u003cbr data-mce-fragment=\"1\"\u003e02. Public Storage\u003cbr data-mce-fragment=\"1\"\u003e03. Aubade\u003cbr data-mce-fragment=\"1\"\u003e04. Heaven\u003cbr data-mce-fragment=\"1\"\u003e05. Keeper\u003cbr data-mce-fragment=\"1\"\u003e06. Gutter\u003cbr data-mce-fragment=\"1\"\u003e07. My House\u003cbr data-mce-fragment=\"1\"\u003e08. World’s Worst\u003cbr data-mce-fragment=\"1\"\u003e09. Anything Striking\u003cbr data-mce-fragment=\"1\"\u003e10. Everybody’s Birthday\u003cbr data-mce-fragment=\"1\"\u003e11. I Got\u003cbr data-mce-fragment=\"1\"\u003e12. Maker\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":40692752777372,"sku":"GI386LPC4","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/GI-386_09.jpg?v=1629299062"},{"product_id":"aphex-twin-selected-ambient-works-85-92-cd","title":"APHEX TWIN - SELECTED AMBIENT WORKS 85-92 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: AMB9322CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5055274703541\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 06 Jul 2018\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003e1. \"Xtal\"\u003cbr\u003e2. \"Tha\"\u003cbr\u003e3. \"Pulsewidth\"\u003cbr\u003e4. \"Ageispolis\"\u003cbr\u003e5. \"I\"\u003cbr\u003e6. \"Green Calx\"\u003cbr\u003e7. \"Heliosphan\"\u003cbr\u003e8. \"We Are The Music Makers\"\u003cbr\u003e9. \"Schottkey 7th Path\"\u003cbr\u003e10. \"Ptolemy\"\u003cbr\u003e11. \"Hedphelym\"\u003cbr\u003e12. \"Delphium\"\u003cbr\u003e13. \"Actium\"\u003c\/p\u003e","brand":"Apollo","offers":[{"title":"Default Title","offer_id":41369721405596,"sku":"AMB9322CD","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_03d8bf58-773b-4f37-a415-ac78a11adb63.jpg?v=1643129582"},{"product_id":"various-artists-garage-psychedelique-the-best-of-garage-psych-and-pzyk-rock-1965-2019-cd","title":"Various Artists - Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BN4CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5053760088998 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e23 Sep\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Garage Psych \/ Rock\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTwo-Piers, the label that brought you ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’ bring you the second instalment in the series ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’. A thrill a minute dive into the crazy awesome world of Garage Psychedelic Rock.\u003cbr\u003e \u003cbr\u003e From the Psych sound explosion onto the Underground club scene in the US and UK in the mid 1960s, its discovery by a wider audience via the exceptional Nuggets and Pebbles compilation series in the 1970-1980s. Through its mainstream revival with the Garage sound of the late 1990- early 2000s, to the current crop of exceptional bands flying the Garage Psych flag today, ‘Garage Psychédélique’ takes you on a journey and gives you a little taste of some of the finest music from the scene and the bands that blazed a trail for others to follow…..Sit back and enjoy the ride!\u003cbr\u003e \u003cbr\u003e From the opening bars of The Sonics ‘Have love Will Travel’ through the Psych workout that is Count Five’s ‘Psychotic Reaction’ to the joys of 60s Beat Psych groups from the US such as The Paragons, The Preachers, The Strangeloves, The Squires, and the eccentric stylings of The Monks. The album careers along at a blistering pace of Garage Psych brilliance, jammed packed full of Underground floor fillers a plenty.\u003c\/p\u003e\n\u003cp\u003eUS legendary underground acts such as The Electric Prunes, The Chocolate Watch Band and MC5 all deliver classic tracks for the cause, and singer-songwriter Harry Nilsson even makes a foray into the psych rock sound with ‘Jump into the Fire’.\u003cbr\u003e \u003cbr\u003e In recent years such bands as Thee Oh Sees, Moon Duo and Allah-Las from the US have taken the Garage Psych influence and 60s sound and made it their own. A whole crop of bands such as White Hills, Gnod and Goat from the scene have evolved the music into a ‘Pyzk Rock’ feel with a darker and heavier vibe, but crucially still with the joyous undertones that the scene brings to its devotees.\u003cbr\u003e \u003cbr\u003e The Garage Psych sound has influenced groups from around the globe with bands like Liverpool’s The Stairs ‘Weed Bus’, Scotland’s finest The Poets with ‘That’s the Way It’s Gotta Be’, The Bogeymen, a largely undiscovered 90s Psych Hammond band from France with ‘Electrocution’. Hailing from Sweden Goat bring us ‘Gathering of Ancient Tribes’ and The Hives their dancefloor anthem ‘Main Offender’. From Perth, Australia Pond’s Psych leanings on ‘Fantastic Explosion of Time’ are clear to see. Finally, Kevin Parker’s band Tame Impala were very influenced by the whole garage psych sound in their early band incarnation, as perfectly showcased here on the epic wig out that is ‘Half Full Glass of Wine’ that closes the album.\u003cbr\u003e \u003cbr\u003e This isn’t meant to be a ‘crate diggers’ album or a compilation of ‘obscure hard to find tracks’ to out-do your mates. It is quite simply a celebration of the Garage Psychédélique scene and a chance to revel in its brilliance and dance around your kitchen. If it means you go down a rabbit warren of discovery to unearth more gems and brilliant bands from the Garage Psych scene then job done!\u003c\/p\u003e\n\u003cp\u003eCD TRACKLIST \u003cbr\u003e 1) The Sonics - Have Love Will Travel\u003cbr\u003e 2) Count Five - Psychotic Reaction\u003cbr\u003e 3) The Paragons - Abba\u003cbr\u003e 4) Kim Fowler - The Trip\u003cbr\u003e 5) The Strangeloves - Night Time\u003cbr\u003e 6) The Monks - Oh, How We Do Now\u003cbr\u003e 7) The Bogeymen - Electrocution\u003cbr\u003e 8) Harry Nilsson - Jump into the Fire (Single Version)\u003cbr\u003e 9) The Eyes - When the Night Falls\u003cbr\u003e 10) 13th Floor Elevators - Reverberation (Doubt)\u003cbr\u003e 11) The Poets - That’s the Way it’s Gotta Be\u003cbr\u003e 12) The Squires - Going All the Way\u003cbr\u003e 13) The Electric Prunes - I Had Too Much to Dream (Last Night)\u003cbr\u003e 14) The Chocolate Watch Band - I’m Not Like Everybody Else\u003cbr\u003e 15) MC5 - Gotta Keep Movin’\u003cbr\u003e 16) The Stairs - Weed Bus\u003cbr\u003e 17) The Hives - Main Offender\u003cbr\u003e 18) Pond - Fantastic Explosion of Time\u003cbr\u003e 19) Novella - Somethings Must Change\u003cbr\u003e 20) Thee Oh Sees - Web\u003cbr\u003e 21) Allah-Las - Catamaran\u003cbr\u003e 22) Moon Duo - Eye 2 Eye\u003cbr\u003e 23) Goat - Gathering of Ancient Tribes\u003cbr\u003e 24) Tame Impala - Half Full Glass of Wine\u003cbr\u003e\u003c\/p\u003e","brand":"Two-Piers Records","offers":[{"title":"Default Title","offer_id":41559270359196,"sku":"BN4CD","price":9.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_523e3be0-cd40-468e-8d0b-2b1e63213691.jpg?v=1649085248"},{"product_id":"various-artists-garage-psychedelique-the-best-of-garage-psych-and-pzyk-rock-1965-2019-2lp-vinyl","title":"Various Artists - Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019) [2LP Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BN4LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5053760088950 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e23 Sep\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eGarage Psych \/ Rock\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo-Piers, the label that brought you ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’ bring you the second instalment in the series ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’. A thrill a minute dive into the crazy awesome world of Garage Psychedelic Rock.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the Psych sound explosion onto the Underground club scene in the US and UK in the mid 1960s, its discovery by a wider audience via the exceptional Nuggets and Pebbles compilation series in the 1970-1980s. Through its mainstream revival with the Garage sound of the late 1990- early 2000s, to the current crop of exceptional bands flying the Garage Psych flag today, ‘Garage Psychédélique’ takes you on a journey and gives you a little taste of some of the finest music from the scene and the bands that blazed a trail for others to follow…..Sit back and enjoy the ride!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the opening bars of The Sonics ‘Have love Will Travel’ through the Psych workout that is Count Five’s ‘Psychotic Reaction’ to the joys of 60s Beat Psych groups from the US such as The Paragons, The Preachers, The Strangeloves, The Squires, and the eccentric stylings of The Monks. The album careers along at a blistering pace of Garage Psych brilliance, jammed packed full of Underground floor fillers a plenty.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUS legendary underground acts such as The Electric Prunes, The Chocolate Watch Band and MC5 all deliver classic tracks for the cause, and singer-songwriter Harry Nilsson even makes a foray into the psych rock sound with ‘Jump into the Fire’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn recent years such bands as Thee Oh Sees, Moon Duo and Allah-Las from the US have taken the Garage Psych influence and 60s sound and made it their own. A whole crop of bands such as White Hills, Gnod and Goat from the scene have evolved the music into a ‘Pyzk Rock’ feel with a darker and heavier vibe, but crucially still with the joyous undertones that the scene brings to its devotees.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Garage Psych sound has influenced groups from around the globe with bands like Liverpool’s The Stairs ‘Weed Bus’, Scotland’s finest The Poets with ‘That’s the Way It’s Gotta Be’, The Bogeymen, a largely undiscovered 90s Psych Hammond band from France with ‘Electrocution’. Hailing from Sweden Goat bring us ‘Gathering of Ancient Tribes’ and The Hives their dancefloor anthem ‘Main Offender’. From Perth, Australia Pond’s Psych leanings on ‘Fantastic Explosion of Time’ are clear to see. Finally, Kevin Parker’s band Tame Impala were very influenced by the whole garage psych sound in their early band incarnation, as perfectly showcased here on the epic wig out that is ‘Half Full Glass of Wine’ that closes the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis isn’t meant to be a ‘crate diggers’ album or a compilation of ‘obscure hard to find tracks’ to out-do your mates. It is quite simply a celebration of the Garage Psychédélique scene and a chance to revel in its brilliance and dance around your kitchen. If it means you go down a rabbit warren of discovery to unearth more gems and brilliant bands from the Garage Psych scene then job done!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2LP VINYL TRACKLIST\u003cbr data-mce-fragment=\"1\"\u003eA1) The Sonics - Have Love Will Travel\u003cbr data-mce-fragment=\"1\"\u003eA2) Count Five - Psychotic Reaction\u003cbr data-mce-fragment=\"1\"\u003eA3) The Paragons - Abba\u003cbr data-mce-fragment=\"1\"\u003eA4) Kim Fowler - The Trip\u003cbr data-mce-fragment=\"1\"\u003eA5) The Preachers - Who Do You Love **\u003cbr data-mce-fragment=\"1\"\u003eA6) The Strangeloves - Night Time\u003cbr data-mce-fragment=\"1\"\u003eA7) The Monks - Oh, How to Do Now\u003cbr data-mce-fragment=\"1\"\u003eA8) The Bogeymen - Electrocution\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eB1) Harry Nilsson - Jump into the Fire (Single Version)\u003cbr data-mce-fragment=\"1\"\u003eB2) The Eyes - When the Night Falls\u003cbr data-mce-fragment=\"1\"\u003eB3) 13th Floor Elevators - Reverberation (Doubt)\u003cbr data-mce-fragment=\"1\"\u003eB4) The Poets - That’s the Way it’s Gotta Be\u003cbr data-mce-fragment=\"1\"\u003eB5) The Squires - Going All the Way\u003cbr data-mce-fragment=\"1\"\u003eB6) The Electric Prunes - I Had Too Much To Dream (Last Night)\u003cbr data-mce-fragment=\"1\"\u003eB7) The Chocolate Watch Band - I’m Not Like Everybody Else\u003cbr data-mce-fragment=\"1\"\u003eB8) MC5 - Gotta Keep Movin’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eC1) The Stairs - Weed Bus\u003cbr data-mce-fragment=\"1\"\u003eC2) The Hives - Main Offender\u003cbr data-mce-fragment=\"1\"\u003eC3) Pond - Fantastic Explosion of Time\u003cbr data-mce-fragment=\"1\"\u003eC4) Novella - Somethings Must Change\u003cbr data-mce-fragment=\"1\"\u003eC5) Thee Oh Sees - Web\u003cbr data-mce-fragment=\"1\"\u003eC6) Allah-Las - Catamaran\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eD1) Moon Duo - Eye 2 Eye\u003cbr data-mce-fragment=\"1\"\u003eD2) White Hills, Gnod - Run-a-Round **\u003cbr data-mce-fragment=\"1\"\u003eD3) Goat - Gathering of Ancient Tribes\u003cbr data-mce-fragment=\"1\"\u003eD4) Tame Impala - Half Full Glass of Wine\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(** exclusive to vinyl)\u003cbr\u003e\u003c\/p\u003e","brand":"Two-Piers Records","offers":[{"title":"Default Title","offer_id":41559270490268,"sku":"BN4LP","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_186b201c-4160-45fa-b4c9-8319392337c6.jpg?v=1649085264"},{"product_id":"nuha-ruby-ra-machine-like-me-glow-in-the-dark-vinyl","title":"Nuha Ruby Ra - Machine Like Me [Glow in the Dark Vinyl]","description":"\u003cp\u003eFormat: 12\" Vinyl, glow in the dark vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BYREC40\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0787099968946\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Mar 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eStandard weight, glow in the dark vinyl, limited to 400 units.\u003c\/p\u003e\n\u003cp\u003eNuha Ruby Ra presents new EP Machine Like Me, featuring the singles Self Portraiture and My Voice. 2021’s How To Move EP, released to critical acclaim cemented Nuha as one of the most exciting and provocative new acts in the country. Live shows across UK and Europe followed - both as headliner and supporting the likes of Yard Act, Warmduscher, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, King Gizzard And The Lizard Wizard and Viagra Boys - and in 2022 her debut at SXSW in Austin, Texas. She’s also booked prestigious slots on home turf at the likes of Glastonbury and Bluedot, as well as European showcases at Left Of The Dial, Reeperbahn, Grauzone and more.\u003cbr\u003e \u003cbr\u003e On this colossally ambitious new EP, Nuha’s drive is plain to hear. She played almost every instrument herself, holed up in a small Essex cabin, from the dirty bass drones of My Voice to Self-Portraiture’s squalling battles between synth and guitar, the lurching punk stomp of 6 In The Morning to the teeming electronics of Slicer, the manic industrial noise of Rise to You Never Know’s sudden strip back into moody ambience.\u003cbr\u003e \u003cbr\u003e “The most important thing to me is that I do exactly what I want,” says Nuha Ruby Ra. “Not in a stubborn way, but in the way I need as a person.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e 1. My Voice\u003cbr\u003e 2. Self Portraiture\u003cbr\u003e 3. 6 In The Morning \u003cbr\u003e 4. Slicer\u003cbr\u003e 5. Rise\u003cbr\u003e 6. You Never Know\u003c\/p\u003e","brand":"Brace Yourself","offers":[{"title":"Default Title","offer_id":42189788741788,"sku":"BYREC40","price":15.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_2_4f867ffe-2efc-4165-b672-7c8c38be299b.jpg?v=1669215793"},{"product_id":"various-artists-waves-of-distortion-the-best-of-shoegaze-1990-2022-2lp","title":"Various Artists - Waves of Distortion (The Best of Shoegaze 1990-2022) [2LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BN5LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5053760093626 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 02 Aug 2024\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2LP - Standard weight black vinyl with 4 page pull out including liner notes by Nathanial Cramp.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo-Piers, the label that brought you ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’, ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’ and ‘Music for the Stars (Celestial Music 1960-1979)’ bring you ‘Waves of Distortion (The Best of Shoegaze 1990-2022), a magical journey through the history of the Shoegaze scene from its inception to the current exponents on the scene championing the sound. A perfect introduction to all that is glorious and great about ‘Shoegaze’, and if it takes the listener down a rabbit warren to discover more then job done\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Waves of Distortion’ brings in some of the OG (original ’gazer) classics – Ride’s peerless ‘Vapour Trail’, Lush’s ‘Sweetness and Light’ from 1990 and Chapterhouse’s ‘Pearl’ from 1991. They are all incredible and timeless tunes. Then there are some others that were never really a part of that other great music press construct, The Scene That Celebrates Itself, in the case of The Telescopes and their fantastic 1991 single ‘Flying’, and Spirea X’s ‘Chlorine Dream’ from the same year – both are indicative of the post-rave psychedelia that coloured everything at the time and fit perfectly within the Shoegaze scene at the time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnce we get to 1992, there’s a bit of a gap in the chronology as shoegaze was all too hastily dismissed in the country that birthed it, ignored in favour of grunge and then Britpop, the feedback fading away along with the bands that made it. But something amazing happened. when the s-word was used elsewhere in the world, rather than having negative connotations, it was merely a descriptive term. So, the flame was kept burning in the most unlikely places, waiting for everyone else to catch up once again. It’s no surprise, then, that there are bands on this compilation from America (Ringo Deathstarr, Beach House), Australia (Lowtide, Flyying Colours), Sweden (Echo Ladies) and everywhere in between.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince the turn of the century, successive generations have returned to the sound, taking it to new and exciting places. Thanks to the internet and streaming and listening to music without context the echo got louder and louder. The original scene may have morphed into a myriad of things, from acoustic Americana to ambient techno and post-rock (as evidenced by Mogwai, who appear here with ‘Kids Will Be Skeletons’), but it was only a matter of time before things came full circle. However it was Slowdive’s reunion six years later that finally made people sit up and take notice. There were scores to settle, too. The backlash Slowdive had faced the first time around went beyond mere music criticism into outright hatred. Their return and self-titled album from 2017 somehow managed to be their best yet and one of the finest examples of the genre to date. It brought in yet another generation of fans – the likes of bdrmm and Horsegirl, both included here, weren’t even born when Slowdive first existed, they were discovering them anew.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo, it’s fitting that this compilation begins with ‘Slowdive’s opener, ‘Slomo’. Neil Halstead and Christian Savill’s chiming guitars seemingly awakening from a 22-year slumber as the song gradually comes into focus. This was more than just a rebirth; it was a reaffirmation that this hard to define genre is here to stay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd that is why we are here now, all these years later, listening to a compilation that joins the dots between all of this stuff, from the beginning to the present day. The beautiful noise that has soundtracked the past 30 years and will continue to do so for many more.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP TRACKLISTING\u003cbr\u003eA1) Slowdive – Slomo\u003cbr\u003eA2) Chapterhouse – Pearl\u003cbr\u003eA3) Ride – Vapour Trail\u003cbr\u003eA4) Blind Mr Jones – Henna and Swayed\u003cbr\u003eA5) The Telescopes – Flying\u003cbr\u003eB1) Lush – Sweetness and Light\u003cbr\u003eB2) Spirea X – Chlorine Dream\u003cbr\u003eB3) Kitchens of Distinction – The 3rd Time we Opened the Capsule\u003cbr\u003eB4) Pale Saints – Sight of You\u003cbr\u003eB5) Lowtide – Alibi\u003cbr\u003eB6) Ringo Deathstarr – Kaleidoscope\u003cbr\u003eC1) Horsegirl – Billy\u003cbr\u003eC2) Air Formation – Daylight Storms\u003cbr\u003eC3) DIIV – Taker\u003cbr\u003eC4) bdrmm – A Reason to Celebrate\u003cbr\u003eC5) Flyying Colours – Long Holiday\u003cbr\u003eC6) Echo Ladies – Overrated – Robin Guthrie Version\u003cbr\u003eD1) Beach House – Lazuli\u003cbr\u003eD2) Mogwai – Kids will be Skeletons\u003cbr\u003eD3) Fleeting Joys – Go and Come Back\u003cbr\u003eD4) Ultra Vivid Scene – Mercy Seat\u003cbr\u003eD5) Galaxie 500 – Ceremony\u003c\/p\u003e","brand":"Two-Piers Records","offers":[{"title":"Default Title","offer_id":42213100748956,"sku":"BN5LP","price":33.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_ab6c31f9-90c4-4c23-826e-6f331cfe3312.jpg?v=1670336715"},{"product_id":"various-artists-waves-of-distortion-the-best-of-shoegaze-1990-2022-2lp-transparent-red-vinyl","title":"Various Artists - Waves of Distortion (The Best of Shoegaze 1990-2022) [2LP Transparent Red Vinyl]","description":"\u003cp\u003eFormat: 2 x LP, Transparent Red Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BN5LPX\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5053760096252\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 May \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e2LPX - Limited Edition standard weight colour vinyl - Transparent Red Vinyl with 4 page pull out including liner notes by Nathanial Cramp.\u003c\/p\u003e\n\u003cp\u003eTwo-Piers, the label that brought you ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’, ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’ and ‘Music for the Stars (Celestial Music 1960-1979)’ bring you ‘Waves of Distortion (The Best of Shoegaze 1990-2022), a magical journey through the history of the Shoegaze scene from its inception to the current exponents on the scene championing the sound. A perfect introduction to all that is glorious and great about ‘Shoegaze’, and if it takes the listener down a rabbit warren to discover more then job done\u003cbr\u003e\u003cbr\u003e‘Waves of Distortion’ brings in some of the OG (original ’gazer) classics – Ride’s peerless ‘Vapour Trail’, Lush’s ‘Sweetness and Light’ from 1990 and Chapterhouse’s ‘Pearl’ from 1991. They are all incredible and timeless tunes. Then there are some others that were never really a part of that other great music press construct, The Scene That Celebrates Itself, in the case of The Telescopes and their fantastic 1991 single ‘Flying’, and Spirea X’s ‘Chlorine Dream’ from the same year – both are indicative of the post-rave psychedelia that coloured everything at the time and fit perfectly within the Shoegaze scene at the time.\u003cbr\u003e\u003cbr\u003eOnce we get to 1992, there’s a bit of a gap in the chronology as shoegaze was all too hastily dismissed in the country that birthed it, ignored in favour of grunge and then Britpop, the feedback fading away along with the bands that made it. But something amazing happened. when the s-word was used elsewhere in the world, rather than having negative connotations, it was merely a descriptive term. So, the flame was kept burning in the most unlikely places, waiting for everyone else to catch up once again. It’s no surprise, then, that there are bands on this compilation from America (Ringo Deathstarr, Beach House), Australia (Lowtide, Flyying Colours), Sweden (Echo Ladies) and everywhere in between.\u003cbr\u003e\u003cbr\u003eSince the turn of the century, successive generations have returned to the sound, taking it to new and exciting places. Thanks to the internet and streaming and listening to music without context the echo got louder and louder. The original scene may have morphed into a myriad of things, from acoustic Americana to ambient techno and post-rock (as evidenced by Mogwai, who appear here with ‘Kids Will Be Skeletons’), but it was only a matter of time before things came full circle. However it was Slowdive’s reunion six years later that finally made people sit up and take notice. There were scores to settle, too. The backlash Slowdive had faced the first time around went beyond mere music criticism into outright hatred. Their return and self-titled album from 2017 somehow managed to be their best yet and one of the finest examples of the genre to date. It brought in yet another generation of fans – the likes of bdrmm and Horsegirl, both included here, weren’t even born when Slowdive first existed, they were discovering them anew.\u003cbr\u003e\u003cbr\u003eSo, it’s fitting that this compilation begins with ‘Slowdive’s opener, ‘Slomo’. Neil Halstead and Christian Savill’s chiming guitars seemingly awakening from a 22-year slumber as the song gradually comes into focus. This was more than just a rebirth; it was a reaffirmation that this hard to define genre is here to stay.\u003cbr\u003e\u003cbr\u003eAnd that is why we are here now, all these years later, listening to a compilation that joins the dots between all of this stuff, from the beginning to the present day. The beautiful noise that has soundtracked the past 30 years and will continue to do so for many more.\u003c\/p\u003e\n\u003cp\u003eLP TRACKLISTING\u003cbr\u003eA1) Slowdive – Slomo\u003cbr\u003eA2) Chapterhouse – Pearl\u003cbr\u003eA3) Ride – Vapour Trail\u003cbr\u003eA4) Blind Mr Jones – Henna and Swayed\u003cbr\u003eA5) The Telescopes – Flying\u003cbr\u003eB1) Lush – Sweetness and Light\u003cbr\u003eB2) Spirea X – Chlorine Dream\u003cbr\u003eB3) Kitchens of Distinction – The 3rd Time we Opened the Capsule\u003cbr\u003eB4) Pale Saints – Sight of You\u003cbr\u003eB5) Lowtide – Alibi\u003cbr\u003eB6) Ringo Deathstarr – Kaleidoscope\u003cbr\u003eC1) Horsegirl – Billy\u003cbr\u003eC2) Air Formation – Daylight Storms\u003cbr\u003eC3) DIIV – Taker\u003cbr\u003eC4) bdrmm – A Reason to Celebrate\u003cbr\u003eC5) Flyying Colours – Long Holiday\u003cbr\u003eC6) Echo Ladies – Overrated – Robin Guthrie Version\u003cbr\u003eD1) Beach House – Lazuli\u003cbr\u003eD2) Mogwai – Kids will be Skeletons\u003cbr\u003eD3) Fleeting Joys – Go and Come Back\u003cbr\u003eD4) Ultra Vivid Scene – Mercy Seat\u003cbr\u003eD5) Galaxie 500 – Ceremony\u003c\/p\u003e","brand":"Two-Piers Records","offers":[{"title":"Default Title","offer_id":42213103435932,"sku":"BN5LPX","price":32.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/2_3cd97403-abde-4a1a-b5ec-3b42daacfc2b.jpg?v=1670337030"},{"product_id":"brutus-nest-cd","title":"BRUTUS - NEST [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: HOFF300CDA\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060626460386\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 28 Mar 2019\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003e1. \"Fire\"\u003cbr data-mce-fragment=\"1\"\u003e2. \"Django\"\u003cbr data-mce-fragment=\"1\"\u003e3. \"Cemetery\"\u003cbr data-mce-fragment=\"1\"\u003e4. \"Techno\"\u003cbr data-mce-fragment=\"1\"\u003e5. \"Carry\"\u003cbr data-mce-fragment=\"1\"\u003e6. \"War\"\u003cbr data-mce-fragment=\"1\"\u003e7. \"Blind\"\u003cbr data-mce-fragment=\"1\"\u003e8. \"Distance\"\u003cbr data-mce-fragment=\"1\"\u003e9. \"Space\"\u003cbr data-mce-fragment=\"1\"\u003e10. \"Horde V\"\u003cbr data-mce-fragment=\"1\"\u003e11. \"Sugar Dragon\"\u003cbr\u003e\u003c\/p\u003e","brand":"Hassle","offers":[{"title":"Default Title","offer_id":42287904227484,"sku":"HOFF300CDA","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c08ace48-fea5-4b3b-a5fc-79bd74e82f06.jpg?v=1673967233"},{"product_id":"feeble-little-horse-girl-with-fish-cd","title":"Feeble Little Horse - Girl With Fish [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LBJ365CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0648401036527\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 23 Jun 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePittsburgh, PA’s feeble little horse makes thrilling and wildly unpredictable songs that are a reflection of the joys that come with making music with your best friends. The band’s sophomore album was made focusing on intuition over intention: letting the magic of collaboration come first. “Anything that makes us laugh or puts a smile on our faces, we usually end up keeping in the songs,” explains drummer Jake Kelley. Across 11 self-recorded and self-produced tracks, the band careens from blissed-out pop to harsh noise, glitchy programmed drum beats, and off-kilter indie rock—sometimes all in one song. As a follow-up to their critically acclaimed 2021 debut Hayday, Girl with Fish, with its overwhelmingly inviting and emotionally resonant tracklist, is a document of four people trusting their instincts and most importantly each other.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRACKLISTING\u003cbr\u003e1. Freak\u003cbr\u003e2. Tin Man\u003cbr\u003e3. Steamroller\u003cbr\u003e4. Heaven\u003cbr\u003e5. Paces\u003cbr\u003e6. Sweet\u003cbr\u003e7. Slide\u003cbr\u003e8. Healing\u003cbr\u003e9. Pocket\u003cbr\u003e10. Station \u003cbr\u003e11. Heavy Water \u003c\/span\u003e\u003c\/p\u003e","brand":"Saddle Creek","offers":[{"title":"Default Title","offer_id":42393595510940,"sku":"LBJ365CD","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c8d61c0d-011a-4a2f-ad6f-3c43284df82b.jpg?v=1678481708"},{"product_id":"brutus-burst-cd","title":"BRUTUS - BURST [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: HOFF240CDA\u003cbr\u003eBarcode: 5060246128185\u003cbr\u003eRelease Date: 03 Feb 2017\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003e1 March 2:37\u003cbr\u003e2 All Along 2:42\u003cbr\u003e3 Not Caring 3:47\u003cbr\u003e4 Justice De Julia II 3:41\u003cbr\u003e5 Drive 4:50\u003cbr\u003e6 Bird 4:23\u003cbr\u003e7 Crack \/ Waste 2:37\u003cbr\u003e8 Looking For Love On Devils Mountain 3:35\u003cbr\u003e9 Horde II 2:30\u003cbr\u003e10 Baby Seal 2:17\u003cbr\u003e11 Child 6:00\u003c\/p\u003e","brand":"Hassle Records","offers":[{"title":"Default Title","offer_id":42492751675548,"sku":"HOFF240CDA","price":11.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_c9a6a69b-0f51-499e-b2b2-da8d2b9aa6ed.jpg?v=1684253526"},{"product_id":"brutus-nest","title":"BRUTUS - NEST","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: HOFF300LPB\u003cbr\u003eBarcode: 5060626460379\u003cbr\u003eRelease Date: 28 Mar 2019\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Fire\" (3:48)\u003cbr\u003e2. \"Django\" (3:07)\u003cbr\u003e3. \"Cemetery\" (3:55)\u003cbr\u003e4. \"Techno\" (3:35)\u003cbr\u003e5. \"Carry\" (3:00)\u003cbr\u003e6. \"War\" (4:38)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Blind\" (2:22)\u003cbr\u003e2. \"Distance\" (3:04)\u003cbr\u003e3. \"Space\" (2:45)\u003cbr\u003e4. \"Horde V\" (4:03)\u003cbr\u003e5. \"Sugar Dragon\" (7:46)\u003c\/p\u003e","brand":"Hassle","offers":[{"title":"Default Title","offer_id":42506050175132,"sku":"HOFF300LPB","price":19.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_4820497b-d852-4ca5-993e-69cb429cede1.jpg?v=1685463760"},{"product_id":"brutus-burst-blue-transparent-with-heavy-orange-splatter-lp","title":"BRUTUS - BURST [Blue Transparent With Heavy Orange Splatter LP]","description":"\u003cp\u003eFormat: LP, Blue Transparent With Heavy Orange Splatter\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: HOFF240LPB\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060246129434\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 11 May 2018\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA1 March 2:37\u003cbr\u003eA2 All Along 2:42\u003cbr\u003eA3 Not Caring 3:48\u003cbr\u003eA4 Justice De Julia II 3:41\u003cbr\u003eA5 Drive 4:51\u003cbr\u003eB1 Bird 4:24\u003cbr\u003eB2 Crack \/ Waste 2:37\u003cbr\u003eB3 Looking For Love On Devils Mountain 3:35\u003cbr\u003eB4 Horde II 2:30\u003cbr\u003eB5 Baby Seal 2:17\u003cbr\u003eB7 Child 6:00\u003c\/p\u003e","brand":"Hassle Records","offers":[{"title":"Default Title","offer_id":42531697066140,"sku":"HOFF240LPB","price":19.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_5816d4ec-2c9f-4673-b6ab-e71313a94ac1.jpg?v=1687282873"},{"product_id":"tzusing-绿帽-green-hat","title":"Tzusing - 绿帽 Green Hat","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PAN123LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0756029612860\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 01 Dec 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eStandard weight, black vinyl\u003c\/p\u003e\n\u003cp\u003eDuring the Tang dynasty (around the 9th Century CE), traveling intellectual Li Yuanming would routinely leave home to write and debate poetry with likeminded scholars across China, isolating his wife Cifu for sometimes weeks on end. Frustrated, she found comfort in the arms of a widowed neighbor, but when Li remained at home for an unexpected stretch of time, Cifu was prompted to develop a method to signal her lover it was safe to approach. She stitched a special green hat that she handed to her husband as he was about to leave town; when Li was wearing the hat, it worked like a traffic signal - green meant go. But this didn't last for long, during one trip Li returned home early and caught Cifu and their neighbor together, and when the local community caught wind of the story, the green hat became an enduring symbol of infidelity. On Tzusing's sophomore album the Malaysian-born artist, who lives between Shanghai and Taipei, meditates on China's complicated history of patriarchal heteronormativity, and how these archaic double standards continue to dominate the culture in pervasive, often invisible ways. Even in progressive circles, internalized male inadequacy and its inevitable projection of possessiveness and aggression has been brushed underneath the rug, so by addressing it head-on, Tzusing attempts to question these structures using a level of aesthetic anxiety and thematic intensity that's hard to ignore. Growing up between Singapore, Taiwan, China, and the USA, Tzusing was living in Chicago when his love of music turned into an obsession. After relocating to China for work, he cut his teeth DJing at The Shelter in Shanghai and began refining his personal musical signature. A slew of EBM-inspired 12\"s on Ron Morelli's L.I.E.S. imprint were followed by his 2017 debut album 東方不敗 that was inspired by Jin Yong’s popular 1960s wuxia novel The Smiling, \u003cbr\u003e \u003cbr\u003e Proud Wanderer, a story about a swordsman who castrates himself to learn a powerful fighting technique. 绿帽Green Hat builds on that record's themes, deconstructing a different facet of gender as it's perceived within Chinese culture. On '趁人之危 (Take Advantage)', Tzusing obscures Daniel Plainview's notorious growl from There Will Be Blood underneath a patchwork of springy percussion and electrified wails. The message is clear: Plainview's character represents the darkness underlying American masculinity, and Tzusing is drawing a direct parallel with China. The history and mythology may be different, but the problem remains. Rhythms do the heavy lifting on 'Muscular Theology', interlocking and falling apart, and connecting fragments of techno, house, and club templates with disorienting FX. The dancefloor can provide an unorthodox space for outsiders to recognize the dissonance in their cultural programming, and Tzusing suggests this not by sonic fusion but by borderless cohesion that sucks the listener in before they're completely aware of the message. \u003cbr\u003e \u003cbr\u003e And while 绿帽 Green Hat is unashamed to lean into its layered concept, the album never loses its well-rehearsed dance floor momentum. Tzusing has been through many metamorphoses during his career, but it's here where sounds most eager to unify his interests and inclinations. From the ruthlessly funky hard drum inversion of '孝忍狠 (Filial Endure Ruthless)' and the manic up tempo roll of 'Exascale', to the gurgling combination of wheezing voices and down tempo rhythms on Suda collaboration 'Cloud Tunnel' and the wedding party flex of epic closing track 'Residual Stress', there's a sense that the producer has truly found his groove. It's an album that underscores dance music's often manic uneasiness, smoothly paralleling this with the frenzied stress of infidelity. Fear is a well-worn musical theme that transcends genre, but Tzusing approaches it from a fresh perspective; this isn't blood dripping from skulls, it's rapid-fire thoughts piercing the mind. Now that's truly terrifying.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e SIDE A: \u003cbr\u003e A1. Introduction\u003cbr\u003e A2. 趁人之危 (Take Advantage)\u003cbr\u003e A3. 偶像包袱 (Idol Baggage)\u003cbr\u003e A4. Muscular Theology\u003cbr\u003e A5. 孝忍狠 (Filial Endure Ruthless)\u003cbr\u003e A6. Balkanize\u003cbr\u003e \u003cbr\u003e SIDE B: \u003cbr\u003e B1. Interlude\u003cbr\u003e B2. Clout Tunnel Feat. Suda\u003cbr\u003e B3. Exascale\u003cbr\u003e B4. Gait\u003cbr\u003e B5. 戴綠帽 (Wear Green Hat) \u003cbr\u003e B6. Residual Stress\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Introduction\" src=\"https:\/\/www.youtube.com\/embed\/mnfLp9O96ak?list=OLAK5uy_nvjLMCsZjm1C_vLog78DijLqAYGLBfgIo\" height=\"360\" width=\"717\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Pan","offers":[{"title":"Default Title","offer_id":42546361991324,"sku":"PAN123LP","price":25.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_f05317e3-3a8b-4fd0-8f07-f806820d706e.jpg?v=1687887072"},{"product_id":"ghost-woman-hindsight-is-50-50-cd","title":"Ghost Woman - Hindsight Is 50\/50 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FTH508CD \u003cbr\u003eBarcode: 5060626467101 \u003cbr\u003eRelease Date: 24 Nov 2023\u003cbr\u003eGenre: Psych\/Garage Rock\u003c\/p\u003e\n\u003cp\u003eDespite ‘Hindsight Is 50\/50’ being the third album from Ghost Woman in 18 months, songwriter and multi-instrumentalist Evan Uschenko believes that this is the first album that “finally captures the true nature of the band”.\u003cbr\u003e \u003cbr\u003e The album was recorded mostly live in three days at the analogue Kerwax studios in Brittany, France by Christophe Chavanon (The Good Damn). Uschenko states that “the first two albums were never meant to be albums: they are like pages from diaries that have long since been burned. With the introduction of Ille van Dessel as co-writer\/drummer, the project feels like it has a direction”.\u003cbr\u003e \u003cbr\u003e There is a confidence and assurance that feels built upon the 2022 eponymous debut and the follow-up ‘Anne, If’, which was only released in January 2023. This urgency to progress and keep moving forward is reflected by the band: “We prefer to keep busy. But we’re lazy too. We still feel like we could be doing a lot more.” Overall, there is a darker, denser feel compared to previous releases, but the sound and vibe of this album is more akin to what the project was supposed to be when it started in 2016, finally realising Ghost Woman’s creative vision.\u003cbr\u003e \u003cbr\u003e The immersion into the album is immediate, locking in with the incessant riffing of ‘Bonehead’ setting the scene for what follows. Next up is the echoey, garage-surf twang of ‘Alright Alright’. The opening line “take a little walk with me…” has a sinister, gothic hue that wouldn’t feel out of place on Murder Ballads or Peaky Blinders. Sonically the album holds itself together within a warm, analogue soundworld, but with few digestible vocal melodies steering the tracks or easily giving up their meaning. This is a conscious decision, with Uschenko claiming that “there is never a concept when it comes to creating something, and no intention behind anything we create, other than to make noise and complete an album”.\u003cbr\u003e \u003cbr\u003e ‘Yoko’ reverts to chugging boogie, spitting into life in bursts of squalling guitars, and a mid-song breakdown that infers the live version will far outlive its three and a half recorded minutes.\u003cbr\u003e \u003cbr\u003e Most songs are similarly restrained in their running time, indicating a strong sense of focus and editing, rather than letting the songs run away with themselves. Only ‘Juan’ really breaks the five-minute mark and feels like the album’s centrepiece; an exuberant amalgamation of the themes and tones surrounding it. The band say that “these songs were made to be played live”, and the closing build will work perfectly in the darkest, noisiest club you can find.\u003cbr\u003e \u003cbr\u003e The title track continues this positive curve. The title is a play on the saying ‘Hindsight is 20\/20’, based on a friend’s drunken tattoo gone wrong. “Maybe it means life is all chance. Maybe it means common sense isn't so common”, say the band.\u003cbr\u003e \u003cbr\u003e Vocals come drenched in reverb and meaning is often suggested rather than explicit. The guitars are heavier and the vocals are less easily discernible, but Uschenko believes that “vocals are not important. We prefer to not be understood. If you’re looking for meaning in these lyrics, might I suggest buying a Lenny Bruce record instead?”. Sound advice indeed, so immerse yourself in this album and tell your friends about it without the benefit of hindsight, 20\/20 or otherwise.\u003cbr\u003e \u003cbr\u003e Overall, Ghost Woman appreciate that they have arrived at where they always wanted to get to: “It is the sound it was meant to be. It is the band as a whole”.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e 1 Bonehead\u003cbr data-mce-fragment=\"1\"\u003e 2 Alright Alright\u003cbr data-mce-fragment=\"1\"\u003e 3 Highly Unlikely\u003cbr data-mce-fragment=\"1\"\u003e 4 Ottessa\u003cbr data-mce-fragment=\"1\"\u003e 5 Along Pt.2\u003cbr data-mce-fragment=\"1\"\u003e 6 Yoko\u003cbr data-mce-fragment=\"1\"\u003e 7 Wormfeast\u003cbr data-mce-fragment=\"1\"\u003e 8 Juan\u003cbr data-mce-fragment=\"1\"\u003e 9 Hindsight is 50\/50\u003cbr data-mce-fragment=\"1\"\u003e 10 Buik\u003c\/p\u003e","brand":"Full Time Hobby","offers":[{"title":"Default Title","offer_id":42638310703260,"sku":"FTH508CD","price":11.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_2_0d227eef-a22b-49c1-b8e0-55c2c8811113.jpg?v=1693400622"},{"product_id":"ghost-woman-hindsight-is-50-50-lp","title":"Ghost Woman - Hindsight Is 50\/50 [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FTH508LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060626467118 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 24 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Psych\/Garage Rock\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDespite ‘Hindsight Is 50\/50’ being the third album from Ghost Woman in 18 months, songwriter and multi-instrumentalist Evan Uschenko believes that this is the first album that “finally captures the true nature of the band”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was recorded mostly live in three days at the analogue Kerwax studios in Brittany, France by Christophe Chavanon (The Good Damn). Uschenko states that “the first two albums were never meant to be albums: they are like pages from diaries that have long since been burned. With the introduction of Ille van Dessel as co-writer\/drummer, the project feels like it has a direction”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a confidence and assurance that feels built upon the 2022 eponymous debut and the follow-up ‘Anne, If’, which was only released in January 2023. This urgency to progress and keep moving forward is reflected by the band: “We prefer to keep busy. But we’re lazy too. We still feel like we could be doing a lot more.” Overall, there is a darker, denser feel compared to previous releases, but the sound and vibe of this album is more akin to what the project was supposed to be when it started in 2016, finally realising Ghost Woman’s creative vision.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe immersion into the album is immediate, locking in with the incessant riffing of ‘Bonehead’ setting the scene for what follows. Next up is the echoey, garage-surf twang of ‘Alright Alright’. The opening line “take a little walk with me…” has a sinister, gothic hue that wouldn’t feel out of place on Murder Ballads or Peaky Blinders. Sonically the album holds itself together within a warm, analogue soundworld, but with few digestible vocal melodies steering the tracks or easily giving up their meaning. This is a conscious decision, with Uschenko claiming that “there is never a concept when it comes to creating something, and no intention behind anything we create, other than to make noise and complete an album”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Yoko’ reverts to chugging boogie, spitting into life in bursts of squalling guitars, and a mid-song breakdown that infers the live version will far outlive its three and a half recorded minutes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMost songs are similarly restrained in their running time, indicating a strong sense of focus and editing, rather than letting the songs run away with themselves. Only ‘Juan’ really breaks the five-minute mark and feels like the album’s centrepiece; an exuberant amalgamation of the themes and tones surrounding it. The band say that “these songs were made to be played live”, and the closing build will work perfectly in the darkest, noisiest club you can find.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title track continues this positive curve. The title is a play on the saying ‘Hindsight is 20\/20’, based on a friend’s drunken tattoo gone wrong. “Maybe it means life is all chance. Maybe it means common sense isn't so common”, say the band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVocals come drenched in reverb and meaning is often suggested rather than explicit. The guitars are heavier and the vocals are less easily discernible, but Uschenko believes that “vocals are not important. We prefer to not be understood. If you’re looking for meaning in these lyrics, might I suggest buying a Lenny Bruce record instead?”. Sound advice indeed, so immerse yourself in this album and tell your friends about it without the benefit of hindsight, 20\/20 or otherwise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOverall, Ghost Woman appreciate that they have arrived at where they always wanted to get to: “It is the sound it was meant to be. 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If You Had Spun Out In Your Oldsmobile, This Probably Wouldn't Have Happened \u003cbr\u003e2. The Hammer Guy Is At It Again \u003cbr\u003e3. Wait For It \u003cbr\u003e4. Dary \u003cbr\u003e5. Something About A Bunch Of Dead Dogs \u003cbr\u003e6. I Replied To Tyler With Three Blue Cars \u003cbr\u003e7. Deluxe Capacitor (Acoustic)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRe-release of the excellent 2017 EP from Hot Mulligan. If you're into the likes of The Hotelier, Spanish Love Songs, Tiny Moving Parts or Free Throw should definitely check this out.\u003cbr\u003e\u003c\/p\u003e","brand":"Wax Bodega \/ Many Hats","offers":[{"title":"Default Title","offer_id":42642495406236,"sku":"WAX26","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_399b5292-4f8a-46f9-a711-53ceb63eb63d.png?v=1693583945"},{"product_id":"mf-doom-mm-food-pink-green-one-per-person","title":"MF Doom - MM...FOOD (PINK \u0026 GREEN) [ONE PER PERSON]","description":"\u003cp\u003eFormat: 2LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: RSE84LPC1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0826257008411\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 1 Mar 23 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING: \u003cbr\u003e1. Beef Rap\u003cbr\u003e2. Hoe Cakes \u003cbr\u003e3. 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Doom only added to the mystery by creating multiple aliases (King Geedorah, Viktor Vaughn, etc.) and taking a no holds barred approach to his musical career. With collaborative side projects with Madlib (Madvillain) and most recently DANGERDOOM with Danger Mouse, MM..FOOD marks the super villain's long awaited follow up to Operation: Doomsday.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOTHER ACTIVITY: https:\/\/rhymesayers.com\/\u003c\/p\u003e","brand":"Rhymesayers","offers":[{"title":"Default Title","offer_id":42784374325404,"sku":"RSE84LPC1","price":38.7,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MFDoom-MM..Food_fc25b9ec-3c10-46dd-a62e-490714d73a08.png?v=1698779555"},{"product_id":"hot-mulligan-opportunities-coloured-vinyl","title":"HOT MULLIGAN - OPPORTUNITIES [Coloured Vinyl]","description":"\u003cp\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WAX26C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0843563167878\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 20 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Punk\/Hardcore\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"If You Had Spun Out In Your Oldsmobile, This Probably Wouldn't Have Happened\" (3:02)\u003cbr\u003e2. \"The Hammer Guy Is At It Again\" (3:38)\u003cbr\u003e3. \"Wait For It\" (2:54)\u003cbr\u003e4. \"Dary\" (2:41)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Something About A Bunch Of Dead Dogs\" (0:47)\u003cbr\u003e2. \"I Replied To Tyler With Three Blue Cars\" (4:43)\u003cbr\u003e3. \"Deluxe Capacitor\" (acoustic) (3:21)\u003c\/p\u003e","brand":"Wax Bodega","offers":[{"title":"Default Title","offer_id":42858634641564,"sku":"WAX26C1","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_cf3daa0f-8018-42a3-835e-62904a4fbec0.jpg?v=1701200289"},{"product_id":"cast-love-is-the-call-cd","title":"Cast - Love Is The Call [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CAST1CD \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5053760113935 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Feb 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Pop\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs one of the most traditional guitar bands to emerge during the Brit-pop era of the mid-'90s, Cast have carved out a sound that was heavily indebted to the British Invasion of the early '60s, yet it was infused with a mystical, pseudo-hippie lyrical sensibility, which lead singer John Power expanded upon. What really made Cast into a success was Power's gift for simple, classic pop hooks, as demonstrated on the hit singles \"Fine Time,\" \"Alright,\" and \"Walkaway.\" With seven Top 10 singles, three Top 10 albums and a rich catalogue of timeless songs including ‘Walkway’, and ‘Alright’, Cast were one of the big success stories of the Britpop era. Power’s gift for sparkling melodies and instantly additive hooks remains as strong as ever. Power has hinted that the new album Love is The Call released in February 2024 will feel like a missing link between his time with The La’s and Cast’s first breakthrough with their debut album ‘All Change’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e1. Bluebird\u003cbr data-mce-fragment=\"1\"\u003e2. Forever And A Day\u003cbr data-mce-fragment=\"1\"\u003e3. Rain That Falls\u003cbr data-mce-fragment=\"1\"\u003e4. Far Away\u003cbr data-mce-fragment=\"1\"\u003e5. Starry Eyes\u003cbr data-mce-fragment=\"1\"\u003e6. Love You Like I Do\u003cbr data-mce-fragment=\"1\"\u003e7. Love Is The Call\u003cbr data-mce-fragment=\"1\"\u003e8. I Have Been Waiting\u003cbr data-mce-fragment=\"1\"\u003e9. Look Around\u003cbr data-mce-fragment=\"1\"\u003e10. Time Is Like A River\u003cbr data-mce-fragment=\"1\"\u003e11. 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Malibu \u003cbr data-mce-fragment=\"1\"\u003eB3. Mountain Steppa \u003cbr data-mce-fragment=\"1\"\u003eB4. The Colour Purple\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMulti-instrumentalist, producer, and composer Yussef Dayes releases The Yussef Dayes Experience (Live from Malibu), featuring music from his critically acclaimed debut solo album, Black Classical Music. Dayes is joined by his longtime collaborators Rocco Palladino, Venna, Elijah Fox, and Alexander Bourt on the new release, which was originally shared as a live-performance video filmed in the Malibu mountains last year and is available on YouTube.\u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":43068885270684,"sku":"BWOOD346LP","price":27.55,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_6a4d8597-7818-446b-a67e-37274cc00dc6.jpg?v=1707118596"},{"product_id":"feeble-little-horse-girl-with-fish-coloured-vinyl","title":"FEEBLE LITTLE HORSE - GIRL WITH FISH [Coloured Vinyl]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LBJ365LPC2\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0648401036572\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 23 Apr 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRAINBOW SPRINKLE SPLATTER VINYL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide A\u003cbr\u003eFreak\u003cbr\u003eTin Man\u003cbr\u003eSteamroller\u003cbr\u003eHeaven\u003cbr\u003ePaces\u003cbr\u003eSweet I\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide B\u003cbr\u003eSweet II\u003cbr\u003eSlide\u003cbr\u003eHealing\u003cbr\u003ePocket\u003cbr\u003eStation\u003cbr\u003eHeavy Water\u003c\/span\u003e\u003c\/p\u003e","brand":"Saddle Creek","offers":[{"title":"Default Title","offer_id":43559999242396,"sku":"LBJ365LPC2","price":23.38,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_a9501935-6146-4306-a724-d2dbec69534e.webp?v=1713895180"},{"product_id":"home-is-where-the-whaler-pink-vinyl","title":"HOME IS WHERE - THE WHALER (PINK VINYL)","description":"\u003cp\u003eFormat: LP, Pink\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WAX27C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0843563162163\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 23 Apr 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003e1. skin meadow\u003cbr\u003e2. lily pad pupils\u003cbr\u003e3. yes! yes! a thousand times yes!\u003cbr\u003e4. whaling for sport\u003cbr\u003e5. everyday feels like 9\/11\u003cbr\u003e6. 9\/12\u003cbr\u003e7. daytona 500\u003cbr\u003e8. chris farley\u003cbr\u003e9. nursing home riot\u003cbr\u003e10. floral organs\u003c\/p\u003e","brand":"Wax Bodega","offers":[{"title":"Default Title","offer_id":43560063926428,"sku":"WAX27C1","price":23.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_936b538c-e44e-407d-b5c5-eef5236150d8.png?v=1713896616"},{"product_id":"feeble-little-horse-girl-with-fish-opaque-pink-vinyl-1","title":"Feeble Little Horse - Girl With Fish [Opaque Pink Vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP, Opaque Pink Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LBJ365LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0648401036510\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 27 Apr 24\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePittsburgh, PA’s feeble little horse makes thrilling and wildly unpredictable songs that are a reflection of the joys that come with making music with your best friends. The band’s sophomore album was made focusing on intuition over intention: letting the magic of collaboration come first. “Anything that makes us laugh or puts a smile on our faces, we usually end up keeping in the songs,” explains drummer Jake Kelley. Across 11 self-recorded and self-produced tracks, the band careens from blissed-out pop to harsh noise, glitchy programmed drum beats, and off-kilter indie rock—sometimes all in one song. As a follow-up to their critically acclaimed 2021 debut Hayday, Girl with Fish, with its overwhelmingly inviting and emotionally resonant tracklist, is a document of four people trusting their instincts and most importantly each other.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRACKLISTING\u003cbr\u003e1. Freak\u003cbr\u003e2. Tin Man\u003cbr\u003e3. Steamroller\u003cbr\u003e4. Heaven\u003cbr\u003e5. Paces\u003cbr\u003e6. Sweet\u003cbr\u003e7. Slide\u003cbr\u003e8. Healing\u003cbr\u003e9. Pocket\u003cbr\u003e10. 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Time Is Like A River \u003cbr\u003e11. Tomorrow Calls My Name\u003c\/p\u003e","brand":"Cast Recordings","offers":[{"title":"Default Title","offer_id":43654415188124,"sku":"CAST1LP","price":17.08,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_1798692e-e8d9-4def-af71-25de15ae578f.jpg?v=1715110507"},{"product_id":"aphex-twin-selected-ambient-works-85-92","title":"APHEX TWIN - SELECTED AMBIENT WORKS 85-92","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFormat:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2xLP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCat:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e AMB3922LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eack in stock\u003c\/span\u003e:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 20 Jan 23\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGenre:\u003c\/strong\u003e Ambient\/Drone\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Xtal\" (4:51)\u003cbr\u003e2. \"Tha\" (9:02)\u003cbr\u003e3. \"Pulsewidth\" (3:48)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Ageispolis\" (5:21)\u003cbr\u003e2. \"I\" (1:12)\u003cbr\u003e3. \"Green Calx\" (6:05)\u003cbr\u003e4. \"Heliosphan\" (4:50)\u003cbr\u003eSide 3\u003cbr\u003e1. \"We Are The Music Makers\" (7:45)\u003cbr\u003e2. \"Schottkey 7th Path\" (5:02)\u003cbr\u003e3. \"Ptolemy\" (7:14)\u003cbr\u003eSide 4\u003cbr\u003e1. \"Hedphelym\" (6:04)\u003cbr\u003e2. \"Delphium\" (5:27)\u003cbr\u003e3. \"Actium\" (7:36)\u003cbr\u003e\u003c\/p\u003e","brand":"Apollo","offers":[{"title":"Default Title","offer_id":43661278675100,"sku":"AMB3922LP","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/APHEXTWIN-SELECTEDAMBIENTWORKS85_92_636e0015-84a5-46ae-97ad-2a993e1e7e7f.png?v=1715199100"},{"product_id":"big-thief-capacity-1","title":"Big Thief - Capacity","description":"\u003cp\u003eCATALOGUE NO. LBJ255LP\u003cbr\u003eBARCODE: 0648401025514\u003cbr\u003eFORMAT - LP\u003cbr\u003eRELEASE DATE 15th May 2020\u003cbr\u003eGenres - Indie Rock, Folk Rock\u003cbr\u003e\u003cbr\u003eTrack Listing\u003cbr\u003e01. Pretty Things  \u003cbr\u003e02. Shark Smile \u003cbr\u003e03. Capacity  \u003cbr\u003e04. Watering \u003cbr\u003e05. Coma  \u003cbr\u003e06. Great White Shark \u003cbr\u003e07. Mythological Beauty \u003cbr\u003e08. Objects  \u003cbr\u003e09. Haley \u003cbr\u003e10. Mary \u003cbr\u003e11. Black Diamonds \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe trails that Brooklyn’s Big Thief -- Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums) -- take us down on Capacity, the band’s highly anticipated second record out 6\/9 on Saddle Creek, are overgrown with the wilderness of pumping souls. After last year’s stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo. The album jumps right into lives marked up and nipped in surprisingly swift fashion. They are peopled and unpeopled, spooked and soothed, regenerating back into a state where they can once again be vulnerable. Lenker’s songs introduce us to a gallery of multifacted women and deal with the complicated matters of identity — at once dangerous and curious, though never unbelievable. Lenker shows us the gentle side of being ripped open. Tricked into love, done in and then witnessing the second act of pulling oneself back together to prepare for it to all happen again, but this time to a sturdier soul, one who is going to take the punches better than ever before and deal some jabs and roundhouses of their own. The album is thick with raw, un-doctored beauty: most of the songs on Capacity were played for the first time in the studio and were recorded the same day. “There is a darker darkness and a lighter light on this album,” Lenker explains. “The songs search for a deeper level of self-acceptance, to embrace the world within and without. I think Masterpiece began that process, as a reaction from inside the pain, whereas I feel Capacity examines the pain from the outside.”\u003cbr\u003e\u003cbr\u003e• Featuring tracks “Mythological Beauty” and “Shark Smile.”\u003cbr\u003e• LP includes digital download.\u003cbr\u003e• Highly anticipated follow-up to last year’s Masterpiece.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Saddle Creek","offers":[{"title":"Default Title","offer_id":43728292380828,"sku":"LBJ255LP","price":15.3,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/a2146086235_10_dfb9a5d6-17d6-4519-ba20-f04b1fb64d77.jpg?v=1716312815"},{"product_id":"jessica-pratt-quiet-signs-1","title":"JESSICA PRATT - QUIET SIGNS","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SLANG50190LP\u003cbr\u003eBarcode: 4250506831479Release Date: 08 Feb 2019\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Opening Night\" (1:42)\u003cbr\u003e2. \"As The World Turns\" (3:11)\u003cbr\u003e3. \"Fare Thee Well\" (4:05)\u003cbr\u003e4. \"Here My Love\" (2:54)\u003cbr\u003e5. \"Poly Blue\" (2:45)\u003cbr\u003eSide 2\u003cbr\u003e1. \"This Time Around\" (3:38)\u003cbr\u003e2. \"Crossing\" (2:48)\u003cbr\u003e3. \"Silent Song\" (3:13)\u003cbr\u003e4. \"Aeroplane\" (3:40)\u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Default Title","offer_id":43779835953308,"sku":"SLANG50190LP","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_0ee1c017-33a2-49ad-809a-7f66c6b90a04.jpg?v=1716919702"},{"product_id":"mf-doom-operation-doomsday-2lp","title":"MF DOOM - Operation: Doomsday [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: RSE352LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0826257035219\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 31 Mar 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eStandard weight black double vinyl.\u003c\/p\u003e\n\u003cp\u003eUnderneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD’s sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc — one half of the sibling rap duo — passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it.\u003cbr\u003e \u003cbr\u003e The 1999 release of Operation: Doomsday marked MF DOOM’s official debut, reintroducing a mysterious figure who would soon become one of underground rap’s greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM’s tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched — from cartoon theme songs, to ‘80s soul, to rap classics and more — got reinterpreted into something brand new and surreal.\u003c\/p\u003e\n\u003cp\u003eDecades later, MF DOOM is still celebrated for all facets of his work and influence. 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