{"title":"Back In 13 November 2026","description":null,"products":[{"product_id":"lewis-capaldi-divinely-uninspired-to-a-hellish-extent","title":"Lewis CAPALDI - Divinely Uninspired To A Hellish Extent","description":"\u003cp\u003e(LP + booklet)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCat: 7742514\u003cbr\u003eBarcode: 602577425141\u003cbr\u003eRel: 21 Oct 22 (back in)\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003eGrace (3:06)\u003cbr\u003eBruises (3:40)\u003cbr\u003eHold Me While You Wait (3:26)\u003cbr\u003eSomeone You Loved (3:03)\u003cbr\u003eMaybe (3:30)\u003cbr\u003eForever (3:27)\u003cbr\u003eOne (3:00)\u003cbr\u003eDon't Get Me Wrong (3:33)\u003cbr\u003eHollywood (3:11)\u003cbr\u003eLost On You (3:16)\u003cbr\u003eFade (4:00)\u003cbr\u003eHeadspace (5:07)\u003c\/p\u003e","brand":"universal","offers":[{"title":"Default Title","offer_id":31273410691116,"sku":"7742514","price":33.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Lewis-Capaldi-Divinely-Uninspired-to-a-Hellish-Extent-LP.jpg?v=1576240843"},{"product_id":"bastille-give-me-the-future-dreams-of-the-past-2cd-set","title":"Bastille - Give Me The Future + Dreams Of The Past [2CD SET]","description":"\u003cp\u003eFormat: 2CD SET, 2 discs, 6-panel digipack, 16-page\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: EMICDLX2048\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0602445499946\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 26 Aug 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock \/ Pop\u003c\/p\u003e\n\u003cp\u003eEarlier this year Bastille released their hotly anticipated No.1 album, “Give Me The Future”, a record that explores a futuristic wonderland free from restrictions. The album embraces a new wave of technology, which enables us to get lost inside our imagination and travel back and forward in time to be anyone or do anything.\u003cbr\u003e\u003cbr\u003eNow, the band are adding a further instalment to this critically acclaimed release, sharing a three-part extended edition of the album, dubbed \"Give Me The Future + Dreams Of The Past” featuring another album’s worth of new songs, collaborations, covers and reprises. Watch here \u003cbr\u003e\u003cbr\u003e“In releasing this version of the record, we wanted to give the complete picture of what we intended with this album and also explore the idea that you can choose your own adventure,” Dan says. “You can dive into the ideas of the future and an electronic world, or you can fall back into the past - away from technology and into ideas of memory and nostalgia – both thematically and musically. Or you can choose full-on dancefloor heartbreak escape.”\u003cbr\u003e\u003cbr\u003eWith the original album on part one, part two continues some of the themes and narrative from the original record, delving into songs that are shot through with notions of technological dependence, human connection and the limitless possibilities of life online. Part three, meanwhile, acts as a mini return to the band’s acclaimed “Other People’s Heartache” Mixtape series opening the four-piece up to collaborations, covers and concept-free creativity.\u003cbr\u003e\u003cbr\u003eThe new songs make ever clearer the link between the future and past, highlighting the ability to choose to go backwards as well as forwards like in more nostalgic cuts such as the Graceland-inspired “Family Ties”. Written about Smith’s memories of visiting his late aunt in South Africa, the warm, wistfulness of the track provides a counterpart to time travel’s usually futuristic sheen – as per new single, the rave-ready electronic club banger “Revolution”. \u003cbr\u003e\u003cbr\u003e“Revolution” had always been one of the core songs for “Give Me The Future” and took inspiration from Quincy Jones’ production and The Weeknd’s “Can’t Feel My Face”. “The chorus is about the intimacy of human connection in the context of some science fiction, space-centred imagery. But it’s also about the idea of those amazingly thoughtful people who spend their lives trying to change the world in a positive way,” explains Dan. “I’m totally over-awed by people like that – if you’re one of them, like an inventor, activist or scientist, you have to have the ability to imagine a version of the future that’s better than what currently exists, and then have that energy to actually work to make it happen. Alongside all the other things life throws at you. So, I wanted to nod to those people and the idea that before anything big happens, most of them will have had these little revolutions in their minds, a change of perspective that leads to something bigger.”\u003cbr\u003e\u003cbr\u003eOn the “Other People’s Heartache” section of the album – Bastille bring that energy to life via collaborations; The glacial groove of “Run Into Trouble” with Alok, the garage stutter of “Eight Hours” with Tyde, a cover of the Bruce Springsteen classic “Dancing In The Dark” and boundary-less new songs including the irresistible, “Remind Me” and the melancholic power ballad “Running Away”.\u003cbr\u003e\u003cbr\u003eThe last song on the record is the beautifully ethereal, “Hope For The Future”, a song which hints at where the band could sonically go next. Written for the soundtrack of the Leonardo DiCaprio-produced documentary \"From Devil’s Breath” – a short film about forest fires, climate change and tree planting. It centres around an acoustic guitar melody and Smith’s layered vocals. “I was thinking about Sufjan Stevens and Bon Iver and all the acoustic artists who manage to write music that is both orchestral and floaty, but also a grounded in some grit,” he says. “It was very much at odds with all of the synthesisers, drum machines and electronic instruments and the production that we were using for “Give Me The Future”, but I feel super proud of it.”\u003cbr\u003e\u003cbr\u003eTheir fourth album, the masterful “Give Me The Future”, was hailed by many critics as their best release to date, with The Fader describing it as “a grand collection of sci-fi inspired songs attempting to make sense of the world’s fast-moving venture into dystopia”. NME said: “The result is the most expansive, yet cohesive record Bastille have put their name to,” adding that the band may have “created a perfect soundtrack to life after lockdown”. The Independent, meanwhile, declared: “When confined within Bastille’s catchy hooks and imaginative, era-spanning production, what lies ahead suddenly isn’t so terrible. The future is bright – for 30 minutes’ worth of bops, at least.”\u003cbr\u003ebecome the norm in the not-too-distant future.\u003cbr\u003e\u003cbr\u003eSince the release of the record, Bastille have created an immersive experience at their sold out gigs, bringing the themes of the album to life in arenas across the UK and on a tour of North America. \u003cbr\u003eAt this year’s Glastonbury Festival, such was the demand to witness their secret set the festival organisers had to cordon off the surrounding area at the 1,000-capacity William’s Green tent as festivalgoers tried to descend in the masses to catch a glimpse of their secret performance.\u003cbr\u003e\u003cbr\u003eSuch fervent scenes will continue across the summer as the band play huge sets at festivals across the UK and Europe, including Boardmasters, Sziget and two mammoth sub-headliner spots at Reading \u0026amp; Leeds 2022. Following that, they’ll take the “Give Me The Future” tour to South America, stopping in Argentina and Brazil, before continuing the enthralling trek across Europe.\u003cbr\u003e\u003cbr\u003eFull Tracklisting below:\u003cbr\u003eDISC ONE (Give Me The Future) \u003cbr data-mce-fragment=\"1\"\u003e1. 01_Distorted Light Beam \u003cbr data-mce-fragment=\"1\"\u003e2. 02_Thelma + Louise \u003cbr data-mce-fragment=\"1\"\u003e3. 03_No Bad Days, \u003cbr data-mce-fragment=\"1\"\u003e4. 04_Brave New World (Interlude), \u003cbr data-mce-fragment=\"1\"\u003e5. 05_Back To The Future, \u003cbr data-mce-fragment=\"1\"\u003e6. 06_Plug In... \u003cbr data-mce-fragment=\"1\"\u003e7. 07_Promises (by Riz Ahmed) \u003cbr data-mce-fragment=\"1\"\u003e8. 08_Shut Off The Lights \u003cbr data-mce-fragment=\"1\"\u003e9. 09_Stay Awake?\u003cbr data-mce-fragment=\"1\"\u003e 10. 10_Give Me The Future \u003cbr data-mce-fragment=\"1\"\u003e11. 11_Club 57 \u003cbr data-mce-fragment=\"1\"\u003e12. 12_Total Dissociation (Interlude) \u003cbr data-mce-fragment=\"1\"\u003e13. 13_Future Holds [feat. BIM] \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e DISC TWO (+ Dreams Of The Past) \u003cbr data-mce-fragment=\"1\"\u003e1. 01_Back To The Innerverse (Interlude) \u003cbr data-mce-fragment=\"1\"\u003e2. 02_Real Life \u003cbr data-mce-fragment=\"1\"\u003e3. 03_Family Ties \u003cbr data-mce-fragment=\"1\"\u003e4. 04_Distorted Light Beam (Reprise) \u003cbr data-mce-fragment=\"1\"\u003e5. 05_Revolution \u003cbr data-mce-fragment=\"1\"\u003e6. 06_survivin’ \u003cbr data-mce-fragment=\"1\"\u003e7. 07_No More Bad Days \u003cbr data-mce-fragment=\"1\"\u003e8. 08_Hope For The Future \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e DISC TWO (Other People’s Heartache~) \u003cbr data-mce-fragment=\"1\"\u003e1. 01_Other People’s Heartache (Interlude) \u003cbr data-mce-fragment=\"1\"\u003e2. 02_Run Into Trouble [Alok x Bastille] \u003cbr data-mce-fragment=\"1\"\u003e3. 03_Remind Me \u003cbr data-mce-fragment=\"1\"\u003e4. 04_Eight Hours [Bastille x Tyde] \u003cbr data-mce-fragment=\"1\"\u003e5. 05_Dancing In The Dark \u003cbr data-mce-fragment=\"1\"\u003e6. 06_Running Away \u003cbr\u003e\u003cbr\u003e“Give Me The Future’ achieves everything a pop album should and stands out as Bastille’s best and most expansive work.” Clash 8\/10\u003cbr\u003e\u003cbr\u003e“A perfect soundtrack to life after lockdown.” NME 4\/5\u003cbr\u003e\u003cbr\u003e“A shimmering pop record…within Bastille’s catchy hooks and imaginative, era spanning production, what lies ahead suddenly isn’t so terrible – the future is bright” INDEPENDENT 4\/5\u003cbr\u003e\u003cbr\u003e“Their most engaging, vital and flat out brilliantly fun record” – Dork (4\/5 Stars)\u003cbr\u003e\u003cbr\u003e“Their best record since Bad Blood” – GIGWISE 8\/10\u003cbr\u003e\u003cbr\u003e“The best and most surprising album of their career to date” – Rolling Stone UK\u003cbr\u003e\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":41802022781084,"sku":"EMICDLX2048","price":11.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Bastille_GMTF_CDMock.jpg?v=1659000589"},{"product_id":"loyle-carner-hugo-neon-orange-180-gram-lp","title":"Loyle Carner - hugo [Neon Orange 180 gram LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Neon Orange 180 gram\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: EMIVY2068\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0602445610044\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: Mid-Nov 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeon Orange 180 gram LP Gatefold Sleeve black 180g vinyl, gatefold, poster 24 x 36 inches, sticker, inner sleve w\/ dye cut \u0026amp; semi-circular holes\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn hugo, there’s a central question that Loyle Carner keeps coming back to: “I’m young, Black, successful and have a platform - but where do I go next?” The answer is explored in this epic scream of a third album. With urgent delivery and gloriously widescreen production, Carner confronts both the deeply personal (“You can’t hate the roots of a tree, and not hate the tree. So how can I hate my father without hating me?) and the highly political (“I told the black man he didn’t understand I reached the white man he wouldn’t take my hand”). Cinematic in scale and scope, hugo is both a rallying war cry for a generation forged in fire and a study of the personal internal conflict that drives the rest of the album - as a mixed-race Black man, as an artist, as a father and as a son. With Mercury and Brits nominations, NME Awards and appearances in global brand campaigns (Nike, YSL, Timberland), Carner has undoubtedly had a meteoric rise to the top, culminating with his second album Not Waving, But Drowning charting at number 3 in the UK albums chart in 2019. However, hugo sees Carner taking a sharp detour from his previous work, putting it down to lockdown and the “hedonistic side of career being stripped away. There were no shows, no backstage, no festivals, no photoshoots”. By continuing to write in these tumultuous times with a renewed clarity and sense of artistic freedom, Carner reached deeper beneath the surface than he ever had before. The result is his most cathartic and ambitious record yet, a coruscating journey into the heart of what it means to be alive in these tumultuous times, and one which looks set to neatly cement his position as one of the most potent and vital young talents around today. Working alongside renowned producer kwes. (Solange, Kelela, Nao), Carner leaves no stone unturned on this album, in both its sound and its stories. In a 10-track album that moves from gorgeous neo-soul moments to thundering hip hop, with immediate, infectious bangers and sampled interludes from non musicians (mixed-race Guyanese poet John Agard and youth activist and politician Athian Akec) Carner shifts seamlessly from micro to macro, confronting everything from strained relationships with family to the societal tears caused by class stratification. It also lays bare bruises in his personal life that he has never revealed before – often in painful, deeply uncomfortable ways, focusing on Carner's experience of becoming a father in the context of growing up without contact with his biological father. With the song “Polyfilla”, against the backdrop of a warm melodic beat, Carner explores his desire to “break the chains in the cycle” of dysfunctional Black fatherhood, commenting on the narrative of fatherhood in the genre, and saying a key part of the process was realising that his father “grew up in a world where nobody showed him how to love or nurture”. The follow up track “A Lasting Place” is an exploration of the MC’s failure and inability to be perfect in this mission. The album closer is a powerful statement of love and forgiveness; with his signature lyrical dexterity, Carner declares his relentless commitment to his son and sees forgiving his father as a key part of this. The song closes with an emotional ending of Carner telling his dad “still I’m lucky yo that we talk”. There’s a striking duality of hugo’s bold, multilayered tracks and its often starkly intimate and tender lyricism, and that dichotomy is deliberate - it is a message for young Black men, but really, anyone, who is listening. Cognizant of the immense pain and fear and confusion that we are faced with everyday, Carner has thrown down the gauntlet, defying us not to rise above the fray, wake up each day and be ambitious. Ambitious in building strong personal relationships. Ambitious in our pursuit of our goals. Ambitious in never refusing to back down against injustice. Rejecting the title of leader, Loyle Carner sees himself “as holding up a mirror”, and that clearly translates into the album's universal messages.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eHate\u003cbr data-mce-fragment=\"1\"\u003eNobody Knows\u003cbr data-mce-fragment=\"1\"\u003eGeorgetown\u003cbr data-mce-fragment=\"1\"\u003eSpeed Of Plight\u003cbr data-mce-fragment=\"1\"\u003eHomerton\u003cbr data-mce-fragment=\"1\"\u003eBlood On My Nikes\u003cbr data-mce-fragment=\"1\"\u003ePlastic\u003cbr data-mce-fragment=\"1\"\u003eA Lasting Place\u003cbr data-mce-fragment=\"1\"\u003ePolyfilla\u003cbr data-mce-fragment=\"1\"\u003eHGU\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":41856782729372,"sku":"EMIVY2068","price":33.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/LoyleCarnerArtwork_PA_aeb60b5f-d949-4878-8ae8-6a1bad23b0c3.jpg?v=1660902421"},{"product_id":"the-kinks-muswell-hillbillies-everybodys-in-show-biz-box-set","title":"The Kinks - Muswell Hillbillies \/ Everybody's In Show-Biz [Box Set]","description":"\u003cp\u003eFormat: Deluxe Box 6LPs, 4CDs, Blu-Ray, Book+ Merch\u003cbr\u003eICPN: 4050538796926 \/ CAT720DBOX\u003cbr\u003eRelease Date: 09 Sep 2022\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eOverview:\u003cbr\u003eThe Kinks, Muswell Hillbillies \u0026amp; Everybody’s In Show-Biz – Everybody’s a Star deluxe 6LP, 4CD box set is being released through BMG on the 9th September 2022 in celebration of the 50th Anniversary. \u003cbr\u003e\u003cbr\u003eThe box set combines two of the Kinks’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour. \u003cbr\u003e\u003cbr\u003ePackaged inside a newly designed two-part box, this deluxe set includes remasteded audio from the original Muswell Hillbillies \u0026amp; Everybody’s In Show-Biz sources. Pressed on 6 colour vinyl and 4 CDs. A bonus heavy weight black vinyl of 11 new Ray Davies Remixes. A Blu-Ray video of ‘Ray Davies 1971 Home Movie’. \u003cbr\u003e\u003cbr\u003eAlso included in the release is a ‘London Roots Map’ of all the Kinks landmarks, x6 glossy photos, a Kinks Pin-Badge and 52pp hardback book including rare and unsen band photos and quotes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2LP - Muswell Hillbillies, 1971 original album, 2022 Remaster (Stereo)\u003cbr\u003eA1. 20th Century Man\u003cbr\u003eA2. Acute Schizophrenia Paranoia Blues\u003cbr\u003eA3. Holiday\u003cbr\u003eA4. Skin And Bone\u003cbr\u003eA5. Alcohol\u003cbr\u003eA6. Complicated Life\u003cbr\u003eB1. Here Come The People In Grey\u003cbr\u003eB2. Have A Cuppa Tea\u003cbr\u003eB3. Holloway Jail\u003cbr\u003eB4. Oklahoma U.S.A.\u003cbr\u003eB5. Uncle Son\u003cbr\u003eB6. Muswell Hillbilly\u003cbr\u003eBonus Disc:\u003cbr\u003eC1. Lavender Lane\u003cbr\u003eC2. Mountain Woman\u003cbr\u003eC3. Have A Cuppa Tea (alternate version)\u003cbr\u003eC4. Uncle Son (alternate version)\u003cbr\u003eC5. Kentucky Moon\u003cbr\u003eC6. Nobody's Fool (demo)\u003cbr\u003eD1. Acute Schizophrenia Paranoia Blues (BBC Peel Session)\u003cbr\u003eD2. Holiday (BBC Peel Session)\u003cbr\u003eD3. Skin And Bone (BBC Peel Session)\u003cbr\u003eD4. 20th Century Man (alternate instrumental take)\u003cbr\u003eD5. Queenie (backing track)\u003cbr\u003eD6. Muswell Hillbillies (radio spot)\u003c\/p\u003e\n\u003cp\u003e3LP – Everybody’s In Show-Biz – Everybody’s A Star, 1971 original album, 2022 Remaster (Stereo)\u003c\/p\u003e\n\u003cp\u003eA1. Here Comes Yet Another Day\u003cbr\u003eA2. Maximum Consumption\u003cbr\u003eA3. Unreal Reality\u003cbr\u003eA4. Hot Potatoes\u003cbr\u003eA5. Sitting In My Hotel\u003cbr\u003eB1. Motorway\u003cbr\u003eB2. You Don't Know My Name\u003cbr\u003eB3. Supersonic Rocket Ship\u003cbr\u003eB4. Look A Little On The Sunny Side\u003cbr\u003eB5. Celluloid Heroes\u003cbr\u003eC1. Top Of The Pops\u003cbr\u003eC2. Brainwashed\u003cbr\u003eC3. Mr. Wonderful\u003cbr\u003eC4. Acute Schizophrenia Paranoia Blues\u003cbr\u003eC5 Holiday\u003cbr\u003eD1. Muswell Hillbilly\u003cbr\u003eD2. Alcohol\u003cbr\u003eD3. Banana Boat Song\u003cbr\u003eD4. Skin And Bone\u003cbr\u003eD5. Baby Face\u003cbr\u003eD6. Lola\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBonus Disc:\u003cbr\u003eE1.'Til The End Of The Day (live at Carnegie Hall, New York, 2 March 1972)\u003cbr\u003eE2. You're Looking Fine (live at Carnegie Hall, New York, 2 March 1972)\u003cbr\u003eE3. Get Back In Line (live at Carnegie Hall, New York, 3 March 1972)\u003cbr\u003eE4. Have A Cuppa Tea (live at Carnegie Hall, New York, 2 March 1972)\u003cbr\u003eE5. Sunny Afternoon (live at Carnegie Hall, New York, 2 March 1972)\u003cbr\u003eF1. Complicated Life (live at Carnegie Hall, New York, 2 March 1972)\u003cbr\u003eF2. Long Tall Shorty (live at Carnegie Hall, New York, 3 March 1972)\u003cbr\u003eF3. History (studio outtake)\u003cbr\u003eF4. Supersonic Rocket Ship (alternate mix)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLP3\u003cbr\u003e1LP – Ray Davies Remixes \u003cbr\u003eA1. Have A Cuppa Tea\u003cbr\u003eA2. 20th Century Man\u003cbr\u003eA3. Motorway\u003cbr\u003eA4. Alcohol\u003cbr\u003eA5. Acute Schizophrenia Paranoia Blues\u003cbr\u003eB1. Supersonic Rocket Ship\u003cbr\u003eB2. Here Come The People In Grey\u003cbr\u003eB3. Here Comes Yet Another Day\u003cbr\u003eB4. Holloway Jail\u003cbr\u003eB5. Sitting In My Hotel \u003cbr\u003eB6. Oklahoma U.S.A.\u003cbr\u003e\u003cbr\u003eBox set CDs 1 \u0026amp; 2 same tracklist as LP1 \u0026amp; LP2 excluding bonus disc. \u003cbr\u003eBox set CD3 tracklist same as LP3\u003cbr\u003e\u003cbr\u003eBox CD4 - Muswell Hillbillies \u0026amp; Everybody's In Show-Biz - Everybody’s A Star, 1971 US Tour Travel Montage\u003cbr\u003e1. Travelling Montage\u003cbr\u003e2. Travelling With My Band (2022 Mix)\u003cbr\u003e3. 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