{"title":"Back In Stock ROM100326","description":"","products":[{"product_id":"floating-points-pharoah-sanders-the-london-symphony-orchestra-promises-cd","title":"Floating Points, Pharoah Sanders \u0026 The London Symphony Orchestra - Promises [CD]","description":"\u003cp\u003e(CD)\u003cbr data-mce-fragment=\"1\"\u003eLuaka Bop\u003cbr data-mce-fragment=\"1\"\u003eCat: LB 97CD. 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Queens\" (4:42)\u003cbr\u003e3. \"The Loneliness\" (3:17)\u003cbr\u003e4. \"Her Name\" (3:13)\u003cbr\u003e5. \"Universal Beings\" (part 2) (2:05)\u003cbr\u003e6. \"Butterss Fly\" (3:19)\u003cbr\u003e7. \"The Way Home\" (3:02)\u003c\/p\u003e","brand":"International Anthem","offers":[{"title":"Default Title","offer_id":41170483806364,"sku":"IARCEF22LP","price":22.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_3d57832e-7609-4f07-b149-dbdaa71bbf98.jpg?v=1636027067"},{"product_id":"joe-hisaishi-kikis-delivery-service-soundtrack-music-collection","title":"JOE HISAISHI - Kiki's Delivery Service \/ Soundtrack Music Collection","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: TJJA-10021 \/ TJJA10021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode: 4988008087314\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRelease Date: 25 Jul 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre: Soundtrack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"On A Clear Day\" (2:15)\u003cbr\u003e2. \"Departure\" (2:53)\u003cbr\u003e3. \"A Town With An Ocean View\" (3:00)\u003cbr\u003e4. \"Flying Delivery Service\" (2:09)\u003cbr\u003e5. \"The Baker's Assistant\" (1:04)\u003cbr\u003e6. \"Starting The Job\" (2:15)\u003cbr\u003e7. \"Surrogate Jiji\" (2:47)\u003cbr\u003e8. \"Jeff\" (2:29)\u003cbr\u003e9. \"A Very Busy Kiki\" (1:20)\u003cbr\u003e10. \"Late For The Party\" (1:08)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Osono's Request\" (3:04)\u003cbr\u003e2. \"A Propeller Driven Bicycle\" (1:40)\u003cbr\u003e3. \"I Can't Fly!\" (0:47)\u003cbr\u003e4. \"Heartbroken Kiki\" (1:10)\u003cbr\u003e5. \"To Ursula's Cabin\" (2:07)\u003cbr\u003e6. \"Un Unusual Painting\" (2:06)\u003cbr\u003e7. \"The Adventure Of Freedom, Out Of Control\" (1:05)\u003cbr\u003e8. \"The Old Man's Push Broom\" (1:54)\u003cbr\u003e9. \"Rendezvous On The Push Broom\" (1:03)\u003cbr\u003e10. \"Rouge No Dengon\" (1:44)\u003cbr\u003e11. \"Wrapped In Kindness\" (3:13)\u003c\/span\u003e\u003c\/p\u003e","brand":"STUDIO GHIBLI RECORDS","offers":[{"title":"Default Title","offer_id":41306007044252,"sku":"TJJA-10021","price":56.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_83af6b0f-d77f-454c-86ef-f26b2aea9ae6.jpg?v=1640275700"},{"product_id":"vega-trails-tremors-in-the-static-lp","title":"Vega Trails - Tremors in the Static [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: GONDLP049 \/ GONDLP49\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5050580769724\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 24 Jan 23 [back in]\u003cbr data-mce-fragment=\"1\"\u003eGenre: Crossover Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e01: Love your Grace\u003cbr data-mce-fragment=\"1\"\u003e02: Train to Kyoto\u003cbr data-mce-fragment=\"1\"\u003e03: Spiral Slow\u003cbr data-mce-fragment=\"1\"\u003e04: Thoughts Shifting\u003cbr data-mce-fragment=\"1\"\u003e05: Closer\u003cbr data-mce-fragment=\"1\"\u003e06: New Planet\u003cbr data-mce-fragment=\"1\"\u003e07: Red Moon Rising\u003cbr data-mce-fragment=\"1\"\u003e08: Epic Dream\u003cbr data-mce-fragment=\"1\"\u003e09: Tremors in the Static\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVega Trails is a new project from double-bassist and composer Milo Fitzpatrick, a founder member of Portico Quartet, who has also performed with the likes of Nick Mulvey and Jono McCleary and features saxophonist Jordan Smart (Mammal Hands, Sunda Arc) in a richly powerful duo bringing together two powerfully charismatic musicians. The project which takes its name from Carl Sagan's science fiction novel 'Contact' (a book about signals of new life detected from the Vega system) andwas born out of a desire to bring the elements of bass and melody to the foreground in their rawest form and Fitzpatrick explains that he deliberatelychose the stripped back approach.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"There is so much in just one musician's sound; the emotional, the intellectual, the vulnerability and power of their character. But often these delicate nuances can be submerged in the quest for a group sound. In Vega Trails I wanted to grant the musicians space to breathe and be heard and for the listener to witness the intimacy and depth of a conversation between two voices, bass and melody. I was also interested in how the limitations would guide both the composition and performance and to push us both to places close to the limits of what we could play, and it is in this place where I believe the character of a musician blossoms and comes forward\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTremors in the Static was composed during Lockdown as Fitzpatrick immersed himself in music that had space and sparseness such as Swedish fiddle music and Indian Classical music. Jan Johansson's legendary 'Jazz på Svenska' (jazz versions of Swedish folk songs) was another influence, as was a collection of ancient lullabies by Spanish soprano singer Montserrat Figueras. Through exploring the harmonic and textural possibilities on the bass, Fitzpatrick would cycle riffs and motifs whilst singing melodies, and he began to create the music debuted here. However, it was only after listening to Charlie Haden's album of duets, 'Closeness', that the project would come into focus as a duo, and Fitzpatrick immediately knew that the second musician had to be Jordan Smart.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"I saw Jordan play at two Gondwana Records events – in Berlin and Tokyo. Both times I was mesmerised by the intensity and conviction of his playing. His commitment to the cause of transcending himself and the listener made a lasting impression on me. When I began writing this record, I knew I needed a strong player who had equal conviction in their playing as me, but also someone who understood the importance of melody\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt was an inspired idea as Smart brought an openness and positivity which allowed the music to be both experimental and bold. Smart's ability to play tenor and soprano saxophone with equal command, as well as bass clarinet and Ney flute, allowed them to open up the pallet of sound and pull the melodies into varying emotional landscapes.The final piece of the puzzle was the performance space. Fitzpatrick knew that he wanted the two players to react off of a third element. The music was written for an ambient space which interacted with the notes: decaying and disintegrating them into silence. They found the perfect space in a church in Fitzpatrick's local neighbourhood of Stamford Hill.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The recording space is the canvas on which the sound interacts and flows, it is the frame in which notes can live, breathe and die and is as important as the other elements. A resonant recording space, like a church, allows this stripped back sound to resonate, echo and linger, enough to create images and landscapes in which stories can play out\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis then is Vega Trails, a project that brings together two open-mined and communicative musicians for the first time, to tell beautiful winding stories together and to create something soulful and new.Something bigger than both of them and something that leaves us all richer for hearing it. Enjoy!\u003c\/p\u003e","brand":"Gondwana Records","offers":[{"title":"Default Title","offer_id":42302200840348,"sku":"GONDLP049","price":29.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_1_fe76c569-c629-4683-a317-f2c4da823826.jpg?v=1674591559"},{"product_id":"molchat-doma-etazhi-cd","title":"MOLCHAT DOMA - ETAZHI [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SBR3037CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0843563125694\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 27 Mar 2020\u003cbr data-mce-fragment=\"1\"\u003eGenre: Coldwave\/Synth\u003c\/p\u003e\n\u003cp\u003e1. \"Na Dne\"\u003cbr\u003e2. \"Tancevat\"\u003cbr\u003e3. \"Filmy\"\u003cbr\u003e4. \"Volny\"\u003cbr\u003e5. \"Toska\"\u003cbr\u003e6. \"Prognoz\"\u003cbr\u003e7. \"Sudno (Boris Ryzhy)\"\u003cbr\u003e8. \"Kommersanty\"\u003cbr\u003e9. \"Kletka\"\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":42313801334940,"sku":"SBR3037CD","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_6b93f4a6-7272-4814-8217-b5483d0d8516.jpg?v=1675182383"},{"product_id":"sebastien-tellier-sexuality","title":"SÉBASTIEN TELLIER - SEXUALITY","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCat: REC46LP\u003cbr\u003eBarcode: 3700426904575\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Feb 23 [back in]\u003cbr data-mce-fragment=\"1\"\u003eGenre: Electro House\u003c\/p\u003e\n\u003cp\u003eRoche \u003cbr\u003eKilometer \u003cbr\u003eLook \u003cbr\u003eDivine \u003cbr\u003ePomme \u003cbr\u003eUne Heure \u003cbr\u003eSexual Sportswear \u003cbr\u003eElle \u003cbr\u003eFingers Of Steel \u003cbr\u003eManty \u003cbr\u003eL'Amour Et La Violence\u003c\/p\u003e","brand":"Record Makers","offers":[{"title":"Default Title","offer_id":42330570981532,"sku":"REC46LP","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_8e5bebbf-0a95-4340-8d72-2a955fdd96d6.jpg?v=1675790896"},{"product_id":"joe-hisaishi-my-neighbour-totoro","title":"JOE HISAISHI - My Neighbour Totoro","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: TJJA-10015\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode: 4988008086119\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRelease Date: 11 Jul 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre: Soundtrack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStandard weight black vinyl. Includes liner notes and 4 pages of illustrations. Obi Strip. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe 1988 Studio Ghibli classic My Neighbor Totoro, one of the most magical and mischievous films to come out of the legendary animation studio.\u003c\/p\u003e\n\u003cp\u003eNotable for the appearance of one of the Studio’s most loved animations alongside a well loved and wondrous line up of forest spirits, Joe Hisaishi's soundtrack is still widely considered by many to be a flawlessly powerful masterpiece of his catalogue.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Sanpo – Opening Theme Song (Inoue Azumi)\u003cbr\u003eA2. May village\u003cbr\u003eA3. Okake!\u003cbr\u003eA4. Suddenly with May\u003cbr\u003eA5. Twilight Wind\u003cbr\u003eA6. not scared\u003cbr\u003eA7. Let’s go ahead\u003cbr\u003eA8. Mom\u003cbr\u003eA9. Small Obake\u003cbr\u003eA10. Totoro\u003cbr\u003eA11. Taka Mori’s big tree\u003cbr\u003eA12. Welcome\u003cbr\u003eB13. Wind Street\u003cbr\u003eB14. Soaked okeba\u003cbr\u003eB15. Flight of the moonlit\u003cbr\u003eB16. There is no May\u003cbr\u003eB17. Cat bus\u003cbr\u003eB18. good for you\u003cbr\u003eB19. My Neighbor Totoro – Ending Theme Song (Inoue Azumi)\u003cbr\u003eB20. Sanpo (with chorus \/ Azumi Inoue \/ Suginami Children’s Choir)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Studio Ghibli","offers":[{"title":"Default Title","offer_id":42461723558044,"sku":"TJJA-10015","price":56.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_4d569f32-64b7-4dcd-a5fe-72dec991d6e2.jpg?v=1681979614"},{"product_id":"mort-garson-mother-earths-plantasia-green-vinyl","title":"MORT GARSON - MOTHER EARTH’S PLANTASIA [Green Vinyl]","description":"\u003cp\u003eFormat: LP, Green\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SBR3030LPC1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0843563116043\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 Jun 2019\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003eA1 Plantasia\u003cbr\u003eA2 Symphony For A Spider Plant\u003cbr\u003eA3 Baby's Tears Blues\u003cbr\u003eA4 Ode To An African Violet\u003cbr\u003eA5 Concerto For Philodendron \u0026amp; Pothos\u003cbr\u003eB1 Rhapsody In Green\u003cbr\u003eB2 Swingin' Spathiphyllums\u003cbr\u003eB3 You Don't Have To Walk A Begonia\u003cbr\u003eB4 A Mellow Mood For Maidenhair\u003cbr\u003eB5 Music To Soothe The Savage Snake Plant\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":42975325749404,"sku":"SBR3030LPC1","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_50582c9c-76b5-4f4e-8be5-73f84c84e431.webp?v=1704274942"},{"product_id":"joe-hisaishi-princess-mononoke-soundtrack-1","title":"JOE HISAISHI - Princess Mononoke \/ Soundtrack","description":"\u003cp\u003e\u003cspan style=\"color: #ec2020;\"\u003e\u003cem\u003e\u003cstrong\u003eSALES PRICE - LIMITED STOCK!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: TJJA10025\u003cbr\u003eBarcode: 4988008087710\u003cbr\u003eRelease Date: 11 Jul 2025\u003cbr\u003eGenre: Soundtrack\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1997, Princess Mononoke explored environmental issues through an epic feud between forest gods and a mining community.\u003c\/p\u003e\n\u003cp\u003eStudio Ghibli Records presents the vinyl version of the Soundtrack Album by Joe Hisaishi. \u003c\/p\u003e\n\u003cp\u003eMaking its vinyl debut, the soundtrack was recorded with the Tokyo City Philharmonic Orchestra, and features the main theme song with vocals by Yoshikazu Mera.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSide-A\u003cbr\u003e1. 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The Demon God III\u003cbr\u003eSide-D\u003cbr\u003e1. Adagio of Life and Death\u003cbr\u003e2. The World of the Dead\u003cbr\u003e3. The World of the Dead II\u003cbr\u003e4. Adagio of Life and Death II\u003cbr\u003e5. Ashitaka and San\u003cbr\u003e6. Princess Mononoke Theme Song (Vocal Ending)\u003cbr\u003e7. The Legend of Ashitaka (Ending)\u003c\/p\u003e","brand":"STUDIO GHIBLI RECORDS","offers":[{"title":"Default Title","offer_id":43190324658332,"sku":"TJJA10025","price":75.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/image002_68db6ebe-35bc-477e-abf9-e88db2dd8445.png?v=1710252730"},{"product_id":"abstract-orchestra-madvillain-vol-4","title":"Abstract Orchestra - Madvillain, Vol. 1","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ATALP12\u003cbr\u003eBarcode: 5050580699007\u003cbr\u003eRelease Date: 28 Mar 2025\u003cbr\u003eGenre: Jazz\/Hip-Hop\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Accordion\u003cbr\u003eA2. Curls\u003cbr\u003eA3. All Caps\u003cbr\u003eA4. Bistro\u003cbr\u003eA5. Fancy Clown\u003cbr\u003eA6. Raid\u003cbr\u003eB1. Madmix 1\u003cbr\u003eB2. Great Day\u003cbr\u003eB3. Madmix 2\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLed by Saxophonist Rob Mitchell, Abstract Orchestra have been a consistent presence on the u.k. music scene, touring constantly in promotion of their debut LP “Dilla” and follow up 45 “New Day feat. IIlla J”, steadily building a loyal and supportive fanbase. IInspired by the legendary live performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel- Atwood Ferguson of the work of J Dilla, classic arranging techniques underpin modern loop-based structures, breathing new life into familiar material.\u003c\/p\u003e\n\u003cp\u003eThe band itself is based on the classic jazz big band instrumentation of saxes, trumpets and trombones and features the cream of the north of England’s jazz scene who collectively have played with Jamiroquai, Corinne Bailey Rae, Mark Ronson, Martha Reeves, John Legend \u0026amp; the Roots, Roots Manuva and Amy Winehouse.\u003cbr\u003e \u003cbr\u003e“Madvillain Vol. 1” takes the template of their debut LP “Dilla” and applies the same approach to the collaboration of MF Doom and Madlib, aka MADVIILLLAIINN and their albums MADVIILLAIINNY and MADVIILLAIINN 2. Sampling the likes of Sun Ra, Bill Evans, Freddie Hubbard, George Duke, Dr. Lonnie Smith, Quincy Jones and Stevie Wonder gave the albums a jazz oriented feel and ethos which in turn lend themselves perfectly to the deconstruction and re-imagining of Abstract Orchestra. As with their debut, all the tracks were recorded live in the studio with very few overdubs.\u003c\/p\u003e\n\u003cp\u003eAbstract Orchestra’s MADVIILLAIN Vol 1. explores the jazz, TV soundtrack and film score aspect of the original work, combining it with classic big band writing and a focus on improvisation. There is a strong influence of Quincy Jones, Lalo Schifrin and David Shire (Composer of the soundtrack to The Taking of Pelham 123) on the album, and the arranger Rob Mitchell crafts his own sound that inhabits the space between Madlib’s production and Quincy Jones’ writing. Bandleader and arranger Rob Mitchell says of the record: “‘MADVIILLLAIINY’ is a jazz album as much as it is a hip-hop album and I wanted to explore this reciprocal territory there has always been between jazz and hip- hop. 70’s cop show soundtracks have always captured my interest and imagination, and I discovered so much amazing music through TV themes, Quincy Jones and Lalo Schifrin in particular. They explored sounds that were menacing, angular, dissonant, frantic and yet captivating. They were also able to write music that was the flip side of all that dark chaos, and write lush and beautiful music. Arranging and scoring up MADVIILLAIINN Vol 1. Has allowed me to explore these sounds that II’ve always loved, yet keeping a strong hip-hop identity as the core of its sound.”\u003cbr\u003e\u003c\/p\u003e","brand":"ATA Records","offers":[{"title":"Default Title","offer_id":44875113463964,"sku":"ATALP12","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_dd62723c-6cef-4b57-9f3f-fc02027b8726.jpg?v=1740057555"},{"product_id":"sababa-5-canay-dogan-itzhak-ventura-gaip-seher-black-7-vinyl-in-black-disco-bag","title":"Sababa 5 \u0026 Canay Doğan \u0026 Itzhak Ventura - Gaip \/ Seher [Black 7” vinyl in black disco bag]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: BTR126\u003cbr\u003eBarcode: 4062548121575\u003cbr\u003eRelease Date: 19 Sep 2025\u003cbr\u003eGenre: Middle Eastern Groove\u003c\/p\u003e\n\u003cp\u003eBlack 7” vinyl in black disco bag\u003c\/p\u003e\n\u003cp\u003eSababa 5 return with another essential 45 for Batov Records’ Middle Eastern Groove series. This time, they team up with two very different artists on two distinct tracks built from the same hypnotic groove: soulful Turkish alt-pop sensation Canay Doğan and reed flute specialist Itzhak Ventura.\u003c\/p\u003e\n\u003cp\u003eAfter four albums and a strong run of 45s and EPs, plus support from tastemakers like Gilles Peterson, Cerys Matthews, Gideon Coe and Jeremy Sole, Sababa 5 lay down a cinematic, slow-burning groove built for hazy summer days. Raz Man’s crisp drumming locks in with Amir Sadot’s psych-soul bassline.\u003c\/p\u003e\n\u003cp\u003eOn “Gaip”, returning collaborator Canay Doğan brings her emotive and distinctive voice, turning the groove into a deep psychedelic soul cut. The feel recalls the kind of Turkish soul Leon Michels (El Michels Affair) has helped craft with Derya Yıldırım \u0026amp; Grup Şimşek. The title, borrowed from Arabic, refers to “the unseen” or “the unknown”. “This is our second time working with Canay”, say the band. “She brings bold energy, deep emotion, and a voice that really stands out in Turkish music”.\u003c\/p\u003e\n\u003cp\u003eOn the flip, “Seher” takes the same groove somewhere else entirely, featuring the haunting tones of the ney – a reed flute found in Persian, Turkish, Jewish and Arabic music – played by Itzhak Ventura. “Seher” means “dawn” in Turkish, and the track captures that quiet, mysterious moment before sunrise. “That feeling is deeply present in this track”, say the band, “stillness, awakening, and a touch of mystery”.\u003c\/p\u003e\n\u003cp\u003eThough they share the same root groove, “Gaip” and “Seher” explore different moods and textures – two individual pieces that complement each other while standing firmly on their own. 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Place alongside Soul Titans like Isaac Hayes, Bobby Womack, Chairman of the Board, Terry Callier all delivering stunning Psychedelic Nuggets for your Listening pleasure. Throw in some covers like ‘Dear Prudence’ by The Five Stairsteps, ‘Hard to Handle’ by Patti Drew and ‘California Dreamin’’ Bobby Womack and finish with some brilliant modern-day exponents of the scene like Khruangbin, Gabriels and Michael Kiwanuka. The result is a crazy ride through the world of Psychedelic Soul and Funk. 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Place alongside Soul Titans like Isaac Hayes, Bobby Womack, Chairman of the Board, Terry Callier all delivering stunning Psychedelic Nuggets for your Listening pleasure. Throw in some covers like ‘Dear Prudence’ by The Five Stairsteps, ‘Hard to Handle’ by Patti Drew and ‘California Dreamin’’ Bobby Womack and finish with some brilliant modern-day exponents of the scene like Khruangbin, Gabriels and Michael Kiwanuka. The result is a crazy ride through the world of Psychedelic Soul and Funk. 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Since his breakout debut, Summit \/ Odysée, the Swedish producer has captivated listeners with his signature blend of organic textures, meticulously crafted synths, and evolving melodies, garnering over 100 million streams across DSPs and a loyal fanbase of over 1 million monthly listeners on Spotify.\u003c\/p\u003e\n\u003cp\u003eHis music across labels including Colorize, Anjunadeep and This Never Happened, has found global resonance, earning radio support from SiriusXM Chill, where he is one of the most-played artists in the last few years, and DJ endorsements from Lane 8, Madeon, Tritonal, Above \u0026amp; Beyond, Black Coffee, Sultan + Shepard, and more. Recognised as one of Sweden’s fastest-rising songwriters (+100! by STIM), Klur continues to push boundaries, proving that electronic music can be both deeply emotional and sonically cutting-edge.\u003c\/p\u003e\n\u003cp\u003eBeyond the studio, Klur has taken his immersive sound to stages worldwide, with performances in New York City, ADE, London, L.A., San Francisco, Seattle, Phoenix, Denver, Austin, Toronto, Montreal and beyond. 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Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album. Momoko has long been one of the UK electronic and jazz scene’s best-kept secrets. \u003c\/p\u003e\n\u003cp\u003eA self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Alabaster DePlume, Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi (her musical foil in An Alien Called Harmony). Extensive touring behind the drum kit, at the keys and in front of the mic have honed her compositional and production instincts. With Momoko, Gill emerges into the spotlight with an album that is entirely her own. Throughout, you can hear the stylistic flavours of jazz musicians as much as singer-songwriters, experimental artists and electronic producers. Though Gill rejects imitation, sculpting her sound through feel and expression rather than tradition. Based in London and having grown up in Japan and the US, Gill channels her breadth of perspective through her musical ideas and storytelling, with a unique voice developed through instinct, collaboration and solitary study. \u003c\/p\u003e\n\u003cp\u003eThe album’s eleven tracks take in a wide spectrum with the jazz-infused groove of ‘No Others’ and harmony-drenched, reflective ‘Heavy’ contrasting with the dark, confrontational sound of 'Shadowboxing' leading into an eerie left-field instrumental beat, ‘Test A Small Area' and the impressive 50-person choir on ‘When Palestine Is Free’ (which includes heavyweights Shabaka Hutchings, Soweto Kinch, Alabaster DePlume, Coby Sey, Marysia Osu and more). It is a deeply personal and poetic recording and showcases the full uncompromising range of Momoko’s vison, presented in her own voice. 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Dreyblatt first immersed himself in this approach in New York during the 1970s, while Horse Lords began exploring and applying its possibilities nearly four decades later. Together, they create a vibrant harmonic environment, fueled by a shared devotion to rhythm, achieving a marriage of discreet but related aesthetics for the ages. Dreyblatt is a pioneer of psychoacoustic phenomenon, serving as an assistant to La Monte Young between 1975 and 1977 before studying with the legendary Alvin Lucier at Wesleyan University. He discovered the sonic power of excited strings, retrofitting a double bass with piano wires and striking with a rapid thrum to produce enveloping clouds of metallic overtones. \u003c\/p\u003e\n\u003cp\u003eDreyblatt’s 1982 album Nodal Excitation laid out a sonic blueprint that resides at the heart of his pulsating music today. He eventually moved to Berlin, and has led various ensembles over the years that have amplified and interpreted the compositional scaffolding he built around his ringing tones. In contrast to Dreyblatt’s hyper-focused practice, Horse Lords have built an ecstatic, hybrid sound all their own; hard-driving rhythmic sprawls support a collision of traditional ritual music, free jazz, and spectrally brilliant electronic showers of psychoacoustic sound. After cementing a devoted following with their 2020 album The Common Task, most of the band relocated to Germany in 2021, with guitarist Owen Gardner and bassist Max Eilbacher settling in Berlin, and saxophonist Andrew Bernstein a few hours away in Bavaria. Drummer Sam Haberman remained in Baltimore, although he reconvenes with the band for album recordings, including the 2023 album Comradely Objects, and extended tours Unbeknownst to one another the two parties shared a mutual interest in one another’s music. \u003c\/p\u003e\n\u003cp\u003eIn early 2017 Dreyblatt’s long-time colleague and friend Werner Durand suggested he check out the band. He recalls, “After listening, I quickly replied: ‘Sounds great! A little like my music. I’ve never heard of them!’ I sent a message through their Bandcamp page, and they responded: ‘Hello! Thanks for the note, we’re big fans of your music!’ But it wasn’t until Dreyblatt caught the band in Berlin in October of 2021 that they finally crossed paths. Days later Bernstein proposed a collaboration. This process would unfold slowly but surely; both parties were exceedingly busy, and when the musicians eventually assembled, they had different harmonic conceptions to reconcile and needed someone in the room to fill Haberman’s percussive role. 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The album was recorded at the Philharmonie de Paris with co-producer Trevor Spencer (Fleet Foxes, Beach House). This album continues a unique series of collaborations between the label and the Musée de la Musique, featuring historical instruments in contemporary composition. Since 2017, InFiné and the Philharmonie de Paris have co-developed a series of albums designed to highlight the extraordinary instrument collection of the Musée de la Musique. Following the albums InBach by Arandel (2020) and Saturn 63 by Seb Martel (2022), this third release is a meeting of two iconic contemporary ambient voices: Mary Lattimore and Julianna Barwick. The project offers the artists full access to the museum’s playable instruments for recording, sound conservation, and creative reinterpretation.\u003c\/p\u003e\n\u003cp\u003eTragic Magic brings together Julianna Barwick and Mary Lattimore, two of contemporary ambient, experimental and electronic music’s most celebrated composers, for a unique collaboration at the Philharmonie de Paris, with extraordinary access to the Musée de la Musique’s instrument collection, in partnership with the French label InFiné. The album features seven immersive, evocative compositions guided by the human spirit – intimate, grounded in friendship, both earthly and cosmic – and part of a greater continuum, reflecting the solace and transformative power of artistry across generations.\u003c\/p\u003e\n\u003cp\u003eCo-produced by Trevor Spencer (Fleet Foxes, Beach House), Tragic Magic was created in just nine days, a testament to the “musical telepathy” that has developed between Barwick and Lattimore over years of touring and friendship. Arriving in Paris from Los Angeles shortly after the 2025 wildfires, their sessions combined improvisation with the emotions and experiences they carried, in a setting both inspiring and deeply supportive. Lattimore selected harps tracing the instrument’s evolution from 1728 to 1873, while Barwick chose several iconic analog synthesizers, including the Roland JUPITER and Sequential Circuits PROPHET-5. In freeform dialogue between voice and instrument, they create a meditation on tragedy, wonder, and the restorative power of shared experience.\u003c\/p\u003e\n\u003cp\u003eThe duo, often joined by Spencer, also explored the city, sharing meals and visiting museums and landmarks, each encounter leaving an impression on their next session. The experience allowed them to work intimately with rare instruments, blending their personal sensibilities with centuries of history, resulting in music that honors the past while remaining a deeply authentic expression of the present.\u003c\/p\u003e\n\u003cp\u003eThroughout Tragic Magic, Barwick and Lattimore find something beyond themselves: a sense that while everything may not be okay, beauty persists. 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With strictly brand new killer dubadub, digital and hip hop tracks including crazy echos, “Midnight Walkers” is totally unique! It contains all elements of a Stand High live session and offers an evolving dubadub. With the crazy voice of Pupajim and totally timeless dubs, the first album of the three “dubadub musketeerz” deals with the particular originality that made of Stand High Patrol one of the toughest dub sound system of France. Every bass addict and every dub fan should enter the Stand High experience. If you are ready, fasten your seat belt and run the track! 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Like the cult candy it’s named after, JAWBREAKER is bold, addictive, and dangerously fun — a sugar-coated explosion of chaos, glamour, and emotion.\u003c\/p\u003e\n\u003cp\u003eProduced alongside longtime collaborator Marlon Magnée (La Femme) between their Paris home studio and the legendary Studio Ferber, the album marks a striking evolution from Blonde Venus (2023). Here, Quealy trades the sharp edges of techno-pop for a lush, disco-infused sound, blending live instrumentation and cinematic sheen with her trademark anarchic energy. The result is a record that feels liberating, hedonistic, and deeply human — a vibrant antidote to modern gloom.\u003c\/p\u003e\n\u003cp\u003eFrom the euphoric escape of “LONDONTOWN” to the dark romance of “LOVE LASSO”, and the shimmering pop fantasy of “GIRLS NIGHT”, Quealy channels a thousand versions of herself — club queen, rock diva, dreamer, and provocateur. The ethereal duet “BY MY SIDE” with Magnée closes the album in a haze of tenderness and light.\u003c\/p\u003e\n\u003cp\u003eA multidisciplinary artist — singer, dancer, performer, and visual visionary — Quealy extends her universe through spectacular music videos and high-energy live shows that merge fashion, choreography, and raw emotion. On stage, she’s magnetic: a whirlwind of hyper-femininity and power, commanding every room with unfiltered authenticity.\u003c\/p\u003e\n\u003cp\u003eWith JAWBREAKER, Sam Quealy delivers a fearless pop statement — an exhilarating fusion of sensitivity, chaos, and self-expression that confirms her as a genre-defying visionary ready to take over the world.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Londontown\u003cbr\u003eA2. Starlight\u003cbr\u003eA3. Strings Of Terror\u003cbr\u003eA4. Love Lasso\u003cbr\u003eA5. Girls Night\u003c\/p\u003e\n\u003cp\u003eB1. Pussy Power\u003cbr\u003eB2. Jawbreaker\u003cbr\u003eB3. 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Love Fountain\u003c\/p\u003e","brand":"Music \u0026 Craft","offers":[{"title":"Default Title","offer_id":45635135307932,"sku":"MCSQ5LP","price":31.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_15_de542211-dcb7-45ca-8983-09da428d3d3b.jpg?v=1764179764"},{"product_id":"ayumi-miyazaki-olivia-nana-best-extended-version-double-pink-purple-splatter-coloured-vinyl","title":"Ayumi Miyazaki \/ Olivia - Nana - Best Extended Version [double pink \u0026 purple splatter coloured vinyl]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: DV13219\u003cbr\u003eBarcode: 3701627801458\u003cbr\u003eRelease Date 30 Jan 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003estandard weight, double pink \u0026amp; purple splatter coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Rose\u003cbr\u003eA2. A little pain\u003cbr\u003eA3. Zero\u003cbr\u003eA4. Wish\u003cbr\u003eA5. 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As they navigate their new lives in Tokyo, their paths intertwine, and they ultimately decide to share an apartment to support each other in both love and career.\u003c\/p\u003e\n\u003cp\u003eThis vinyl includes the full Best CD released at the time, featuring the greatest songs from this cult anime. Never before available on vinyl, this edition features a laser-etched engraving, making it an even more exclusive and collectible final NANA album.\u003c\/p\u003e","brand":"Microids Records","offers":[{"title":"Default Title","offer_id":45637970722972,"sku":"DV13219","price":66.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_22745382-c11c-4b3e-a346-20996fd8c458.webp?v=1764239532"},{"product_id":"work-money-death-a-portal-to-here-2lp","title":"Work Money Death - A Portal to Here [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: ATA44LP\u003cbr\u003eBarcode: 4062548132137\u003cbr\u003eRelease Date: 13 Feb 2026\u003cbr\u003eGenre: Alternative\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eATA Records are proud to present the new release by Work Money Death, A Portal to Here. This album continues WMD’s  exploration of Spiritual Jazz and the sounds and styles that evolved out of the 60s New Thing, particularly the recordings of \u003cbr\u003eAlice Coltrane and Pharaoh Sanders. The first WMD album released since the tragic death of ATA guitarist Chris Earl Dawkins in early 2025, all four tracks reference the journey that band members and the studio have been on – in many ways this record is a testament and tribute to Chris, his musicality and creativity.\u003cbr\u003eFeaturing WMD stalwarts Tony Burkill, Neil Innes, Sam Hobbs, and Sam Bell, the album introduces Sorcerers keyboardist Johnny Richards to the WMD sound. Richards brings a fresh new take to the piano role here, drawing on what is clearly a broad knowledge of jazz history and channelling that through his own unique 21st century musical perspective. \u003cbr\u003eThe album also features contributions from Alice Roberts on harp, bringing the spirit of Alice Coltrane, Ben Powling on baritone saxophone, Richard Ormrod on woodwind, and Kev Holbrough \u0026amp; Steve Parry on brass. Those Sun Ra-esque horn sections lift the mood whenever they appear. Standout tracks are the second, Dance of the Spirits, with a strong core of Baptism and The Blues and some lovely playing by Richards, and the third track, Brother Earl, which begins with Tony on flute over rhythms that are directly reminiscent of open-hearted, late-60s spirituality. 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Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn — not away from trance, but deeper into its core.\u003c\/p\u003e\n\u003cp\u003eRecorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely — bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark.\u003c\/p\u003e\n\u003cp\u003eThere is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. 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Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn — not away from trance, but deeper into its core.\u003c\/p\u003e\n\u003cp\u003eRecorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely — bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark.\u003c\/p\u003e\n\u003cp\u003eThere is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. 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The breakout success of Chameleon, their 2024 debut on Dais Records, further established the band amidst the current wave of shoegaze revivalists, yet increasingly agile, able to weave between scenes, touring throughout 2025 with the likes of Deaf heaven, Loathe, and Touché Amoré. A confluence of blitzing riffs and stark beauty, their sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze from Slowdive to Smashing Pumpkins. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There's a distinct sense of unease in these songs, built as a band in a fleeting window of time, proving they work best under pressure and when pulling from the darkest corners of their subconscious. The wordless \"Carousel\" ushers in the EP's unsettling atmosphere with blasts of static and downcast strums giving way to \"Hannibal\", an anthemic track packed with power riffs and raw emotion. The band has hit this kind of sheer power before, from 2018's \"Solstice\" to Chameleon's title track, while \"Hannibal\" contorts with a tinge of unprecedented evil, slithery, \"Stone Temple-y, Alice in Chains-y,\" Avilaquips. Lyrically, he taps into teenage angst, the feeling of being dissected and rejected.\u003c\/p\u003e\n\u003cp\u003e\"Méliès\", named after the French illusionist and filmmaker cuts between heavy, sludgy chords and a skyward chorus, \"from something scary to like a dream state,\" says Avila, who channels the namesake's surreal abstraction. His lines detail, \"being stuck in your head and just making up realities that probably aren't the real thing going on, when you don't want to face the truth. “Funhouse\" dips into doom metal, with sparse guitarwork and possibly the band's slowest ever BPM, as self-proclaimed Sleep-heads. 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Sonically, the band is quick to credit the influence of “Undone” and “Stuck on You” by '90s cult favorite Failure, alongside the omnipresent Loveless, which gets to the greatness of trauma ray: five musicians absorbing, synthesising, and expanding on what they love. Carnival offers a brief and highly loopable detour into darkness from a band growing more formidable by the mile.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSIDE A:\u003cbr\u003e1. carousel\u003cbr\u003e2. Hannibal\u003cbr\u003e3. Méliès\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e1. Funhouse\u003cbr\u003e2. 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