{"title":"Back In Stock ROM190526","description":"","products":[{"product_id":"fat-freddys-drop-bays-2lp","title":"FAT FREDDY'S DROP - BAYS [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DRP25LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0730003462504\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Feb 22 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Dub\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Wairunga Blues\" (5:44)\u003cbr\u003e2. \"Slings \u0026amp; Arrows\" (4:31)\u003cbr\u003e3. \"10 Feet Tall\" (5:22)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Wheels\" (6:13)\u003cbr\u003e2. \"Razor\" (8:02)\u003cbr\u003eSide 3\u003cbr\u003e1. \"(Makkan)\" (5:10)\u003cbr\u003e2. \"Fish In The Sea\" (9:52)\u003cbr\u003eSide 4\u003cbr\u003e1. \"Cortina Motors\" (10:41)\u003cbr\u003e2. \"Novak\" (4:55)\u003c\/p\u003e","brand":"The Drop","offers":[{"title":"Default Title","offer_id":41324894290076,"sku":"DRP25LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_39a3486e-4b08-400b-a735-c084e23e5585.jpg?v=1641314278"},{"product_id":"the-mary-wallopers-the-mary-wallopers-cd","title":"The Mary Wallopers - The Mary Wallopers [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BCRCD1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5053760095705 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 28 Oct 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003eBrothers Charles and Andrew Hendy and their friend Sean McKenna formed The Mary Wallopers as a three-piece ballad group traveling the length and breadth of Ireland singing \u0026amp; collecting songs. Their early live performances exuded a raw energy and their first five track EP - 2019’s A Mouthful of The Mary Wallopers - perfectly captured their sound and ethos, one filled with warmth, intimacy, chaos and enough sparks ready to light any fire. The band recently expanded to a seven piece for live performances.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Eileen Og\u003cbr\u003eA2. Love Will Never Conquer Me\u003cbr\u003eA3. Cod Liver Oil And The Orange Juice\u003cbr\u003eA4. John O'Halloran\u003cbr\u003eA5. The Hackler\u003cbr\u003eB1. The Night The Gards Raided Owenys\u003cbr\u003eB2. Building Up And Tearing England Down\u003cbr\u003eB3. Lots Of Little Soldiers\u003cbr\u003eB4. Frost Is All Over\u003cbr\u003eB5. The Butcher Boy\u003cbr\u003eB6. All For Me Grog\u003c\/p\u003e","brand":"BC Records","offers":[{"title":"Default Title","offer_id":42026266067100,"sku":"BCRCD1","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f2ea7c17-3a6c-46df-be40-7e931233a910.jpg?v=1664679299"},{"product_id":"kokoroko-tuff-times-never-last-lp","title":"Kokoroko - Tuff Times Never Last [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BWOOD408LP\u003cbr\u003eBarcode: 5060180327231\u003cbr\u003eRelease Date: 11 Jul 2025\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eSet for release on July 11th via Brownswood Recordings, ‘Tuff Times Never Last’ is a spirited and vibrant collection of songs serving as an optimistic reminder to tightly hold and embrace the many dualities that occur in life. Over the course of the 11-song suite, the album explores togetherness, community, sensuality, childhood, loss and above all perseverance. \u003c\/p\u003e\n\u003cp\u003eInitially drawing inspiration from a viral social media meme, co-bandleader Onome Edgeworth said of the title’s origins and meaning: “It’s true! Although we’re reflecting on joy and celebration, you realize that a lot of that beauty comes out of challenges and difficulties. It felt like a natural truth that we discovered whilst writing”. \u003c\/p\u003e\n\u003cp\u003eThe accompanying artwork was painted by Luci Pina, the acclaimed illustrator whose work has been sought and commissioned by the likes of The Cut, Soho House, DICE, Apple Music and It’s Nice That. Embedded within the image is Kokoroko’s ode to London in the summer. Speaking on its design, co-bandleader Sheila Maurice-Grey said: “The remit was summer in London, family and sense of everyone being in a congregation-like audience, and us being the musicians”.\u003c\/p\u003e\n\u003cp\u003eThe artwork’s imagery and colour was inspired by feelings of innocence and nostalgia -  coming of age in London and those rare summer nights where everything felt full of hope. The cityscape also pays homage to Spike Lee’s 1994 film ‘Crookyln’ and Rick Famuyiwa’s 1999 opus ‘The Wood’. The band saw these movies as heartwarming representations of black family, community and resilience that served as a balm for them as Londoners. Speaking further on this, co-bandleader Onome Edgeworth said: “‘Crooklyn’ is very emotional, but also very uplifting. It felt like how I grew up. This album is us sharing our own feelings, hopes and dreams. We didn’t always have those stories in the UK”\u003c\/p\u003e\n\u003cp\u003eThree years on from their debut album ‘Could We Be More’ which peaked at No.30 on the UK Albums Chart and received acclaim from The Guardian, The Telegraph, Financial Times, Jazzwise, CRACK Magazine and Downbeat Magazine, ‘Tuff Times Never Last’ sees the London band with careless abandon expand their wide-ranging palette and influences. \u003c\/p\u003e\n\u003cp\u003eWhile the afrobeat jazz of their previous work is still a core part of the record’s sonic design, the new album largely pulls from British R\u0026amp;B from the 80s, neo-soul, West African disco, bossa nova, lovers rock and funk. Sonically taking cues from the likes of Loose Ends, Don Blackman, Common, Sly \u0026amp; Robbie, William Onyeabor, Patrice Rushen, Ofori Amponsah and Cymande. Throughout this instinctive evolution, the septet's seasoned musicianship preserves the essence of who Kokoroko are as masterful jazz artisans. \u003c\/p\u003e\n\u003cp\u003eSpeaking on the band’s progression in sound, co-bandleader Sheila Maurice-Grey said: “Innately, we’re jazz musicians but we've tried not to kind of box ourselves into one sound. So there is a level of freedom we're starting to feel. We want to continue being as creative as possible without feeling any boundaries”. \u003c\/p\u003e\n\u003cp\u003eThe unveiling of the new album comes alongside the LP’s lead single ‘Sweetie’, a tantalising first taste of the new record that bridges the gap between where the band has been and where they’re going. A tribute to the playful bond between lovers, ‘Sweetie’ is a horn-led and wonky-sounding tune saluting West African disco. It expands upon the band exploring more electronic sounds and toying with obscure drum machine and synth sounds. \u003c\/p\u003e\n\u003cp\u003e‘Sweetie’ marks Kokoroko’s first dose of new music since their EP ‘Get The Message’. Released last November, the project spawned ‘Three Piece Suit’ featuring Azekel - their honouring of Nigerian elders contemplating home, lineage and ancestry in 1960s London.. 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And the Tottenham-hailing trio is just getting started: with a new EP set for release later in 2025 that finds Benji Bouton, Kevin Toublant, and Matt Kelly reinventing their own sound and reflecting the chaos of the world around them, it’s about to be a mad, mad, mad year for anyone who crosses their path—and all the better, too.\u003c\/p\u003e\n\u003cp\u003eMADMADMAD emerged in 2017 out of impromptu late night jam sessions in a North London flat-turn-studio. 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Lyrically, the song represents what the band describe as “the feeling of walking the hamster wheel that is the day-to-day rat race,” and the general notion of perpetual, involuntary motion played a role in the EP’s creation. \u003c\/p\u003e\n\u003cp\u003eListening to MADMADMAD can be delightfully disorienting, and that quality extends to the band’s collagist and homemade visual art that accompanies their music. “History goes in cycles, and we feel there’s a correlation with what happened a century ago, when everything was so chaotic and people had a hard time making sense of what was going on in the world,” Benji explains while describing how the band take cues from the 20th century’s Dadaist movement. “It feels like we’re at that moment again—where it’s quite hard to make sense of everything with so much information every day. 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