{"title":"Back In Stock ROM170226","description":"","products":[{"product_id":"teenage-fanclub-shadows-repress","title":"Teenage Fanclub - Shadows (Repress)","description":"\u003cp\u003eFormat: LP+7”\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PEMA7LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5053760045274\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 29 Oct 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING: \u003cbr\u003eLP\u003cbr\u003e1. Sometimes I Don’t Need To Believe In Anything\u003cbr\u003e2. Baby Lee\u003cbr\u003e3. The Fall\u003cbr\u003e4. Into The City\u003cbr\u003e5. Dark Clouds\u003cbr\u003e6. The Past\u003cbr\u003e7. Shock And Awe\u003cbr\u003e8. When I Still Have Thee\u003cbr\u003e9. Live With The Seasons\u003cbr\u003e10. Sweet Days Waiting\u003cbr\u003e11. The Back Of My Mind\u003cbr data-mce-fragment=\"1\"\u003e12. Today Never Ends\u003c\/p\u003e\n\u003cp\u003eBonus 7”\u003cbr data-mce-fragment=\"1\"\u003e1. Dark And Lonely\u003cbr data-mce-fragment=\"1\"\u003e2. Secret Heart\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub have announced details of the vinyl reissues of two more of their classic albums – Man Made and Shadows. They will be packaged in faithful re-productions of the original vinyl artwork and available on heavyweight 180g single vinyl.\u003cbr\u003e\u003cbr\u003eThe band have also selected rarities, favourites and tracks previously unavailable on vinyl to include on a 7” with each album. These 7” singles will each feature two tracks and will only be available with the initial pressing of each album.\u003cbr\u003e\u003cbr\u003eAdditionally, the band are about to embark on a series of very special three-night runs of shows in Glasgow, Manchester, Birmingham and London where they will be playing songs from different eras on each night, these will include songs never previously performed live by the band. Very limited tickets remain for two shows only in Glasgow and Birmingham.\u003cbr\u003e\u003cbr\u003ePRESS:\u003cbr\u003eOverall, Shadows is an enticingly fulfilling album, to the point of being a surprise contender as one of 2010's finest. Whether this Teenage Fanclub can continue making music of such a high standard as they pass through middle age remains to be seen, but having confounded their critics for two decades already, who's to say what they may have waiting in the wings next? - 8\/10 Drowned in Sound\u003cbr\u003e\u003cbr\u003eOTHER ACTIVITY: https:\/\/www.teenagefanclub.com\/\u003cbr\u003e\u003c\/p\u003e","brand":"Pema","offers":[{"title":"Default Title","offer_id":41049938395292,"sku":"PEMA7LP","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f96e53fa-cf4f-4cb8-8b9e-a9b17c439673.png?v=1633711927"},{"product_id":"hania-rani-home-2-x-black-vinyl-1x","title":"Hania Rani - Home [2 x Black Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2 x Vinyl LP - 2 x Black Vinyl\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCatalogue No.: GONDLP037 \/ GONDLP37\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBarcode: 5050580731998\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRelease Date: 7 May 2021\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBack in stock: 18 Feb 2022\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGenre: Electronica\/Dance (Ambient)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e01: Leaving\u003cbr data-mce-fragment=\"1\"\u003e02: Buka\u003cbr data-mce-fragment=\"1\"\u003e03: Nest\u003cbr data-mce-fragment=\"1\"\u003e04: Letter to Glass\u003cbr data-mce-fragment=\"1\"\u003e05: Home\u003cbr data-mce-fragment=\"1\"\u003e06: Zero Hour\u003cbr data-mce-fragment=\"1\"\u003e07: F Major\u003cbr data-mce-fragment=\"1\"\u003e08: Summer\u003cbr data-mce-fragment=\"1\"\u003e09: Rurka\u003cbr data-mce-fragment=\"1\"\u003e10: Tennen\u003cbr data-mce-fragment=\"1\"\u003e11: I'll Never Find Your Soul\u003cbr data-mce-fragment=\"1\"\u003e12: Ombelico\u003cbr data-mce-fragment=\"1\"\u003e13: Come Back Home\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFormats:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGONDLP037LE — (Limited 500x only edition on Clear vinyl, printed in reverse board Gatefold sleeve with printed insert)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGONDLP037 — (Double black vinyl, printed in reverse board wide Gatefold sleeve with printed insert)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGONDCD037 — (Card wallet sleeve, printed in reverse board sleeve with booklet)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVinyl mockups (please feel free to use): https:\/\/app.box.com\/s\/phfsr1spxmwcj7do4r69usww35yifd3b\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"I feel like 'Home' is a second part of the same book, that the start was in 'Esja', a musical prelude to a real plot. I feel Home is a story with an ending, so the next book can tell a totally different one. I am constantly looking for new ways of expression. I am curious where 'Home' will lead me and my music\". — Hania Rani\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHania Rani is a pianist, composer and musician who, was born in Gdansk and splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. Her debut album 'Esja', a beguiling collection of solo piano pieces on Gondwana Records was released to international acclaim on April 5th 2019 including nominations in 5 categories in the Polish music industries very own Grammys, the Fryderyki, and winning the Discovery of the Year 2019 in the Empik chain's Bestseller Awards and the prestigious Sanki award for the most interesting new face of Polish music chosen by Polish journalists. Rani also composed the music for her first full length movie \"I Never Cry\" directed by Piotr Domalewski and for the play \"Nora\" directed by Michał Zdunik. Her song \"Eden\" was used as a soundtrack of a short movie by Małgorzata Szumowska for Miu Miu's movie cycle \"Women's Tales\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf the compositions on Esja were born out of a fascination with the piano as an instrument, then her follow-up, the expansive, cinematic, 'Home', finds Rani expanding her palate: adding vocals and subtle electronics to her music as well as being joined on some tracks by bassist Ziemowit Klimek and drummer Wojtek Warmijak. The album reunites her with recording engineers, Piotr Wieczorek and Ignacy Gruszecki (Monochrom Studio) and the tracks were again mixed again by Gijs van Klooster in his studio in Amsterdam and by Piotr Wieczorek in Warsaw ( Ombelico and Come Back Home). Home was mastered by Zino Mikorey in Berlin (known for his work on albums by artists such as Nils Frahm and Olafur Arnalds).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Rani, 'Home', is very much a continuation of the work she started on 'Esja', \"the completion of the sentence\" as she puts it. The album offers a metaphorical journey: the story of places that become our home sometimes by chance, sometimes by choice. It is the story of leaving a place that is familiar and the journey that follows it. Home opens with the fragment of the short story \"Loneliness\" by Bruno Schulz, which can be seen as a parable of a journey that does not necessarily mean going beyond the physical door but can signify going beyond the symbolic limits of our knowledge and imagination.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"One can be lost but can find home in his inner part - which can mean many things - soul, imagination, mind, intuition, passion. I strongly believe that when being in uncertain times and living an unstable life we can still reach peace with ourselves and be able to find 'home' anywhere' This is what I would like to express with my music - one can travel the whole world but not see anything. It is not where we are going but how much we are able to see and hear things happening around us\". — Hania Rani\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHome is also about the inevitability of change. We never find places exactly how we left them. Time flies and life with it. Just like art and music. Once you started the trip, you will never be back really to the place where you started with. It is a sentiment that is at the heart of Home, not just its themes, but at the heart of Rani's music too. Following the success of Esja it would have been easy for her to stick to the same solo piano formula, but while Rani expresses her surprise and gratitude for the success of Esja, \"I wasn't sure how this album - based on Piano and silence - will be received by the audience. The reception was a big surprise to me\" it has also given her the confidence to express more of herself as an artist. On Home Rani steps into more of a producer's role, adding strings, bass and drums where needed, exploring the sounds of synths and electronica, but also creating textured layered songs made from acoustic samples, mostly from piano recordings. \"I try to explore new genres and discover new artists, I don't want to be stuck in things that I know, I want to learn about things that are still new to me\". But perhaps most notable is her singing, Rani has a fragile, beautiful voice, both pure and expressive. Long a feature of her live shows she uses it as another instrument, adding extra layers of melody and emotion to her already deeply expressive music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"I consider voice as another instrument. Maybe if I wasn't so often alone on the stage, I would take another instrument to play the melody that I have in my mind. But while I am alone, singing allows me to have more possibilities at the same time. The human voice has a real magic, nothing carries emotions as easily and powerfully as the voice, and I think being able to bring this atmosphere on stage opens up new possibilities of expression for me\". — Hania Rani\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHome also features Rani's new band, bassist Ziemowit Klimek and drummer Wojtek Warmijak who appear on some of the albums stand out tracks, the beguiling single 'Leaving', the title track 'Home', atmospheric 'Tennen' and the beautiful 'I'll Never Find Your Soul'. After working and touring alone Rani begin to feel stuck with her own ideas and thoughts, and sounds. It was a prolific period for her compositionally, writing the music on Home, but also a film score and music for the theatre, but she felt that someone else's vision might bring new ideas to things that she already knew. Shortly before she was about to record Home she attended a concert of the young Polish jazz trio, Immortal Onion, in Gdańsk, her hometown. She liked what she heard and sked the double bassist and a drummer if they wanted to meet and something clicked. They spent most of the next week improvising and jamming on her music. This gave a whole new insight for some of the songs and brought new ideas for arrangements. And having enjoyed working together on the album Rani is looking forward to touring with the boys.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Touring with band is a totally different thing, way more challenging technically, but it also brings a new energy and new sound possibilities. I am very curious how we will manage to bring the album to life. I would like to keep the show balanced - mixing the new textures of Home with the atmosphere of minimalistic songs from Esja.\" — Hania Rani\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Rani, this sense of exploring is a key part of her art. But it isn't only the music, Rani is keenly interested in art and architecture (as anyone who follows her exquisitely curated Instagram feed will know) and how her music works in the wider world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"I try to keep my eyes and ears wide open. What I want to master in my art is how to build the right atmosphere on stage, in recordings. To do this you need to be aware of many aspects - not only music, but also the full range of gestures, acoustics, visual aspect. I want to learn how to bring particular atmosphere and bring people to a specific space. I observe how music works in different contexts, how the feeling of sound changes in different acoustics, space, light conditions. The same thing happens with artwork that I share. I feel like everything of what I am bringing to the the world and sharing with others has an impact of reception my music. If we are an inseparable part of the ecosystem, then the music should be considered similarly.\" — Hania Rani\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's distinctive cover artwork was designed by the architect Łukasz Pałczyński, who combined his sketches with the stills from the music video for the song Leaving shot by her regular collaborators Mateusz Miszczyński and Jakub Stoszek in Greece and together with Rani's music and vision it is this sense of collaboration that gives Home it's power as Rani starts to give full expression to her own unique vision and perhaps the most exciting thing is that it is just another step on her journey, one that we are all lucky to be a part of!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHania Rani – Tour Dates 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e30.07 Ventspils - LV - 'Latvija' Concert Hall\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e02.08 Neubrandenburg - DE - Detect Classic Festival\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e04.10 Paris - FR - La Maroquinerie\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e13.10 London - UK - Cecil Sharp House\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e15.10 Utrecht - NL - TivoliVredenburg\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e16.10 Roeselare - BE - De Spil\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e17.10 Brussels - BE - Botanique\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e18.10 Eindhoven - NL - De Kapel\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e19.10 Hamburg - DE - Elbphilarmonie\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e21.10 Berlin - DE - Frannz\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e22.10 Lodz - PL - Soundedit Festival\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e24.10 Gdansk - PL - Teatr Szekspirowski\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e27.10 Warsaw - PL - Palladium\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e29.10 Katowice - PL - NOSPR\u003c\/p\u003e","brand":"Gondwana Records","offers":[{"title":"Default Title","offer_id":41432558862492,"sku":"GONDLP037","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/HaniaRani-Home_a7c9ae66-3080-4e5d-a1d2-3dbbcb890733.jpg?v=1644427963"},{"product_id":"tom-skinner-voice-of-bishara-lp","title":"Tom Skinner - Voice of Bishara [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BWOOD257LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060180325206\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Nov 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDrummer and producer Tom Skinner (The Smile, Sons of Kemet) announces this lean and beautiful album, in which he edited a starry recording session into a sonorous, tuff and beguiling new shape.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is a classic-sounding record that connects backwards to Skinner’s 2017 Hello Skinny collaboration with American composer and Arthur Russell-collaborator Peter Zummo on ‘Watermelon Sun’. It links sideways to Makaya McCraven’s beat maker-inspired treatments of jazz sessions, and it offers a musical bridge to Sons of Kemet’s most meditative moments.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e1. Bishara\u003cbr data-mce-fragment=\"1\"\u003e2. Red 2\u003cbr data-mce-fragment=\"1\"\u003e3. The Journey\u003cbr data-mce-fragment=\"1\"\u003e4. The Day After Tomorrow\u003cbr data-mce-fragment=\"1\"\u003e5. Voices (of the Past)\u003cbr data-mce-fragment=\"1\"\u003e6. Quiet as it's kept\u003c\/p\u003e","brand":"Brownswood Recordings","offers":[{"title":"Default Title","offer_id":41925222695068,"sku":"BWOOD257LP","price":23.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c525b422-0335-472a-8734-6d7a30a16e79.jpg?v=1662641590"},{"product_id":"the-lemon-twigs-everything-harmony-lp","title":"The Lemon Twigs - Everything Harmony [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CT358LP \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0817949035815 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 May 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eFollowing the release of Everything Harmony, which garnered acclaim from Questlove, Iggy Pop, Anthony Fantano, The Guardian, and countless others, The Lemon Twigs—the New York City rock band fronted by brothers Brian and Michael D’Addario—have once again captured the attention of the music listening public. Set for release less than a year after their last album, A Dream Is All We Know is a joyous affair. As the title suggests, it’s less of a sober look at the darker side of life, and more a hopeful sojourn into the realm of dreams.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMichael’s line in lead single and album opener “My Golden Years” – “In time I hope that I can show all the world the love in my mind” – serves as a statement of intent for the whole collection of songs, as the brothers race against time to create as much quality pop material as possible. On track two, The Lemon Twigs invite listeners into a bubblegum paradise with euphoric harmonies and biting clavinet (“They Don’t Know How To Fall In Place”), followed by an existential space age epic (“A Dream Is All I Know”), and, elsewhere on the album, a baroque pocket-prog tune (“Sweet Vibration”), a two-part nightmare-comedy that doesn’t let up (“Peppermint Roses”), and more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEquipped with the songwriting chops of a lost era (somewhere between The Brill Building and 10452 Bellagio Road) the new record was carefully arranged and produced entirely analog in the brothers’ Brooklyn recording studio. Most of the tracks were constructed with the two brothers swapping instruments and layering all the parts themselves, but one exception to that rule was “In The Eyes Of The Girl,” which was co-produced by Sean Ono Lennon in his upstate New York studio.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile the album is chock full of progressive pop ideas, it closes appropriately with an ode to early rock and roll on “Rock On (Over and Over),” contextualizing the band as part of a lineage of rock and roll that’s never really stopped. For The Lemon Twigs, it took almost a decade for critics and audiences alike to present them with the major accolades they’ve earned this past year. While their initial records were appreciated for the musical proficiency they displayed, the brothers’ past few records have communicated their ideas with more clarity and emotional resonance. In other words, “It took too long to say ‘rock on.’”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e1. When Winter Comes Around\u003cbr data-mce-fragment=\"1\"\u003e2. In My Head\u003cbr data-mce-fragment=\"1\"\u003e3. Corner Of My Eye\u003cbr data-mce-fragment=\"1\"\u003e4. Any Time Of Day\u003cbr data-mce-fragment=\"1\"\u003e5. What You Were Doing\u003cbr data-mce-fragment=\"1\"\u003e6. I Don’t Belong To Me\u003cbr data-mce-fragment=\"1\"\u003e7. Every Day Is The Worst Day Of My Life\u003cbr data-mce-fragment=\"1\"\u003e8. What Happens To A Heart\u003cbr data-mce-fragment=\"1\"\u003e9. Still It’s Not Enough\u003cbr data-mce-fragment=\"1\"\u003e10. Born To Be Lonely\u003cbr data-mce-fragment=\"1\"\u003e11. Ghost Run Free\u003cbr data-mce-fragment=\"1\"\u003e12. Everything Harmony\u003cbr data-mce-fragment=\"1\"\u003e13. New To Me\u003c\/p\u003e","brand":"Captured Tracks","offers":[{"title":"Default Title","offer_id":42342910099612,"sku":"CT358LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_1_8a292b5e-d8c2-42ba-9ed8-3bd6c9f23cf7.jpg?v=1676371064"},{"product_id":"nubiyan-twist-freedom-fables","title":"Nubiyan Twist - Freedom Fables","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: STRUT225LP\u003cbr\u003eBarcode: 4062548015683\u003cbr\u003eRelease Date: 26 Apr 2024\u003cbr\u003eGenre: Broken Beat\/Nu Jazz\u003c\/p\u003e\n\u003cp\u003eStandard weight black vinyl\u003c\/p\u003e\n\u003cp\u003eWoven around soul searching, cautionary tales and parables for modern life, the new album is the most accomplished yet by the Leeds \/ London collective, effortlessly fusing different soul, jazz and global styles with great musicianship and lyrics. “Freedom Fables reflects on the power of narratives. Each vocalist on this record explores their own memoirs, a freedom of expression underpinning our belief that music is the ultimate narrative for unity,” explains Tom Excell. “The record references a lot of music that we all loved during our formative years; you can hear touches of broken beat, blunted hip hop, highlife, Latin, jazz and UK soul running through the tracks.”\u003cbr\u003e\u003cbr\u003eThe album is also packed full with illustrious guest appearances: regular collaborator Cherise features on the brilliant ‘Tittle Tattle’, calling out gossip through acerbic nursery rhyming, the loping ‘Flow’ dealing with the ebb and flow of anxiety and the epic Brazilian jazz workout, ‘Keeper’; UK jazz saxman Soweto Kinch brings a burning alto solo and rhymes to the determined ‘Buckle Up’ alongside the band’s own vocalist Nick Richards as the track aims to “find the door to peace” among life’s challenges. “Soweto is a trailblazer of the UK scene both as an alto player and as a rapper with a unique flow and important lyricism,” reflects Tom Excell. “It was really important for us to invite him to contribute to the album.” Richards continues the “dust yourself off and find hope” theme on the rousing ‘Wipe Away Tears’; Ghanaian great Pat Thomas voices a gorgeous Accra meets London highlife jam; massive new vocal talent Ria Moran (a contemporary from the band’s time at Leeds College Of Music) steps up on the sensual ‘Morning Light’ tackling delicate complexities of the heart and long time friend of the band, KOG, brings his trademark full strength Afro dancefloor energy.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Morning Light Feat Ria Moran\u003cbr\u003eA2. Tittle Tattle Feat Cherise\u003cbr\u003eA3. Ma Wonka Feat Pat Thomas\u003cbr\u003eB1. Buckle Up Feat Soweto Kinch\u003cbr\u003eB2. Keeper Feat Cherise\u003cbr\u003eC1. If Only Feat Ruby Wood\u003cbr\u003eC2. 24-7 Feat Ego Ella May\u003cbr\u003eC3. Flow Feat Cherise\u003cbr\u003eD1. Wipe Away Tears Feat Nick Richards\u003cbr\u003eD2. 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Volny (4:11) \u003cbr data-mce-fragment=\"1\"\u003e5. Toska (3:07) \u003cbr data-mce-fragment=\"1\"\u003e6. Prognoz (3:05) \u003cbr data-mce-fragment=\"1\"\u003e7. Sudno (Boris Ryzhy) (2:21) \u003cbr data-mce-fragment=\"1\"\u003e8. Kommersanty (3:47) \u003cbr data-mce-fragment=\"1\"\u003e9. Kletka (4:44)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe second LP by Belarussian trio Molchat Doma, Etazhi, meaning “Floors”, was first released in 2018 on Berlin-based Detriti Records. It became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. The band may fly under the radar in their native Belarus, but they’ve reached huge audiences across Europe and beyond. Six separate vinyl pressings of the album have sold out in quick succession, and Sacred Bones Records is now thrilled to bring the record back in print for good.\u003cbr\u003e\u003cbr\u003eMolchat Doma (translated as “Houses Are Silent”), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own\u003cbr\u003e. \u003cbr\u003eThe band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synth\u003cbr\u003e\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":42784374947996,"sku":"SBR3037LPC4","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_151d00c8-8334-4be6-8a7f-ef11b3e00b84.png?v=1698779580"},{"product_id":"of-montreal-satanic-panic-in-the-attic-orange-black-swirl-vinyl","title":"Of Montreal - Satanic Panic in the Attic [Orange \u0026 Black swirl vinyl]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PRC69LP \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0644110006912 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 26 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eStandard weight, Orange \u0026amp; Black swirl vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSatanic Panic in the Attic is of Montreal's sixth full-length release and first for Polyvinyl. Previously, the band released two albums for Bar\/None and three for Kindercore. The prolific Athens, Georgia band is an established staple of the US indie-pop scene and has been a continual touring presence. \u003cbr\u003e\u003cbr\u003eThe sound of Satanic Panic in the Attic is a slight departure from of Montreal's previous releases yet continues the band's tradition of continually redefining themselves. The influence of 1970's Afro beat and 80's New Wave can clearly be heard throughout the album -- offering fans a new perspective previously unheard from the band. \u003cbr\u003e\u003cbr\u003eTRACKLISTING: \u003cbr\u003e1. Disconnect the Dots \u003cbr\u003e2. Lysergic Bliss \u003cbr\u003e3. Will You Come and Fetch M \u003cbr\u003e4. My British Tour Diary \u003cbr\u003e5. Rapture Rapes the Muse \u003cbr\u003e6. Eros' Entropic Tundra \u003cbr\u003e7. City Bird \u003cbr\u003e8. Erroneous Escape Into Erik Eckles \u003cbr\u003e9. Chrissy Kiss the Corps \u003cbr\u003e10. Your Magic Is Working \u003cbr\u003e11. Climb the Ladder \u003cbr\u003e12. How Lester Lost His Wife \u003cbr\u003e13. Spike the Senses \u003cbr\u003e14. 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Second disc features a bonus EP + five additional bonus tracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eof Montreal's seminal record, The Sunlandic Twins, arrived in April of 2005 as the follow-up to their breakthrough album, Satanic Panic in the Attic. To celebrate 15 years since its illustrious release, we are pleased to present a brand new edition of The Sunlandic Twins on Red and Orange Swirl vinyl complete with a re-designed gatefold jacket interior and 5 additional bonus tracks on side D to round out this superlative 23-song 2xLP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRACKLISTING\u003cbr\u003e1 Requiem for O.M.M.2 \u003cbr\u003e2 I Was Never Young \u003cbr\u003e3 Wraith Pinned to the Mist and Other Games \u003cbr\u003e4 Forecast Fascist Future \u003cbr\u003e5 So Begins Our Alabee \u003cbr\u003e6 Our Spring Is Sweet Not Fleeting \u003cbr\u003e7 The Party's Crashing Us \u003cbr\u003e8 Knight Rider \u003cbr\u003e9 I Was A Landscape in Your Dream \u003cbr\u003e10 Death of a Shade of a Hue \u003cbr\u003e11 Oslo in the Summertime \u003cbr\u003e12 October is Eternal \u003cbr\u003e13 The Repudiated Immortals \u003cbr\u003e14 Art Snob Solutions \u003cbr\u003e15 The Actor's Opprobrium \u003cbr\u003e16 Keep Sending Me Black Fireworks \u003cbr\u003e17 Everyday Feels Like Sunday \u003cbr\u003e18 Family Noveau \u003cbr\u003e19 Psychotic Feeling \u003cbr\u003e20 Kristiansand \u003cbr\u003e21 Micro University \u003cbr\u003e22 Subtext Read, Nothing New \u003cbr\u003e23 Noir Blues to Tinnitus\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"I Was Never Young\" src=\"https:\/\/www.youtube.com\/embed\/KMm4d65YG0Y?list=OLAK5uy_lnaC_ta7k2bs1HtNAf7cfcNh4qSNlTwkE\" height=\"367\" width=\"811\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Polyvinyl Recording Co.","offers":[{"title":"Default Title","offer_id":43261140861084,"sku":"PRC9554LP","price":35.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_d102fca6-a2b0-4c96-a8bd-af66fa108cdd.png?v=1711137524"},{"product_id":"sign-crushes-motorist-sign-crushes-motorist-i-ll-be-okay-ultra-clear-with-pink-splatter-vinyl","title":"Sign Crushes Motorist - Sign Crushes Motorist - I’ll Be Okay [Ultra Clear with Pink Splatter Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: HOP91\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 61297937493\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 May 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\/Indie\u003c\/p\u003e\n\u003cp\u003eStandard weight ultra clear with pink splatter vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Wish\u003cbr\u003e2. Better\u003cbr\u003e3. i just want to hold her\u003cbr\u003e4. loser monologue\u003cbr\u003e5. theres this girl\u003cbr\u003e6. Cold\u003cbr\u003e7. Left\u003cbr\u003e8. Last Friday Night\u003cbr\u003e9. i threw a rock off an overpass and killed a guy\u003cbr\u003e\u003c\/p\u003e","brand":"Hunkofplastic","offers":[{"title":"Default Title","offer_id":43372853231772,"sku":"HOP91","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_98a0df51-d80d-4b5c-aee1-5942795f23a2.png?v=1712329922"},{"product_id":"oreglo-not-real-people-transparent-green-vinyl","title":"oreglo - Not Real People (Transparent Green Vinyl)","description":"\u003cp\u003eFormat: 12\" EP, transparent green vinyl\u003cbr\u003eCatalogue No.: BWOOD358EP\u003cbr\u003eBarcode: 5060180326616 \u003cbr\u003eRelease Date: 05 Jul 2024\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eoreglo is made up of c-sé (keys), Linus Barry (guitar), Nico Rocco (drums) and Teigan Hastings (tuba), who all met growing up in London. Nico and Linus met at secondary school, before Nico went on to meet Teigan and c-sé through the youth organisation Tomorrow’s Warriors, bringing them all together. \u003c\/p\u003e\n\u003cp\u003eAcross the Not Real People EP, oreglo showcase their innovative take on multiple genres: freewheeling through heavy rock riffs to drill-inspired percussion and breezy reggae, the quartet have cultivated a unique sound that acts as a melting pot of all the sounds they know and love from London. \u003c\/p\u003e\n\u003cp\u003eSince officially forming just over a year ago, they've already been hand-selected by Ezra Collective to win the 2023 Lambeth Sounds Emerging Artists x Cross The Tracks competition; played the recent Steam Down–curated World Island event in Leeds; supported Gabriels at Somerset House; composed for The 1975's North American tour; and have seen support from Steve Lamacq, Jack Saunders + more across national radio. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. J.A.C.K. \u003cbr\u003eA2. oreglo theme \u003cbr\u003eA3. Peck \u003cbr\u003eB1. Levels \u003cbr\u003eB2. comet (feat. Bel Cobain) \u003cbr\u003eB3. Opedge \u003cbr\u003eB4. peck reprise \u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":43629090242716,"sku":"BWOOD358EP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_6_b38bd5a1-4d3c-4354-aa89-3a40b474a608.jpg?v=1714590432"},{"product_id":"oceanator-everything-is-love-and-death-coloured-vinyl","title":"Oceanator - Everything Is Love And Death [Coloured Vinyl]","description":"\u003cp\u003eFormat: LP, Coloured\u003cbr\u003eCatalogue No.: PRC495LP\u003cbr\u003eBarcode: 644110049513\u003cbr\u003eRelease Date: 30 Aug 2024\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eStandard weight, Transparent teal vinyl w\/ 18”x24” poster and download card in jacket\u003c\/p\u003e\n\u003cp\u003eOn Oceanator’s third full-length album, Everything is Love and Death, songwriter Elise Okusami showcases her exceptional pop sensibilities, delivering 11 tracks full of melodic depth and lively energy. Produced by Grammy nominated engineer\/producer Will Yip (Title Fight, Turnstile, Bartees Strange), the new album features some of the biggest and boldest songs Okusami has ever written, such as the anthemic and sludgy “Drift Away,” featuring backing vocals from NNAMDÏ. \u003c\/p\u003e\n\u003cp\u003eOceanator’s music has been praised in outlets such as Stereogum, Pitchfork, NPR and SPIN, who described Okusami as having “the kind of voice that can silence a room.” The band has shared the stage with the likes of Jeff Rosenstock, Laura Jane Grace, PUP, and others with a notable touring history across North America and Europe. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. First Time\u003cbr\u003eA2. Lullaby\u003cbr\u003eA3. Cut String\u003cbr\u003eA4. Happy New Year\u003cbr\u003eA5. Get Out\u003cbr\u003eA6. Home for the Weekend\u003cbr\u003eB1. Be Here\u003cbr\u003eB2. All the Same\u003cbr\u003eB3. Drain the Well\u003cbr\u003eB4. Drift Away\u003cbr\u003eB5. Won't Someone\u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e","brand":"Polyvinyl Recording Co.","offers":[{"title":"Default Title","offer_id":43771713290396,"sku":"PRC495LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_4_09d44a88-58c0-431c-bc81-9340c22000f8.jpg?v=1716845272"},{"product_id":"foxing-foxing-2lp-ice-blue-coloured-vinyl-with-black-splatter","title":"Foxing - Foxing [2LP Ice Blue Coloured Vinyl with Black Splatter]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: MISC52\u003cbr\u003eBarcode: 0843563178188\u003cbr\u003eRelease Date: 13 Sep 2024\u003cbr\u003eGenre: Indie \/ Alternative\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2x standard weight, ice blue coloured vinyl with black splatter\u003c\/p\u003e\n\u003cp\u003eThis self-titled record is Foxing’s fifth full-length record. The St. Louis based band is known for pushing boundaries with the genre-blending indie rock with emo and electronic elements. Foxing follows in that vein of unwieldy experimentalism, with hardcore moments that haven’t been seen from the band before, and true depth of lyricism bound to take listeners on a journey. The tension is at the core of Foxing, an album that balances hopefulness and nihilism, the pastoral with the tumultuous. Whether oscillating between visceral rock noise and intimate bedroom cassette experiments on opener ‘Secret History’, or cruising at the edge of collapse on ‘Barking’, the dramatic dynamics that have long permeated Foxing’s music have never felt so extreme. The record was entirely self-produced by the band and mixed by guitarist Eric Hudson. The band’s previous records have received praise from Pitchfork, Paste, Kerrang, The Alternative and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Secret History\u003cbr\u003e2. 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By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"It's a confessional record… I realise that's a word mostly used to describe singer\/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFelix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Finding the confidence to work with my own piano improvisations was a big part of that. 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Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFelix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Unblocked\u003cbr\u003eA2. Waters Rising\u003cbr\u003eA3. Creature Pt.1\u003cbr\u003e\u003cbr\u003eB1. Creature Pt.2\u003cbr\u003eB2. 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Blood In My Mouth\u003c\/p\u003e","brand":"R\u0026S Records","offers":[{"title":"Default Title","offer_id":44384465420444,"sku":"RS 1810","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_8c0464a8-a976-46f0-bf07-d6980808e3da.jpg?v=1710270433"},{"product_id":"fat-freddys-drop-slo-mo-2lp-with-rainbow-foil","title":"Fat Freddy's Drop - SLO MO [2LP with rainbow foil]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: DRP32DLP\u003cbr\u003eBarcode: 4062548093728\u003cbr\u003eRelease Date: 25 Oct 2024\u003cbr\u003eGenre: Dub\u003c\/p\u003e\n\u003cp\u003elimited edition standard weight, deluxe double black vinyl with rainbow foil cover for indies exclusive.\u003c\/p\u003e\n\u003cp\u003eFat Freddy’s Drop hit the ground running with new studio album SLO MO, a bass-heavy blast of redemption and resolution. Described by Fitchie as 'afro rhythmic soul music, an exploration of Black music from Polynesia’, this heady mix creates the undefinable Freddy’s sound. Renowned worldwide for euphoric live shows, the Aotearoa band stepped inside their BAYS studio in Wellington, sunup to sundown, to craft a sixth studio album. SLO MO is the strongest studio representation yet of a Freddy’s live show’, says Chopper Reeds. 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Feed with good grains from Sound Systems, vinyl culture (Scratches \/ Beatmaking \/ Sampling) and rocked by the epic dialogues of a certain cinema, L’ENTOURLOOP concoct with love a music half-way between Kingston, London and New York! Their second album “Le Savoir Faire” was originally released on September 22th, 2017. This output is rich in combinations (Panda Dub, Kill Emil, The Architect…) and plenty of features (Biga*Ranx, Marina P, Demolition Man, Tippa Irie…). \u003c\/p\u003e\n\u003cp\u003eTrack list: 1. Le Savoir Faire ft. N'Zeng 2. Weh U Come From ft. Ras Demo aka Demolition Man 3. Johnny a Bad Man ft. Troy Berkley 4. Shoefiti ft. Marina P 5. La Main à la Pâte 6. Boomblast ft. Blimes Brixton 7. Push the Limits ft. Biga*Ranx aka Telly 8. Le Rendez Vous ft. Tippa Irie \u0026amp; N'Zeng 9. Forgotten Skank ft. Rodney P 10. Mississippi Slang 11. Soundbwoy ft. Troy Berkley \u0026amp; The Architect 12. L'Amour Propre 13. Fonk Monk ft. Soom T \u0026amp; N'Zeng 14. 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Initially conceived as a response to the fast-paced mainstream scene, ALFOS took a different approach, maintaining a tempo of no more than 122 bpm.\u003c\/p\u003e\n\u003cp\u003eThe club night started in the intimate surroundings of The Waiting Room in North London, where its distinctive musical ethos found an immediate following. Over time, it evolved into a British clubbing institution, expanding to larger venues and eventually reaching an international audience.\u003c\/p\u003e\n\u003cp\u003eALFOS became known for its eclectic and hypnotic sound, blending everything from kosmische and house to dub and post-punk. The night developed a loyal following, with residencies at London's Phonox and Glasgow's Berkeley Suite, and it has taken its sound to various settings, from the Croatian coastline to the Golden Lion Pub in Todmorden.\u003c\/p\u003e\n\u003cp\u003eFollowing Andrew Weatherall's passing in 2020, Sean Johnston has carried on the ALFOS legacy. During the pandemic, he launched the A Love from Outer Space Emergency Broadcast System, a series of livestreamed DJ sets that kept the community connected during a challenging time. These broadcasts were crucial in maintaining the ALFOS spirit when live events were paused, attracting a global audience and reinforcing the collective bond of the community.\u003c\/p\u003e\n\u003cp\u003eThis upcoming compilation reflects the music that has shaped ALFOS over the past 15 years while also hinting at its future. Compiled and mixed by Johnston, the 19-track album pays tribute to the club night’s rich history and its commitment to pushing musical boundaries forward.\u003c\/p\u003e\n\u003cp\u003eJohnston explains, \"The thing about ALFOS is that while we've always had one eye on the past, much of the music we play is forward-looking. 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The album is a manifesto from start to finish featuring stellar collaborations with Ela Minus, Casey MQ, Erika de Casier, Xander Amahd, Jonny from Space, Esty \u0026amp; Mediopicky, and Lavurn. \u003cbr\u003eYou'll find hazy tracks for the body and the mind; tracks to dedicate and feel deeply; tracks for heartbreak and tracks with the promise of future love. You will find themes of memory, sleep deprivation, decaying wildlife, and the suburban still life of Florida. “A Tropical Entropy” captures the haunting feeling of watching life unfold like a broken video recording—frozen in the orange hue of a never-ending sunset, signalling the final days of an apocalypse. 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Sprague - Cloud Time","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RVNGNL130LP\u003cbr\u003eBarcode: 00747742387388\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: ALT\u003c\/p\u003e\n\u003cp\u003eEmily A. Sprague’s Cloud Time traces an audio-spiritual journey through time and place, recorded across a long-awaited debut tour of Japan in the fall of 2024. Compiled from environmental improvisations captured in and for the moment, material at once welcoming, responsive, and inimitable, the album distills a voyage guided by psychic wayfaring, unbound presence, and activating performance for a reciprocal exchange with space, listener, and each fully engaged instant. The Japanese tour documented on Cloud Time held an almost mythic significance for Sprague, taking on properties of her own sonic white whale. After many near-departures and dropped plans to play in the country, “the empty spaces of cancelled trips and forgotten music turned into strange little misty spirits that I felt followed by,” she says. “When I began preparing for the tour, I couldn’t shake a sense that the invitation to Japan was more about opening myself up to this new place instead of bringing something into it tightly under my control. Improvisation has always been such a pillar in my music practice, and I really wanted to meet the country, spaces and people through that process.” \u003c\/p\u003e\n\u003cp\u003eTo amplify these intuitive whispers on-stage, Sprague reimagined her time-tested live rig, designed to be as free from error as possible, as a looser, more flexible set up that would allow her to interface with what was essentially a blank sonic canvas every night. Each performance became a collaboration between environment and instinct, Sprague processing the events, energies, and emotions informing the evening through her new sound ecosystem, and projecting an entirely present and unique version of herself to each open-eared and hearted crowd. “It was very much more than\u003cbr\u003ejust an act of playing for me, but a total experience of time and place,” she says. \u003c\/p\u003e\n\u003cp\u003eThe seven long-form pieces that plot the course of Cloud Time, excerpted from over eight hours of recordings archived on the artist’s on-stage recorder and generously shared on the album with no additional mixing and only minimal editing, invite listeners to become still in these deep-rooted moments of presence as the album moves from city to city, venue to venue. Cloud Time chronicles material recorded at each tour stop, Sprague selecting and sequencing the album around mood-based storytelling more so than linear chronology. “I tried to make the whole album flow in the way that any one of the complete live performances did,” she explains, “while also keeping the spirit of the whole thing as a journey.” The result is equal parts travelog, love letter, and impressionistic collage channeled from the potent ferment of a now encased in the glowing amber of memory. \u003c\/p\u003e\n\u003cp\u003eIntrinsically inspired by kankyō ongaku, an environmental music philosophy, known both in and widely outside of Japan that tunes into the similarly expansive ethos as Pauline Oliveros’ deep listening practice and posits the listener as composer, Cloud Time is ambient music that seems to be listening right back, grounded in heartfelt synthesized frequencies that abundantly hold and heal. Pieces like “Nagoya,” “Tokyo 1,” and the ten minute “Matsumoto” in particular hum with the atomic resonance of gently tended landscapes, offering space for tuning way in and dropping far out from perspectives that stifle and bind. Cloud Time is an invitation to embrace each moment as both fleeting and eternal, floating by with nothing to grasp onto and absolutely everything to gain. \u003c\/p\u003e\n\u003cp\u003eThe exercise in acceptance and letting go that Sprague practiced throughout the tour deeply impacted her understanding of self as both a guest and venerable performer. “The process of loving wherever I am, being present and focusing on a clear channel of communication for mind and emotion, rooted so deeply in respect for the space, those within it, and myself, ended up being profoundly healing,” she says. “My vision and hope is that this album can be released as a gift back to anyone who either was or wasn’t there. A cloud time of life passing by.” \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Tokyo 1\u003cbr\u003eA2. Osaka\u003cbr\u003eA3. Nagoya\u003cbr\u003eA4. Matsumoto (Beginning)\u003cbr\u003eB1. Matsumoto (Ending)\u003cbr\u003eB2. Hokkaido\u003cbr\u003eB3. Tokyo 2\u003cbr\u003eB4. Each Story\u003cbr\u003e\u003c\/p\u003e","brand":"RVNG","offers":[{"title":"Default Title","offer_id":45260345311388,"sku":"RVNGNL130LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_e0d65f56-6f55-41c7-81e9-8c1210ed0b72.webp?v=1757018310"},{"product_id":"sister-irene-oconnor-fire-of-gods-love-cd","title":"Sister Irene O'Connor - Fire of God's Love [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FTS34CD\u003cbr\u003eBarcode: 747742390555\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: World\u003c\/p\u003e\n\u003cp\u003eFire of God’s Love is the legendary 1973 album by Australian nun Sister Irene O’Connor—a sincere, soulful, and unconsciously psychedelic song sequence devoted to self-reflection and awakening the spirit within. A collection of original folk spirituals written by and channelled throughO’Connor with guitar, electric organ, drum machine and her angelic voice, the album was recorded and mixed in an astonishingly futuristic fashion by fellow nun and recording engineer Sister Marimil Lobregat. Freedom ToSpend offers the first authorised reissue of this holy grail since 1976; the album restored and remastered with care and consideration from the best available sources. As a young Roman Catholic nun in the Franciscan Missionaries of Mary order, Sister Irene’s forays into music began in 1953 when she moved from Sydney to a convent in Singapore and began teaching children with learning difficulties. Acquiring an acoustic guitar and learning three simple chords, Irene’s songs blossomed with the children’s enthusiasm. Serendipitously, a parent of one student worked at a commercial radio station in Singapore, and Irene was invited to the station to perform and record in its studio. She went along, wearing her habit and carrying her guitar, and cut her first original song there in 1965. Under the pseudonym Myiriam Frances, to maintain anonymity within her order (“Nuns didn’t do that kind of thing,” noted O’Connor), Phillips released a series of Sister Irene’s records at the tail end of the 1960s\u003c\/p\u003e\n\u003cp\u003eIt was at the convent in Singapore that Sister Irenemet Sister Marimil Lobregat, a fellow Franciscan nun who moved to the island from the Philippines in the early 1960s. More than a decade later, as if by divine intervention, they reconnected at another convent at Point Piper in Sydney. Marimil, also a musician and sound enthusiast, worked at the Catholic Radio and Television Centre in Homebush, in western Sydney, as an audio and visual technician. Sister Irene, faithfully honing her musical craft, and Sister Marimil hatched a plan to meet at the centre over a series of Sunday afternoons, and create the songs that would become Fire of God’s Love. The songs of Fire of God’s Love are sung in an angelic soprano by Sister Irene (with lyrics spanning English, Latin, and Malay) and produced by Sister Marimil, recorded on aTeac 3340S 4-track reel-to-reel. Marimil was instrumental in conjuring the uncanny otherworldliness that permeates the album. The crystalline fabric of Sister Irene’s voice is held exquisitely in a shimmering mosaic of reverb and analogue synthesiser hum, while momentously ringing out like a bell in the darkness, projecting until truth or the divine appears. Themes such as mercy, grace, light, and mystery are punctuated by a gentle acoustic guitar strum and eternal piano notes spinning slowly on a vibrating thread\u003c\/p\u003e\n\u003cp\u003eFor the songs with keyboards, Sister Irene played all the parts live in real time, including the bass pedals. The drum machine was generated by the same organ she played, and performed simultaneously. All of this lends to an atmosphere of heightened presence, an organic flash helmed deep from the subconscious. Originating from ideas created in a quiet convent and sequestered from worldly influence, the liturgical framework of the album is filtered through the intimate devotion of two Sisters — their own interpretation of pop music stripped of pretension and superficial glamour.\u003c\/p\u003e\n\u003cp\u003eThe album’s title, like many of its songs, stems from a Bible verse, in this case Luke 12:49. But Sisters Irene and Marimil ushered it into a space where all spiritualseekers can appreciate the transmission [Or: unusual hermeneutics]. The lyrics address universal needs, wants, and desires: everlasting love and affection, an end to loneliness, a new form of relief, and deliverance from the fear of death. Instead of hymnal forms, Sister Irene, perhaps inadvertently, utilises folk and psychedelia fashionable at the time to deliver a sermon that reads like love letters to a divine presence, speaking to the soul, beyond any formal religion. Fire of God’s Love is an inspiring archive of early electronic experimentation between two women friends and mystics, a documentation of their divine energy channelled in a disciplined way. Upon initial release, it was neither a flat-out success nor a failure, but was met mostly as a curiosity. The pair never made more music together, and in the 50 years since, their one-off collaboration continues to draw listeners in by way of record shop find (whether the original Phillips pressing or sonically superior 1976 reissue on AlbaHouse Communications) or more likely via YouTube, as a stumbled across and feverishly commented-on cult classic. Today, Sister Irene is living in Sydney, Australia, and is happy that new audiences are finding meaning in her music with Sister Marimil. Her story is a testament that you don’t need much to create a visionary, enduring album: a tape recorder, friendship, the Fire of God’s Love to ignite the pathway forward. That might be an aspirational friend, or an earthly companion right beside you. Sister Irene O’Connor’s of God’s Love will be released via Freedom To Spend on November 14 in vinyl ,CD, and digital editions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Fire (Luke 12:49)\u003cbr\u003eA2. Nature Is A Song\u003cbr\u003eA3. Springtime (In Australia)\u003cbr\u003eA4. Mass—‘Emmanuel’\u003cbr\u003eA5. Messe du Saint Esprit\u003cbr\u003eA6. Light (John 8:12)\u003c\/p\u003e\n\u003cp\u003eB1. O Brother (Matt. 7:1-5)\u003cbr\u003eB2. Mary Was ‘There’\u003cbr\u003eB3. Teenager’s Chorus\u003cbr\u003eB4. O Great Mystery (John 6)\u003cbr\u003eB5. Christ Our King (Col. 1:13)\u003cbr\u003eB6. Keshukoran\u003cbr\u003e\u003c\/p\u003e","brand":"Freedom To Spend (RVNG INTL.)","offers":[{"title":"Default Title","offer_id":45321344876700,"sku":"FTS34CD","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_a00986ec-d5ff-461b-bbc2-4117f3803771.jpg?v=1758045638"},{"product_id":"shlohmo-bad-vibes-colour-lp","title":"Shlohmo - Bad Vibes [Colour LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FOF109LPC\u003cbr\u003eBarcode: 4062548116724\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: Dance \/ Electronic\u003c\/p\u003e\n\u003cp\u003e2LP Green Vinyl\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eBig Feelings \u003cbr\u003ePlaces\u003cbr\u003eAnywhere But Here \u003cbr\u003eIt Was Whatever\u003cbr\u003eParties\u003cbr\u003eJust Us \u003cbr\u003eSink\u003cbr\u003eI Can't See You I'm Dead\u003cbr\u003eTrapped In A Burning House\u003cbr\u003eGet Out\u003cbr\u003eYour Stupid Face\u003cbr\u003eSeriously\u003cbr\u003eSame Time\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLos Angeles artist and musician Shlohmo returns with a vinyl repress of two of his defining albums: ‘Bad Vibes’ and ‘The End’. From the first sounds of Henry Laufer’s early work, it was clear he was forging a new path in electronic music - melding hazy textures, emotive melodies, and fractured beats into a sound both intimate and expansive.\u003c\/p\u003e\n\u003cp\u003eBad Vibes introduced Shlohmo’s lo-fi, slow-motion approach, crafting emotive atmospheres that would influence a generation of West Coast producers. The End, a cinematic journey of chaos and calm, cemented his status as a visionary, blending apocalyptic tension with moments of quiet reflection, made with drum machines, vintage synths, and improvised recording techniques.\u003c\/p\u003e\n\u003cp\u003eThese albums showcase Shlohmo at the height of his craft balancing raw emotion with meticulous sound design. Both records have shaped the landscape of modern electronic and lo-fi production, and now, on vinyl, they offer a tactile, immersive experience that captures every nuance of Laufer’s vision.\u003cbr\u003e\u003c\/p\u003e","brand":"Friends of Friends","offers":[{"title":"Default Title","offer_id":45323542069404,"sku":"FOF109LPC","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_c68f9079-f0dd-438e-ab94-e1d13c3eaeb1.png?v=1758104235"},{"product_id":"pacifica-in-your-face","title":"Pacifica - In Your Face","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TAG25PM41\u003cbr\u003eBarcode: 843563193716\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eBlack Vinyl. Formed in Buenos Aires by Inés Adam and Martina Nintzel, Pacifica emerged in 2021 from an online friendship sparked by a shared love of The Strokes. What began as a series of YouTube covers quickly evolved into a full-fledged creative force—culminating in their signing to TAG Music after a fan-funded trip to see The Strokes in New York City. Drawing on the raw urgency of early-2000s garage rock, the swagger of post-punk, and the emotional undercurrent of '90s alt, Pacifica’s music feels instantly familiar but entirely their own. Their sophomore album In Your Face marks a new era for the band as they continue to ride the line between vulnerability and rebellion, proving that even in a fractured world, two friends and a couple of guitars can still make something unforgettable.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. What You Doing\u003cbr\u003e2. Fixer Upper\u003cbr\u003e3. Indie Boyz\u003cbr\u003e4. Just No Fun\u003cbr\u003e5. Don't Blame Me\u003cbr\u003e6. Mine\u003cbr\u003e7. Let Me Have This\u003cbr\u003e8. Corridor\u003cbr\u003e9. Show Your Credentials\u003cbr\u003e10. In Your Face\u003cbr\u003e11. 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The project sees Whitlam expand his world both sonically and emotionally, balancing soulful piano-led moments, broken beats with his signature blend of lyrical honesty and melodic sensitivity, delivering a sound that feels both intimate and expansive.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFeaturing collaborations with Raphaella, returning collaborator Tamzene, Saphire, and Jordan Akampa, Strangers (Again) captures the duality at the heart of Whitlam’s work — poetic storytelling set against forward-thinking production. Each track reflects on connection and distance, weaving together moments of emotional depth and release.\u003c\/p\u003e\n\u003cp\u003eThe newly announced album follows the success of Whitlam’s recent EP Mama Said It, which solidified his reputation as one of the UK’s most singular new voices and one to watch. Beyond music, Whitlam recently released his debut poetry collection I Don’t Want To Settle: Words for a Lost Generation — a candid and resonant exploration of growth, heartbreak and belonging that mirrors similar themes found throughout his upcoming record.\u003c\/p\u003e\n\u003cp\u003eThis October and November, Whitlam will embark on his biggest headline tour to date across the UK, Europe and North America. Following acclaimed, sold-out shows at London’s KOKO and various venues across the nation, Dan is quickly becoming known for his emotionally charged performances and lyrical vulnerability, the tour promises to offer an immersive experience of the world he’s built — one that continues to blur the lines between poetry, soul and contemporary music. A full list of tour dates can be found below.\u003cbr\u003eAn undeniable rising star, Dan Whitlam enchants listeners with his soulful vocals and emotive lyrics, weaving a tapestry of emotion. Hailing from London, his innate ability to capture raw sentiments has garnered admiration, and several millions of views across platforms such as TikTok and Instagram. He has since graced sold-out stages nationwide, receiving support from BBC 6Music and being praised by the likes of Fred Again.. and Arlo Parks. Dan has also made waves within the fashion-sphere, being endorsed by powerhouses such as Hermes and YSL. \u003c\/p\u003e\n\u003cp\u003eKeep your eyes peeled for more from Dan in the coming months. \u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSide A\u003cbr\u003eA1. Victory Lap [02:11]\u003cbr\u003eA2. Someone Else (Feat. Elyesse Mason) [03:09]\u003cbr\u003eA3. Think of Me (Feat. Fractures) [02:55]\u003cbr\u003eA4. Strangers (Feat. Raphaella) [02:49]\u003cbr\u003eA5. Hoodie [02:54]\u003cbr\u003eA6. Hear You Speak (Feat. Tamzene) [03:07]\u003cbr\u003eA7. 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The project sees Whitlam expand his world both sonically and emotionally, balancing soulful piano-led moments, broken beats with his signature blend of lyrical honesty and melodic sensitivity, delivering a sound that feels both intimate and expansive.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFeaturing collaborations with Raphaella, returning collaborator Tamzene, Saphire, and Jordan Akampa, Strangers (Again) captures the duality at the heart of Whitlam’s work — poetic storytelling set against forward-thinking production. Each track reflects on connection and distance, weaving together moments of emotional depth and release.\u003c\/p\u003e\n\u003cp\u003eThe newly announced album follows the success of Whitlam’s recent EP Mama Said It, which solidified his reputation as one of the UK’s most singular new voices and one to watch. 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Hailing from London, his innate ability to capture raw sentiments has garnered admiration, and several millions of views across platforms such as TikTok and Instagram. He has since graced sold-out stages nationwide, receiving support from BBC 6Music and being praised by the likes of Fred Again.. and Arlo Parks. Dan has also made waves within the fashion-sphere, being endorsed by powerhouses such as Hermes and YSL. \u003c\/p\u003e\n\u003cp\u003eKeep your eyes peeled for more from Dan in the coming months. \u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSide A\u003cbr\u003eA1. Victory Lap [02:11]\u003cbr\u003eA2. Someone Else (Feat. Elyesse Mason) [03:09]\u003cbr\u003eA3. Think of Me (Feat. Fractures) [02:55]\u003cbr\u003eA4. Strangers (Feat. Raphaella) [02:49]\u003cbr\u003eA5. Hoodie [02:54]\u003cbr\u003eA6. Hear You Speak (Feat. Tamzene) [03:07]\u003cbr\u003eA7. 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Now available as a limited edition gatefold natural with black, white and gold splatters, including an 8-page booklet.In Sorte Diaboli entered the Norwegian album charts at number 1 and reached number 7 in Germany. In the USA, the album reached number 43. In its first week, the album sold 14,000 copies.In Sorte Diaboli is the band's first concept album. Now available as a limited edition gatefold natural with black, white and gold splatters, including an 8-page booklet.In Sorte Diaboli debuted at number 1 on the Norwegian album charts and at number 7 in Germany. In the US, the album reached number 43. The album sold 14,000 copies in its first week.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eVINYL Side A \u003cbr\u003e1.The Serpentine Offering – 5:09 \u003cbr\u003e2. The Chosen Legacy – 4:17 \u003cbr\u003e3. The Conspiracy Unfolds – 5:24 \u003cbr\u003e4. The Sacrilegious Scorn – 3:58 \u003cbr\u003eSide B \u003cbr\u003e1. The Fallen Arises – 2:59 \u003cbr\u003e2. The Sinister Awakening – 5:09 \u003cbr\u003e3. The Fundamental Alienation – 5:17 \u003cbr\u003e4. The Invaluable Darkness – 4:44 \u003cbr\u003e5. The Forshadowing Furnace – 5:49\u003cbr\u003e\u003c\/p\u003e","brand":"Metalville","offers":[{"title":"Default Title","offer_id":45560463982748,"sku":"2919397MNB","price":49.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8_34aab6df-e8b4-4b32-b4a8-52da6eee36c1.jpg?v=1763059760"},{"product_id":"bury-tomorrow-earthbound-lp-colour","title":"Bury Tomorrow - Earthbound [LP Colour]","description":"\u003cp\u003eFormat: LP Colour\u003cbr\u003eCatalogue No.: 2919405MNB\u003cbr\u003eBarcode: 4250444194056\u003cbr\u003eRelease Date: 19 Dec 2025\u003cbr\u003eGenre: ALT\/METAL\u003c\/p\u003e\n\u003cp\u003elimited edition total clear vinyl with black and white splatter in a gatefold sleeve, including an 8-page booklet.\u003c\/p\u003e\n\u003cp\u003eEarthbound is the fourth studio album by British metalcore band Bury Tomorrow, released in 2016. It was produced by Caleb Shomo and features a mix of energetic anthems such as ‘Last Light’ and the title track, as well as songs featuring guests such as Jamey Jasta from Hatebreed (‘301’). The album is described as one of ‘maturity’ and self-confidence for the band, emphasising their focus on their fans and the metalcore style. Now available as a limited edition in total clear vinyl with black and white splatter in a gatefold sleeve, including an 8-page booklet. Earthbound is the fourth studio album by British metalcore band Bury Tomorrow, released in 2016. Produced by Caleb Shomo, it features a mix of high-energy anthems like ‘Last Light’ and the title track, as well as songs with guests like Jamey Jasta of Hatebreed (‘301’). The album has been described as a record of the band's ‘maturity’ and confidence, emphasising their focus on their fans and their metalcore style. Now available as a limited edition total clear vinyl with black and white splatter in a gatefold sleeve, including an 8-page booklet.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eVINYL Side A \u003cbr\u003e1. The Eternal - 03:23 \u003cbr\u003e2. Last Light – 03:56 \u003cbr\u003e3. Earthbound – 3:42 \u003cbr\u003e4. The Burden – 3:26 \u003cbr\u003e5. Cemetery – 4:06 \u003cbr\u003eSide B \u003cbr\u003e1. Restless And Cold – 3:33 \u003cbr\u003e2. 301 (feat. Jamey Jasta) – 3:19 \u003cbr\u003e3. Memories – 3:53 \u003cbr\u003e4. For Us – 3:19 \u003cbr\u003e5. Bloodline – 3:55\u003cbr\u003e\u003c\/p\u003e","brand":"Metalville","offers":[{"title":"Default Title","offer_id":45560476532892,"sku":"2919405MNB","price":49.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/7_39be2348-893c-461b-96f5-5ca6bf42f529.webp?v=1763060580"},{"product_id":"david-moore-graze-the-bell","title":"David Moore - Graze The Bell","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RVNGNL132LP\u003cbr\u003eBarcode: 0747742387531\u003cbr\u003eRelease Date: 30 Jan 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eGraze the Bellis a collection of soul-stirring, mesmerising solo piano pieces, and the most distilledoffering ofDavid Moore’s artistry to date. Known for his atmospheric compositions withBing \u0026amp; Ruth, as well as his collaborations with guitarist Steve Gunn and Cowboy Sadness, this marks Moore’s first widely shared solo piano album. Like the cover–a photograph that Moore embroidered by hand–the music abstracts personal experiences into transcendent impressions. Using his piano to meditatively inquire into the human condition, Graze the Bellis a sanctuary of sound . Across their numerous releases, Bing \u0026amp; Ruth frequently changed shape and sound, swelling to a fifteen-piece group and holistically arriving at atrio configuration. Their most recent albumSpeciesforegrounded Moore’s Farfisa playing, while a subsequent EP of the same name featured his solo interpretations of the record. This long arc of distillation has always centered on Moore’s composition for, and comprehension of, the piano. After two decades of acclaimed ensemble work, Graze the Bell’s appearance is a full circle moment, a coming home—not simply to a place or time, but to a luminous center that transcends both.\u003c\/p\u003e\n\u003cp\u003eSome of the material on Graze the Bell was originally planned for a Bing \u0026amp; Ruth album, but it was ultimately reimagined as a solo undertaking. Using only the piano, Moore sought to expand upon the reliable methods he had developed over the years. “I want to keep growing,” he says, “and challenge dogmatic ways of thinking.”Actively embracing experimentation and seeking a deeper presence in his playing, he reassessed his relationship to the piano and to life. While Moore’s music is based on composed notations and draws from life experiences, the source of his inspiration remains more ineffable. Consciously nurturing the latter, he developed a natural ability to tune into a trance-like state. Moore can sit down with that intention, “and within a few seconds,” he is “totally there.”From the first note to the last, the album is grounded in the breathtaking tone of a “beastly” 1987 HamburgSteinway Model D. This is partly to do with his subtle playing style, which at times touches upon silence. Moore’s graceful approach gives space to the sound, revealing hues of the piano that many players would habitually ignore. Such nuances were nurtured in the process of recording the album at the renowned Oktaven Audio in Mt. Vernon, New York. The tone of the studio’s Steinway was vividly captured by the production guidance of Grammy Award-winningBen Kanewith assistance fromOwen Mulholland. Reinforcing Moore’s experimental approach, they creatively misused pitch-correcting software to orchestrate the different registers of the piano’s tonal profile.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Then a Valley\u003cbr\u003eA2. Graze the Bell\u003cbr\u003eA3. No Deeper\u003cbr\u003eA4. Offering\u003cbr\u003eB1. Will We Be There\u003cbr\u003eB2. All This Has to Give\u003cbr\u003eB3. Rush Creek\u003cbr\u003eB4. Being Flowers\u003c\/p\u003e","brand":"RVNG INTL","offers":[{"title":"Default Title","offer_id":45612362039452,"sku":"RVNGNL132LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_3638ba23-fd59-4e91-be46-29ee9fcb5f93.jpg?v=1763730048"},{"product_id":"ellende-zerfall-cd","title":"Ellende - Zerfall [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 2963050AO\u003cbr\u003eBarcode: 4069595630500\u003cbr\u003eRelease Date: 16 Jan 2026\u003cbr\u003eGenre: Metal\u003c\/p\u003e\n\u003cp\u003e\"Over the years, Ellende has released six full-length albums and three EPs. They achieved four official chart positions (Austria: #14, #21; Germany: #31, #37) with recent full-lengths, while the band has performed more than 120 international shows and reached over two million Spotify streams in the past year.\u003cbr\u003e \u003cbr\u003eThe lyrical themes have evolved alongside the music. From early reflections on misanthropy, nature, and isolation to later explorations of human nature, social criticism, war, loss, despair, and dementia. The upcoming full-length album “Zerfallˮ portrays the state of being shattered into fragments and the slow, painful process of rebuilding oneself: a confrontation with the void and ultimately a triumph over it. Shaped also by a tragic event in the life of its mastermind, Ellendeʼs work continues to fuse raw intensity with profound emotional depth.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Nur\u003cbr\u003e2. Wahrheit Teil I\u003cbr\u003e3. Wahrheit Teil II \u003cbr\u003e4. Zerfall\u003cbr\u003e5. Übertritt\u003cbr\u003e6. Ode ans Licht\u003cbr\u003e7. Zeitenwende Teil I\u003cbr\u003e8. Zeitenwende Teil II\u003cbr\u003e9. Reise\u003c\/p\u003e","brand":"Art of Propaganda","offers":[{"title":"Default Title","offer_id":45635119055004,"sku":"2963050AO","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_12_1a32cb22-49e3-4d23-a8f9-b91d9c500748.jpg?v=1764178342"},{"product_id":"ellende-zerfall-2lp","title":"Ellende - Zerfall [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: 2963051AO\u003cbr\u003eBarcode: 4069595630517\u003cbr\u003eRelease Date: 16 Jan 2026\u003cbr\u003eGenre: Metal\u003c\/p\u003e\n\u003cp\u003e\"Over the years, Ellende has released six full-length albums and three EPs. They achieved four official chart positions (Austria: #14, #21; Germany: #31, #37) with recent full-lengths, while the band has performed more than 120 international shows and reached over two million Spotify streams in the past year.\u003cbr\u003e \u003cbr\u003eThe lyrical themes have evolved alongside the music. From early reflections on misanthropy, nature, and isolation to later explorations of human nature, social criticism, war, loss, despair, and dementia. The upcoming full-length album “Zerfallˮ portrays the state of being shattered into fragments and the slow, painful process of rebuilding oneself: a confrontation with the void and ultimately a triumph over it. Shaped also by a tragic event in the life of its mastermind, Ellendeʼs work continues to fuse raw intensity with profound emotional depth.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Nur\u003cbr\u003e2. Wahrheit Teil I\u003cbr\u003e3. Wahrheit Teil II \u003cbr\u003e4. Zerfall\u003cbr\u003e5. Übertritt\u003cbr\u003e6. Ode ans Licht\u003cbr\u003e7. Zeitenwende Teil I\u003cbr\u003e8. Zeitenwende Teil II\u003cbr\u003e9. Reise\u003c\/p\u003e","brand":"Art of Propaganda","offers":[{"title":"Default Title","offer_id":45635119087772,"sku":"2963051AO","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_470ac1b6-5f38-4cba-ad5a-245d41a6c15f.jpg?v=1764178315"},{"product_id":"mandy-indiana-urgh-cd","title":"Mandy, Indiana - URGH [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SBR373CD\u003cbr\u003eBarcode: 843563197752\u003cbr\u003eRelease Date: 06 Feb 2026\u003cbr\u003eGenre: Alt\u003c\/p\u003e\n\u003cp\u003eFor Mandy, Indiana, the truth is the only way through. On their Sacred Bones debut URGH, the four-piece — vocalist Valentine Caulfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall\u003cbr\u003e—are a force of uncanny nature, grafting together a record that is as much a call to action as a parlay into oblivion and transcendence. Across the ten tracks, the band interpolate their own unconventional language into a mantra for self-determination and resilience, forging a template for a brighter future before it fades to black.\u003c\/p\u003e\n\u003cp\u003eMuch of the album was written during a residency at an eerie studio house in the outskirts of Leeds, then recorded across Berlin and Greater Manchester. It was an intense environment partially due to the health issues faced by Caulfield and Macdougall during the writing and recording process.\u003c\/p\u003e\n\u003cp\u003eYet Mandy, Indiana remain uncompromising. Caulfield uses her voice as a distorted instrument and a weapon, oscillating between playful and eviscerating. The throbbing siren-sound of “Magazine” stands alongside the cut-up vocal fry of “try saying” and the shapeshifting ferocity of “ist halt so,” which channels the urgency of protes movements, referencing resistance to the genocide in Gaza while speaking to struggles more broadly, while final track “I’ll Ask Her” is a deliberate directness calling out toxic boy’s club culture and a tenacious reckoning that hangs over the album at large.\u003c\/p\u003e\n\u003cp\u003eAlthough there are still undeniable “bangers” (like the frazzled rap of “Sicko!” featuring billy woods), URGH often feels hewn with precise cinema. From the bristling techno of “Cursive” to the deconstructed feedback loops of “Life Hex,” the album moves between industrial catharsis and cinematic unease, threading a tension that Fair describes as “a remix of itself.” This contrasting palette is both a necessary aspect of the record as well as the underlyin connective tissue. Though deeply personal, URGH reflects the violent, fractured state of the wider world. Caulfield’s lyrics grapple with assault, systemic indifference, and the omnipresence of pain, while also insisting on moments of beauty and solidarity. URGH belongs in the physical world, and the artwork by Carnovsky, featuring an anatomical illustration of Andreas Vesalius, underscores the record’s visceral confrontation with the body and its limits. URGH is both otherworldly, and physical and cathartic, both a first step toward healing and a refusal to let the conversation die.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Sevastopol (2:22)\u003cbr\u003e2. Magazine (3:30)\u003cbr\u003e3. try saying (2:32)\u003cbr\u003e4. Dodecahedron (3:22)\u003cbr\u003e5. A Brighter Tomorrow (3:05)\u003cbr\u003e6. Life Hex (4:19)\u003cbr\u003e7. ist halt so (3:58)\u003cbr\u003e8. Sicko! ft. billy woods (3:25)\u003cbr\u003e9. Cursive (4:26)\u003cbr\u003e10. I’ll Ask Her (3:29)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"953\" height=\"536\" src=\"https:\/\/www.youtube.com\/embed\/iOkHBmcyR8c\" title=\"Mandy, Indiana - Magazine (Official Visualiser)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":45847605641372,"sku":"SBR373CD","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_87103aac-4ab4-4e7a-b1fa-11f286c1fc56.webp?v=1766270543"},{"product_id":"mandy-indiana-urgh-lp","title":"Mandy, Indiana - URGH [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SBR373LP\u003cbr\u003eBarcode: 843563197745\u003cbr\u003eRelease Date: 06 Feb 2026\u003cbr\u003eGenre: Alt\u003c\/p\u003e\n\u003cp\u003eFor Mandy, Indiana, the truth is the only way through. On their Sacred Bones debut URGH, the four-piece — vocalist Valentine Caulfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall\u003cbr\u003e—are a force of uncanny nature, grafting together a record that is as much a call to action as a parlay into oblivion and transcendence. Across the ten tracks, the band interpolate their own unconventional language into a mantra for self-determination and resilience, forging a template for a brighter future before it fades to black.\u003c\/p\u003e\n\u003cp\u003eMuch of the album was written during a residency at an eerie studio house in the outskirts of Leeds, then recorded across Berlin and Greater Manchester. It was an intense environment partially due to the health issues faced by Caulfield and Macdougall during the writing and recording process.\u003c\/p\u003e\n\u003cp\u003eYet Mandy, Indiana remain uncompromising. Caulfield uses her voice as a distorted instrument and a weapon, oscillating between playful and eviscerating. The throbbing siren-sound of “Magazine” stands alongside the cut-up vocal fry of “try saying” and the shapeshifting ferocity of “ist halt so,” which channels the urgency of protes movements, referencing resistance to the genocide in Gaza while speaking to struggles more broadly, while final track “I’ll Ask Her” is a deliberate directness calling out toxic boy’s club culture and a tenacious reckoning that hangs over the album at large.\u003c\/p\u003e\n\u003cp\u003eAlthough there are still undeniable “bangers” (like the frazzled rap of “Sicko!” featuring billy woods), URGH often feels hewn with precise cinema. From the bristling techno of “Cursive” to the deconstructed feedback loops of “Life Hex,” the album moves between industrial catharsis and cinematic unease, threading a tension that Fair describes as “a remix of itself.” This contrasting palette is both a necessary aspect of the record as well as the underlyin connective tissue. Though deeply personal, URGH reflects the violent, fractured state of the wider world. Caulfield’s lyrics grapple with assault, systemic indifference, and the omnipresence of pain, while also insisting on moments of beauty and solidarity. URGH belongs in the physical world, and the artwork by Carnovsky, featuring an anatomical illustration of Andreas Vesalius, underscores the record’s visceral confrontation with the body and its limits. URGH is both otherworldly, and physical and cathartic, both a first step toward healing and a refusal to let the conversation die.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Sevastopol (2:22)\u003cbr\u003e2. Magazine (3:30)\u003cbr\u003e3. try saying (2:32)\u003cbr\u003e4. Dodecahedron (3:22)\u003cbr\u003e5. A Brighter Tomorrow (3:05)\u003cbr\u003e6. Life Hex (4:19)\u003cbr\u003e7. ist halt so (3:58)\u003cbr\u003e8. Sicko! ft. billy woods (3:25)\u003cbr\u003e9. Cursive (4:26)\u003cbr\u003e10. I’ll Ask Her (3:29)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"953\" height=\"536\" src=\"https:\/\/www.youtube.com\/embed\/iOkHBmcyR8c\" title=\"Mandy, Indiana - Magazine (Official Visualiser)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":45847606427804,"sku":"SBR373LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_dd791aac-5f27-4df9-8973-ef8ac337a55d.webp?v=1766270545"},{"product_id":"leif-collide","title":"LEIF - COLLIDE","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WHYT89LP\u003cbr\u003eBarcode: 4062548127744\u003cbr\u003eRelease Date: 30 Jan 2026\u003cbr\u003eGenre:  Electronic, Ambient, House\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1 How to Eat an Orange (Part 1)\u003cbr\u003e2 How to Eat an Orange (Part 2)\u003cbr\u003e3 Yes No\u003cbr\u003e4 Wrong Way\u003cbr\u003e5 Aria\u003cbr\u003e6 Filmed Backwards\u003cbr\u003e7 Learn and Unlearn\u003cbr\u003e8 Wearing the Sea\u003c\/p\u003e","brand":"K7","offers":[{"title":"Default Title","offer_id":46219012702364,"sku":"WHYT89LP","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_2de4f777-3e7b-4752-8406-3b08d5ac43be.webp?v=1771354301"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/back-in-stock-rom170226.oembed?page=3","provider":"Horizons Music","version":"1.0","type":"link"}